Prompt: Draw a realistic girl in fashionable clothes, sitting half‑turned on a sofa. She has her arms wrapped around her knees, and her gaze is fixed on the void — this conveys a slight sadness and warm nostalgia. She has a careless hairstyle: a few strands of hair fall loosely over her face. The lighting in the room is subdued, almost dim: the warm but faint light of the lamp barely highlights the silhouette, the shadows are deep, and the color palette is realistic — muted gray‑beige and ash tones with a slight film grain. The front side and fabric textures are highly detailed, but the overall atmosphere is calm and somewhat lonely.
Inside the room, there is a large linear drawing in a naive style (naive line art): schematic figures of a girl and a young man sitting at a table in a café, a projection of memories that fills the entire room: translucent lines in a naive style (naive line art), as if floating in the air. The line art) forms scenes of a walk in the park (an alley, trees, light silhouettes of benches), candles floating in the canals (their lights glow softly), and fireworks in the distance (the flashes leave light glowing trails). The projection is dynamic: the lines are slightly blurred, as if due to movement, and the light from the fireworks and candles gently “shimmers,” creating the effect of a living image. The palette of memories is bright and vibrant: warm golden, pink, dark blue, and sparkling white hues; the glow of the projection gently illuminates the objects in the room, enhancing the contrast with the dull reality. The projection’s detail is deliberately simplified (thin lines without dense rendering), but thanks to the glow and dynamism, it looks alive. The aspect ratio is 16:9.
Prompt: Bill Alexander, the originator of the wet-on-wet technique later popularized by his student Bob Ross, built entire landscapes in a single sitting by loading thick, undiluted oil paint directly onto a pre-coated "magic white" ground while it was still wet. This allowed successive colors to blend, drag, and fuse at their edges without muddying, producing soft atmospheric transitions in skies and backgrounds alongside crisp, broken strokes in foreground elements. A generative render invoking this style should describe a desert sunset sky built from fused, buttery passes of orange, rose, and deep violet, with visible drag marks where one hue was pulled wet into the next using a wide flat brush, leaving faint ridges and comb-like striations rather than a flat airbrushed gradient.
For the impasto outcome specifically, the prompt should emphasize thick, ridged paint application using a palette knife or stiff bristle brush for the foreground and subject — in this case, a saguaro cactus silhouette built up with short, loaded knife strokes that catch and hold a raking light, creating real physical shadow within the paint itself rather than merely implied shading. Describe the horizon line as a dense, scraped band of near-black and umber, knife-applied in a single confident pass, while the cactus form should show individual blobs and ridges of pigment along its ribs, giving it sculptural presence against the smoother wet-blended sky. This contrast between the loose, wet-blended background and the thick, textured foreground is the hallmark of the Alexander/Ross method and should be stated explicitly in the prompt to avoid a flattened digital gradient.
The final paragraph of the prompt should anchor the overall mood and technical vocabulary: "oil on canvas, wet-on-wet technique, thick impasto palette knife strokes on foreground subject, loaded brush blending in sky, visible canvas tooth, buttery paint texture, warm raking studio light catching ridges of pigment, traditional landscape painting technique, in the style of classic American TV painting instruction." Including terms like "palette knife," "loaded brush," "visible ridges," and "wet blended" gives the generative model concrete material cues to render, pushing the output away from smooth digital illustration and toward a convincing simulation of thick, physically worked oil paint.
Prompt: editorial medium shot, woman standing in a dark room, clean lime green binary code is projected onto her face and body, 70mm, high precision photography
Prompt: close-up of one single Nordic Bronze Age woman standing in a prehistoric natural landscape. she's gazing into the sky. the woman sees a spiritual portal opens in the sky, like a projector screen. within the portal is the very detailed image of a modern cityscape. the cityscape is viewed like a large projection in the sky, like it's a screen displaying a future vision. 8K resolution, a glazed vibrant deep colored digital painting masterpiece, extremely detailed, beautiful landscape, stunning epic masterpiece, sharp crystal clear focus, high definition, high contrast, fantastic view, unpatterned
Prompt: In the centre of the image is a man's hand, which captures a futuristic night landscape with tall, illuminated skyscrapers of cutting-edge design, amongst densely packed buildings. Double exposure.
Prompt: Female face in close-up, digital portrait, projected texts in varied fonts and sizes backlighting wet hair, bright blue eyes highlighted by high-contrast lighting, blue hue over texts contributing to a futuristic, mysterious ambiance, play of light and shadow creating enigmatic vibe, contemplative expression, dimly lit backdrop, focus on the text highlighted as a central element, evocative of the styles of Man Ray, Andres Serrano,
Prompt: A huge church with a glowy blue clock and many gargowls with red eyes on the sides built in a huge cave lightened by several glowing plants with different colours, at night, highly detailled, 4k resolution, volumetric
Prompt: feng shui of organic space people of the future (((((jackson pollock projection water mapping))))) of ((((( alien plant-life and glowing exotic crystals )))
Prompt: feng shui of organic space people of the future (((((jackson pollock projection water mapping))))) of ((((( alien plant-life and glowing exotic crystals )))
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
21d
