#vintagephotograph

Forgotten Portraits, Pt. 14

• Model: Realismo

• Size: 1423 X 1067 (1.52 MP)

• Used settings:

  • Prompt: A blurry, grainy monochrome vintage photograph, warm sepia tone. A middle-aged woman sits on a simple wooden chair in a room. Her hair with a light dusting of grey is neatly styled in an old-fashioned bun, she wears an old-fashioned dress. She gazes calmly and intelligently at the camera, exuding attentiveness. Behind her, the wall is adorned with two or three medium-sized unsettling portraits of surreal creatures. A small table nearby holds a small lit candle and a bouquet of dry flowers. The framing captures the woman from just below the knees up. Unsettling, inscrutable atmosphere.
  • Using base image: No
  • Aspect Ratio: landscape

Forgotten Portraits, Pt. 13

• Model: FluX

• Size: 1728 X 1153 (1.99 MP)

• Used settings:

  • Prompt: A blurry, grainy monochrome vintage photograph, sepia tone. A slender 15 yo girl sits on a simple wooden chair in a room. Her hair is neatly styled in an old-fashioned bun, she wears an old-fashioned dress. She wears a black blindfold. Beside her, the wall is adorned with two or three medium-sized unsettling portraits of surreal creatures. A small table nearby holds a small lit candle and a bouquet of dried flowers. The framing captures the girl in a side view from just below the knees up. Unsettling, inscrutable atmosphere.
  • Using base image: No
  • Aspect Ratio: landscape

Forgotten Portraits, Pt. 12

• Model: Realismo

• Size: 1600 X 1200 (1.92 MP)

• Used settings:

  • Prompt: A blurry, grainy monochrome vintage photograph, sepia tone. A middle-aged woman sits on a simple wooden chair in a room. Her hair is neatly styled in an old-fashioned bun, she wears an old-fashioned dress. She gazes calmly and intelligently at the camera, exuding attentiveness. Behind her, the wall is adorned with two or three medium-sized unsettling portraits of surreal creatures. A small stool nearby holds a small lit candle. The framing captures the woman from just below the knees up. Unsettling, inscrutable atmosphere.
  • Using base image: No
  • Aspect Ratio: landscape

Nostalgic Paris Streets: A Journey Through Time

• Model: DaVinci2

• Size: 1112 X 920 (1.02 MP)

• Used settings:

  • Prompt: Illustration described with circular lines drawings of street landscape with insanely handsome men in watercolor style of Jeremy Mann, Dee Nickerson and style of Louis Jover
  • Using base image: No
  • Aspect Ratio: landscape

Line for Lyons

• Model: DaVinci2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Line for Lyons
  • Using base image: No
  • Aspect Ratio: square

Forgotten Portraits, Pt. 11

• Model: Realismo

• Size: 1536 X 1318 (2.02 MP)

• Used settings:

  • Prompt: A blurry, grainy monochrome vintage photograph, sepia tone. A middle-aged woman sits on a simple wooden chair in a room. Her hair is neatly styled in an old-fashioned bun, she wears an old-fashioned dress. She gazes calmly and intelligently at the camera, exuding attentiveness. Behind her, the wall is adorned with two or three medium-sized unsettling portraits of surreal creatures. The framing captures the woman from just below the knees up.
  • Using base image: No
  • Aspect Ratio: square

Forgotten Portraits, Pt. 10

• Model: Ideogram

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: A blurry, grainy monochrome vintage photograph, sepia tone. A young man sits on a simple wooden chair in a room. His brown hair is neatly parted, and he wears a brown suit with a white shirt, the collar casually unbuttoned. He gazes calmly and intelligently at the camera, exuding attentiveness. Behind him, the wall is adorned with two or three medium-sized unsettling portraits of surreal creatures. The framing captures him from just below the knees up.
  • Using base image: No
  • Aspect Ratio: square
  • Ideogram Style: Auto

Forgotten Portraits, Pt. 2

• Model: FluX

• Size: 932 X 1024 (0.95 MP)

• Used settings:

  • Prompt: a bit blurry, grainy, faded analogue Polaroid photograph, artistic, highly aesthetic, sepia: front view of a 14 yo Russian girl in a knee-length, worn, butterfly-patterned skirt and a modest blouse. slender figure. pale skin. she wears a worn, cardboard rabbit mask. deeply inscrutable, sinister and unnatural gaze at the viewer. a small table by the wall holds a dimly lit table-lamp. the walls have an old, worn wallpaper with small, faint floral pattern. the wall also features a small portrait of a deeply surreal creature. compositionally balanced scene, liminal vibe. somber, deeply unsettling atmosphere. soft dynamic lighting with unsettling shadows. slightly subdued colors. vintage aesthetics. the scene's atmosphere is inspired by the works of Bill Stoneham. high contrast with shallow depth of field.
  • Using base image: No
  • Aspect Ratio: square

Forgotten Portraits, Pt. 3

• Model: Ideogram

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: A blurry, grainy monochrome vintage photograph, sepia tone. A young man sits on a simple wooden chair in a room. His brown hair is neatly parted, and he wears a brown suit with a white shirt, the collar casually unbuttoned. He gazes calmly and intelligently at the camera, exuding attentiveness. Behind him, the wall is adorned with two or three medium-sized unsettling portraits of surreal creatures. The framing captures him from just below the knees up.
  • Using base image: No
  • Aspect Ratio: square
  • Ideogram Style: Auto

Forgotten Portraits, Pt. 9: The Black Rose

• Model: FluX

• Size: 1118 X 864 (0.97 MP)

• Used settings:

  • Prompt: a bit blurry, grainy, vintage monochrome film photograph: a dim basement room with old brick walls, some bricks chipped and uneven. the light source is unclear, casting soft shadows. in the center of the frame sits a man on an old wooden chair. he wears a black tailcoat, white shirt, black bowtie, and a tall black top hat. his face is dead-pale, his gaze calm yet ominously intense, fixed slightly off-camera. dark shadows accentuate his eyes. to the left, an old worn trunk reinforced with iron strips. on it stands a glass vase with a wilted black rose. atmosphere of timelessness, quiet tension, and mystery. in the style of Ralph Eugene Meatyard — soft focus, high grain, low contrast, 1960s monochrome film aesthetics.
  • Using base image: No
  • Aspect Ratio: landscape

Evening Light

• Model: FluX

• Size: 1728 X 1296 (2.24 MP)

• Used settings:

  • Prompt: Grainy analogue film photo, soft focus and muted tones. A young woman in a vintage dress sits on a bench in a wild field at dusk, head on arms at a weathered table. A ceramic teapot, metal mug, and glass jar rest on it. Her messy bun and posture suggest quiet sadness. Bare branches frame the scene, a rural house fades in background. Fine-art composition, nostalgic mood, cinematic light, scratches and film texture evoke 1970s melancholic realism.
  • Using base image: No
  • Aspect Ratio: landscape

Forgotten Portraits, Pt. 7

• Model: FluX

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: a blurry, grainy, analogue film photograph, artistic, monochrome, sepia: side view of a 14 yo girl in modest. old-fashioned checkered dress. slender figure. sits on a simple wooden chair, her hands on her knees. somber and thoughtful facial expression. a chair by the wall holds a broken teddy-bear with a black blindfold over its eyes. the wall features a portrait of a surreal creature. somber, unsettling, mysterious atmosphere. compositionally balanced scene. soft dynamic lighting with unsettling shadows. slightly subdued colors. lower contrast with shallow depth of field.
  • Using base image: No
  • Aspect Ratio: square

A Countryside Bus-Stop

• Model: FluX

• Size: 1152 X 858 (0.99 MP)

• Used settings:

  • Prompt: blurred, grainy, vintage sepia-tone monochrome film photograph: A solitary man at an old, rural bus stop in the Japanese countryside. He is captured in a front view. He wears a white theatrical blank mask. His striped suit is faded and dusty, the collar of his white shirt is casually unbuttoned. The bus stop is worn concrete with peeling paint and a cracked glass schedule panel. Behind him, empty farmland stretches to the horizon, with tiny distant farmhouses barely visible through a hazy sky. The road beside him is empty, vanishing into soft fog. The scene is still and surreal — a moment of theatrical presence in a quiet, forgotten world. The composition is moody, photographic, inspired by Ralph Eugene Meatyard — soft lighting, muted tones, eerie stillness, vintage lens atmosphere, visible grain, depth of field, surreal realism.
  • Using base image: No
  • Aspect Ratio: landscape

A Morning Bus-Stop

• Model: FluX

• Size: 1152 X 689 (0.79 MP)

• Used settings:

  • Prompt: blurred, grainy, vintage sepia-tone monochrome film photograph: A solitary Kabuki performer sits at an old, rural bus stop in the Japanese countryside. He is captured in a front view. He wears a white theatrical blank mask. His light-gray kimono is faded and dusty, with subtle tears along the edges. The bus stop is worn concrete with peeling paint and a cracked glass schedule panel. Behind him, empty farmland stretches to the horizon, with tiny distant farmhouses barely visible through a hazy sky. The road beside him is empty, vanishing into soft fog. The scene is still and surreal — a moment of theatrical presence in a quiet, forgotten world. The composition is moody, photographic, inspired by Ralph Eugene Meatyard — soft lighting, muted tones, eerie stillness, vintage lens atmosphere, visible grain, depth of field, surreal realism.
  • Using base image: No
  • Aspect Ratio: landscape

Three Is None 2

• Model: FluX

• Size: 1030 X 864 (0.89 MP)

• Used settings:

  • Prompt: Wide, blurry, grainy sepia-toned black-and-white vintage-style photograph of an orchard in early spring. Two long, symmetrical rows of bare-branched cherry trees stretch into a soft, hazy distance, forming a narrowing corridor that draws the eye inward. Between the rows lies a central path of damp, uneven spring earth—still barren, without grass or growth. In the middle of this path, two skinny women are seated on stump-like stands with their backs turned to the viewer. Their posture is still, heads slightly bowed, and their age is indeterminate. Their hair is styled in neat, old-fashioned buns at the backs of their heads. They wear modest, timeworn skirts that reach below the knee, but their torsos are bare—pale backs exposed in the cool air, drawing the viewer’s attention with quiet intensity. The scene is lit by flat, ambient daylight—no direct sun, no clouds, only a muted sky that enhances the sense of timelessness. The composition is perfectly balanced and symmetrical, with a deep, meditative stillness. The atmosphere is haunting, contemplative, and deeply unsettling—evoking a sense of forgotten ritual, loss, or silent resistance. Inspired by the photographic aesthetic of Ralph Eugene Meatyard.
  • Using base image: No
  • Aspect Ratio: landscape

Forgotten Portraits, Pt. 8: The Mime and the Rose

• Model: FluX

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: blurred, grainy, vintage sepia-tone film photograph: a dimly lit room resembling a basement. old brick walls without plaster, with some of the bricks chipped. in the middle of the composition, a man in clown's makeup sits on an old wooden chair: his face painted with whitewash, his mouth roughly outlined with lipstick, dark eyeshadows. The man is balding, with curly hair on the sides of his head. The man is wearing a striped t-shirt, rough gray cotton pants, and dusty shoes. his gaze at the viewer is calm yet carries an underlying ominous intensity. to the left of the man is an old worn-out trunk upholstered with iron strips. on the trunk is a glass vase with a wilted deep-red rose inside. an atmosphere of mystery, enigma, and timelessness. the composition is balanced, with a lower contrast, soft focus, visible grain, subdued colors, shallow depth of field. in the style of Ralph Eugene Meatyard.
  • Using base image: No
  • Aspect Ratio: square

The Stillness of the Room

• Model: FluX

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: blurry, grainy sepia-toned black-and-white vintage-style film photograph: A softly lit, timeless interior scene with a deeply unsettling mood. In the center of the room stands a simple wooden stool. Resting atop it is a large, full-head papier-mâché mask—blank, pale white, slightly cracked, with hollow eye sockets. The combined height of the stool and mask eerily mirrors that of a small child, creating the illusion of a silent figure watching from the center of the room. In the background, a worn wooden cupboard displays a partly cracked, old china set behind smudged glass. The wallpaper is faded, decorated with a repetitive pattern of tiny, aged floral motifs. To the side, a window framed by yellowing tulle curtains lets in a cold shaft of dynamic, directional daylight—casting dramatic shadows across the room. The room feels frozen in time, balanced yet fragile. Dust lingers in the air. No human figure is present, yet the atmosphere is heavy with implied memory. The mood is quiet, somber, and deeply uncanny—drawing inspiration from the eerie stillness of Ralph Eugene Meatyard’s photography.
  • Using base image: No
  • Aspect Ratio: square

Timelessness

• Model: FluX

• Size: 1107 X 766 (0.85 MP)

• Used settings:

  • Prompt: blurry, grainy black-and-white vintage-style film photograph: A woman in her 60s sits on a simple wooden vintage chair in the center of a dimly lit room. She wears a modest, old-fashioned long dress, and her dark, now grayish hair is neatly styled in a classic bun at the back of her head. Her gaze is calm yet carries an underlying ominous intensity, as if she’s both observing and holding a secret. The room features wooden walls and an old cupboard behind her, entirely covered in thick cobwebs. Some cobwebs also seen in the upper corners of the room. Despite the cobwebs, the room feels ordinary—no other signs of decay. The scene has dynamic lighting that casts soft shadows, adding to the inscrutable atmosphere of quiet tension. The room feels frozen in time, balanced yet fragile. Dynamic lighting. The composition is balanced, with a low contrast, soft focus, visible grain and shallow depth of field. The mood is quiet, somber, and deeply uncanny—drawing inspiration from the eerie stillness of Ralph Eugene Meatyard’s photography.
  • Using base image: No
  • Aspect Ratio: landscape

Three Is None

• Model: FluX

• Size: 1417 X 1536 (2.18 MP)

• Used settings:

  • Prompt: Wide, blurry, grainy, lower-contrast, black-and-white vintage-style photograph: an overgrown orchard in the heat of summer. Two symmetrical rows of cherry trees stretch into the distance. Between them lies a small plot of earth, the grass slightly tall and untamed, swaying in a motionless breeze. In the center of this scene stand two 12-year-old twin girls. They face each other, a subtle knowing smile shared between them—quiet, eerie, as if they hold a secret only they understand. Their long, wavy hair is loosely styled, and they wear modest, old-fashioned clothing: checkered skirts, chiseled blouses, stockings, and small, polished shoes. Between them is a small, high-legged wooden table. Upon it sits a wide, shallow plate, holding a small skull that is engulfed in flames. The light is diffused and overcast, creating a ghostly, melancholic atmosphere thick with inscrutability. The composition is balanced, haunting, quiet, ritualistic, and deeply symbolic, with a sense of something unspoken but deeply understood. Inspired by the photographic style of Ralph Eugene Meatyard.
  • Using base image: No
  • Aspect Ratio: square

Spring Dream

• Model: FluX

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Blurry, grainy vintage-style black-and-white photograph of a single cherry tree with bare, twisted branches, standing alone in an orchard in early spring. Several eerie, hand-crafted white papier-mache masks hang motionless from its branches on frayed strings. Each mask is expressionless, childlike, and slightly different—some cracked or weathered by time. In the softly blurred background, rows of other bare-branched trees stretch into a hazy distance. The light is diffused and overcast, creating a ghostly, melancholic atmosphere. The scene feels silent, frozen, as if abandoned long ago. Liminal, haunting, and deeply symbolic. Composition is balanced but unsettling. Inspired by the photographic style of Ralph Eugene Meatyard.
  • Using base image: No
  • Aspect Ratio: landscape