Prompt: Sogno in officina, simbolismo onirico astratto, pittura a olio su tela, grande impatto museale. Interno di vecchia officina meccanica con vetrate sottili che filtrano una luce fredda color ambra, atmosfera sospesa senza percezione di temperatura. In primo piano una grande putrella/colonna a T come asse centrale e barriera psicologica. Sullo sfondo due figure umane in silhouette ai lati della vetrata, intenti a parlare a bassa voce dietro la struttura, volti non leggibili, solo presenza e giudizio. A destra una massa organico-meccanica: turbina/ingranaggio/fumo che suggerisce “macchina-coscienza”, vortice scuro con riflessi blu e ruggine. Il pavimento e l’aria rivelano gradualmente sporco, grasso, polvere metallica come se emergessero con la critica: materia che affiora nella luce.
Inserire Napoleone NON come persona riconoscibile: una piccola forma di dominio retorico in basso, come triangolo/ombra con cappello bicorno appena accennato, oppure sagoma minimalista fatta di segni: un nodo di nastro rosso che diventa parola, un sigillo cerato, una coccarda o una corona d’alloro spezzata, un profilo geometrico quasi cancellato. Deve evocare “micro-imperatore” (poche competenze, tanta lingua) attraverso simboli di comando vuoto: medaglia senza metallo, epaulette di carta, timbro, etichetta prezzo. Nessuna fisionomia, nessun ritratto storico.
Palette: ocra, ruggine, ambra, blu petrolio, nero carbone. Texture spessa, pennellate visibili, chiaroscuro drammatico, composizione verticale, atmosfera metafisica, profondità cinematografica, grana da tela, stile pittorico internazionale, surreale ma sobrio, nessun testo leggibile, nessun logo.
Prompt: Masterpiece, a multi-block color woodcut and linocut print in a vibrant, graphic style. A group of villagers stands amidst tall grass during the harvest season, their forms defined by a clean, bold key block that outlines each figure with sharp, deliberate lines. Masterpiece, a multi-block linocut and woodcut print in a raw, expressive style. A close-up, dynamic scene is carved and printed with aggressive, gestural force. A glamorous woman with a short ice-white pixie cut is the focal point, her form defined by a chaotic key block of scratching, splashing, and irregular squiggly lines. Her figure, captured mid-stride with confident energy, is rendered with evocative, coarse brush stroke-like gouges. She stands at a market stall on a cold, gray morning, her breath suggested by swirls of fine, misty stippling in the air. She wears an old suede jacket with a fur collar, baggy jeans, and Chucks, their textures created through varied hatching and splattered ink. Her tired expression is carved with intricate, precise detail. The background features the bustling weekly market. The silhouettes of houses and crowds of people are blurred into suggestive, overlapping shapes through deep, horizontal grooves and layered transparent inks, emulating fog. A cheerful old Chinese vendor and his apple stall are depicted with sharper, more defined cuts.
The color palette is a dramatic contrast of vibrant, impasto-like fields of color the red of apples, the blue of her jeans against a dark, moody background. The style merges the chiaroscuro of Caravaggio with the textural rawness of printmaking, creating a breathtaking, atmospheric urban snapshot. Graphic style, linocut, woodcut, key block, bold outlines, high-contrast, textured, atmospheric, urban, raw, stylistic. Graphic style, linocut, woodcut, key block, bold outlines, flat colors, vibrant, intricate, stylistic, modern illustrative, harvest theme.
Prompt: /imagine "The continuous sound of raindrops on rooftops synchronized with the rushing sounds of villagers collecting rainwater. It was the rainy season in Illare, and the farmers were happy, knowing that there would be a bountiful harvest", Pixar style, double exposure effect, speed painting, splash painting.The collaborative genius of artists like Brandon Kidwell, Andreas Lie, and Dan Mountford. Oil and ink masterpiece canvas, fine art elements, super dramatic lighting that create stunning depth, high resolution
Prompt: Sad abstraction: A gorgeously busty Czech-Japanese mixed-race (stil man?) sets up a ladder by the Thun Palace and deftly holds it while his clones climb up to remove the Japanese flag from the building.
Prompt: A surreal miniature diorama depicting tiny construction workers in yellow hard hats and safety vests processing the inside of a giant fish as though it were a worksite. Some workers climb a ladder into the fish’s hollowed belly, shoveling pink flesh out onto the ground. Others push wheelbarrows, chop the meat on small tables, and organize the chunks into wooden crates. The fish lies still with one glassy eye, its scales shimmering under soft studio light. The scene is hyper-detailed, blending the realism of seafood preparation with the whimsical absurdity of construction teamwork. Cinematic, toy-like yet lifelike, 4K macro photography style.
Prompt: Workers constructing a skyscraper in New York in the 1930s: The scene is supposed to depict the famous photograph "Lunch atop a Skyscraper," showing workers eating lunch on a steel beam hundreds of feet in the air.
Prompt: Workers constructing a skyscraper in New York in the 1930s: The scene is supposed to depict the famous photograph "Lunch atop a Skyscraper," showing workers eating lunch on a steel beam hundreds of feet in the air.
Prompt: Lines of workers leaving a factory, factory gates, distant cityscape with lights, chimneys emitting faint smoke, worn work clothes, diverse group of workers, tired but determined expressions, urban decay, detailed architecture, realistic style.
Prompt: Digital illustration of a vast (shipyard (in space)), colossal spaceship (exploded view) is under construction, advanced technology, robotic arms and construction cranes, workers in futuristic suits :: dark expanse of space dotted with stars, emphasize the scale of the construction :: by Jim Burns, Donato Giancola, David Mattingly, Fred Gambino, Chris Moore :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed, high definition
Prompt: A rural scene depicting farm workers loading hay onto a wagon. Two light-skinned, middle-aged men, dressed in simple work clothes, stand atop a large bale of hay, using tools to load more hay onto the wagon. The wagon is light blue and the hay is a golden straw color. A red tractor is visible in the foreground, positioned slightly to the left of center. The landscape is a field of golden-yellow and green, with distant trees and a small, light-colored house visible in the background. The sky is a light blue, with scattered, wispy clouds. The overall style is a vintage illustration, or a stylized painting, with muted, natural colors and a sunny atmosphere. The perspective is slightly elevated, providing a wide view of the farm scene. The men are positioned near the center-top of the image, facing the viewer. The composition is balanced, with the tractor and the hay bale providing focal points. The light is soft and even, casting no strong shadows.
Prompt: Grand Gothic cathedral under construction, circa 1500, towering stone walls rising skyward, intricate scaffolding of wood surrounding spires, masons chiseling limestone blocks, workers hauling stone and timber, dusty ground strewn with tools, cranes powered by ropes and pulleys, sunlight filtering through unfinished arches, dramatic atmosphere, sense of awe and devotion, highly detailed, cinematic realism, historical accuracy
Prompt: Retrofuturistic travelers in vintage attire, sipping coffee, in front of a nostalgic airport cafe, with Art Deco accents, reminiscent of Syd Mead's, Ash Thorp's, and Simon Stalenhag's futuristic yet nostalgic styles, in a highly detailed, crisp oil-painting aesthetic with digital art enhancements.
Prompt: A hyperrealistic, slightly impressionistic view of a large field filled with numerous bundles of vibrant crimson and pink incense sticks, arranged in a repeating pattern, resembling a vast landscape of soft, bristly flowers. The bundles of sticks are fan-shaped and appear densely packed, spreading seamlessly across the entire scene without interruption. Workers in blue shirts and conical straw hats are hunched over the sticks, carefully tending to them. The colors are rich and saturated, with bold crimson and luminous pink tones dominating the field, creating a striking visual tapestry. The ground is a muted gray, serving as a simple backdrop that emphasizes the dramatic expanse of color. The overall mood evokes a sense of tranquil industriousness, highlighting the meticulous labor of preparing incense in an environment filled with beauty and order.
Prompt: A surreal landscape featuring a massive, cracked humanoid head looming over a futuristic, dystopian city. The head is partially buried in the ground, with small figures of workers climbing ladders and performing repairs on its surface, symbolizing the struggle of maintaining knowledge and consciousness. The background showcases towering, abstract structures with a cloudy, ominous sky, creating a sense of a forgotten civilization. The atmosphere is a blend of eerie calmness and a stark reminder of the fragility of human thought.
Prompt: A colossal cargo drone—known across the industrial fleet as "Big Blue"—descends with earth-shaking inevitability into the heart of a sprawling shipyard, its enormous spherical hull pitted with scars of reentry and ringed with blazing thruster wells that pour incandescent furnace-light into the smoke-choked air. From the viewer’s low, off-center vantage, the entire machine looms impossibly close, overwhelming the frame with concentric geometry and cascading sparks that rain from its docking arms like a storm of molten steel. Foreground silhouettes of workers in reflective vests blur against the haze, their helmets catching stray glints of light; their presence anchors human scale but is quickly devoured by the machine’s immensity. The asphalt beneath trembles as dust, smoke, and metallic debris are flung outward in violent spirals, while yellow-striped barriers bend beneath the onrush of displaced air. Midground structures—towering gantries, skeletal cranes, and container stacks—strain to frame the arrival, their rigid orthogonals broken by the vast spherical intrusion. Beyond, another drone approaches through the vapor-thick horizon, its silhouette dimmed by atmospheric depth yet echoing the same monstrous form, reinforcing the industrial procession of leviathans. Overhead gulls wheel frantically through the downdraft, their wings backlit by the searing orange of exhaust vapor, while distant dirigibles and auxiliary craft drift like phantoms across the ashen sky. Every surface of the drone seethes with detail: carbon-scored armor plates, exposed mechanical joints, blistered weld seams, luminescent hazard glyphs, and painted corporate sigils half-consumed by rust and flame. Sparks cascade from articulated landing arms, scattering across reflective wet asphalt as if igniting fragments of forgotten battles. Thrusters roar with volcanic force, carving turbulent shockwaves that ripple the gantries’ steel trusses, rattling shipping containers, and forcing human figures to shield their eyes. The viewer’s perspective is locked into a rising three-quarter tilt, cinematic and destabilizing, making the drone not just a machine but a world-consuming presence. The background dissolves into layered atmospheric haze, its density carved by shafts of raytraced light that refract through drifting particulates, bending color into molten gradients of rust-orange, electric blue, and sulfurous gray. Gantry floodlights flare against the haze, their beams fragmented by scaffolds and chains, adding to the kaleidoscope of industrial illumination. Each frame element enacts consequence: gulls scatter, cranes sway, asphalt fractures, sparks rain, steam hisses, and the drone descends inexorably toward its berth. In this theater of engineered awe, the shipyard becomes a crucible where sky and steel converge, and "Big Blue" is no mere machine—it is a cargo monolith, an industrial godform, a descending titan whose weight presses down on the very air.
--mod alien starcruiser, --mod industrial fidelity, --mod atmospheric depth, --mod deep perspective, --mod raytraced lighting, --mod exhaust vapor, --mod rust orange mars dust, --mod industrial awe register, --mod cargo monolith descent, --mod smokestack horizon blur, --mod furnace core glow logic
Prompt: a modern version of a Lowry scene of heavy industrial and a few workers, alcohol ink with black ice, π, golds, coppers and smoke grey, olive green,
Prompt: a modern version of a Lowry scene of heavy industrial and a few workers, alcohol ink with black ice, π, golds, coppers and smoke grey, olive green,
Prompt: a modern version of a Lowry scene of heavy industrial and a few workers, alcohol ink with black ice, π, golds, coppers and smoke grey, olive green,
Prompt: Impressionism- Men pouring molten iron in an early 20th century iron smelting plant. It was dark, sweaty and dangerous. The feeling of the image is of being in the bowels of Hell.
American Wild West Railroad Construction: Historical Scene
Model:
DaVinci2
Size:
1920 X 1080
(2.07 MP)
Used settings:
Prompt: American Wild West Railroad Construction: Historical Scene
This image shows a historical scene of American Wild West railroad construction. Workers of diverse backgrounds build the tracks as a steam locomotive approaches. The artwork has a realistic, cinematic style.
Prompt: “Comic book style illustration of a dramatic Wild West railroad construction scene — a steam locomotive chugs forward slowly on a half-built track. Dozens of workers in old-fashioned clothes (Chinese, Irish, African-American) are hammering railroad spikes, carrying wooden planks, and laying rails. The background features wide open prairies, mountains in the distance, and a dusty sky. Exaggerated expressions and dynamic poses, inked outlines with bold colors and shading. Include speech bubbles or sound effects like ‘CLANK!’ ‘HISS!’ ‘THUD!’ to enhance the comic style. Stylized, detailed, cinematic panel.”
Prompt: Vagrant Goats In Newark, N. J., citizens complained that 100 vagrant goats had taken possession of the freight-yard district, butted the residents, overturned swill buckets, eaten clotheslines, rosebushes, awnings. Police, five dogcatchers, two Health Department Inspectors, Humane Society Agents, a squad of detectives geared out with lassos and dog-nets, harried the herd of whiskered miscreants, caught nine.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
