#spaceelevator

Keller Planetary Complex, Formosa VI

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A rocky planet with a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

A cable car is laid between the Earth and the Moon

• Model: MirageMaker

• Size: 1016 X 1016 (1.03 MP)

• Used settings:

  • Prompt: A cable car is laid between the Earth and the Moon, when the moon in space is above the earth, then (the elevator descends from the moon to the ground: 1.5), and when the earth in space is above the moon, the elevator descends from the ground to the moon. Draw the background of the starry sky.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Corkscrew Elevator in a Dystopian Sky

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A wildly spiraling space elevator, corkscrewing upwards through swirling neon clouds of toxic gas and debris. This acrylic painting captures the chaos of a dystopian future with its vivid colors and dynamic composition. The elevator itself is a patchwork of rusted metal and exposed wires, barely holding together as it ascends into the chaotic sky. The scene is both awe-inspiring and terrifying, drawing the viewer in with its sheer intensity and detail.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Phalaris - At the Top of the Tower

• Model: DaVinci2

• Size: 1280 X 800 (1.02 MP)

• Used settings:

  • Prompt: Looking down from the gangway of a very tall pylon tower, look over the detailed landscape of a science-fiction futuristic space base, on the horizon is a desert mount on top of which is a huge domed space base, in the central is a huge thick forest, climbing up over several hills and mountains, on the left side of the forest is a giant lake, in the foreground on top of a bald hill is a huge gun-like futuristic technology pointing up at the sky
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Construction of the Space Elevator

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Digital illustration of a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Skytower

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Digital illustration of a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide