#street

what could have been

• Model: Stable

• Size: 1807 X 1162 (2.10 MP)

• Used settings:

  • Prompt: Beautiful, modern steampunk-city, build out of polished copper, brass and brick with gold decorations on every building.
  • Using base image: Yes (Effect strength - 90%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 2
  • Aspect Ratio: landscape

reflections

• Model: Stable

• Size: 960 X 640 (0.61 MP)

• Used settings:

  • Prompt: lakeside white castle nestled in a smoking volcano shadow in spring, in style of Andrey Rublev
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: magnificent glass facade of an Art Nouveau retro futuristic townhouse in Amsterdam , huge windows with no curtains or drapes,staircase in front of the entrance door
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

silver threads of rain in the night sky, creating

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: silver threads of rain in the night sky, creating silver puddles on the asphalt
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Lübeck – the former capital and Queen City of the Hanseatic League – was founded in the 12th century and prospered until the 16th century as the major trading centre for northern Europe. It has remained a centre for maritime commerce to this day, particularly with the Nordic countries. Despite the damage it suffered during the Second World War, the basic structure of the old city, consisting mainly of 15th- and 16th-century patrician residences, public monuments (the famous Holstentor brick gate), churches and salt storehouses, remains unaltered.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Patchwork City

• Model: Artistic

• Size: 1449 X 1449 (2.10 MP)

• Used settings:

  • Prompt: city in patchwork style by Iwona Lifsches and by Catherine Abel
  • Face enhance: No
  • Upscale & Enhance: 2
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Sacred Island of Okinoshima exhibits important interchanges and exchanges amongst the different polities in East Asia between the 4th and the 9th centuries, which is evident from the abundant finds and objects with a variety of origins deposited at sites on the Island where rituals for safe navigation were performed. The changes, in object distribution and site organisation, attest to the changes in rituals, which in turn reflect the nature of the process of dynamic exchanges that took place in those centuries, when polities based on the Asian mainland, the Korean Peninsula and the Japanese Archipelago, were developing a sense of identity and that substantially contributed to the formation of Japanese culture. The Sacred Island of Okinoshima is an exceptional example of the cultural tradition of worshipping a sacred island, as it has evolved and been passed down from ancient times to the present. Remarkably, archaeological sites that have been preserved on the Island are virtually intact, and provide a chronological record of how the rituals performed there changed over a period of some five hundred years, from the latter half of the 4th to the end of the 9th centuries.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Vertical brick piers and wall planes ... made possible the splendid integration of space, structure, and massing which Wright achieved in the Larkin Company Office Building at Buffalo, of 1904. In space the building was conceived of as facing inward, with a glass-roofed central hall rising the entire height and with horizontal office floors woven around it. The pattern of piers and walls which makes these spaces is clearly unified in both plan and section. The vertical piers rise uninterruptedly inside, and the horizontal planes of the office floors are kept back from their edges, so that they seem, once more, to be woven through them. ... At the same time, the stiff verticals of the interior of the Larkin Building continued to recall the challenge of the exterior, so that the occupant could not feel himself to be simply inside a shell. The sequence was an emotional one and a progress: challenge, bafflement, compression, search, and finally, surprise, release, transformation, and recall. It was almost a Baroque progression, but its methods were stiffer and harder, befitting the industrial program which they praised. Significantly enough, the building also recalled the Romantic
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Hotrod Parked

• Model: Artistic

• Size: 1643 X 1278 (2.10 MP)

• Used settings:

  • Prompt: Azawakh Greyhound on the street
  • Face enhance: No
  • Upscale & Enhance: 2
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The facade is composed of 8,800 plate glass panes, each measuring 8 feet (2.4 m) tall by 5 feet (1.5 m) wide. The glass panes are set within aluminum panels (chosen for their durability and performance) as well as vertical aluminum mullions.[22][23][27] The aluminum panels are 0.25 inches (6.4 mm) thick by up to 13 feet (4.0 m) tall and were manufactured by the General Bronze Corporation. The spandrel panels between the windows on each story are made of natural-color aluminum or black porcelain enamel.[23][29] SOM chose not to use stainless steel because it was too expensive, and it did not use granite because the firm's building committee had seen the material as being too traditional.[12]
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

What?

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: A cute girl with a big yellow shine star abover her head in a street in paris, in style of Enki Bilal
  • Face enhance: Yes
  • Upscale & Enhance: 0
  • Aspect Ratio: square