#spaceelevator

Epic Space Odyssey

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Ultra-detailed science fiction matte painting of a massive, futuristic space elevator anchored to a densely populated, Earth-like planet. The elevator, constructed of dark metal and glowing blue energy conduits, pierces the atmosphere and extends far into the blackness of space. Around the elevator are numerous large spacecraft and smaller fighters, some displaying glowing green engine trails. The planet below shows varied terrain, including mountains, deserts, and sprawling cityscapes glittering with lights. The atmosphere is visible as a blue band along the horizon, fading into the darkness of space sprinkled with distant stars. Style: digital matte painting, reminiscent of Syd Mead, with hard-edged details and vibrant colors. Composition: a wide, high-angle shot, emphasizing the scale of the space elevator against the curvature of the planet. Focus on the intersection of the elevator, planet, and surrounding spacecraft. Lighting: a combination of natural sunlight illuminating the planet and artificial lights emanating from the space elevator and spacecraft. The light should create a sense of depth and atmosphere. Color palette: Blues, greys, and blacks dominate the space elevator and space, while the planet shows a mix of greens, browns, and vibrant city lights. Mood: awe-inspiring, technological, and somewhat ominous, hinting at a possible conflict. Quality: 8k resolution, photorealistic, with a high level of detail and texture. Subsurface scattering on clouds and atmospheric effects. Clean lines and sharp focus.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Long Way Up

• Model: FluX 2 (Ultra)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Digital illustration of a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Skytower

• Model:

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Digital illustration of a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Construction of the Space Elevator

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Digital illustration of a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Keller Planetary Complex, Formosa VI

• Model:

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A rocky planet with a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Corkscrew Elevator in a Dystopian Sky

• Model:

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A wildly spiraling space elevator, corkscrewing upwards through swirling neon clouds of toxic gas and debris. This acrylic painting captures the chaos of a dystopian future with its vivid colors and dynamic composition. The elevator itself is a patchwork of rusted metal and exposed wires, barely holding together as it ascends into the chaotic sky. The scene is both awe-inspiring and terrifying, drawing the viewer in with its sheer intensity and detail.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Phalaris - At the Top of the Tower

• Model: DaVinci2

• Size: 1280 X 800 (1.02 MP)

• Used settings:

  • Prompt: Looking down from the gangway of a very tall pylon tower, look over the detailed landscape of a science-fiction futuristic space base, on the horizon is a desert mount on top of which is a huge domed space base, in the central is a huge thick forest, climbing up over several hills and mountains, on the left side of the forest is a giant lake, in the foreground on top of a bald hill is a huge gun-like futuristic technology pointing up at the sky
  • Using base image: Yes