#scaffolding

Nowhere Reflection

• Model: Deep Style

• Size: 2576 X 3216 (8.28 MP)

• Used settings:

  • Prompt: Bill Alexander, the originator of the wet-on-wet technique later popularized by his student Bob Ross, built entire landscapes in a single sitting by loading thick, undiluted oil paint directly onto a pre-coated "magic white" ground while it was still wet. This allowed successive colors to blend, drag, and fuse at their edges without muddying, producing soft atmospheric transitions in skies and backgrounds alongside crisp, broken strokes in foreground elements. A generative render invoking this style should describe a desert sunset sky built from fused, buttery passes of orange, rose, and deep violet, with visible drag marks where one hue was pulled wet into the next using a wide flat brush, leaving faint ridges and comb-like striations rather than a flat airbrushed gradient. For the impasto outcome specifically, the prompt should emphasize thick, ridged paint application using a palette knife or stiff bristle brush for the foreground and subject — in this case, a saguaro cactus silhouette built up with short, loaded knife strokes that catch and hold a raking light, creating real physical shadow within the paint itself rather than merely implied shading. Describe the horizon line as a dense, scraped band of near-black and umber, knife-applied in a single confident pass, while the cactus form should show individual blobs and ridges of pigment along its ribs, giving it sculptural presence against the smoother wet-blended sky. This contrast between the loose, wet-blended background and the thick, textured foreground is the hallmark of the Alexander/Ross method and should be stated explicitly in the prompt to avoid a flattened digital gradient. The final paragraph of the prompt should anchor the overall mood and technical vocabulary: "oil on canvas, wet-on-wet technique, thick impasto palette knife strokes on foreground subject, loaded brush blending in sky, visible canvas tooth, buttery paint texture, warm raking studio light catching ridges of pigment, traditional landscape painting technique, in the style of classic American TV painting instruction." Including terms like "palette knife," "loaded brush," "visible ridges," and "wet blended" gives the generative model concrete material cues to render, pushing the output away from smooth digital illustration and toward a convincing simulation of thick, physically worked oil paint.
  • Using base image: Yes

Graffiti Ballet Dream-City Mural

• Model: ChatGPT 2 (Pro)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: A quirky joyful graffiti artist performs an extravagant ballet across scaffolding while painting a crooked dream-city mural, balancing on one toe with paintbrushes tucked into her wild hair. Yellow dream-people, patterned fish, tiny musicians, walking houses and peculiar creatures tumble from the wet paint into reality. Inspired by Os Gêmeos × Remedios Varo × Hieronymus Bosch, richly patterned, whimsical, bizarre and storybook-surreal.
  • Using base image: No
  • Aspect Ratio: portrait

Trust me, give the coachman a whip

• Model: Ideogram v4 (Turbo)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Start with the only one surreal-to-abstract fusion (in Gerhard Richter style influenced by Milada Lenfeldová, Raqib Shaw, Alberto Seveso and Agnes Martin) of all following scenes: ( (I can no longer do what I would, cut down trees in the forests, it's.. unfortunately, I can only harvest what I have sown, and pay everything I have to whomever..) + (Those grayish birds on copper wires already know a lot about this code, they can fly and forget the entire order of this Telegraph Road...) ++ (You know that there were times when it was bad, that we slept in the rain and froze, now when you tell me: take what you want, I feel very well that it is a lie....) +++ But trust me, give the coachman a whip, I will take you with me and lead you away from all the darkness and high walls, from all the fear that sleeps in the streets, I have walked through every corner of my memory and seen only sadness as pride swells, and I would like to forget all the No_- signs that are strewn all over Telegraph Road... ) ) -> so, fusing together into dominant precise telegraph wires theme like by style of Maurits Cornelis Escher influenced by Esao Andrews and high quick b♫D jingle. ->> Continue than with the painting by semi-transparent colors (with those themes) into extremely detailed hyperrealistic, richly layered painting; also with very far abstract&blurred background inspired by Tanya Shatseva and Jitka Anlaufová = partly&softly drown the main subject into the background of gentle timbre song's feels that are carried on the breeze as quick winding, melancholy dis/harmonies - for those use alcohol inks. ] ->>> All resulting in very intricate expressionist complex of unique dis/harmony. Fascinating beautiful patterns, rich layering, semi-attractive with some dreamlike un/qualities, award winning once in far future, high resolution, great 64K πD.
  • Using base image: No
  • Aspect Ratio: landscape

Skunk Street Artist's Masterpiece

• Model: (Mode 20)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: A charming anthropomorphic skunk street artist wearing casual urban clothing—well-worn jeans splattered with paint, a vintage graphic T-shirt, sturdy sneakers, a canvas apron tied around the waist, and a backwards baseball cap. The skunk stands confidently on scaffolding, carefully painting an enormous, breathtaking mural of a vibrant wildflower meadow across the side of a weathered brick building. The mural bursts with colorful poppies, lupines, daisies, cornflowers, sunflowers, lavender, butterflies, buzzing bees, and tall waving grasses, creating the illusion that nature is spilling into the city. Paint cans, brushes, rollers, and colorful drips surround the artist, while curious birds perch nearby watching the masterpiece unfold. The surrounding street features urban details like graffiti, flower pots, bicycles, and warm afternoon sunlight casting long shadows. The skunk has expressive eyes, a fluffy black-and-white tail, and a focused yet joyful expression. Hyper-detailed fur, richly textured brickwork, vivid floral colors, cinematic lighting, whimsical realism, painterly masterpiece, ultra-high detail, fantasy realism, award-winning digital art, vibrant color harmony, depth of field, highly detailed textures, magical atmosphere, 8K quality.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Dreamscape platform

• Model: ChatGPT 2 (Base)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Originality is merely an illusion. acrylic art surreal Endre Penovac Dee Nickerson fractured Egon Schiel, watercolor, pen and ink Hokusai Ikenaga Yasunari Henri Lebasque
  • Using base image: Yes

Dreamy City Church Painting

• Model: Flux Klein

• Size: 1536 X 2048 (3.15 MP)

• Used settings:

  • Prompt: Watercolor by Kandinsky
  • Using base image: Yes

Cosmic Construction

• Model: Grok

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: (Masterpiece) — A colossal, ornate humanoid construct floats within a vibrant cosmic nebula. Its body fuses intricate clockwork, glowing crystal shards, bioluminescent vines, and braided energy conduits, with a blazing molten core at its center. Dozens of tiny engineers swarm its limbs on scaffolds and floating platforms, welding and connecting luminous gears, while miniature ships and drones circle overhead. Surrounding it, floating cities and spired towers hover on rocky islets, illuminated by lanterns and arcane sigils. The backdrop features swirling multicolored gas clouds, stars, and asteroid debris in dramatic motion. Hyper-detailed fantasy sci‑fi illustration with vivid neon blues, purples, oranges, and golds; cinematic volumetric lighting, rim lights, intricate filigree metalwork, glowing runes, and dynamic wide-angle perspective. Ultra-real textures, painterly yet highly detailed, epic scale, 8k resolution, dramatic atmosphere, deep depth of field.
  • Using base image: No
  • Aspect Ratio: landscape

Intricate Watercolor of Industrial Complexity

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: Ink, pen, illustration by J.C. Leyendecker, Norman Perceval Rockwell, Mead Schaeffer, Stevan Dohanos: Industrialized background of pipes, scaffolding & storage spheres, high contrast, light & shadow, watercolor of full brilliantly coloured: By Hayao Miyazaki: Soft Watercolor & ink on silk painting of a Surrealistic Portrait by Beksinski of a squid with tentacles grabbing a girl in naval pale blue camouflage deep space diving suits, with large white mine-like diving camouflage helmet, perfect flawless hands in black gloves, with clear spheric headgear, with black tubings or cables linked to large suspended spherical mine-like high tech ball in dynamic artistic poses connected to organic cables; side glance; wet on wet, with spherical goo dripping slime resembling placenta with radiating tubular mycelium networks with immune cells attacking; maximalist; expressive; figure; form; impression; translucent; additive; influence of Gottfried Helnwein and Ali Cavanaugh; seeing the soul in a finite moment of infinity. vulnerable but steadfast; organic and loose; ghostly realism, add industrialized background.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Chicken Drumstick Construction

• Model: FluX

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: A surreal still life photograph of a giant, golden-brown breaded fried chicken leg being constructed by miniature construction workers on scaffolding. The chicken leg is enormous, taking up most of the frame, with a thick, textured coating of crispy breading that shows individual crumbs and flakes. The workers are wearing bright orange safety vests and yellow hard hats, positioned on multiple metal scaffolding ladders surrounding the chicken. The scaffolding is made of copper-colored metal pipes and ladders. Small pieces of breading are scattered on the light-colored surface below. The workers are using tools and equipment to build and maintain the chicken structure. The background is a plain light gray, creating a stark contrast with the warm tones of the chicken and workers' equipment. The composition is shot from a low angle, emphasizing the scale difference between the workers and the giant chicken they are constructing.
  • Using base image: No
  • Aspect Ratio: landscape

Majestic Cathedral Under Construction, 1500

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Grand Gothic cathedral under construction, circa 1500, towering stone walls rising skyward, intricate scaffolding of wood surrounding spires, masons chiseling limestone blocks, workers hauling stone and timber, dusty ground strewn with tools, cranes powered by ropes and pulleys, sunlight filtering through unfinished arches, dramatic atmosphere, sense of awe and devotion, highly detailed, cinematic realism, historical accuracy
  • Using base image: No
  • Aspect Ratio: landscape

Cathedral in Vacuum

• Model:

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A massive orbital drydock under construction, cathedral-scale voids and towering scaffolds encase the hull of a vessel mid-assembly. Lone workers float like ants along red hazard rails and tether lines, surrounded by crawlspaces, exposed steel struts, and industrial netting. Cold white light casts volumetric shafts through the debris field, with scorched insulation and painted hull segments catching the dusty atmosphere. Observed through a wide-angle lens, the composition reveals engineering clarity and compositional vastness, rendered in a Syd Mead × Chris Foss style with muted complementary hues and precision concept finish.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Rainy Jungle Dreams: Shinjuku's Hidden Pathways

• Model:

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Cyberpunk bande dessinée. A narrow, broken subway track under an old elevated railway in the rain-drenched jungle of Shinjuku with a narrow, broken subway track crossing it, a circular pedestrian deck half under construction on the left side and its scaffolding, trees, dark shadows, sparse dandelions, lush weeds and bushes, a happy-looking young redhead female student in short skirt and stockings passing on the pathway, close-ups of a few happy-looking students passing on the pathway. The dark mossy elevated area.
  • Using base image: No
  • Aspect Ratio: landscape_wide