Prompt: A moonlit scene depicts a quaint village nestled against a rocky cliff and fronted by rocky shoreline, featuring colorful houses with red roofs and a towering castle silhouetted against a deep blue sky. iridescent watercolor and ink By Jamie Heiden, Daniel Merriam, Paul Klee, Karol Bak, Dee Nickerson, extremely detailed, high definition, crisp quality, Hyperdetailed in gloomy gothic art, trending on Art station highly detailed intricate, ominous creepy concept art fantasy, horror, creepy , highly detailed, main colors: Moroccan blue, tarnished silver, copper, high contrast, perfect composition ominous creepy concept art Dave McKean perfect composition dramatic lighting and shadows Ultra-detailed diorama Double Exposure Effect Searching for non-obvious connectioand rust Medium shot By Harry clarke , dave mckean and Ismail inceoglu, kawaii, 8k, depth of field, intricate, hdr10, cinematic lighting by Roberto Ferri and Irving , vibrant blown glass backgroun
Prompt: A close-up portrait of a person's face, with the skin looking like a collage of ripped pieces of ancient manuscript, gold leaf, and delicate, weathered fragments of ornate fabric. Some pieces of manuscript have illegible, handwritten text. The colors are dominated by deep blues, rusty reds, and rich gold. The person's eye is a striking, vivid blue, creating a powerful contrast with the textured, chaotic skin. Highly detailed, photorealistic, with a delicate, fragile aesthetic.
Prompt: Create a vibrant and expressive cityscape painting during twilight. The foreground features a large, gnarled tree with bare branches, illuminated by warm orange and yellow hues of a setting sun in the background. The scene depicts a tranquil river that reflects the warm colors and the soft glow of street lamps lining the path.
On either side of the river, colorful buildings with varied architectural styles rise, showcasing shades of orange, blue, and purple, with windows glowing softly to convey warmth and life. The street lamps illuminate the pathway with swirling golden light, while flowers in vibrant colors can be seen in the foreground, adding a touch of nature to the urban ambiance.
The sky is painted with abstract patterns of swirling colors, suggesting movement and emotion, transitioning from a deep blue at the top to warm oranges and yellows closer to the horizon. Overall, the composition exudes a sense of serenity, beauty, and the magic of an evening stroll in a quaint town.
Prompt: A serene night scene featuring a weathered wooden dock extending into calm waters. On the left, a small fishing boat with a blue hue is gently bobbing. The dock is characterized by a vibrant mix of green and blue planks, reflecting a glimmering luminescence from overhead moonlight. A solitary lamp post stands at the end of the dock, casting a soft, warm glow that contrasts with the cool tones of the water and sky. The background depicts a vast sky filled with dramatic, billowing clouds, illuminated by the moon and scattered stars, creating an ethereal atmosphere. The color palette is rich with deep blues, greens, and subtle hints of warm yellow, evoking a tranquil yet mysterious mood. The composition draws the eye along the length of the dock, emphasizing depth and perspective. This artwork employs a digital painting technique, reminiscent of contemporary art styles influenced by impressionism and surrealism, highlighting the interplay of light and texture in a dreamlike setting.
Prompt: A detailed illustration of a quaint, fantastical village nestled within a vintage light bulb. The village, depicted in warm, sepia-toned hues, displays aged stone structures with detailed, intricate architecture. A multi-level building, featuring winding staircases and balconies, is prominent in the foreground. Wooden beams and trim, along with numerous small doors and windows, adorn the buildings. A muted gray and beige palette paints the building’s exterior, with hints of darker browns highlighting architectural details. Within the bulb, the village is illuminated by a warm, golden light source, suggesting a cozy ambiance. The villagers, depicted in muted tones, are engaged in various activities. The environment appears idyllic and peaceful, with a sense of quiet life. A perspective showcasing the entire village and the interior of the bulb, highlighting its curves and design elements. A worn, rustic wooden table serves as the backdrop, showing natural wood grain and textures. The lighting emphasizes the delicate details of the artwork, from the light reflecting off the bulb's surface to the soft glow illuminating the village within. The style is reminiscent of illustrative fantasy art, with detailed line work and shaded textures. The use of atmospheric perspective creates depth and a sense of scale. The composition is a unique blend of realism and fantasy, creating a captivating, enchanting image. The overall mood is peaceful, dreamlike, and whimsical. The light bulb itself is aged metal, with intricate detailing. The light emanating from the bulb illuminates the small village in its interior. Detailed lighting in the bulb, highlighting architectural features and villagers' activities, further emphasizes the artistic intent.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Ono no Takamura, of the Ogura Hyakunin Isshu: "Over the wide sea Towards its many distant isles My ship sets sail. Will the fishing boats thronged here Proclaim my journey to the world?" The image shows a small harbor inthe foreground, in which numerous traditional Japanese wooden sabani fishing boats are anchored. From the harbor, a single wooden sabani with large, white sails, is setting sail in good weather. The ocean is smooth, and the water's surface glitters silver and blue in the golden, late afternoon sun. The ship is sailing toward distant islands visible on the horizon, where the silver-blue sea meets the golden light of the sun. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 12, The Monk Henjo, of the Ogura Hyakunin Isshu: "Let the winds of heaven Blow through the paths among the clouds And close their gates. Then for a while I could detain These messengers in maiden form." The image shows four beautiful Gosechi dancers in their colorful, elaborate, ornamented, multi-layered silk kiminos called jūni-hitoea, holding cypress fans, wearing their hair in an elaborate hairdo, and dancing to celebrate the rice harvest. Above the dancers, ominous, dark clouds are gathering decoratively, blown together by a strong wind. The purpose of the clouds is to detain the four "heavenly madens" from returning to heaven. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 13, Emperor Yōzei, of the Ogura Hyakunin Isshu: "From Tsukuba's peak Falling waters have become Mina's still, full flow: So my love has grown to be Like the river's quiet deeps." The image focuses on a silver, glittering waterfall cascading from the green, richly wooded peak of Mount Tsukuba. At the bottom of the waterfall, a deep, dark-blue pool with a swirling pattern forms. From the pool, the gentle, blue river Mina issues forth. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 16, Ariwara no Yukihira, of the Ogura Hyakunin Isshu: "Though we are parted, If on Mount Inaba's peak
I should hear the sound Of the pine trees growing there, I'll come back again to you." The image shows Inaba mountain, on whose slopes a verdant pine forest grows, in the distance. In the foreground, we see a small group of young Japanese Middle Counselors wearing intricately patterned silk black-and-gold robes with a high collar at the back of their necks, over loose, abstractly patterned white-and-gold pants. The noblemen are thronging around one of their members to bid him farewell and good luck for his assignment to Inaba province. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 14, Emperor Kōkō, of the Ogura Hyakunin Isshu: "It is for your sake That I walk the fields in spring, Gathering green herbs, While my garment's hanging sleeves Are speckled with falling snow." The image shows an elegantly dressed, young man, Kōkō Tennō, bending over to pick wildflowers and green herbs in very early spring. Snowflakes are falling on the sleeves of the emperor's intricately patterned silk kimono. He is fully concentrated on his task, and is holding a small bouquet of greens and spring wildflowers in one hand while he is bending over and picking a single flower to add to the bouquet. The weather is cold and gray, with a strong wind blowing patterned clouds through the sky. The emperor's exquisitely colored silk robe contrasts starkly with the inclement, gray weather. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 14, Minamoto no Toru, of the Ogura Hyakunin Isshu: "Like Michinoku prints Of the tangled leaves of ferns, It is because of you That I have become confused; But my love for you remains." The image shows a large cloth blanket thrown over a wooden bench. The blanket has an intricately tangled, confusing, mottled pattern of ferns. The dark cloth has a print of metallic gray fern fronds with bluish and reddish tints. Next to the cloth, on the bench, sits an elegant Japanese statesman from a long bygone era. He is dressed in courtly robes tied with an ornameted sash. The nobleman is despondent, and is sitting with his elbows on his knees and his head cupped in his hands. Behind the close-up of the bench with the statesman and the patterned cloth are dark, abstracted trees in a Japanese esthetic. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate linocut, additionally hand-colored of a black, palatial, intricately worked, wrought-iron gate in a state of disrepair. The gate is attached to a crumbling red brick wall on either side that encloses an overgrown garden that must have been splendid. Now, the garden is overgrown with grass, blooming weeds, tall, shady trees, and brambles overgrowing profusely blooming roses in all shades of pink. Dappled sunlight filters through to highlight the roses. The garden view is visible through the old gate. The patterns in the image are highly complex, combining a multi-layered linocut print with hand coloring.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 17, Ariwara no Narihira, of the Ogura Hyakunin Isshu: "Unheard of even in the legendary age of the awsome gods: Tatsuta River in scarlet and the water flowing under it." This particular poem, and the image it conjures up, is a masterpiece. We see scarlet Japanese maples lining the bank of the scenic, gently flowing Tatsuta River. The golden sun is shining on this day in fall, and the maple trees are very gradually losing their foliage. Leaves are lazily floating downward through the air, and cover nearly the entire surface of the river. The leaf-covered river shimmers in tones of scarlet and burgundy as the leaves slowly floating downriver. Poignant image perfectly capturing the essence of autumn. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 18 - Fujiwara no Toshiyuki
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 18, Fujiwara no Toshiyuki, of the Ogura Hyakunin Isshu: "Must you so avoid others’ eyes that not even at night, along the road of dreams, will you draw nigh like the waves to the shore of Sumi-no-e Bay?" This poem was an entry in a poetry contest by accomplished poet and calligrapher Fujiwara no Toshiyuki. The image personifying the poem shows waves lapping the shore of Sumi-no-e Bay (Osaka Bay) at night. The stars are shining brightly; their silvery light reflects off the waves and the foam that decorates their edges on the shore. The sky is underlaid with a very delicate, barely noticeable calligraphic line pattern of two lovers engaged in a forbidden tryst lying across the entire sky, as if in a dream, almost obscured by the light of the twinkling stars. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 19, Lady Ise, of the Ogura Hyakunin Isshu: "Even for a time Short as a piece of the reeds In Naniwa's marsh, We must never meet again: Is this what you are asking me?" The image shows a Japanese woman of antiquity from the back. She is dressed in highly ornamented, precious robes. Her hair is put up in an an extravagant hairdo. Her slumped shoulders and the cast of her head indicate that she is melancholy, as she wistfully gazes out over strongly repetitively patterned, sumptuous reeds lining the banks of Naniwa (Osaka) inlet. Behind the reeds, blue water twinkles in the sunlight. The sky above is bedecked with intricately patterned cirrocumulus clouds. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 20, Motoyoshi Shinnō, of the Ogura Hyakunin Isshu: "Miserable, now, it is all the same, Channel-markers of Naniwa - even if it costs my life, I will see you again!" The image shows a Japanese prince sitting on his haunches on the shore of Naniwa Inlet, looking at the miotsukushi, or water markers - wooden posts - placed in shallow areas as safe navigation guides. The Crown Prince is dressed in a sokutai, an enveloping formal robe of golden, heavily patterned silk. The still waters of the inlet twinkle in the sunlight. The nearly cloudless sky is a cerulean blue. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 21, Sosei Hōshi, of the Ogura Hyakunin Isshu: "It was only because you said you would come right away that I have waited these long months, till even the wan morning moon has come out." The image shows a standing Japanese woman of antiquity gazing out a a green, hilly landscape in early morning, with a pale waning moon barely visiblein the light-blue morning sky of dawn. She is a peasant, and is wearing a simple, rough, indigo-dyed cotton kosode (forerunner of the kimono). The green, hilly landscape is strongly patterned, as is the pale blue morning sky. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 22, Fun’ya no Yasuhide, of the Ogura Hyakunin Isshu: "It is by its breath That autumn's leaves of trees and grass are wasted and driven. So they call this mountain wind The wild one, the destroyer." The image shows a side view of a richly wooded, sloping mountainside in late fall. A gale-force gust of wind is blowing down the mountainside quite dramatically and, for the sake of the viewer, with a visible pattern. The wind is blowing red and yellow leaves before it, and bending grasses all the way to the ground. The leaves swirl and twirl in the crisp fall air. The red and yellow of the trees and leaves contrast sharply with the white pattern used to visualize the wind against an electric blue sky. Intricate watercolor overlaid with a woodblock print. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 23, Ōe no Chisato, of the Ogura Hyakunin Isshu: "When I look at the moon / I am overcome by the sadness / of a thousand, thousand things - / even though it is not Fall / for me alone." The image shows a waning, yellow moon, which has just risen over the horizon, in a starry, dark sky. Naked, black tree branches reach into the sky, creting intricate patterns. The large sickle of the moon peeks forth from a clearing between the branches. The meadow on the ground is even darker than the sky. A melancholy mood permeates the picture. The sky and the meadow have typical patterns of a woodblock print. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 24, Kanké (Sugawara no Michizane), of the Ogura Hyakunin Isshu: "This time around / I couldn't even bring the sacred streamers / --Offering Hill-- / but if this brocade of leaves it to the gods' liking..." The image shows autumn on Mount Tamuke, with red-leaved trees ringing the mountain. Almost transparently overlaid over the image of the mountain is a nusa, a rather large wand from the top of which many thin, white paper streamers hang down. The wand is used in Shinto religious ceremonies. The red-leaved trees shine through the nearly transparent, full top layer. The mountain and trees exhibit patterns typical of a woodblock print. Exquisite Japanese folio.
Prompt: She is a Flame: Image is a digital artwork featuring a stylized, glowing silhouette of a woman walking through a field of large, vibrant yellow daisies. The woman is composed of luminous lines, giving it an ethereal appearance. Her pellucid dress is intricately designed with layers of petals, seamlessly blending with the surrounding flowers. The background is softly blurred, emphasizing the bright, cheerful daisies in the foreground. The overall color palette is warm, dominated by shades of yellow and green, creating a harmonious and serene atmosphere. The artwork captures a sense of movement and light, with the figure appearing to be part of the natural landscape.
Prompt: a surreal scene of a typewriter with a face made of words, set in a desolate landscape, the typewriter is old and worn, with a blue-grey color, the face is composed of tiny words, creating a textured surface, the paper coming out of the typewriter is also covered in words, the background is a barren desert with a few leafless trees, the sky is a pale blue, the lighting is soft and diffused, creating a dreamlike atmosphere, the overall mood is melancholic and thought-provoking
Prompt: "A photograph capturing a surreal and captivating scene bathed in the warm glow of a sunrise, showcasing a colossal tree with sweeping, arching branches adorned with large, pristine white and light pastel shells instead of leaves, interspersed with delicate white flowers. Beneath the tree, a gentle cascade of white, dusty pink, and dusty blue shells creates a textured and organic ground cover, leading the eye towards a distant navy blue sea where the sun ascends the horizon, its radiant light shimmering across the water’s surface. The composition is a study in contrasts, the solid form of the tree juxtaposed against the fluidity of the shells and the expansive vista of the ocean, all rendered in a soft, dreamlike style reminiscent of early 20th-century pictorialism. The background subtly fades into a hazy warmth, emphasizing the ethereal beauty of the foreground's unique, shell-laden tree and the serene sunrise."
Prompt: 2 , Harley Quinn, one beautiful female sad, one handsome male happy, harlequin, classic designer,
haute couture, dark fantasy , high end, misty background , they are dancing a waltz together
Prompt: A full-body illustration detonates in a riot of color, a work where every stroke is drenched in chromatic force and no surface is left untouched by paint. The figure is a mythic skinny female hybrid, her body monumental and exaggerated, drawn with raw physicality and then drowned in violent, saturated pigments that clash, bleed, and explode outward. This is not a restrained palette but one of intensity: hues grind against each other, splatters erupt across the page, and dripping marks saturate the form until it vibrates with feral energy.
The woman’s pose is dynamic, ferocious—one leg bent in predatory readiness, the other stretched with taut power, her torso twisted mid-motion as if frozen in a moment of unleashed violence. Her expression is painted in uncompromising detail: brows pressed low, jaw rigid, lips peeled back in a half-snarl, her eyes electric with rage and beauty. Skin tones (Pantone 468 C, heightened with harsh shadows of Pantone 7531 C and bruised violet Pantone 7664 C) are modeled in raw strokes, sometimes broken by splashes of color that spill beyond the contours, blending body and atmosphere.
Her vast wings are a maelstrom of pigment. The base plumage is white (Pantone 663 C), but streaked with blood reds (Pantone 1795 C), bruised purples (Pantone 2592 C), and blacks so deep they look carved into the surface. Silver metallic streaks (Pantone 877 C) arc across the primaries, catching imaginary light, while random bursts of electric blue (Pantone 2736 C) tear across the feathers like sparks, shattering any sense of stillness. The edges are ragged, dripping paint, as if the wings themselves are ripping apart the canvas.
Her taloned feet are drenched in earthy ochres (Pantone 7554 C), molten bronze (Pantone 876 C), and violent highlights of scarlet (Pantone 186 C), the claws sharpened into black daggers that slash against the page. Her hands mirror this transformation, the elongated fingers tipped with claws painted in thick, glossy black (Pantone Black 6 C), outlined in streaks of crimson and magenta, as though dipped in blood and fire.
Her hair bursts across the work in wild, chaotic arcs of golden yellow (Pantone 7406 C) infused with streaks of orange (Pantone 2008 C) and violent slashes of copper. The brushstrokes are brutal and expressive, thick pigment dragging across the page so the strands feel alive, whipping outward into the surrounding chaos. From her forehead jut two feathered antennae, painted in whites and pale gray (Pantone 423 C) but spattered with accidental flecks of violet and crimson, anchoring them in the storm of colors.
Her nudity is not soft but primal, defined by dense strokes of pigment. Feathers cover her breasts and hips, painted in saturated whites and overlaid with streaks of metallic gold (Pantone 871 C) and copper (Pantone 7590 C), transforming them into a kind of wild, improvised armor. These feathers do not sit still—they smear outward, dripping and dissolving into the background, at once modest and violently expressive.
The background itself is pure chaos: slabs of black and crimson dominate, with layers of violet, bronze, and electric blue bleeding into one another, crossed by scratches and splatters. Nothing is clean, nothing is calm—the space is a battlefield of pigment where the figure both emerges and dissolves.
Prompt: A full-figure pencil drawing in a style defined by meticulous, flowing linework and subtle tonal shading, where every contour is rendered with skinny anatomical precision and a deep understanding of proportion. The treatment is monochrome, rich in cross-hatching and delicate gradations of graphite, giving the form a sense of volume and softness, as if the figure could step out of the page.
The subject is a barefoot woman seen three-quarters from the back, her posture relaxed yet balanced, weight resting gently on one leg. Her hair is a vivid violet pixie cut—highly layered and asymmetrical, with textured, feathered strands that contrast sharply against the monochrome body. The hair, the only colored element in the composition, is rendered in vivid tones (Pantone 2592 C) with nuanced shading that shifts from deep violet to bright lavender highlights, appearing almost luminous against the graphite work.
Her body is covered in intricate leaf drawings, each leaf individually outlined and shaded in pencil, following the curves and planes of her anatomy as though they were part of her skin. The leaves vary in size and shape, some curling delicately, others lying flat, creating an organic pattern that seems to grow naturally from her form.
The ground beneath her bare feet is suggested with light, sketchy strokes, keeping the focus on the figure. The background is left minimal and airy, with only faint, atmospheric marks to frame her silhouette, allowing the viewer’s eye to rest on the interplay between the precise graphite rendering and the vivid, living color of her hair. The overall effect is both harmonious and striking—a union of classical draftsmanship and a single, modern burst of chromatic intensity.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
