#street

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Millennium Park is a public park located in the Loop community area of Chicago, operated by the Chicago Department of Cultural Affairs. The park, opened in 2004 and intended to celebrate the third millennium, is a prominent civic center near the city's Lake Michigan shoreline that covers a 24.5-acre (9.9 ha) section of northwestern Grant Park. Featuring a variety of public art, outdoor spaces and venues, the park is bounded by Michigan Avenue, Randolph Street, Columbus Drive and East Monroe Drive. In 2017, Millennium Park was the top tourist destination in Chicago and in the Midwest, and placed among the top ten in the United States with 25 million annual visitors.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: n addition to providing drinking water, fountains were used for decoration and to celebrate their builders. Roman fountains were decorated with bronze or stone masks of animals or heroes. In the Middle Ages, Moorish and Muslim garden designers used fountains to create miniature versions of the gardens of paradise. King Louis XIV of France used fountains in the Gardens of Versailles to illustrate his power over nature. The baroque decorative fountains of Rome in the 17th and 18th centuries marked the arrival point of restored Roman aqueducts and glorified the Popes who built them. By the end of the 19th century, as indoor plumbing became the main source of drinking water, urban fountains became purely decorative. Mechanical pumps replaced gravity and allowed fountains to recycle water and to force it high into the air. The Jet d'Eau in Lake Geneva, built in 1951, shoots water 140 metres (460 ft) in the air. The highest such fountain in the world is King Fahd's Fountain in Jeddah, Saudi Arabia, which spouts water 260 metres (850 ft) above the Red Sea.
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art in the streets

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• Size: 896 X 704 (0.63 MP)

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  • Prompt: solar abandonado con gente bailando breakdance y pintando grafitti
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  • Aspect Ratio: landscape

Cool mustang

• Model: Artistic

• Size: 900 X 1165 (1.05 MP)

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  • Prompt: Purple Ford mustang. Night street with high-rise buildings in the back.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Not only are these aliens comprehensible in anthropological terms, but it is anthropology, rather than the physical sciences, that promises a solution to the problem of alien colonization. According to the science of anthropology, every society, regardless of its level of development, has to functionally meet certain human needs. The aliens of Jefferson Springs "had learned, long ago, that it was the cultural core that counted-the deep and underlying spirit and belief and knowledge, the tone and essence of living. Once you had that, the rest was window dressing. Not only that, but the rest, the cultural superstructure, was relatively equal in all societies (115; emphasis in original). For Ellery, the aliens are not "supermen" (a favorite Campbellian conceit): despite their fantastic technologies, they are ultimately ordinary people with the expected array of weaknesses – laziness, factionalism, arrogance – whose cultural life is as predictable as any Earth society's. Since they are not superior, they are susceptible to defeat, but the key lies not in the procurement of advanced technologies, but in the creative cultural work of Earth people themselves.[5]: 248 
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Metamorphoses (Latin: Metamorphōsēs, from Ancient Greek: μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his magnum opus. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the Metamorphoses derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the Metamorphoses has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculpture, painting, and music, especially during the Renaissance. There was a resurgence of attention to his work towards the end of the 20th century. Today the Metamorphoses continues to inspire and be retold through various
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Enemy Mine is a 1985 American science fiction action drama film directed by Wolfgang Petersen and written by Edward Khmara, based on Barry B. Longyear's novella of the same name. The film stars Dennis Quaid and Louis Gossett Jr. as a human and alien soldier, respectively, who become stranded together on an inhospitable planet and must overcome their mutual distrust in order to cooperate and survive. An international co-production between the United States, United Kingdom and West Germany, Enemy Mine began production in Budapest in April 1984 under the direction of Richard Loncraine, who quickly ran into "creative differences" with producer Stephen Friedman and executives at 20th Century Fox; the project was shut down after a week of shooting. Petersen then took over as director and reshot Loncraine's scenes after moving the production to Munich. Originally budgeted at $17 million, the film ultimately cost more than $40 million after marketing costs were factored in, and was a box office failure during the 1985 holiday season, earning only a little over $12 million. However, the film was successful in the former Soviet Union, where it became the first Western sci-fi film shown in
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: We are in the midst of a historical transformation. Current times are not just part of normal history. Multiple perspectives are at the heart of futures studies, including unconventional thinking, internal critique, and cross-cultural comparison. Consideration of alternatives. Futurists do not see themselves as value-free forecasters, but instead aware of multiple possibilities. Participatory futures. Futurists generally see their role as liberating the future in each person, and creating enhanced public ownership of the future. This is true worldwide. Long-term policy transformation. While some are more policy-oriented than others, almost all believe that the work of futures studies is to shape public policy, so it consciously and explicitly takes into account the long term. Part of the process of creating alternative futures and of influencing public (corporate, or international) policy is internal transformation. At international meetings, structural and individual factors are considered equally important.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Technocentrism is a value system that is centered on technology and its ability to control and protect the environment.[citation needed] Technocentrics argue that technology can address ecological problems through its problem-solving ability, efficiency, and its managerial means.[1] Specifically, these capabilities allow humans control over nature, allowing them to correct or negotiate environmental risks or problems.[1] Although technocentrics may accept that environmental problems exist, they do not see them as problems to be solved by a reduction in industry. Rather, environmental problems are seen as problems to be solved using rational, scientific and technological means. They also believe in scientific research. Indeed, technocentrics see the way forward for both developed and developing countries, and the solutions to environmental problems, as lying in scientific and technological advancement (sometimes referred to as sustainopreneurship).[2]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Ensigns kidnap a senior officer and proceed to travel to the past with the mission of convincing them to stop the show. Once there, they meet their actor doubles and realize that they are exact doppelgängers; even their imagined backstories became integral events of the Ensigns' lives. Dahl strikes a deal with the show's producer and head writer, who is Jenkins's double, to save the life of the producer’s comatose son by switching him with his crew member double. Because the producer's son appeared on the show as an extra, one of the crew members is effectively his identical twin, and will revert to the young man's personality by staying in the past. Conversely, Dahl reasons that bringing the comatose son into the future will allow them to use "the Narrative" to their advantage, letting the advanced technology and reality-altering properties of the writing revive him.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The parameters of a dynamic equation evolve as the equation is iterated, and the specific values may depend on the starting parameters. An example is the well-studied logistic map, x n + 1 = r x n ( 1 − x n ) {\displaystyle x_{n+1}=rx_{n}(1-x_{n})}, whose basins of attraction for various values of the parameter r r are shown in the figure. If r = 2.6 {\displaystyle r=2.6}, all starting x x values of x < 0 x<0 will rapidly lead to function values that go to negative infinity; starting x x values of x > 1 x>1 will also go to negative infinity. But for 0 < x < 1 0<x<1 the x x values rapidly converge to x ≈ 0.615 {\displaystyle x\approx 0.615}, i.e. at this value of r r, a single value of x x is an attractor for the function's behaviour. For other values of r r, more than one value of x x may be visited: if r r is 3.2, starting values of 0 < x < 1 0<x<1 will lead to function values that alternate between x ≈ 0.513 {\displaystyle x\approx 0.513} and x ≈ 0.799 {\displaystyle x\approx 0.799}. At some values of r r, the attractor is a single point (a "fixed point"), at other values of r r two values of x x are visited in turn (a period-doubling bifurcation), or, as a result of furt
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Fredric Brown reprises the popular image of Martians as little green men, who are around 75 cm tall and have small torsos, long frayed limbs, and spherical bald heads. They have six fingers on each hand and wear boots and trousers. They consider the human race inferior and are both interested and amused by human behaviour. Unlike most other fictional Martian invaders, the Martians that Brown writes of do not intend to invade Earth by violence but instead spend their wakeful hours calling everyone 'Mack' or 'Toots' (or some regional variation thereof), reveal embarrassing secrets, heckling theatre productions, lampoon political speeches, and even provide cynical colour commentary to honeymooners' frustrated attempts at consummating their marriage. The nonstop acerbic criticism stops most human activity and renders many people insane, including Luke, whose stress-induced inability to see the little green maligners divides opinion on whether he should be considered mad or blessed.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Tokusatsu (特撮, lit. 'special effects') is a Japanese term for live action film or television series that makes heavy use of practical special effects. Developed by Godzilla and Ultraman creator Eiji Tsuburaya, Tokusatsu entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is sometimes dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu (特殊技術, lit. 'special technology') and Tokugi (特技, lit. 'special skill').
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A flor mais bela for da rua

• Model: Artistic

• Size: 903 X 1161 (1.05 MP)

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  • Prompt: Mulher de calcinha branca dançando em uma rua cheia de flores e casas antigas
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  • Aspect Ratio: portrait

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The capsules were constructed of light steel welded trusses covered with steel sheeting mounted onto the reinforced concrete cores. The capsules were 2.5 metres wide and four metres long with a 1.3 metre diameter window at one end. The units originally contained a bed, storage cabinets, a bathroom, a colour television set, clock, refrigerator and air conditioner, although optional extras such as a stereo were available. Although the capsules were designed with mass production in mind, there was never a demand for them.[54] Nobuo Abe was a senior manager, managing one of the design divisions on the construction of the Nakagin Capsule Tower.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The palace was built for entrepreneur Ermengildo Castiglioni, who chose architect Giuseppe Sommaruga because of his anticonventional solutions. Castiglioni wanted the palace to reflect his wealth and grandeur; the choice of the Liberty style, a new and "trendy" style, for a building that would be located in the historic centre of Milan, was intended by Castiglioni and Sommaruga as a sort of challenge to the Milanese conservative élite. The most provocative element of the original design turned out to be a couple of nude female statues, by Ernesto Bazzaro, decorating the facade; these raised such turmoil that the local newspaper Guerin Meschino published a series of satyrical illustrations on them, and the Milanese population renamed the palace "Cà di ciapp" (in Milanese, "house of buttocks"). The statues, that were intended to represent "Peace" and "Industry", were eventually removed and are now used as decorations of another Milanese palace also by Sommaruga, the Villa Romeo Faccanoni on Via Michelangelo Buonarroti #48.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Wheat is a grass widely cultivated for its seed, a cereal grain that is a worldwide staple food.[2][3][4] The many species of wheat together make up the genus Triticum /ˈtrɪtɪkəm/;[5] the most widely grown is common wheat (T. aestivum). The archaeological record suggests that wheat was first cultivated in the regions of the Fertile Crescent around 9600 BCE. Botanically, the wheat kernel is a type of fruit called a caryopsis.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Officially the leader of Zaporozhian Host never carried the title of hetman, while all leaders of cossacks formations were unofficially referred to as one.[15] The highest body of administration in the Zaporozhian Host was the Sich Rada (council).[12] The council was the highest legislative, administrative, and judicial body of the Zaporozhian Host.[12] Decisions of the council were considered the opinion of the whole host and obligated to its execution each member of the cossack comradeship.[12] At Sich Rada were reviewed issues of internal and foreign policies, conducted elections of military starshina, division of assigned land, punishment of criminals who committed the worst crimes etc.[12]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The Lavra fortification is a system of walls, towers and other constructions built for the protection of the Cave Monastery in Kyiv, the capital of Ukraine. The fortification around the monastery first arouse at the end of the 12th century, when a 2 metre wide leave, 5 metre high stone wall was erected. The total length of the walls was 1,090 m (3,580 ft), thickness - 3 m (9.8 ft), and height - 7 m (23 ft). The fort had three gates, Holy gates with the Trinity Gate Church, Economy gates with the All Saints Church, and Southern gates or Caves gates.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: In addition to mentioning the construction of the church above the passage of the Golden Gate in the chronicle, it is also mentioned in Metropolitan Ilarion's "Word of Law and Grace" of the Golden Gate. Gate Church had to serve "the heavenly protection of the city", but was also a regular church – people arrived to pray there. The bell chapel is reproduced in the form of a three-nave four-pillar single-dome temple. In the architectural decoration of the facades used ornaments from the brick, typical for the ancient buildings of that period. The floor of the church is decorated with a mosaic, the picture of which is based on the ancient floor design of Saint Sophia's Cathedral in Kyiv. Reconstruction of the monument reproduces the segments of the shaft adjoining to the gate. On the outside they have suspended slopes. At the top of the shaft there are wooden bunks. On the ends conventionally shown internal structures. From the city side on the facade there are warehouses. Inside the restored shaft segments there is an exposition of the Museum of the Golden Gate and the stairs leading to the balcony, from which a magnificent panorama of the city is visible.
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