Prompt: 16:9 format of a painstakingly detailed, multilayer, delicate lithograph and watercolor wash rendering on rough handmade paper of poem number 30, Mibu no Tadamine, of the Ogura Hyakunin Isshu: "There is nothing so depressing / as the break of day / and leaving you after / having seen the heartless / morning moon." The image shows only part of the moon, a last quarter (or third-quarter) moon, which looks like a half-moon, in a ghostly bone-white in the sky at dawn. The horizon is turning pink and golden, whereas the sky above is still progressively darker blue. The horizon consists of a single, sinously curved mountain line, curved like the body of a woman lying on her side, but the landscape is still mostly pitch-black with shades of blue. The horizon and sky make up 90% of the image, whereas the mountain line and the landscape below accoutn fro only 10% of the image. Chilly ambiance, executed in the highly detailed, intricate, lithograph and watercolor wash technique. Exquisite Japanese folio.
Prompt: Ophelia surfacing from the watery depths: a soft powdery white porcelain skin toned beautiful woman floating to the surface of the transparent ocean, her entire full body covered with wispy, splashing, crashing flowing transparent watery, misty, ocean waves, fluidity. She is almost not there but simultaneously concealing and revealing her form, turning her visage into an intricate interplay of textures, contrasts and portraiture. Her soft lips and vividly rendered beautiful teary eyes break through the surface with watery clarity, their hyper-realism acting as focal points of human warmth against the surrealism of waves cross her body. The waves carries both ornamental grace and watery rhythmic cadence, softening the stark contrasts of the design while adding natural ornamentation and dynamic movement. The portrait is alive with subtle contradictions: areas of meticulous rendering dissolve into unfinished fragments, as if the work itself pauses mid-breath, inviting contemplation of what is absent as much as what is present. Crackling surface textures suggest the slow aging of pigment over time, reminiscent of weathered frescoes or aged parchment, their tactile depth blending with a wet-on-wet painting approach. Lighting techniques enhance the dimensionality, chiaroscuro shadows weaving across body the create volume, while flashes of subtle highlight soft luminous edges. Impulsive contrasts and vibrant oscillations in the brushstrokes inject energy into the piece, merging control with chaos, precision with spontaneity. The overall atmosphere channels the painterly surrealism infused with the optical play and visual rhythm, while the textural finesse and tactile intensity echo the experimental surface treatments in contrast. The result is a portrait that stands at the crossroads of order and disruption, beauty and distortion, crashing ocean waves, rendered with extraordinary attention to detail and haunting symbolic presence.
Prompt: Graceful curvy sketch in charcoal and wet on wet black watery oil of a beautiful woman walking along a ocean shoreline, the misty wave crashing along the beach, her wild flowing long hair, she is draped in oversized sheer cloth with fringe, 3D projection reminiscent in the style of Alexander Razumovsky and Audrey Beardsley on white background, intricate linework, digital sketch, dynamic lighting to enhance 3D effect.
Prompt: A small green magical being, Megrin, with large pointed ears, wearing a deep red cloak with a hood and a glowing flame medallion, standing on a dark forest clearing at night. Around him, villagers break free from a trance near a wooden altar with extinguished black candles. Wisps of shadow retreat into the trees, one last towering shape dissolving in sparks of light. Magical realism, cinematic fairytale tension, Jean-Baptiste Monge × Iris Compiet style.
Prompt: A cinematic fairytale illustration of Waldemar the raccoon adventurer, a friendly upright raccoon with a big brown backpack, red hat, leather straps across his chest and sturdy boots, standing in a misty forest clearing. Beside him is the Hedgehog-Turtle: a small magical creature with a catlike face, but a distinctly turtle-like body with green scales, short sturdy legs, and a large orange spiked turtle shell on its back. Its posture is low and reptilian, blending feline curiosity with turtle steadiness. The atmosphere is warm, enchanted, with soft morning light filtering through mossy trees. Highly detailed, whimsical realism, in the style of Jean-Baptiste Monge × Iris Compiet.
Prompt: A whimsical vampire in a spooky gothic workshop, sitting at an ornate wooden desk filled with skulls, quills, and ancient books. He has bat-like features with large ears, pale bluish skin, and elegant attire — a red coat, white ruffled shirt, and dark waistcoat. His eyes are deep, expressive, and mysterious, glowing faintly with an inner intensity rather than cartoonish exaggeration. He is sketching botanical and occult diagrams in an open book. Around him, shelves lined with skulls, jars, and strange alchemical artifacts; black candles flicker, casting dramatic shadows. The atmosphere is gothic, whimsical, highly detailed, in the style of Jean-Baptiste Monge × Brian Froud
Prompt: A full-body 3D demi relief rendering of a graceful woman, sketched with flowing water coloured pastel lines and layered wet-on-wet and oil washes that ripple like liquid shadows. Her form is realistic yet stylized with elegant curves, every contour captured in expressive strokes. Long, wild hair cascades outward in dynamic strands, each lock rendered with controlled chaos, suggesting both movement and depth. She is draped in an oversized shawl, its heavy fabric folding naturally around her figure, the fringe trailing into the composition like fine inked filigree. Surrounding her, intricate linework blooms into trees and flowers, woven into the scene with meticulous precision. The detailing carries a rhythmic energy, recalling the ornamental delicacy of Aubrey Beardsley and the imaginative flourish of Alexander Razumovsky. These natural elements are given a subtle three dimensional projection an illusion of layered textures that rise from the surface, adding weight and dimension to the otherwise flat medium. The stark white background heightens contrast, allowing the figure and surrounding motifs to stand in sharp relief. Fine cross-hatching, delicate ink flourishes, and flowing ornamental strokes enhance the design, transforming the portrait into a dynamic balance of realism and stylization. The overall impression is of a living sketch: tactile, intricate, and textured, where every line both defines and dissolves into the rhythm of form and nature.
Prompt: Vibrant celebration scene, romantic couple goi for a walk in a magical atmosphere , intricate floral patterns, shimmering gold accents, flowing dresses, mosaic patchwork background, soft watercolor textures, wet on wet technique, Klimt-inspired style, rich color palette of gold, red, and green, elegant and dreamy ambiance, Gustav Klimt's artistic flair, Artstation, high resolution for detailed brushwork and textures.
Prompt: Lady of the Crows, in the styles of Edward Atkinson Hornel, John Hoyland, Andy Kehoe, Kim Keever, and Thom, enamel champlevé, mist, fog, Mirkwood, metallic lines and colours, vibrant.
Prompt: Fate still owes me a dance, soft watercolor in Art Deco style by Annigoni, Egon Schiele, Catrin Welz-Stein, Jean Metzinger, Klimt, highly detailed, jewel tones, hyper detailed. Watercolor and ink, patchwork mosaic stained glass background, luminism, detailed and intricate environment
Prompt: Surreal, abstract, striking masterpiece, layered brushwork in a mixed media patchwork illustration of a braided female warrior with honey-beige, blunt choppy bangs, featured full length in a battle-ready, crawling pose, holding an ornate silver dagger in her hand, by Yoshitaka Amano, Brooke Shaden, Peter Doig, Carne Griffiths, Mary Blair, Gustav Klimt, Scott Naismith, Susanne.
Prompt: *Impressionistic oil on canvas, visible brush strokes, vibrant heavenly colour palette.
*The scene shows the upper surface above the water, while the lower one is below the surface of the sea with a female person in a meditating position.
*I ran away. I ran away to the sea. I quit my job, ran away from abusers in the company and family. Drove for 12 hours in the worst serpentines at night. But I ran away, just so my soul could find rest. Because the sea has always been the only place where I can breathe. I'm not drowning, I'm consciously looking and talking in the water, I'm hunting the sun's rays below the surface and the sun's stars on the surface. The sea not only heals my soul but also my body, hormonally destroyed due to psychological abuse. At least 10 days. Although I miss Kozma too much. But he wouldn't make it this time easily. I am an experienced driver. And I need solitude this time. The last jolts of this summer to show me where to go and whether to go. Sea please save me. I can only breathe with you.
Prompt: A stylized vintage portrait of a woman seen through an old window frame. She wears a delicate lace blouse with Victorian-inspired details, her hand resting on her forehead in a pensive, melancholic pose. The artwork is rendered in a fine sketch and etching style, with textured lines, subtle shading, and an atmosphere of faded nostalgia, blending photography with hand-drawn engraving aesthetics
Medieval Town at Dusk - COMING SOON: Robin Hood Special Series - Please read Description!
Model:
Photonic
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: The small Old Medieval Town of Nottingham, Middle Ages, fog and mist, dusk, colours, medieval ambience, sad mood , Fantasy Illustration, Illustration, Fantasy, Drawing, Watercolor, Watercolours, Aquarelle
Prompt: Modern naturalist watercolor illustration of a pond surface. Bright patches of water appear through soft concentric ripples, rendered with precise observation of light and movement. The reflections of surrounding trees, foliage, and sky are accurate yet gently distorted by the rippling surface. The palette includes deep natural greens, muted blues, and silvery highlights, with subtle tonal variations. The watercolor technique shows controlled washes, layered transparencies, and fine detail, without decorative frames or annotations. The result is a realistic, contemporary naturalist depiction of water’s luminous beauty in nature.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
8w
8w
