12-Nov-2025 Retrofuturistic Cityscape Under Cosmic Sky
Model:
Photonic
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: Deeply emotional scenes, poetic realism, soft lighting, quiet narration, cinematic composition – moving, timeless, full of soul. a 1950s travel poster for an imaginary city a retro sci-fi book cover with bold typography a playful vintage cartoon scene in a classic print palette
Prompt: A majestic golden crimson UFO, imbued with spectral prisms and crystals and threaded with molten gold veins, travels through a fantasy sky of luminous crimson Chinese lucky coins. Luminescent golden whirlpools of gold coins stream out from underneath the UFO, forming golden-red cloud currents within a cosmic tapestry suspended as if in a hammock. Ruby petals bloom chromatically, creating a breathtaking display of magical lighting and reflection. Inspired by Gustav Klimt and Thai Royal Art with gold accent style, 8k, cinematic lighting, the best composition, HD, rendered in 3D, a masterpiece, unreal engine 5.
Prompt: A massive alien spaceship disguised as Earth's Moon, ancient and biomechanical, covered in alien glyphs and glowing patterns. Inside, psychic Martian time-travelers in radiant robes operate shimmering control chambers. Time portals swirl through space, connecting ancient Earth civilizations-pyramids, ziggurats, and Atlantean ruins-with the Moon's mysterious energy. Surreal, dreamlike, and mystical- blending alien technology with ancient symbolism and cosmic light.
Prompt: :
A silent UFO hovering above a jagged mountain range in the deep night, clouds coiling around the peaks while a radiant moon fractures through the vapor and cold stars glitter beyond. Iridescent light pours from the craft, washing the rocks in surreal violets, teals, and molten gold. Thick, expressive brushstrokes, palette-knife ridges, luminous glazes, painterly impasto, rich pigment, subtle canvas grain. Dramatic chiaroscuro, romantic atmosphere, sweeping composition, heightened color, dreamlike scale. A fine-art oil painting, highly detailed, museum quality. In the style of Albert Bierstadt, Frederic Edwin Church, Zdzisław Beksiński, and Peter Gric
Prompt: Place these two women facing each other. In the background there should be their vehicles from the picture, also standing opposite each other. The women should look at each other aggressively, as befits rivals in the upcoming race. The women stand up straight, with their butts slightly turned toward the viewer. A vibrant and chaotic scene unfolds on a dark, cracked asphalt road. The background features a dramatic, otherworldly landscape with a exploding meteorite, a stormy sky with lightning striking on the righ. The ground is dark and cracked, with pools of glowing lava. STYLISTICS: Combine realism and fantasy from the arts by Boris Vallejo and album covers "Iron Maiden" by Derek Riggs.
UFO Encounter in a Mythical Valley, based on Nicola Verlato, Banned, Oil on linen, 2013
Model:
FluX 2
(Ultra)
Size:
3312 X 2496
(8.27 MP)
Used settings:
Prompt: A surreal 1950s science-fiction illustration in the style of mid-century pulp cover art. A classic chrome flying saucer with a green glass dome hovers over a pastoral, mythological landscape. From a protruding ray gun beneath the saucer, concentric glowing energy rings blast forward in a luminous beam. The beam strikes toward a fleeing satyr—goat-legged, horned, muscular, and semi-nude—who recoils in terror while sprinting through a lush, classical countryside. Rolling hills, distant mountains, winding paths, and small human figures dot the background, evoking an Arcadian setting. Dramatic lighting, painterly realism, soft clouds, rich greens and earth tones, with the ray beam rendered in ethereal purples and whites. Juxtaposition of ancient mythology and retro sci-fi technology, cinematic composition, highly detailed, oil painting texture.
Prompt: Masterpiece, Best Quality, Armor suit, poster artwork by Michael Whelan and Tomer Hanuka, of the Men in Black welcoming an alien UFO, from scene from Twin Peaks, clean , 8k, UHD, HDR
Prompt: The Tartarian Awakening Dawn, Early Sunrise: Inca Jaguars and Warriors at the Transolar Depot
Core Scene & Composition:
cinematic wide-angle cinematic shot of a colossal, ochre-colored starship marked with intricate tribal glyphs, being inspected at the Transolar Arrival Depot. The depot is built into the side of a monolithic, golden Inca pyramid in a mist-shrouded Andean valley. The pyramid's apex crackles with blue plasma energy, channeling power to the city.
Environment & Architecture:
A sprawling, golden Inca metropolis with terraced pyramids and temples carved with pulsating, living glyphs. A river of liquid mercury winds through the valley. The scene is enveloped by a thick, bioluminescent jungle at sunrise. Floating stone orbs project holographic constellations, and floating monorails glide between glowing obelisks.
Foreground & Subjects:
In the foreground, a muscular black jaguar with cybernetic gold veins and obsidian-armored exoskeleton stalks silently, its claws leaving faint holographic trails. A small group of awe-struck Inca figures in biomechanical armor watch the starship's arrival.
Artistic Style & Rendering:
Hyperrealistic, symmetrical masterpiece, styled as a production cinematic still. A fusion of ancient mysticism and hyper-advanced bio-technology. Rendered in Octane Render with ultra-high detail, hard-surface modeling, and a vibrant triadic color palette. The composition follows the golden ratio.
Mood & Quality:
Epic, mysterious, and awe-inspiring atmosphere. Best Quality, Ultra HD, Photorealistic, Cinematic Lighting, HDR, 8K. --style raw --stylize 200 --ar 16:9
Breakdown of the Fusion & Rationale:
Unified Location: The "Transolar Arrival Depot" is no longer a generic sci-fi port; it's now architecturally integrated into the core element of the Inca prompt—the monolithic, plasma-crackling pyramid. This creates a logical blend of the two advanced cultures.
Harmonized Elements: The "Tartaria Building" from the first prompt is seamlessly reimagined as part of the "sprawling, golden Inca metropolis," its neo-futuristic spires now reflecting Inca architectural principles.
Combined Foreground: The "augmented jaguar" from the second prompt now shares the foreground with the "awe-struck people" from the first, creating a more dynamic and narratively rich scene. The people are now logically specified as Inca figures in biomechanical armor.
Enhanced Environment: The floating monorails and glowing obelisks you suggested are perfect additions, placed alongside the floating stone orbs to show a transportation and energy network that is both advanced and ancient.
Consistent Aesthetics: The bioluminescent jungle, sunrise, and neon light from the first prompt perfectly complement the liquid mercury river and glowing glyphs of the second, creating a cohesive, vibrant, and otherworldly atmosphere.
This combined prompt is a powerhouse of visual information, carefully structured to guide the AI toward a coherent, breathtaking, and original masterpiece that is greater than the sum of its parts.
Prompt: render this scene in a painterly fashion, realistic but not photographic
A surreal futuristic scene at an outdoor cafe, where a
man is enjoying a cup of espresso and a Kouign-amann. He is seated next to his chrome android girlfriend, who is dressed in a stylish shift dress and cloche hat. A flying saucer can be seen in the sky, casting a glowing beam towards the ground in the distance. The cafe has a vintage-modern aesthetic, with sleek metal furniture and vibrant plant life.
Prompt: Create a cinematic, atmospheric oil painting with rich, organic textures, gritty tones, and visible brushstrokes, designed as a cover image for the series Eye in the Sky: UFO.
Setting (Real World Layer, in oil painting)
A nighttime bus station on a quiet city street during steady rain. Streetlights glow through falling rain, reflecting across wet pavement, glass panels, and metal benches. The air feels cold and restless, late at night. A few anonymous figures, some seating on a bench, some wait silently under the shelter, tired and inward, barely moving. No one speaks. Rain muffles all sound.
A large illuminated poster board stands inside the bus shelter, glowing softly against the dark street.
The Poster Image (Story World Layer)
Inside the poster frame is a cinematic oil painting.
Two young girls from the Eye in the Sky: UFO series stand side by side, seen only from behind. They both wear there worn dark leather jacket and jeans. One girl has wildly messy, loose bun, hair bleached light blond with ombre effect with dark roots. The other girl has short hair, spiked black dreadlocks.They are small in the frame.
Above them stretches a vast night sky.
Clouds part slightly.
High overhead, ambiguous unidentified lights, where a UFO craft hover — glowing through cloud and mist. The sky dominates the composition, heavy with silence and scale.
The girls stand motionless, staring upward. The feeling is obsession, wonder, and uncertainty.
Caption on the Poster:
At the top of the poster is written as a title:
Eyes in the Sky: UFO
At the bottom of the poster include a short caption:
“What if it is true?”
***Do not alter or misspell any words***
Typography: elegant serif lettering, classic and restrained, similar to traditional film posters.
The caption is centered at the top of the poster image, and the other caption small and centered near the bottom.
Style & Atmosphere: Oil painting, cinematic realism. Rich organic textures: rain, glass, asphalt, fabric. Subtle unease, not spectacle. No explicit explanation.
Color palette: stormy blue-black, cloud gray, rain-silver reflections, sodium streetlight amber, muted teal, faint electric blue glows in the sky.
Prompt: a neon-infused wonderland setting, comic book art, watercolour on black ink drawing, glowing night, science fiction, UFO lands beside Jodrell Bank observatory, showers of Spondulix, atomic station random buildings and people, stormy blood-red sky background. influenced by scifi cover art and Stephen King horrors, influenced by H R Giger, Edward Hopper, Moebius, Gerald Brom
Prompt: A cinematic oil painting in a dark, high-tech hangar where massive UFOs are suspended in midair under dramatic lighting. The setting is vast and secretive, filled with scaffolding, floodlights, military personnel, and scientists inspecting alien spacecraft. Three main ships are present: one oval-shaped and hovering midair with beams of light below it, the others resting on mechanical platforms—sleek, silver, and cigar-shaped with strange symbols faintly visible on their hulls.
In the foreground, two punk-styled young women investigate with urgency and defiance. One crouches with a vintage camcorder aimed at the ships, her sharp features partially lit, wearing ripped baggy jeans, worn Chucks, and a weathered suede bomber jacket with a fur collar. Tattoos cover her forearms, and piercings glint in the industrial light. She has short, spiked black dreadlocks, piercing green eyes, pale skin with a slight blush and a subtle scar on her cheek.
The second woman stands alert, holding a flashlight and a folder marked “TOP SECRET CASE FILES” filled with maps and alien reports. Her outfit: a long black leather coat with metal patches and studs, a short denim skirt, high black leather boots, and a black crop top with a spray-painted alien white face. She has brown eyes and wildly messy, tousled and tangled hair bleached light blonde with ombre effect with dark roots. Her hair is tied in a messy bun, bleached strands falling around her fierce expression.
Around them: crates of equipment, scattered documents, blinking control panels, and hazy spotlight beams cutting through the darkness. The atmosphere is intense, awe-inspiring, and loaded with secrecy and danger. Painted in glowing amber tones with painterly textures, soft brushwork, and cinematic depth.
Prompt: A richly textured oil painting in cinematic style, set in a dimly lit, retro American desert diner at night. Two late-teen punk girls sit across from a rugged, paranoid-looking ex-military man in a booth near the window. A neon “OPEN” sign glows behind them, casting dramatic red and blue light over cracked leather seats and Formica tabletops.
The first girl, with brown eyes and wildly messy, tangled hair—black roots with bleached light blonde ombre ends—is seated with one arm on the table, leaning forward, expression sharp and focused. She wears a brown leather biker jacket, a black crop top with a spray-painted alien face, low-rise ripped denim jeans, a silver belt buckle, and layered chain necklaces.
Beside her, the second girl, with short, spiked black dreadlocks, piercing green eyes, pale skin with a faint scar on her cheek, and arm tattoos, holds a small tape recorder near the man while lighting a cigarette. She wears a black studded leather jacket with skull patches and chains, a dark tank top underneath, and ripped jeans with a studded belt.
The ex-military man looks weary and hesitant, one hand gripping a cup of untouched coffee. Outside the window, a faint glow in the desert sky hints at something ominous and unseen. Alien clippings and coded notes peek from the girls’ open backpack on the booth seat. The scene glows with emotional realism, intense mood, and vintage conspiracy aesthetics.
Prompt: A dramatic, cinematic oil painting of two punk-inspired late-teen girls sneaking through the shadows of an abandoned desert military facility under a moonlit sky. The chain-link fence behind them is torn and rusted, marked with “RESTRICTED AREA” signs. A distant red light blinks atop a radio tower. Their expressions are tense and alert as they move quietly past a dimly lit security checkpoint.
The first girl has brown eyes and wildly messy, tangled hair with black roots and bleached light blonde ombre ends, tied loosely in a bun with a few bleached strands falling around her face. She wears a worn brown leather biker jacket over a black crop top spray-painted with a large alien white face, low-rise torn jeans with a silver belt buckle, and layered chain necklaces. She holds a small crowbar and a flashlight.
The second girl has short, spiked black dreadlocks, piercing green eyes, pale skin with a faint blush and a cheek scar. She wears a studded black leather jacket covered in skull patches and chains, ripped jeans with a studded belt, and visible tattoos down her arms. She crouches slightly, holding a glowing alien tracker device while glancing over her shoulder.
Broken security lights and graffiti on concrete walls echo the secrecy of the mission. The whole scene is rendered with painterly textures, soft brushstrokes, dramatic side lighting, and rich emotional realism. A suspenseful, beautifully composed stealth scene.
Prompt: A masterfully detailed oil painting in a cinematic, painterly style depicting two punk-inspired young women in their makeshift alien investigation room. The walls are completely covered with clippings, newspaper articles, photographs of U.F.O.s, red string mapping theories, and a large “I’M A BELIEVER” poster above a classic tall white alien face.
One girl has brown eyes and wildly messy, tousled hair with black roots and bleached light blonde ends in an ombre effect, pulled back in a loose bun with bleached strands framing her intense face. She wears a worn brown leather biker jacket, a black crop top with a spray-painted alien white face, low-rise torn blue jeans with a silver belt buckle, and layered silver chain necklaces. She points urgently at the wall, her face lit with revelation.
Beside her, the second girl with short, spiked black dreadlocks, piercing green eyes, pale skin with a soft blush and a scar on her cheek, holds a flashlight over scattered documents. She wears a black leather jacket covered in skull patches, studs, and chains, a black tank top, ripped jeans with a studded belt, and tattooed arms.
Outside the dusty window behind them, a glowing UFO hovers unnoticed, casting bright light into the otherwise dim room. The painting glows with warm interior tones, cool desert blues outside, and rich texture in the girls' expressions and surroundings. Ultra-detailed, emotionally immersive, with strong contrast and painterly realism.
Prompt: Cyberpunk two females computer hacker at their desks with lots of computer screens, many posters of U.F.O and tall white face alien, in the middle of the western desert with an old airstream trailer in the background, satellite disches. One girl has brown eyes and wildly messy, tousled and tangled hair bleached light blonde with ombre effect with dark roots. She wears her hair in a messy loose bun, bleached strands framing her face.
She is facing the screen, fierce defiance expression. She wears a worn brown leather biker jacket, a black crop top with seemingly spraypainted alien white face with big black eyes displayed across chest, low-rise torn blue denim jeans with a silver belt buckle, and layered silver chain necklaces.
The second girl has short, spiked black dreadlocks, piercing green eyes with the same fierce expression, pale skin with a slight blush and a subtle scar on her cheek. She wears a black leather jacket with skull patches and chains, over a dark tank top. She also wears ripped jeans with a studded belt and shows off tattoos on her arms. She is standing behing her friend looking at the screens.
Close-up type, and in the background see the desert with their trailer and satellite disches.
Style: masterful oil painting with soft brushstrokes painterly textures, emotinal realism.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
