Prompt: "John Maynard war unser Steuermann,
aushielt er, bis er das Ufer gewann,
er hat uns gerettet, er trägt die Kron',
er starb für uns, unsre Liebe sein Lohn.
John Maynard."
Die "Schwalbe" fliegt über den Erie-See,
Gischt schäumt um den Bug wie Flocken von Schnee;
von Detroit fliegt sie nach Buffalo -
die Herzen aber sind frei und froh,
und die Passagiere mit Kindern und Fraun
im Dämmerlicht schon das Ufer schaun,
und plaudernd an John Maynard heran
tritt alles: "Wie weit noch, Steuermann?"
Der schaut nach vorn und schaut in die Rund:
"Noch dreißig Minuten ... Halbe Stund."
Alle Herzen sind froh, alle Herzen sind frei -
da klingt's aus dem Schiffsraum her wie Schrei,
"Feuer!" war es, was da klang,
ein Qualm aus Kajüt und Luke drang,
ein Qualm, dann Flammen lichterloh,
und noch zwanzig Minuten bis Buffalo.
Und die Passagiere, bunt gemengt,
am Bugspriet stehn sie zusammengedrängt,
am Bugspriet vorn ist noch Luft und Licht,
am Steuer aber lagert sich´s dicht,
und ein Jammern wird laut: "Wo sind wir? wo?"
Und noch fünfzehn Minuten bis Buffalo. -
Der Zugwind wächst, doch die Qualmwolke steht,
der Kapitän nach dem Steuer späht,
er sieht nicht mehr seinen Steuermann,
aber durchs Sprachrohr fragt er an:
"Noch da, John Maynard?"
"Ja, Herr. Ich bin."
"Auf den Strand! In die Brandung!"
"Ich halte drauf hin."
Und das Schiffsvolk jubelt: "Halt aus! Hallo!"
Und noch zehn Minuten bis Buffalo. - -
Noch da, John Maynard?" Und Antwort schallt's
mit ersterbender Stimme: "Ja, Herr, ich halt's!"
Und in die Brandung, was Klippe, was Stein,
jagt er die "Schwalbe" mitten hinein.
Soll Rettung kommen, so kommt sie nur so.
Rettung: der Strand von Buffalo!
Das Schiff geborsten. Das Feuer verschwelt.
Gerettet alle. Nur einer fehlt!
Alle Glocken gehn; ihre Töne schwell'n
himmelan aus Kirchen und Kapell'n,
ein Klingen und Läuten, sonst schweigt die Stadt,
ein Dienst nur, den sie heute hat:
Zehntausend folgen oder mehr,
und kein Aug' im Zuge, das tränenleer.
Sie lassen den Sarg in Blumen hinab,
mit Blumen schließen sie das Grab,
und mit goldner Schrift in den Marmorstein
schreibt die Stadt ihren Dankspruch ein:
Hier ruht John Maynard! In Qualm und Brand
hielt er das Steuer fest in der Hand,
er hat uns gerettet, er trägt die Kron,
er starb für uns, unsre Liebe sein Lohn.
John Maynard." Style by Michael Whelan + Jeff Easley + Julie Bell
include a very small stylized full-body white unicorn logo with delicate proportions and the text “AI by Unicorngraphics” beneath it in the bottom right corner.
Prompt: A train throug a wintery Mountain area in Switzerland. The passenger area is smelly, and bad air quality. One passenger next to the window opens it a crack for fresh air. Another passenger yells: 'close the window, it is cold outside!' The one who opened the window slams it shut and says: 'so do you think it now got warmer outside because I closed the window?', Humorous, highly detailed storybook illustration filled with personality, texture, and visual charm. Subjects are rendered as expressive caricatures rather than realistic depictions, featuring exaggerated proportions, playful anatomical distortion, asymmetrical forms, wobbly contour lines, oversized features, and animated gesture.
Every surface is rich with tactile detail and handcrafted texture. Fur, fabric, wood, metal, stone, skin, foliage, and props display visible wear, scratches, wrinkles, fibers, brushwork, grain, and imperfections that enhance the storytelling. Complexity comes from observational detail and texture rather than realism.
Forms remain structurally simplified and cartoon-like, with strong silhouette readability and appealing character design. Exaggeration should feel intentional, expressive, and humorous rather than grotesque.
Color relationships are natural and believable, using realistic cartoon shading and dimensional rendering. Rich local color variation adds visual interest while preserving clarity.
Lighting is highly theatrical. Strong chiaroscuro illumination, dramatic spotlights, stage-light effects, and focused beams of light carve subjects from surrounding shadow. Bright highlights reveal texture and form while deep shadows create mood, depth, and visual drama. The subject remains clearly visible and readable.
Composition centers on a single dominant subject or small group, isolated against a simple environment. Shallow depth of field directs attention toward the focal point. Backgrounds remain minimal, atmospheric, and unobtrusive, often consisting of subtle gradients, soft textures, or simplified scenery that supports rather than competes with the subject.
The overall feeling is that of an intricately illustrated storybook page: whimsical, theatrical, richly textured, character-driven, humorous, and full of visual discovery.
Vintage American Railroad Travel Poster from the1940s
Model:
Nano Banana 2
(Pro)
Size:
2240 X 1680
(3.76 MP)
Used settings:
Prompt: A majestic streamlined American locomotive racing through the Rocky Mountains in the 1940s, elegant passengers inside luxury observation cars, dramatic steam clouds, bold retro typography space, cinematic travel-poster composition, rich painted textures, golden sunset atmosphere, style of classic Union Pacific travel image × Maxfield Parrish lighting, include a very small sterilized full-body white unicorn logo with delicate proportions and the text “AI by Unicorngraphics” beneath it in the bottom right corner.
Prompt: (((masterpiece))) , , , by John Atkinson Grimshaw , Thomas Wells Schaller , Jean-Baptiste Monge , Maurice Utrillo , Bernard Buffet,summer,,london,subway,
Prompt: A bustling late-19th-century harbor panorama, painted in thick impasto with Doré-sharp linework, frames a single-smokestack steamship broadside at the pier, and partially visible building on the right, decks jammed with passengers while a long gangway angles from the crowded dock to the main deck under clear late-summer light. The steamship’s riveted black hull, buff funnel, and boat davits read rough and matte as gulls wheel above the inlet and timber pilings. Highly detailed, visual masterpiece of perfect wide shot, extremely detailed, extremely deep background, extremely detailed background, extremely detailed textured
Prompt: An image of The Titanic in the golden glow of late afternoon. The ocean is blue rippling with sunlight. The ship is majestic and stately on her maiden voyage. People on board are dressed in fancy 1940s clothes. Some have plain 1940s style clothes The composition bursts with textures: . Every detail hums with nostalgia the air thick with the promise of stories untold.
Prompt: mysterious glowing genie emerging from an ornate golden magic lamp placed on a subway train table, translucent neon spirit forming the shape of a graceful woman made of swirling pink and turquoise light, magical energy spiraling upward from the lamp, several surprised passengers sitting around the table staring in amazement, modern subway interior with metal seats and rainy windows covered in water droplets, night atmosphere outside the train, reflections of neon light on the metallic surfaces, dramatic cinematic lighting illuminating the faces of the passengers, magical particles floating in the air, contrast between everyday urban environment and surreal fantasy event, highly detailed expressions of curiosity and wonder, cinematic composition centered on the glowing lamp and genie, volumetric light rays and soft glowing aura, ultra realistic textures of metal and glass, photorealistic cinematic scene, masterpiece, ultra detailed, dramatic lighting, shallow depth of field, atmospheric perspective
cinematic movie still, ultra realistic lighting, volumetric glow, magical neon aura, fantasy realism, artstation quality, high dynamic range lighting
ancient magical spirit made of luminous smoke and glowing energy
Prompt: A crowded city bus rattles through a washed‑out morning, rendered in a hybrid style of cel‑shaded anime and hand‑drawn graphite lines that flicker like frames from Take On Me. Blue seats and yellow rails appear in soft selective color, while everything else drifts between black pencil‑sketch outlines and muted realism.
At the center sits a stunning blonde model‑influencer—vivid red lipstick glowing as the only saturated color, her hair shimmering gold against the desaturated world. She wears a blue mottled designer shirt, green mini skirt and heels, one leg casually bent on the seat, posture relaxed yet unmistakably out of place.
Commuters around her are sketched in rough, expressive strokes, their faces tired, their clothes textured with grainy realism. Some stare, some smirk, some look away. The blurred city outside streaks past like watercolor graphite.
The entire scene radiates irony, class tension, and dreamlike dislocation—half anime, half sketch‑reality, fully cinematic
Prompt: A collage featuring an airport. In the foreground is a smiling flight attendant in a classic uniform: a blue suit, cap, white scarf, and leather bag. She is wearing beautiful black stiletto heels. In the background is a large passenger jet with the word "AEROFLOT" emblazoned on the fuselage. Surrounding the plane are passengers dressed in 2015-2020 styles, carrying suitcases and bags. The airport's architecture is futuristic. Two planes float in the blue sky. Warm tones create an atmosphere of comfort and optimism.
Prompt: "Draw a collage at the airport. In the foreground, there is a smiling flight attendant in a classic uniform: a blue suit, a cap, a white scarf, and a leather bag in her hand. In the background, there is a large passenger plane with the word "AEROFLOT" written on its fuselage. Around the plane, there are passengers dressed in the style of 2015-2020, carrying suitcases and bags. The airport's architecture is futuristic, with domes and towers. In the sky, there are two planes. Warm golden tones, an atmosphere of comfort and optimism."
Prompt: A new generation of futuristic steampunk girls and boys of the arts and the good life fly through Califórnia on a steampunk skateboard ship: "Art Style: A fusion of surreal watercolour splashes, photorealistic oil and ink drawings with classic lines, black outlines and shaded areas, a mix of detailed graphite drawings and high-contrast 3D models inspired by artists: Tsotumi Nihei, Benedick Bana, Kim Jung Gi, Salvador Dalí". Epic cinematic brilliant stunning intricate meticulously detailed dramatic atmospheric maximalist digital matte painting
the first passenger steam locomotive in 1825 during the opening of the Stockton and Darlington Railw
Model:
Nano Banana 2
(Pro)
Size:
1365 X 768
(1.05 MP)
Used settings:
Prompt: Create a historical painting depicting the first passenger steam locomotive in 1825 during the opening of the Stockton and Darlington Railway. The early steam locomotive pulls a small train of passenger wagons along simple iron rails across the English countryside. The locomotive releases thick clouds of steam and smoke as it moves forward, symbolizing the dawn of the railway age.
Passengers ride in open wagons, some standing and waving hats with excitement and curiosity. Nearby villagers, farmers, and workers gather along the tracks to witness the revolutionary new machine. The rural landscape includes rolling fields, stone fences, and small cottages typical of early 19th-century England.
Style: romantic historical oil painting, warm natural daylight, detailed early steam locomotive mechanics, expressive human reactions, atmospheric steam clouds, soft countryside colors, cinematic composition, high realism, 4K resolution.
Prompt: A surreal realistic-painterly Image of a crowded medieval ship of fools drifting across a dim green-grey sea under a troubled sky. The vessel is overloaded with eccentric figures in motley costumes, bells, masks, and caps with donkey ears — jesters, scholars, nobles, peasants — all oblivious or absurdly engaged in vanity and folly. Some dance, some argue, some stare into mirrors, one tries to steer with a broken oar. The ship itself is slightly warped and symbolic rather than realistic, sails patched and sagging. The mood is satirical, allegorical, and darkly humorous. Highly detailed painterly realism blending medieval manuscript illumination with Bosch-like symbolism in the style of Hieronymus Bosch × Pieter Bruegel × Donato Giancola, early-2000s professional literary cover illustration. No title, no typography, no lettering. Include only a small sterilized unicorn head logo and the watermark “AI by Unicorngraphics”.
Prompt: A voguish woman in her favorite, elegant shortest, flouncy miniskirt enjoys the cozy atmosphere on the tram, sitting comfortably by the window. She wears her favorite, patterned fine cashmere (tightly fitted and cropped style). A deepest v-neckline, perfect in form, is draped around her chest. She wears white knee-high boots with a thin heel and a side zipper. She sits gracefully by the window, smiling, her lips bright, bathed in the soft autumn light, with a hint of rain outside. Full-length view, realistic fashion photography, high resolution, cozy modern street style, elegant and casual atmosphere of a girl sitting on the tram.
Prompt: (((colorful Masterpiece, assymetrical composition)))
Squiggly dotted lines and complex chaotic sketchy hatchings coloured with with watercolours come together to depict a lively image featuring a very beautiful slender young blonde busty urban vietnamese woman with a messy bun standing in an overcrowded subway train with a lot of european people in warm winter clothing, some of them wearing white dust-masks, others obviously have a bad cold.
The vietnamese woman‘s blonde hair is loosely styled in a bun with many loose tendrils framing her shyly blushing face. She wears a vintage suede jacket with fur collar, a rainbow coiloured thick woolen scarf, mini skirt, rainbow coloured legwarmers and boots.
The bright winter sun beaming through the tarinwindows highlights the beautiful facial and bodily features of the blonde vietnamese woman.
Background: small vintage kitchen with band poster. Outside the window we see a city in winter.
Drawn with colorful scratching, splashing, blotting watercolor, irregular stroke, squiggly line, evocative, splatter, overspray of color.
Masterpiece, gorgeous, beautiful, awe striking, breath taking, evocative, sumptuous, aesthetic, unique, HD, style by zettel
Prompt: A masterpiece of fantastical realism. A futuristic silver underwater tourist monorail metro train slowly moves underwater through a beautiful underwater landscape. Inside the train's sealed hull, tourists can be seen seated in chairs, curiously observing the underwater world through large glass windows. Small schools of beautiful, colorful fish swim around the tram. Beautiful, colorful corals and intricate seashells are visible on the seabed. Several sea crabs crawl along the bottom among underwater plants. A high level of detail creates a realistic atmosphere of the underwater world.
Prompt: Across cracked earth beneath a dust-hazed skyline, an aging VW van rumbles forward—no longer a peace symbol, but a survivor’s fortress. Rust stains its once-bright paint, yet the steel turret welded atop gleams with defiant purpose. Twin cannons stretch outward like a warning to the desolate horizon. Inside, scavenged hope rattles along with old memories. In this broken world, road warriors thrive—and the battle bus rolls on, part relic, part rebellion, wholly unstoppable.
Prompt: A darkly artful abstract colourful painting of a long bullet train corridor carriage on a dark Tokyo night, full people trying not to get into a fight over who get the chairs. A odd looking painting.
Prompt: Superior Panache establishing urban architectural documentary photography. Powerful Gloomy and Sombre Moody Evocative Visuals in Arresting Deft Cynosure, Hyperfocal shot at eye level of a small, rainy countryside train station in a rustic, grunge, unworldly style on a bleak, stormy day. The scene features partly hidden passengers under umbrellas, busying themselves amidst the precipitation, remaining in the designated areas of the platforms, surrounded by the station's old, crumbling buildings, built with stone, wood and steel, and overgrown with vegetation. Leading lines composition directs the viewer's eye towards the center, showcasing the silhouette of an incoming train in the distance, moving strictly along the tracks against majestic, foggy mountains under a dark, overcast, low-light sky. Artificial lighting from station lights, the incoming train, and streetlights enhances contrasts and reflections on wet platforms and other surfaces, with a muted color palette of grays, browns, beiges, rust tones, and blacks. The mood conveys decay and nostalgia, highlighted by chiaroscuro lighting that captures the essence of rustic-urban ruins. --mod empyral designer masterfully dressed tableu: Urbancore Industrial Soft Grunge Decay Jugaad architecture, --mod ultra-realistic superb virtuoso aesthetics: grand Impressionistic Peoplehood Technozen Gloomcore Precisionism. --mod prime parallax framed depth-mapped spatial blocking, --mod finest background detail preserving, pious atmospheric perspective. --mod zenith (asymmetry precise geometry), --mod acme-razor (finest-lines, sharpest-lines). --mod angstrom (hyper-precise intricately detailed textures), --mod grunge (micro-granular organic & metal surface: decay, aging, micro-imperfections overlay). --mod 64k 800DPI (photon bi-directional path tracing, RTX shaders), --mod 64k 800DPI UHDRI used with mastery of (dreary low-light scene, dramatic chiaroscuro light and shadows, artificial train, station and street lights, specular sharp micro-tonal high-contrast shadowplay; water, glass, gloss surface mapped spectral IOR reflections & refractions, caustics; sky & background). --mod BIPM Sevres Epitome Exquisite Explosive Visuals, --mod salient hyperfocality magnum opus masterful shot, --mod dexterous stacking epitome-virtuoso photography. --mod RED V-Raptor [XL] X VV 8k (RED RWG Log3G10 HDR), --mod Breakthrough X4 CPL Filter, --mod WHITEPOINT OPTICS KRYPTON OR 35mm T2.1 at T11 ISO800 crisp optics, Gitzo GT2532 S2 secured. --mod vanguard virtuosity-limit post-processing essence. --mod Lightroom Classic 14 Pro & Dehancer 7 Pro (RWG IPP2; FILMs Emulation: Kodak Portra 800 –, Kodak Portra 400 –; PRINT Media: Fuji Xtrans III Classic Chrome), --mod Baselight 6.0 Pro X-VIII & Boris FX 26 (LUTs: AWASH, TECH, 5122, 8130, 5220, NARCISSUS), --mod Capture One 16 & ON1 Ev+ 26 (IPP2 OT High, H-RollOff: Soft; LUTCon & FILMCon Boost), --mod DaVinci 20 Pro & Ev Imagen 4.5 (divine apotheosis-level final grading), --mod Quanglement Holographic Nonlocality-limit Neural Enhance, --mod Baselight (Phoenix-paradigm extreme essence output RWG IPP2 OT: Rec2020 HDR2084, UHDRI, 64k 800DPI).
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
