#street

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Yrjönkatu Swimming Hall's first floor contains a 25 × 10 metre pool, two saunas and dressing closets at the edges of the pool. The second floor contains resting cabins, saunas and a café. The hall sells two kinds of tickets, providing access either to the first floor only or to both floors. Traditionally, people swam naked in the pool, but since 2001, the wearing of a swimsuit has been permitted. Men and women have separate days for swimming. In March 2012, the hall reported it was switching its original 1928 wooden sauna stove to a new one to cut down on the smoke damages to the Forum building. The new wooden sauna stove became operational in August 2013. It is 2.8 metres high and is thought to be one of the largest wooden sauna stoves in Finland.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Stærekassen , also known as Ny Scene is a theatre building annexed to the Royal Danish Theatre on Kongens Nytorv in Copenhagen, Denmark. It opened in 1931 to serve a dual purpose as an additional stage for the Royal Theatre and the first home of the new Danish Broadcasting Corporation. The colloquial name, which has now obtained official status, refers to the design of the stage tower in the shape of a box suspended above the street, and in the initial design proposals with a large round window high up as the dominating ornamental feature of the facade. The facade reliefs on both sides of the stage tower are executed in Bronze and designed by Einar Utzon-Frank. The reliefs on the front towards Kongens Nytorv depict Apollo, God of musicians, flanked by the Muse of Tragedy, on his right hand side, and the Muse of comedy on his left hand side. On the opposite side of the tower, Mozart with violin, representing music, is seen flanked by Eros on the swan representing dance, and Shakespeare drama.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Pardubice Crematorium is a crematorium in Pardubice, Czech Republic. It was designed by the Czech architect Pavel Janák in the Czech Art Deco style and built between 1921 and 1923. The project came from a tender that was opened at the end of 1918 and took place in 1919. Janák's project was chosen from 81 architectonical designs. The design of the crematorium was influenced by old Slavic mythology and the concept of ancient Christian basilicas. Janák was inspired by Peter Behrens' conception of the crematorium in Hagen.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Addleshaw Tower is the first free-standing bell tower to be built by an English cathedral since the 15th century. It has a square plan and is 85 feet (26 m) high. The tower is built on a reinforced concrete frame. The base is faced in local pink sandstone, and contains an entrance on the southwest side, with windows on the other three sides. One window on each side contains Dalle de verre stained glass, and these are flanked by smaller pairs of windows. The entrance is deeply recessed and contains two pairs of timber doors. The upper parts of the tower are faced in Bethesda slates on a timber frame. Above the base are two stages with internally inclined walls, the upper stage being taller than the lower stage. Around the top of the lower stage is a ring of small, square windows. At the top of the upper stage is a ring of small louvred bell openings. On the summit of the tower is a pyramidal roof, which is also covered in slates. The base contains a meeting room, a small kitchen, and toilets. A spiral staircase leads up to the ringing chamber, where the bell ropes are arranged in a circle. On the walls of the chamber are tablets commemorating peals previously rung by the guild.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Song bells are a musical instrument in the keyboard percussion family. They are a mallet percussion instrument that is essentially a cross between the vibraphone, glockenspiel, and celesta. They have bars made of aluminum.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Bonshō
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Bianzhong
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A bellcote, bell-cote or bell-cot is a small framework and shelter for one or more bells. Bellcotes are most common in church architecture but are also seen on institutions such as schools. The bellcote may be carried on brackets projecting from a wall or built on the roof of chapels or churches that have no towers. The bellcote often holds the Sanctus bell that is rung at the consecration of the Eucharist.
  • Using base image: Yes

Rained

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Street scene after the thunderstorm, damaged vintage cars buried under trees, in the rain, flood, splashing water drops, by Jean-Baptiste Monge, Ivan Bilibin, Albert Bierstadt, Reza Badrossama, watercolor ink, pencil sketch, splash art, intricate details, fantasy, beautiful, oil on canvas, award winning, imperial colours, fantastic view, radient colours, very attractive, crisp quality
  • Using base image: No
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Voodoo
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Zoroastrianism
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Shinto
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Parts of a typical tower bell hung for swinging: 1. Bell yoke or headstock 2. canons, 3. crown, 4. shoulder, 5. waist, 6. sound bow, 7. lip, 8. mouth, 9. clapper, 10. bead line
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and installed in a bell tower. Many public or institutional buildings house bells, most commonly as clock bells to sound the hours and quarters.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Town Hall has three main stories, lined with pointed Gothic windows on the three sides visible from the Grote Markt. Above is a gallery parapet, behind which rises a steep roof studded with four tiers of dormers. At the angles of the roof are octagonal turrets pierced with slits allowing for the passage of light. Statues in canopied niches are distributed all over the building. The corbels supporting the statues are carved with Biblical scenes in high relief. While the niches and corbels are original with the building, the 236 statues themselves are relatively recent, dating from after 1850. Those of the first floor represent personages of importance in the city's local history; those of the second, patron saints and symbolic figures; those of the third, the Counts of Leuven and Dukes of Brabant from various ages. The main façade has an entrance staircase, and two portals in the centre, above which are figures of Saint Peter (left) and the Madonna and Child (right), the former in compliment to the patron of the church opposite.
  • Using base image: Yes

Street scene

• Model: Artistic

• Size: 608 X 928 (0.56 MP)

• Used settings:

  • Prompt: Watercolor painting city teal and orange style of Thomas Wells Schaller.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The building utilizes wrapped glass on the east, north, and west both for aesthetics and to reduce the amount of reflective surface area on the south facade, which also features brushed Jura limestone. Flared walls reaching from the southwest and southeast corners of the core span the entire height of the tower, and there is a column-free 24-meter-tall lobby.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The building's original marble cladding was replaced after several panels fell from the building in 1985 and 1986. The problem was traced to the thinness of the panels (1.25 inches (3.2 cm) and the method of anchorage to the frame. As a result of extensive investigation, the panels were replaced with neoparium, a glass product that appeared indistinguishable from marble at more than 100 feet (30 m). This failure mode was not uncommon in buildings of this era that employed thin marble cladding. Several buildings, most notably the Aon Center in Chicago were re-clad with materials other than marble.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Le Corbusier's design called for the use of raw concrete, whose surface was not smoothed or polished and which showed the marks of the forms in which it dried. Pierre Jeanneret wrote to his cousin that he was in a continual battle with the construction workers, who could not resist the urge to smooth and finish the raw concrete, particularly when important visitors were coming to the site. At one point one thousand workers were employed on the site of the High Court of Justice. Le Corbusier wrote to his mother, "It is an architectural symphony which surpasses all my hopes, which flashes and develops under the light in a way which is unimaginable and unforgettable. From far, from up close, it provokes astonishment; all made with raw concrete and a cement cannon. Adorable, and grandiose. In all the centuries no one has seen that." The High Court of Justice, begun in 1951, was finished in 1956. The building was radical in its design; a parallelogram topped with an inverted parasol. Along the walls were high concrete grills 1.5 metres (4 feet 11 inches) thick which served as sunshades. The entry featured a monumental ramp and columns that allowed the air to circulate.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Museum of Glass was designed by Canadian architect Arthur Erickson and was his first major art museum in the United States. The museum totals 75,000 square feet (7,000 m²) in area, featuring 13,000 square feet (1,200 m²) in gallery space and a 7,000-square-foot (650 m²) hot shop. This hot shop, shaped as an angled cone, is the museum’s most striking architectural feature. The cone, inspired by the wood "beehive burners" of the sawmills that once dotted the waterway, is composed of 2,800 diamond-shaped stainless steel panels and is 100 feet (30 m) in diameter at its base. Also featured in the Museum of Glass’ architecture are a sweeping concrete stairway that spirals around the exterior of the building, and three rimless reflecting pools featured on the museum’s terraces. Connected to the museum is the Chihuly Bridge of Glass, designed by Arthur Erickson in collaboration with artist Dale Chihuly, to connect the Museum of Glass to downtown Tacoma.
  • Using base image: Yes