Prompt: Stark 1910s railway platform bathed in cold electric lamplight cutting through evening fog, solitary woman in tailored Edwardian coat and wide-brimmed hat, single tear catching harsh light, gloved hand suspended mid-wave. Man's silhouette receding on train steps, face turned back, coat billowing. Hopper's characteristic angular shadows and profound loneliness, crisp edges with emotional distance. Muted palette of deep greens, browns, cool yellows. Cinematic composition emphasizing vast empty platform space, geometric precision with aching solitude. American realist melancholy and isolation.
A touching separation of a young couple of gnomes in the underground station.
Model:
ChatGPT
(Pro)
Full
Size:
3520 X 1980
(6.97 MP)
Used settings:
Prompt: A masterpiece of fantasy art. Steampunk elements. An underground railway station for the dwarven people. A steampunk-style dwarven passenger train made of copper and steel. On the platform, passengers with luggage and dwarven station workers in 19th-century clothing and dwarven attire. The station is elegantly decorated with metal and colored stone. Gnomish style. Beautiful copper gas lamps, crafted by the dwarves.
In the foreground, a young dwarf with a small, neat beard, wearing a handsome dark suit, says goodbye and embraces a beautiful young dwarven girl in an elegant, dark blue 19th-century dress. Both characters are thin and short. The dwarven girl has tears in her eyes. She looks into the eyes of the young dwarf. The young dwarf also looks sad. Next to him on the platform is a large wooden suitcase painted a shiny black.
Prompt: A monumental fine-art oil painting on canvas, symbolic and introspective, set in a vast, dimly lit train station that feels like a metaphysical threshold rather than a real place.
A solitary adult man, not heroic, slightly bent by an invisible lateral force, adjusts the parting of his hair with one hand while holding a worn suitcase with the other. His gesture is small, precise, almost awkward — a ritual of control before the unknown. His posture suggests balance rather than strength.
The station architecture is grand but ambiguous: iron arches, glass vaults, and shadowed corridors dissolve into mist. Time is not linear — behind and around him float exposed mechanical clock mechanisms, marine chronometers with springs, counterweights and gyroscopic systems designed to compensate roll, painted with loving mechanical precision. They do not dominate the scene; they quietly work.
Light enters laterally, cold and analytical, illuminating edges without guiding direction. It reveals surfaces but refuses to lead. Reflections multiply subtly: a small convex mirror embedded in the architecture reflects the entire scene and includes the viewer inside it.
In the background, glass buildings shimmer like fragile temples of modernity — beautiful, clean, but visibly delicate. Their transparency feels vulnerable, almost brittle. Nearby, anonymous figures linger at the margins: ordinary people, worn faces, persistent presences — not victims, not protagonists, simply there. They are partially obscured by scale and perspective, morally central yet compositionally displaced.
A neutral, grey authority figure appears indistinctly — observing, controlling, yet subtly lost. Surveillance increases, meaning decreases. The atmosphere carries restrained pressure, unspoken tension, accumulated weight rather than explosion.
Color palette: restrained and serious — warm greys, iron blues, muted ochres, dirty whites, touches of deep red as contained energy, never decorative. Brushwork is layered, material, visible, with oil texture and depth; no smooth digital finish.
The overall mood is contemplative, ethical, and adult — not nostalgic, not dramatic, not illustrative.
The painting conveys the idea of time as oscillation, maturity as precision within movement, courage as inner posture, technology as ambiguous extension of human will, and humanity as a task rather than a victory.
Style references (implicit, not explicit):
late Turner atmosphere, muted Hopper solitude, moral density of Goya’s late works, Northern Renaissance attention to symbolic detail, contemporary museum-grade realism.
Ultra-high resolution, museum quality, fine-art oil painting, timeless, serious, non-sentimental, morally charged.
Prompt: Teenage female with bleached blonde hair, bright blue eyes, and candy apple red lips, wearing a latex Catholic school uniform, standing beside a mature sultry woman with raven black hair and brown eyes wearing an adult latex nun uniform, on a train platform at early morning,
Prompt: Man standing at a train station smoking looking into the camera, 1940s derelict, broken plaster, red brick, hot dry, detailed, watercolor black and white ink sketch, style of norman rockwell and Elbert McGran Jackson, no signature, sunshine dappled
Prompt: Prompt by jexiq q: <<Masterpiece>>: “Early Morning Tram Stop” (Gouache on Paper)
A quiet tram stop just before sunrise.
The street is still wet from the night rain.
The background is built with flat gouache layers — muted blues and cool grays for the sky, softly blended but clearly matte. Buildings are simplified into geometric shapes, slightly softened at the edges, typical of gouache on textured paper.
In the foreground stands a ginger-haired woman, wrapped in a long coat. Her hair is painted with opaque copper gouache, slightly dry-brushed so the paper grain shows through. The strokes are confident but restrained — no shine, only depth.
She’s holding a folded newspaper under one arm, the red headline rendered in a single bold gouache stroke. Her posture is relaxed, weight shifted to one leg, breath visible in the cold air.
A tram approaches in the distance — suggested, not detailed — just a rectangle of warm yellow light cutting through the cool palette. Windows glow softly, painted with diluted gouache to keep the matte finish.
Shadows are simple, graphic, and intentional.
No fine detail — just shape, color, silence.
Mood: calm, everyday realism, early-morning stillness, perfectly suited for gouache on paper.
Prompt: A photo of five women in vintage white dresses with long skirts and veils standing at a train station platform. They are creating an eerie yet captivating atmosphere against a backdrop of vintage trains. The women have their backs turned towards the camera, and they are wearing white veils over their heads. The platform is made of wood and has worn-out railings. The vintage trains in the background have a green colour and are parked at the platform.
Prompt: A whimsical skeletal figure stands on a train platform, striking a pose with outstretched arms. The background features a quaint station building painted in soft blue, complete with green support beams and windows. The scene is set during twilight, with a pastel sky illuminating mountains in the distance, while train tracks run parallel to the platform, hinting at adventure.
Prompt: A horror manga panel of a railway station. There is a figure dressed as Audrey Hepburn. Surrounding the figure are a gaggle of ghostly maids. The background is dimly lit, with rail tracks and a few buildings.
Prompt: A young woman stands gracefully in the center of a train station. She wears a black velvet minidress with a choker-like knot forming a small, shimmering jewel-toned silk scarf with gold filigree. Her blonde hair is pulled back in a high, damp ponytail, and her red lips are painstakingly painted. Warm, soft lighting bathes the room, casting a cozy glow. Musical notes and the text "Luis Arcy" gracefully entwine around her figure, contributing to the enchanting atmosphere.
Prompt: A captivating young woman exudes charm and grace in a festive winter night scene at a railway station, wearing an elegant black silk blouse and a pink strech miniskirt, with long, black-streaked hair framing her warm smile. The text "Luis Arcy" gracefully intertwines around her, adding a whimsical touch. Soft, warm lights from the station illuminate the snow-covered ground, casting gentle shadows and creating a magical, enchanting atmosphere. The background features vintage train cars and bustling holiday decorations that enhance the cozy, inviting ambiance.
Prompt: A bustling London street at dawn, filled with fog and the soft glow of streetlights, showcasing a workman in heavy boots energetically dancing his way onto the train. Quirky, energetic, early morning lighting.
Prompt: A young woman in a Victorian-era travelling outfit stands on a wooden train platform, in a landscape-format watercolor painting. She wears a dark green fitted jacket with puffed sleeves, long gloves, and a layered skirt in deep green and black tones. Her hair is styled in a soft vintage up do, topped with a small black hat adorned with a ribbon. She holds a large red vintage suitcase in one hand and a brown travel bag in the other. Behind her, an old teal and burgundy train carriage with rounded windows is gently painted, without any visible numbers or text. The whole scene is bathed in warm, muted watercolor washes, with soft edges and a nostalgic, dreamlike atmosphere.
Prompt: A stunning view of a scene of two lovers embraced on a train platform. The 1960s diesel locomotive engine roars - smoke billowing out from the train engine. The evening sun shines on the grass. Sun rays pierce through the smoke highlighting the couple. A river runs next to the train track - water reflections give etheral feel. Touches of line to give the illusion of wind direction.
Prompt: digital art, oil painting effect, 2000s poster, realistic photography, poisonously beautiful woman, scowling, new Hogwarts teacher, withdrawn, severe face, at the door of the Hogwarts Express train, on platform 9 3/4, dotted with scattered apprentice magicians, of the London station, with large, overly made-up eyes, big teacher's glasses, green hair, arms and hands tattooed with magical symbols, large pointed magician's hat, dark fur coat, fog, swirling snow, in a vintage station, Hogwarts Express steam locomotive, green smoke
Prompt: A solitary figure stands on the edge of a dimly lit train platform, their silhouette blurred by the falling rain. A distant train approaches, its headlights cutting through the mist. The atmosphere is cold, painted in shades of deep blue, steel gray, and pale white, evoking a sense of longing and departure.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Cinematic Realism, sfumato, chiaroscuro and alla prima Techniques: Night Rain and the Last Train.
Foreground: A young man stands under the flickering light of an old streetlamp. Raindrops slide down his face, blending with the shadows that fall over his eyes. In his hand, he grips a crumpled train ticket – the last chance to stay or leave. His coat, soaked from the rain, clings to his body as his breath turns to mist in the cold night. Middle Ground: Beside him, a young woman in a dark coat stands illuminated by the dim glow of the approaching train. Her eyes are hidden beneath wet strands of hair, but her lips tremble – from the cold or unspoken words. The rain bounces off the wet asphalt, reflecting the light, creating a cinematic contrast between brightness and darkness. Background: The train station fades into the mist. The train’s headlights cut through the rainy veil as its doors slowly open. The silhouette of the conductor emerges from the shadows like a messenger of fate. The metallic sound of the steam locomotive echoes through the night. The train is ready to leave – and perhaps take everything with it. Cinematic Realism: Emphasizing emotions through film-like composition and contrast between light and shadow. Sfumato: The rainy mist softens the boundaries between light and darkness. Chiaroscuro: Dramatic lighting – faces shadowed by the lamp, the train’s glow piercing the night. Alla Prima: Fresh, expressive colors capturing the moment before the decision.
Prompt: A glamorous woman from the 1920s stands on a misty train station platform in the rain. She wears a stylish navy blue flapper dress adorned with delicate beadwork, a matching cloche hat, and a long string of pearls draped elegantly over her dress. Her short, wavy bob is perfectly styled, and her deep red lips contrast beautifully against her pale skin. In her hand, she clutches a small leather suitcase, raindrops glistening on her silk gloves. The steam from an approaching train swirls around her, and her eyes hold a mix of longing and melancholy as she waits, wrapped in the enchantment of the moment.
Prompt: A nostalgic film still of a woman in 1940s attire stands on a rainy platform, umbrella in hand, as a steam train approaches in the distance. Muted colors and dramatic shadows create a moody atmosphere.
Prompt: Oil on canvas, thick strokes, brush strokes Van Gog style, thick brush, 3D texture, old canvas feel. A woman, subtly visible in a yellow raincoat and small red hat, is observed standing on the train platform with a bouquet of red flowers at the midpoint of the platform.Nearby, one bench glistens with moisture. A light pole is in the distance and it is barely discernible due to the dense fog. A foggy, humid atmosphere shrouds the scene, almost obscuring the train tracks, while two distant lights, possibly a locomotive's, are discernible.Grey hues and some beige sculptural shadows are prevalent, Van Gogh style
Prompt: A vibrant, atmospheric scene depicting a girl walking alone on a rainy train platform at sunset. She is holding a black umbrella, with reflections of the colorful sky and neon lights shimmering on the wet pavement. The background features a train approaching, surrounded by lush trees and power lines silhouetted against the dramatic sky filled with shades of purple, pink, and orange. The mood is both melancholic and serene, capturing the beauty of solitude in the rain.
Prompt: A striking oil painting features a pastel A dark long WHITE sci-fi armoured highspeed MILITARY TRAIN on the streets of a city, buildings with magnificent architectural structures, inspired by the Victorian or Belle Epoque style, with historic buildings in the background, Seagulls in flight, very intricate and detailed details. showcasing vibrant colors and dramatic paint stripes. Thick layers of paint create depth, blending influences from various renowned artists. pencil sketch, Jean-Baptiste Monge
Prompt: During a foggy, foggy time of day, near an empty dusty shed, in a deserted station about to be swarmed by daily life. A beautiful ethereal caucasian alluring woman with dark hair and rainbow locks in carefully styled thin braids is in a rush to hop on a carriage of the last ride to Being Awaken. By eryn. She wears only a small lacy black revealing slit dress that covers only her bottom, groin and breasts while moving and dancing with naked arms and naked legs and naked thighs. She has a sleepy expression as if coming out of a beautiful dream right on time. The rainbow dream is lingering on in the air around her face. Her pale snow skin lights up from a nearby gas city lamp. Very dark-lit background of nineteenth century tracks and buildings in the far distance. Reality approaches. Serene.
Prompt: A curvy woman, dressed in a yellow dress that accentuates her curves, stands at the door of a blue train moving slowly through a lush green forest. Her brown, curly hair flutters in the wind as she leans out of the train, holding tightly to the door, a smile on her face as she gazes at the nature passing by.
Prompt: A mesmerizing watercolor painting, Studio Ghibli. A foggy train station with a lonely figure. A futuristic train station scene shows two trains: one elevated, the other on the platform, surrounded by a misty, snowy atmosphere and dramatic lighting. A figure watches in awe.
. Sumi-e style... Bright purple night...
Prompt: In the morning I went out for a walk in autumn, A sad rain followed me, It was not intrusive, it clung to the hem, As if it wanted to tell me something. It did not lash, it drizzled quietly, As if caressing me by accident, I walked, seeing off the decayed November, And you were next to me as rain. And it was so calm and light, As if the heavens descended into the soul, And someone broke the eternal mystery, And I was simply lucky in something again.
Prompt: A sweet and charming herbal witch with tanned skin, inspired by the whimsical style of Konstantin Razumov, Sarah Kay, with delicate and intricate details. She is holding a basket full of herbs and ointments and waiting for the train, both done in a dreamy watercolor style on a pure, vibrant night train station background in white, pink, apricot, blue, green and apricot. Fine lines and soft contours add a special charm to this perfect look. little heart
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
