Prompt: Cinematic 1980s horror movie still, a terrified blonde woman inside a vintage glass phone booth screaming in pure panic, clutching a black telephone receiver to her ear. Surrounding the phone booth is a massive, translucent, bubbling pink slime creature completely engulfing the glass panels. Inside the viscous, glowing pink goo, the tortured, screaming faces of dissolved victims are visible and fused into the monster. Dramatic, claustrophobic composition, intense theatrical lighting, detailed expressions of terror, retro aesthetic, highly detailed dark fantasy illustration style, horror art
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife and color ink Techniques: Old Phone Booth in the Wind
Foreground (Impasto, palette knife):
A ginger-haired girl stands inside an old glass phone booth. With her palm, she holds the door so the wind doesn’t slam it shut. Her coat and hair are rendered with thick, textured paint, almost tactile. One foot rests on a low concrete curb.
Midground (Colored ink):
Cracks in the glass are drawn with ink that bleeds slightly downward. The phone wires hang like nervous, sketched lines.
Background (Glazing layers):
An empty street built from layers of gray and bluish translucent washes. Distant car lights barely suggested through transparent paint.
Lighting:
Cold streetlight from above, the wind almost visible through the brush movement.
Story:
She isn’t making a call. She just stands inside, as if it’s the last place where the wind can’t reach her.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife and color ink Techniques: Foreground: ginger-haired girl inside a rainy phone booth at night, pressing a mixing palette knife directly against the foggy glass, dragging it through thick colored ink already poured on the surface. The ink is visibly heavy, raised, and textured — true impasto ridges catching the streetlight. Her fingers smear through the wet mass, leaving tactile trails.
Midground: glass covered in thick palette knife strokes, uneven paint buildup, clotted pigment, and areas where fresh colored ink is poured over those ridges, creating transparent flowing layers — clear glazing effect over the impasto texture.
Background: blurred wet street, warm street lamps, rain reflections, cinematic night atmosphere seen through distorted, ink-covered glass.
Lighting: warm outside streetlight hitting the raised ink texture, cool inner shadows, strong highlights on the wet, thick paint and transparent layers.
Style / Technique (very important): visible mixing palette knife strokes, heavy impasto texture on glass, colored ink physically thick and raised, glazing layers flowing over texture, tactile, messy, realistic, not illustrative.
Colors: deep reds, ink blues, amber lights, dark night neutrals.
Prompt: Fotografie eines Mannes mit markanten, unkonventionellen Gesichtszügen in einer Telefonzelle, der durch das Glas in die Kamera blickt, ein schnurgebundenes Wählscheibentelefon gegen sein Ohr gedrückt, Kondenswasser und Regentropfen auf dem Glas, filmische Beleuchtung, gedämpfte Filmfarbpalette, Retro-Filmästhetik der 1990er Jahre, subtile Körnung und weiche Kontraste, geringe Tiefenschärfe, stimmungsvoll und atmosphärisch, ultrarealistisch, 8k, künstlerische Komposition,
Prompt: hyperrealistic, wide angle, a rich, detailed vibrant entertaining, layered composition, painting, rich fantasy art, poster, A cinematic suspense scene inspired by Alfred Hitchcock’s “The Birds”: a terrified blonde woman trapped inside a transparent glass phone booth, her face pale and eyes wide with fear, hands pressed against the glass. Outside the booth, dozens of aggressive black birds are flying wildly in the air, circling and attacking the booth, some pecking violently at the glass. Feathers scattered in the air, chaotic motion frozen in time. Dramatic lighting, overcast sky, cold color palette, strong contrast, 1960s film noir atmosphere, psychological horror mood, dynamic composition, shallow depth of field, ultra-detailed, realistic textures, cinematic framing, high tension, classic Hitchcock style.
Style: photorealistic sci-fi, cinematic realism, ultra high detail, 8K quality, concept art level, sharp focus, professional lighting
Aspect ratio: 16:9, The high level of detail in the faces and equipment draws any observer into the depth of this realistic and thrilling scene. panoramic wide view, highly detailed, concept art, photorealistic, 4K 3D, hdr, pixar, pencil sketch, watercolor sketch, dynamic, aquarelle, wet brush effect, ink splash art, wet on wet watercolor painting techniques, watercolor etude, panoramic wide view, highly detailed, concept art, photorealistic, 4K 3D, hdr, pixar, pencil sketch, watercolor sketch, dynamic, aquarelle, wet brush effect, ink splash art, wet on wet watercolor painting techniques, watercolor etude, 16:9, no frame, 8k, masterpiece, unique by Gil Elvgren & Howard Dodd & Alberto Vargas , award winning vivid, vibrant rough canvas texture
Prompt: Additional prompt: Create a painting of an iconic red telephone booth in winter London, a woman on the phone in the booth, people walking down the street wearing coats, a man with a walking stick, a flock of birds flying over a snowy, foggy winter landscape, with light scattered from above - an oil painting in the impressionist style of Claude Monet, with rich, muted tones, diffused lighting and a wet-on-wet technique.
Prompt: An elephant tightly squeezed in a phone booth labelled "TELEPHONE BOOTH", whimsical hand drawing sketch color with A white pirate boat with pink dots, viewed from the side, blends into the horror landscape of pig of war. No artist signature.
Prompt: Man standing on a road stretching towards the horizon, near a phone booth in the middle of the desert, the phone booth is glowing with blue light, and the night sky is lit with the Milky way galaxy
Prompt: manga panel , horror manga,girl with headphones standing frightened in the door of a train, there is a giant creepy giant face behind her, zoomed out, walls with eyes, fullbody, intricate detail, manga style, screentones, crisp, pixiv,nijihorro
Prompt: A red telephone booth found in London sits near a stone bridge, a tall skinny man dressed in a top hat and skinny black jeans, with a black jacket and shirt is stepping out of the telephones booth, double exposure the London Bridge sitting among a pastural field, watercolor by Jean-Baptiste Monge and Yossi Kotler,
Prompt: A sunny day in the middle of an alien desert. Two suns. The Tardis is half buried in the sand. Four people stand in a mildly disgruntled group beside the Tardis. One a 1940s English professor in Tweed, one a bald green alien and two are attractive women 2010s dance club outfits. Large pink birds glide through the air.
The Doctor, Victorian Echo Clara and English street food.
Model:
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: A misty day on a street in Manhattan. The air is thick with thousands of giant eels swimming through the air. The Tardis is parked by the side of a building. Beside the Tardis is a cute young woman in a sexy dress and a man dressed like a 19th century train attendant.
Prompt: A misty day on a street in sci-fi Manhattan. The air is thick with thousands of giant eels swimming through the air. The Tardis is parked by the side of a building.
Prompt: A black and white image of the city of London, Paddington Bear wearing a blue coat, slightly worn red brimmed hat and brown wellington boots with a brown leather suitcase decorated with two darker brown stripes, next to a counter City of London regular phone in red color, full details, Tony Moore style, 16:9, no frame, 8k
Prompt: With styles of both Dee Nickerson and Duy Huynh, depict on the left, a food stall with a red and white striped awning housing a yellow food truck. Adjacent to it, place a classic British red telephone box. In the middle foreground, draw a two-lane road with a small red car and uneven green lines suggesting motion. On the right, illustrate a three-story yellow bus with green accents and a tiny red car in front. Incorporate playful white swirls and details around the composition to give a sense of bustling wind and movement. Add small white birds and white sunbeams emanating from the upper right corner for a lively atmosphere.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
