Sheshka (IO-IO Lab)

Return

• Model: ChatGPT 2 (Pro)

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: Subject: A lean, athletic seventy-year-old man, seen entirely from behind, standing on a narrow rocky shore at the very edge of black still water. He is completely bald with a long grey beard, no mustache, a weathered athletic build, sinewy arms and neck, skin like old leather. He wears steampunk glasses (seen only from the side), a dirty torn T-shirt, old ragged pants, worn leather boots. In his right hand hangs an old kerosene lamp — the only warm glow on the shore, a small golden flame. He has ALREADY taken one step forward: his left foot is placed on the first step of the reflected staircase — but the staircase does not exist above water. It exists ONLY in the reflection. His left foot rests on a wet, dark, cracked wooden step that is visible through the surface of the black water, half-submerged. Behind him, nothing — just mist and a few torn autumn leaves. In the black water below, the reflection shows a long wooden winding staircase climbing upward — broken, without railings in places, individual steps torn out, planks hanging loose, splinters visible. As the reflected staircase rises, it gradually stops being architecture: the higher steps twist and darken, the wood grain becomes bark, the banisters become branches, and at the top of the reflection the staircase has become a single black, crooked, wind-twisted dried tree — gnarled, bare, motionless. There is no clear boundary between staircase and tree; one becomes the other. The reflection is cold, black and colourless — no gold, no warm accents. Far above, dissolving into a stormy bone-white sky, a faint silhouette of a gothic castle can barely be seen, half-swallowed by mist — almost invisible, more a memory than a building. One vivid accent in the whole image: the golden flame of the kerosene lamp in the man's hand — small, warm, alive, the ONLY warm point in the entire scene. Everything else in the bone palette: off-whites, creams, pale pinks, deep black, ash grey. The sky is heavy with storm clouds, autumn leaves tearing sideways in the wind. Atmosphere: silent, sacred, terrible, absurd, unresolved. Heavy impasto, palette knife marks, turpentine drips, dry-brush smears, scraped areas where canvas shows through. Architecturally and anatomically correct. 8K, ultra-detailed, hyperrealistic, darkly elegant, macabre. Unfinished, abandoned, unresolved. The viewer should not be sure whether the man is stepping INTO the reflection or OUT of it, whether he is crossing a threshold or returning from one. Composition preserved from the original sketch.
  • Using base image: No
  • Aspect Ratio: portrait

Melancholy

• Model: ChatGPT 2 (Pro)

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: Mix two visual languages equally. 50% from image 2 (monochrome grunge ink, misty dissolution, wet-on-wet bleeding, forms readable only as vertical smears, one muted warm accent). 50% from image 3 (Gothic hyperrealism, bone palette of off-whites, creams and pale pinks, cracked aged textures, ornate gold details, integrated symbolic objects, one vivid accent, hyperdetailed rendering). Do not copy the subjects of either reference — only their visual DNA. The result should feel like a hyperrealistic gothic painting that is simultaneously dissolving into ink — precision and blur fighting each other in the same image. Subject: Keep the composition of image 1: a young woman seen entirely from behind, sitting in tall grass near a stream, long hair flowing down, wearing an elaborate dress with long lace train. Ahead of her stands a large Victorian house with a steep roof, dark windows, and a small porch — but the house is no longer welcoming. It is weathered, cracked, half-dissolving into ink and mist. The paint must behave physically: heavy impasto, palette knife marks, turpentine drips, dry-brush smears, scraped areas where canvas shows through. The dress is the sharpest, most hyperrealistic element — cracked porcelain-white lace, fine bone texture, thin gold threads woven into the hem, visible every stitch. Her hair is the second sharp element — long, fine, hyperdetailed. Everything else dissolves. The trees are no longer green — they are pale bone trunks with bare skeletal branches, smeared into ash grey vertical strokes. The stream is no longer a stream — it is a black mirror, perfectly still, reflecting nothing recognizable, just darkness and faint golden ripples. The sky has no warm golden sunset — it is a pale, washed bone-white sky with faint ink stains, and thick mist rolling low. The sun is gone. Everything in the bone palette: off-whites, creams, pale pinks, ash grey, deep black. One vivid accent in the whole image: a single golden glow in ONE window of the Victorian house — a cold, impossible light, as if the house is occupied by something that should not be there. Atmosphere: silent, sacred, terrible, absurd, unresolved. Hyperrealistic, 8K, ultra-detailed, darkly elegant, macabre. Unfinished, abandoned, unresolved. The viewer should not be sure whether the woman is coming home or saying goodbye. Composition preserved from the original image
  • Using base image: Yes

HOW PARTISANS LEFT FOR THE ROAD?

• Model: ChatGPT 2 (Pro)

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: Use the atmospheric dissolution and misty language of the attached image (image 2) — do not copy its subject. Now overlay STYLE2: Gothic hyperrealism with bone palette, muted off-whites, creams and pale pinks contrasted with deep black and one vivid accent, integrated symbolic objects, ornate gold details, cracked aged textures, soft dramatic lighting emphasizing contours, hyperrealistic, 8K, ultra-detailed, darkly elegant, macabre. Subject: A young woman seen entirely from behind, standing at the very edge of a cliff. Her long hair and long skirt are torn sideways by the wind, frozen mid-motion. Before her — a broken stone bridge, its middle collapsed into the void, only jagged stumps of masonry remaining on both sides. On the far side of the chasm, at the foot of a green hill, stands a small medieval house with a steep roof and lit windows, almost unreachable, surrounded by autumn trees. Autumn storm clouds roll low over the valley, driving fallen leaves in spirals. The bridge is ancient, cracked, covered in moss and rust. Everything is in the muted bone palette of STYLE2 — off-whites, creams, pale pinks, deep black shadows — with ONE vivid accent: a single red rowan berry in her open palm, the only color in the entire image. In the sky, faint and barely readable, carved into the storm clouds like cracks: the Belarusian words "як выходзілі ў шлях партызаны?". No faces visible — she is turned away. Unfinished, unresolved. The viewer should not be sure whether she is about to cross or to turn back. Composition preserved from the original sketch.**
  • Using base image: Yes

Boar Riders: Apocalyptic Charge

• Model: ChatGPT 2 (Pro)

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: Use the style, palette, and texture of the attached image (image 2) — monochrome grunge ink, misty atmosphere, weathered textures, desaturated greys, one muted warm accent. Do not copy its subject, only its visual language. Layer in the atmospheric dissolution of Whistler's Nocturnes and late Turner — the scene is primarily light and smoke, not objects. Subject for image 1: Winter of 1918, somewhere on the Polish border. Three exhausted soldiers in worn Red Army greatcoats and budyonnovkas ride on the back of an impossibly huge, monstrous wild boar — a beast the size of a tank, with thick mud-caked bristles, a scarred snout, and small burning eyes. The boar moves forward with slow, unstoppable weight, and the barbed wire of the border fence tears apart beneath it — not cut, not blown up, but simply crushed by sheer mass. Coils of wire snap and fly, tangling around its legs. The soldiers cling to the bristles and each other, not riding but holding on, faces hidden in shadow, bodies dissolving into vertical smears of grey and black. A crooked wooden Polish border post leans and falls in the background, barely readable through the fog. Snow, mud, dead grass, frozen puddles. The subject is not the soldiers or the boar, but the weight — the terrible, absurd weight of history moving forward. The figures dissolve into abstraction, readable only as vertical smears and dark masses — broken brushwork, dabs, hatched strokes, wet-on-wet bleeding. The boar is the only massive, readable form, rendered with heavy impasto and palette knife, its body like a mountain of mud and muscle. The barbed wire is sharp and terrible — the only crisp element in the entire image. Atmosphere: absurd, tragic, wild, silent, unstoppable. Heavy impasto, palette knife marks, turpentine drips, dry-brush smears, scraped areas where canvas shows through. Monochrome: lead white, ash grey, burnt sienna, coal black, dirty snow. One vivid accent: the crimson red star on one soldier's budyonnovka, or a crimson glint on the torn barbed wire — pick one, keep it small, keep it almost lost. 40% of the image remains as underdrawing. Unfinished, abandoned, unresolved. The viewer should not be sure whether this is a heroic advance or a ridiculous disaster. Composition preserved from the original sketch.**
  • Using base image: Yes

Gothic Mirror Reflection

• Model: ChatGPT 2 (Pro)

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: Dark surrealism, ink and watercolor wash on heavily soaked paper, style of Jeremy Mann and Endre Penovác. A blurred interior of an old train compartment, outside the window — a tar-like, pitch-black void. In the foreground, a delicate young woman's hand holds an ambiguous object: it is unclear whether it is a small pocket mirror or a vast open folio with an illustration. Inside its surface, instead of a face, a black swamp is reflected — with toad-like creatures (zhabalaki) crawling in the mud, and a mutating winged monster desperately trying to take flight. The scene is heavily blurred with a wet-on-wet watercolor wash, as if the drawing is almost washed away by water and dark dreams, with chaotic ink blots and splatters. The image is nearly monochrome (deep charcoals, cold greys, milky whites), but pierced by sharp, vibrant accents of deep gold (a faint glow from the swamp) and crimson red (a spark of life in the monster's wings). Certain gritty, sharp details remain completely untouched by the water: the delicate fingers of the hand, the ornate edge of the mirror/folio, the wet glint of the swamp creatures, the jagged silhouette of the winged monster, and the cold glass of the train window. Grunge, cinematic chiaroscuro, surreal mystery, poetic horror, raw texture, ambiguous reflection, slow motion of a dream.
  • Using base image: No
  • Aspect Ratio: portrait

Gothic Entity from the Mirror

• Model: ChatGPT 2 (Pro)

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: This is the prompt for the attached image. Create an image in the same style, but featuring only the painting itself—perhaps slightly brighter: "Dark surrealism, ink and watercolor wash on heavily soaked paper, style of Jeremy Mann and Endre Penovác. A blurred interior of an old train compartment, outside the window — a tar-like, pitch-black void. In the foreground, a delicate young woman's hand holds an ambiguous object: it is unclear whether it is a small pocket mirror or a vast open folio with an illustration. Inside its surface, instead of a face, a black swamp is reflected — with toad-like creatures (zhabalaki) crawling in the mud, and a mutating winged monster desperately trying to take flight. The scene is heavily blurred with a wet-on-wet watercolor wash, as if the drawing is almost washed away by water and dark dreams, with chaotic ink blots and splatters. The image is nearly monochrome (deep charcoals, cold greys, milky whites), but pierced by sharp, vibrant accents of deep gold (a faint glow from the swamp) and crimson red (a spark of life in the monster's wings). Certain gritty, sharp details remain completely untouched by the water: the delicate fingers of the hand, the ornate edge of the mirror/folio, the wet glint of the swamp creatures, the jagged silhouette of the winged monster, and the cold glass of the train window. Grunge, cinematic chiaroscuro, surreal mystery, poetic horror, raw texture, ambiguous reflection, slow motion of a dream."
  • Using base image: Yes

Ethereal Solitude

• Model: ChatGPT 2 (Pro)

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: Use the style, palette, and texture of the attached image (image 1) — monochrome grunge ink, misty atmosphere, rusted textures, desaturated greys, one muted accent color. Do not copy its subject, only its visual language. Subject for image 2: A remote wooden cabin lost in a dense foggy forest, quarter of a century of solitude. From the crooked chimney, perfect smoke rings rise slowly into the grey sky — thin, impossible, deliberate. In front of the cabin stands a solitary man in worn work clothes, holding a sledgehammer or a crowbar, not yet swinging — just standing, looking at the stove he built. The smoke rings are the only vivid element: pale gold against monochrome forest. No other people, no village, no roads. The cabin is rough, handmade, beautiful. The forest around it dissolves into mist. Fallen leaves on the ground, wet earth, long shadows at dawn. Atmosphere: quiet, absurd, proud, spiteful, deeply solitary. Unfinished, unresolved. The viewer should not be sure whether the man is about to destroy the stove or just admire it.
  • Using base image: Yes

Beyond the Gates of Neglect

• Model: ChatGPT 2 (Pro)

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: An abandoned, rusty portal half-submerged in a misty swamp; nearby, a cloaked figure facing a dark forest. Execute this in the style of the attached image.
  • Using base image: Yes

Path from Oblivion

• Model: ChatGPT 2 (Pro)

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: Dark fantasy illustration, grunge ink style. An ancient circular gate in a misty swamp. The word "NEGLECT" is carved in an arched semi-circle along the top rim of the gate, weathered engraved stone lettering. Monochromatic, gothic atmosphere. Preserve the original composition exactly. Do not change the figure, the forest, or the water.
  • Using base image: Yes

Swamp Dragon's Ancient Journey

• Model: DaVinci2

• Size: 1120 X 1688 (1.89 MP)

• Used settings:

  • Prompt: Dark fantasy masterpiece, cinematic polish, hyper-detailed. A massive ancient dragon with wet, intricate moss-covered scales, resembling a decayed antique submarine with tattered sails, rests submerged in a murky, fog-shrouded swamp. A lone cloaked figure stands on its back, gazing into the distance. Ominous bioluminescent glow from the dragon's eyes. Gnarled silhouettes of ancient trees in heavy, volumetric mist. Melancholic, hauntingly beautiful atmosphere. Chiaroscuro, wet specular highlights on the scales, sharp focus on the figure and dragon, deep moody lighting. High-end digital painting, concept art.
  • Using base image: Yes

1935

• Model: ChatGPT 2 (Pro)

• Size: 1664 X 2256 (3.75 MP)

• Used settings:

  • Prompt: take the plot from the first image, and the style from the second
  • Using base image: Yes

2035

• Model: ChatGPT 2 (Pro)

• Size: 1664 X 2256 (3.75 MP)

• Used settings:

  • Prompt: take the plot from the second image, and the style from the first
  • Using base image: Yes