#spacecraft

Venus Landing

• Model: ChatGPT (Pro)

• Size: 1536 X 1024 (1.57 MP)

• Used settings:

  • Prompt: Epic realistic painting. A dramatic, realistic sci-fi landscape of the surface of Venus. The hellish surface of Venus – scorched orange sky, rocky barren hills, heat haze. The sky is thick, hazy, glowing orange-yellow with oppressive heat. Rocky, jagged hills of dark basalt-like stone stretch into the distance under an eerie, diffuse light. The ground is scorched, with a faint reddish-brown tint. In the sky, descending through the thick atmosphere, is the Soviet Venera-13 spacecraft – a spherical pressure vessel with two large, flat, rectangular-shaped "petals" (aerobrakes) opened, a cylindrical top with antenna dishes, and a coiled metal boom extending downward with scientific sensors. A Soviet Venera-13 spacecraft descends through the atmosphere. The probe is a metallic sphere with two opened rectangular-shaped petals (aerobrakes) and a long sensor arm. The craft is falling slowly, its heat shield already jettisoned. The scene is harsh, hot, and triumphant. The atmosphere shimmers with heat waves. Style: photorealistic, hyper-detailed, dramatic lighting, cinematic, inspired by 1970s Soviet space art and modern CGI. Style: photorealistic, cinematic lighting, 1970s space art aesthetic. No people, no cartoon. The mood is triumphant and awe-inspiring, celebrating an unrepeated engineering marvel. No human figures. No cartoon or anime.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Hauling an Ocean

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Colossal spacecraft in bold Chris Foss style — playful modular geometry, vivid hazard striping, saturated blocks of red, orange, and yellow against matte black panels — drives toward viewer in deep space. It owns foreground: flamboyant, foreshortened prow bristling with radiator vanes, scaffold masts, numbered hatches, and stenciled IDs, its surface a riot of Foss‑bright color balanced by industrial grit. External drum winches and fair‑leads pay out three primary reinforced tethers, massive hawser lines that rake backward across frame in taut arcs. These lines terminate visibly in anchor housings sunk deep into jagged face of mountain‑sized ice asteroid trailing behind ship. Brake drums glow with strain at tow points, telemetry strobes run down cables, and frost shears off vibrating lines in drifting glitter. Cause and effect are unmistakable: tug pulls; asteroid follows; cables are industrial mechanism binding them. Asteroid looms translucent and fractured, venting vapor pennants where sunlight rakes its blue‑white cliffs. Perspective is low three‑quarter so ship foreshortens heroic, cables converging back to asteroid whose parallax proves mass and separation. Far below, pale curve of planet arcs across void — crisp, small, a witness anchoring scale. Lighting obeys physics: harsh solar key carves armor chamfers; cool earthshine lifts shadow planes cyan; rim light picks out tether arcs. Engine bells burn electric‑blue plasma cones, glare raking across beveled seams and hazard bands. Every surface reads engineered yet dramatic: modular tanks, radiator forests, external scaffolds with Foss‑style whimsy. Composition is disciplined and cinematic: ship dominant in foreground right‑center; asteroid immense behind, tethered; planet limb anchoring depth. This is both flamboyant and credible: Foss‑bright starship straining against taut cables, dragging frozen mountain of ice across space high above a world. --mod alien starcruiser --mod back-to-void edge --mod atmospheric depth --mod arc weld sparks --mod beveled composite armor --mod industrial fidelity --mod dynamic composition --mod EVA tether lines --mod yellow black wasp striping --mod luminous void
  • Using base image: No
  • Aspect Ratio: landscape_wide

Red Planet Space City

• Model: ImagineArt (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: ((A masterpiece of unparalleled excellence)), ((A vibrant, detailed, highly textured digital painting in a folk art style)), ((Colorful, Fluid Motion and Dynamic Shapes)), (((A colossal, hyper-detailed orbital city hovering above a rust-red planet, composed of layered metallic platforms, brass-gold spires, cylindrical hubs and interconnected walkways, central glass biodome filled with lush greenery, rounded orange-and-white habitation spheres, industrial docking tubes and exposed mechanical struts; dozens of small cargo and shuttle craft maneuvering around the structure, solar arrays, antennae and service gantries visible, scattered asteroids and a dense starfield in the background. Cinematic low-angle composition, dramatic rim and volumetric lighting with warm tungsten glows from windows contrasted by cold blue space ambient, deep shadows, subtle lens flares and filmic grain. Ultra detailed textures: rivets, weathering, glass reflections, illuminated corridors and tiny human-scale windows to convey scale. High-resolution, photorealistic sci-fi concept art, epic, bustling, intricate, dramatic depth of field, realistic materials and atmospheric haze)).
  • Using base image: No
  • Aspect Ratio: landscape

Cosmic Horror: Alien Exploration

• Model: ChatGPT 2 (Base)

• Size: 2592 X 1456 (3.77 MP)

• Used settings:

  • Prompt: ((A masterpiece of unparalleled excellence)), ((A vibrant, detailed, highly textured oil painting in a folk art style)), ((Colorful, Fluid Motion and Dynamic Shapes)), (((A cinematic, ultra-detailed scene of three astronauts in retro-futuristic white and orange space suits with reflective gold visors stepping off a small lander labeled "UESA Explorer I" onto a jagged, rocky alien plain beneath a purple starfield; twin suns and a ringed gas giant hang in the sky, casting cold violet light while eerie green bioluminescence seeps from crevices. In the midground the metal lander with external tanks and a ramp anchors the composition; in the background a colossal, organic monolith—an eldritch, tentacled citadel with writhing tendrils, dripping textures and glowing green veins—rises from the mountains, emitting faint luminescent mist. Moody, high-contrast lighting with rim light on helmets, volumetric fog and particle haze, deep atmospheric perspective, tactile rocky and slimy organic textures, dramatic scale and tension, explorers small against the monstrous structure. Render as hyper-detailed digital painting, photorealistic textures blended with painterly brushwork, wide-angle low camera angle, shallow depth of field on figures and monster, 8k quality, cinematic color grading, film grain, epic, ominous, otherworldly mood))), ((In the style of Battle Angel Alita: last order by Yukito Kishiro)).
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cosmic Serpent and Spacecraft

• Model: Z-Image Turbo

• Size: 1600 X 912 (1.46 MP)

• Used settings:

  • Prompt: A colossal cosmic serpent, scales shimmering with nebulae, coils around a lone, derelict spaceship drifting through an uncharted galaxy. Starlight glints off the ship's metallic hull as the serpent's eyes, like dying stars, watch impassively. The scene is rendered in a dramatic, epic comic book style, with bold linework and vibrant, contrasting colors, reminiscent of Kirby and Moebius. High contrast, cinematic lighting, with a sense of vast, silent exploration.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Arno-2: Starbase in Deep Space

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: High-quality painting, photorealistic graphics, and a vibrant, fantastical color palette: a detailed depiction of a futuristic spaceship, featuring a cylindrical hull with intricate mechanical details and the inscription “Arno‑2 Station.” On the front panel, on the side of the station, an open portal to a hangar is visible, into which a starship flies; it is about five times smaller than the station. The background includes satellites orbiting the station and stars in outer space, scattered throughout the cosmic environment, creating a sense of vastness and exploration. Use a combination of realism and stylized elements to convey both the technical aspects of the spacecraft and the surrounding space.
  • Using base image: Yes

Sci-Fi Cityscape with Woman

• Model: Krea 2 Turbo

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: ((Masterpiece)), A full shot of a futuristic sci-fi aesthetic watercolor painting, a sexy young woman with long split-colored hair (blue and white) and a split-colored outfit (golden top and golden left leg, silver right leg), with red eyeshadow, with her hands resting on a white and colorful patched futuristic structure, in a city with many spaceships flying in the background, a moody cloudy sky is visible at the top. The futuristic structure on the left of the girl has intricate metallic details and various wires, it is made of white, blue, pink, orange, and red patches. The cityscape is filled with circular and tall buildings and structures, and multiple spaceships are flying in the dark and gloomy sky. The painting style is watercolor with muted and earthy tones in the background, contrasting with the vibrant colors of the foreground elements and the girl's attire. The art style is hyper-detailed with a high level of intricate details.
  • Using base image: No
  • Aspect Ratio: landscape

UFO over Cloud-Filled Mountains

• Model: Artistic 2

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Vaisseau spatial futuriste qui rentre dans l'atmosphère martienne
  • Using base image: No
  • Aspect Ratio: landscape

Midworld Landing

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: A colossal spacecraft in flamboyant Chris Foss style — bulbous compartments stacked with hard-edged towers, hazard-striped plating in vivid red, orange, and yellow — hovers low over an alien jungle. Its modular tanks, radiator vanes, and scaffold masts bristle with angular geometry, every panel beveled and numbered, a fortress of straight lines and industrial order. Below, the jungle seethes with growth: colossal trees with trunks swollen like tumors, vines coiling in on themselves, fungal bulbs bursting from bark, spires of alien wood twisting in improbable spirals. The canopy is suffocatingly thick, layers upon layers of vegetation competing for light, plants growing on top of plants, knotted into a chaotic lattice. Some leaves glow faintly; others drip mist or ooze resin. Atmosphere filters the scene: shafts of sunlight stab through cracks in the canopy, scattering into smoky volumetric cones. Clouds of spores drift in the air, catching the ship’s harsh floodlights. The thrusters boil fog around gnarled roots, while the landing struts brace uneasily against a mat of tangled trunks. The ship’s rigid angularity collides visually with the jungle’s wild asymmetry — hazard bands and industrial geometry burning bright against organic chaos. This is exploration as confrontation: machine versus living cathedral, Foss colors and steel surfaces intruding upon a suffocating tangle of alien growth. --mod hazard-striping --mod industrial fidelity --mod volumetric light cones --mod flare-backlit --mod atmospheric depth --mod parallax foliage --mod arc weld sparks --mod dynamic composition --mod structural greebles --mod luminous void
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cyberpunk Sunset Cityscape

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: A futuristic digital city at sunset, glowing neon lights, holographic architecture, cinematic lighting, ultra-detailed digital art
  • Using base image: No
  • Aspect Ratio: landscape

The Fall - Apocalyptic Future Empress

• Model: ChatGPT 2 (Pro)

• Size: 1440 X 2560 (3.69 MP)

• Used settings:

  • Prompt: A raygun gothic space opera illustration, a dramatic low-angle full-body shot of the same captivating female character with luminous starburst-shaped pupils in deep violet, her body arched in mid-fall as she reaches desperately upward, one hand extended toward a vanishing beam of light, the other clutching a fractured crystalline shard that bleeds liquid starlight. Elegant chrome filigree and pulsing crystal nodes along her neck, cheekbones, and arms flicker erratically, half-shattered, as her once-flowing iridescent robes now tear away in tattered streamers of constellation embroidery, revealing the retro-cybernetic framework beneath. Her expression is raw anguish and defiance. Behind her, a colossal art deco starbase fractures apart against a dying red giant, spires collapsing into swirling nebula smoke of burnt orange, deep crimson, and void black, while escape pods streak like falling stars through rings of debris and orbiting mausoleum-satellites. A harsh backlight of the exploding star carves her silhouette and damaged crystalline implants in stark chiaroscuro. At the top of the image, elegant space-opera typography with starburst accents and subtle galaxy glow spells “THE FALL” in a font combining crumbling art deco monuments with fractured digital glitch. The artist’s signature @digo.a.i appears in the bottom right corner. The overall effect conveys tragic grandeur, desperate sacrifice, and a narrative of downfall, betrayal, and the fragile line between godhood and ruin.
  • Using base image: No
  • Aspect Ratio: portrait_tall

Pyramid Fleet Above Earth

• Model: ChatGPT 2 (Pro)

• Size: 1440 X 2560 (3.69 MP)

• Used settings:

  • Prompt:
  • Using base image: No
  • Aspect Ratio: portrait_tall

Crimson Haired Space Defender

• Model: Krea 2 Turbo

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: ((A colorful panoramic masterpiece)), ((A young, Caucasian woman with long, red braided hair dominates the center of the image. She is dressed in a black, skintight, latex-like bodysuit, holding a futuristic grey and red rifle. Her expression is serious, with a neutral gaze directed towards the viewer. The woman has a curvaceous build. She is positioned slightly to the left, standing in a large hangar. The hangar doors offer a view of a colorful nebula and a distant planet. A yellow and red spaceship is positioned in the background, near open doors that reveal the cosmos. The hangar is filled with other smaller spaceships and personnel in grey uniforms. The lighting is dramatic, with neon red lights illuminating parts of the interior and casting shadows. The image has a cinematic, science fiction aesthetic. The composition emphasizes the woman's dominant presence, contrasting her against the expansive cosmic background), By H.R. Giger, Mamoru Nagano, Masamune Shirow, Joan Miró and Tomasz Setowski. (Full Size, Full Length and Full Scale Image).
  • Using base image: No
  • Aspect Ratio: portrait

Alien Monolith Landscape

• Model: EssenceOfReality

• Size: 720 X 1280 (0.92 MP)

• Used settings:

  • Prompt: [Ink+ Brushstrokes Painting + Watercolor Art Style]: A breathtaking surreal_sci-fi watercolor and ink painting in the style of 1970s planetary art, depicting a desolate alien landscape under a dual-moon sky. The composition is dominated by a massive, leaning monolith of striated, ochre-colored sedimentary rock with deep vertical grooves and jagged textures, cutting diagonally across the right side of the frame. Two small, solitary astronauts in bulky, weathered space suits are positioned at the base of the rock formation, dwarfed by the scale of the environment. In the hazy, golden-orange atmospheric sky, two moons are visible: one a pale, cratered sphere in the upper left, and another a bronze-hued sphere centered higher up. Faint, ethereal white vertical light streaks descend from the sky, intersecting the rock face. In the distant mid-ground, two sleek, dark disc-shaped spacecraft hover silently over a barren wasteland of rolling dunes and distant, sharp volcanic peaks. The color palette is a high-contrast mix of deep amber, burnt sienna, and golden yellows against a dark, midnight-blue cosmic sky filled with distant stars. The lighting is dramatic, with a low-angle glow illuminating the dust-filled air and casting deep shadows within the rock crevices. The texture is painterly with visible brushstrokes, evoking a sense of cosmic loneliness and ancient mystery. Wide-angle perspective, low camera angle looking up toward the sky.
  • Using base image: No
  • Aspect Ratio: portrait_tall

The Light of Me

• Model: ChatGPT 2

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: Realistic, photographic, mythic. Vast, silent, exact, every light riding the edges of the void. Vertical composition, portrait ratio, her floating high in the frame, body inclined on a rising diagonal, boots lower left, helmet upper right, the gothic station well below her, the Earth a curved blue limb at the base, honest black between the tiers. A French woman in her late twenties seen through her helmet glass. Directly behind her helmet the sun, huge, an aureole around her head, rays breaking past the dome, the light she believes she made worn as a halo. She does not look at it. Serene, certain, a gentle oval face, soft jaw, full lips softly closed, chin lifted a degree past serene, eyes forward and upward on nothing yet. Fair warm freckled skin, unretouched. Pale blue-grey eyes, glacial, darker limbal ring, one amber catchlight, never luminous, thin washed teal traces at the outer corners. Chestnut-auburn hair drifting in the helmet, her rainbow braid streaming through a wax sealed brass grommet port in the helmet ring, the one polychrome thing she owns. A spacesuit by a Victorian tailor who refused to compromise with vacuum, the suit catching the full sun, bright sunlit ivory and warm white, luminous against the black. The helmet dome seated on a tarnished brass collar flange, rising from the same flange a crystal gorget, one continuous sealed assembly, no gap, the gorget a smooth curved crystal pane set into the suit front, following her neckline down to the sternum, an open panel glazed in pale lightly frosted crystal, a long specular gleam across it, unmistakably glass, fine cream tulle beneath, the curve of her figure softly shadowed yet readable through the pane, amber light pooling there, sealed away. On the outer thigh a second glazed panel, matching the gorget, a long narrow window of the same pale frosted crystal let into the suit from hip to boot top, brass framed, the same specular gleam, skin softly shadowed yet readable beneath the glass. Slim leather straps with brass buckles cinching the waist and crossing the hips, one circling the upper thigh just above the glazed window. Suit fabrics sunlit ivory and bone, straps brown, brass tarnished dark, never gold cloth, never gilt armor, the only gold a thin glow in stitched seams and the amber light at her skin. Embossed scrollwork bodice shaped to a full feminine figure, quilted pressure fabric, cracked leather gloves, gold thread oversewn on seams needing no reinforcement, small glass vitrines in the forearm plating, tiny clockwork inside. A red wax seal on the chest, ribbons beneath, cream lace escaping at collar, cuffs and boot tops. A chatelaine at her hip, keys, compass, tiny hourglass, the antique pocket watch drifting from one glove, face pale, unlit. Below, the station, a cathedral that left the ground, a long dark hull, a steep gothic gable bearing a round clock face glowing faint, clustered spires behind, one openwork spire highest, a glazed iron annex on the flank, iron buttresses, carved stone gargoyles crouched among them. On the hull one word only, 0RGUEIL, stenciled huge in scoured paint, the first O a zero. Beneath it the Earth, blue, cloud marbled, refusing to be owned. Hard airless sunlight, knife edge shadows, crushed blacks, sharp stars, slight overexposure at lit edges. Shallow depth, only she in focus. Film grain. She climbed past her own church. The light was free the whole way up. l'orgueil, by eryn.
  • Using base image: No
  • Aspect Ratio: portrait

Alien Monolith Landscape

• Model: Krea 2 Turbo

• Size: 832 X 1472 (1.22 MP)

• Used settings:

  • Prompt: [Ink+ Brushstrokes Painting + Watercolor Art Style]: A breathtaking surreal_sci-fi watercolor and ink painting in the style of 1970s planetary art, depicting a desolate alien landscape under a dual-moon sky. The composition is dominated by a massive, leaning monolith of striated, ochre-colored sedimentary rock with deep vertical grooves and jagged textures, cutting diagonally across the right side of the frame. Two small, solitary astronauts in bulky, weathered space suits are positioned at the base of the rock formation, dwarfed by the scale of the environment. In the hazy, golden-orange atmospheric sky, two moons are visible: one a pale, cratered sphere in the upper left, and another a bronze-hued sphere centered higher up. Faint, ethereal white vertical light streaks descend from the sky, intersecting the rock face. In the distant mid-ground, two sleek, dark disc-shaped spacecraft hover silently over a barren wasteland of rolling dunes and distant, sharp volcanic peaks. The color palette is a high-contrast mix of deep amber, burnt sienna, and golden yellows against a dark, midnight-blue cosmic sky filled with distant stars. The lighting is dramatic, with a low-angle glow illuminating the dust-filled air and casting deep shadows within the rock crevices. The texture is painterly with visible brushstrokes, evoking a sense of cosmic loneliness and ancient mystery. Wide-angle perspective, low camera angle looking up toward the sky.
  • Using base image: No
  • Aspect Ratio: portrait_tall

Cosmonaut in Art Deco Hall

• Model: ChatGPT 2 (Pro)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: A full-body cinematic, A cinematic retro-futuristic 1950s–1960s Soviet space-age scene, **16:9 widescreen**. A beautiful blonde female astronaut stands **full body** in the center, wearing an elegant ivory-white vintage spacesuit with polished silver details and red stripes, holding her helmet at her side. On the left, a large polished silver spacecraft capsule with rounded windows and mechanical details. On the right background, a monumental vintage orbital rocket on a launch platform, visible through a huge hangar doorway under a bright blue sky. Grand cream-and-gold futuristic Soviet interior, retro machinery, technicians, control panels, reflective floor, dramatic sunlight, volumetric light, cinematic depth, photorealistic, highly detailed, realistic proportions, epic scale. Sky: **vivid bright blue sky with enormous beautiful fluffy white cumulus clouds**, highly detailed, voluminous and three-dimensional, glowing with warm golden sunlight. Several huge polished silver **Soviet zeppelins** with red accents and “СССР” markings float majestically among the clouds. **Style:** ultra-photorealistic, cinematic retro-futurism, Soviet space-age aesthetic, 1950s–1960s futurism, realistic human anatomy, detailed clothing, realistic chrome reflections, volumetric sunlight, HDR, atmospheric depth, subtle film grain, anamorphic photography, premium cinematic production design, epic scale. **8K, extremely detailed, photorealistic, visually stunning, masterpiece.**
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cosmic Battlefield

• Model: Nano Banana 2 (Pro)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: Sci-fi space-op on a large asteroid. Afar a large planet A spaceship above the troops
  • Using base image: No
  • Aspect Ratio: landscape_wide

Zero-Gee Nursery of Worlds

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Cloaked alien biologist is primary subject, suspended inside zero-gravity greenhouse at instant of grafting work. Figure must read as alien researcher rather than wizard or generic astronaut: nonhuman face, focused eyes, fine manipulator hands, and practical cloak drifting in slow folds. One hand steadies plant specimen or restraint ring; other hand guides grafting spores toward contact point. Posture shows microgravity control, with feet or knee lightly hooked to restraint bar rather than standing on a floor. Greenhouse is enclosed spacecraft cultivation chamber, not terrestrial conservatory. Interior shows curved habitat walls, transparent growth panels, suspended planters, nutrient lines, moisture tubing, instrument nodes, and anchoring rails. Zero gravity must remain explicit: loose leaves, tool tabs, droplets, root tendrils, and fabric edges drift gently instead of hanging downward. Chamber should feel organized around floating cultivation arrays rather than furniture. Bioluminescent plants are major secondary subjects. Read them as cultivated alien specimens: translucent leaves, glowing veins, bulb pods, tendril clusters, and spore sacs emitting greens, cyans, violets, or golds. One principal specimen occupies immediate interaction zone near biologist, detailed enough to read where spores are being grafted. Grafting spores must appear as controlled biological material, not random dust cloud: luminous particulate stream moving from hand toward receiving bloom on plant. Mechanical chain must remain explicit. Biologist guides grafting spores to specific prepared site on plant. Spores settle onto parted receiving tissue, while support clips keep plant steady against drift. Nearby leaves and tendrils float outward in weightlessness while biologist’s stabilizing hand and anchored body keep operation precise. Scene shows one charged research instant: controlled spore transfer, living tissue contact, and first visible response such as faint glow traveling through leaf veins or subtle color shift at graft seam. Composition should keep biologist large in foreground or near midground, with principal specimen and graft site readable. Use three-quarter viewpoint that reveals face, hand positions, floating cloak, greenhouse depth, and suspended plant clusters behind main action. Preserve open space around drifting figure and plant silhouettes so zero-gravity separation remains legible. Do not hide interaction behind foliage, glare, or dense spore haze. Lighting must be clearly exposed and bright. Build scene around artificial sunlight used for cultivation: warm growth illumination balanced with colored plant bioluminescence, so chamber reads as luminous workspace rather than dark room lit only by glow effects. Materials must separate clearly: cloak fabric, alien skin, transparent panels, moist plant surfaces, floating droplets, suspended roots, and luminous spores. Digital illustration in classic imaginative science-fiction mode inspired by Peter Andrew Jones. Preserve one visible instant where cloaked alien biologist performs spore grafting among bioluminescent plants inside zero-gravity greenhouse. --mod asymmetric composition --mod digital illustration --mod classic imaginative sci-fi --mod zero-gravity greenhouse --mod artificial sunlight exposure --mod bioluminescent alien botany
  • Using base image: No
  • Aspect Ratio: landscape_wide

Epic Space Battle: Cosmic Opera

• Model: AI Upscaler

• Size: 3504 X 2352 (8.24 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes