#opera

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The distribution of light in a searchlight beam is computed by determining the image formation at a point on the mirror or lens, then from this elemental image the image from a zone is derived. These zonal images are in turn summed graphically to find the beam from the complete searchlight. Some of the more important characteristics of a projected beam, such as angular width and the region in which the inverse square rule may be used to compute illumination, are outlined, and some attention is paid to the short range region that must often be used in testing. Lenses are discussed, largely to bring out their limitations, and some of the characteristics of the ellipsoid and hyperboloid are outlined. Test data on a mirror made of a combination of these two basic curves are presented to show how the filament images can be suppressed.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: projecting on them the light streams of the building in the form of wheat
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Architectural projection means any projection which is not intended for occupancy and which extends beyond the face of an exterior wall of a building, including arcades, roof overhangs, mansards, unenclosed exterior balconies, marquees, canopies, pilasters, fascias and the like, but not including signs.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Miraculously preserved in the beautiful setting of an Alpine valley, the Church of Wies (1745–54), the work of architect Dominikus Zimmermann, is a masterpiece of Bavarian Rococo – exuberant, colourful and joyful. The sanctuary of Wies, near Steingaden in Bavaria, is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared. The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary. Consequently, work began in 1745 under the direction of the celebrated architect, Dominikus Zimmermann, who was to construct, in this pastoral setting in the foothills of the Alps.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This magnificent Baroque palace – one of the largest and most beautiful in Germany and surrounded by wonderful gardens – was created under the patronage of the prince-bishops Lothar Franz and Friedrich Carl von Schönborn. It was built and decorated in the 18th century by an international team of architects, painters (including Tiepolo), sculptors and stucco-workers, led by Balthasar Neumann. Located in Southern Germany, the sumptuous Würzburg Residence was built and decorated in the 18th century by an international corps of architects, painters, sculptors, and stucco workers under the patronage of two successive Prince-Bishops, Johann Philipp Franz and Friedrich Karl von Schönborn.The Residence was essentially constructed between 1720 and 1744, decorated on the interior from 1740 to 1770 and landscaped with magnificent gardens from 1765 to 1780. It testifies to the ostentation of the two Prince-Bishops, and as such illustrates the historical situation of one of the most brilliant courts of Europe during the 18th century. The most renowned architects of the period - the Viennese, Lukas von Hildebrandt, and the Parisians Robert de Cotte and Germain Boffrand - drew up the plans
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Speyer Cathedral, a basilica with four towers and two domes, was founded by Conrad II in 1030 and remodelled at the end of the 11th century. It is one of the most important Romanesque monuments from the time of the Holy Roman Empire. The cathedral was the burial place of the German emperors for almost 300 years. Speyer Cathedral in the southwest of Germany, a basilica with four towers and two domes, was founded as a flat-ceiling basilica by Konrad II in 1030, probably soon after his imperial coronation. It was rebuilt by Henry IV, following his reconciliation with the Pope in 1077, as the first and largest consistently vaulted church building in Europe. The Cathedral was the burial place of the German emperors for almost 300 years. Speyer Cathedral is historically, artistically and architecturally one of the most significant examples of Romanesque architecture in Europe. It is, by virtue of its proportions, the largest, and, by virtue of the history to which it is linked, the most important.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Construction of this palatine chapel, with its octagonal basilica and cupola, began c. 790–800 under the Emperor Charlemagne. Originally inspired by the churches of the Eastern part of the Holy Roman Empire, it was splendidly enlarged in the Middle Ages. It is Emperor Charlemagne´s own Palatine Chapel, which constitutes the nucleus of the Cathedral of Aachen, located in western Germany. The construction of the chapel between 793 and 813 symbolises the unification of the West and its spiritual and political revival under the aegis of Charlemagne. Originally inspired by the churches of the eastern part of the Holy Roman Empire, the octagonal core was splendidly enlarged in the Middle Ages. In 814, Charlemagne was buried here. Charlemagne made the Frankish royal estate of Aachen, which had been serving a spa ever since the first century, his favourite abode. The main buildings of the Imperial Palace area were the Coronation Hall (aula regia – located in today´s Town Hall) and the Palace Chapel – now Aachen Cathedral. The Palatine Chapel is based on an octagonal ground plan, which is surrounded by an aisle and by tribunes above, and roofed with a dome.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Significant scientific discoveries made since the inscription of the property attest that treeless alkaline grasslands dominated the landscape from the end of the Pleistocene period. The open character of the Hortobágy, suitable for their grazing practices, presented adequate conditions for the settlement and population of the region. Numerous peoples migrated from the east into the Carpathian Basin in prehistory. The nomadic groups that arrived around 2000 BC were the first to leave their imprint on the natural landscape in the form of many burial mounds (kurgans), mostly found on dry land, but located near a source of water. They were often used for secondary burials by later peoples, and in some cases Christian churches were built on them. Also found in the park are the low mounds (tells) that mark the sites of ancient settlements back from the Neolithic. The Hungarians arrived in the Carpathian Basin at the end of the 9th century and occupied the lands around the Tisza River. Settlements in the Middle Ages followed the Debrecen – Tiszafüred route. The main group was in the area defined by the existing settlements of Hortobágy, Nagyhegyes, Nádudvar and Nagyiván.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Old Village of Hollókő is a Palócz settlement located in the County of Nógrád in Northern Hungary, about 100 km north-east of Budapest. The Old Village, which has been deliberately preserved, is a living example of rural life before the agricultural revolution of the 20th century. The rural architectural ensemble, which covers 145 ha, consists of 55 residential buildings, farm buildings and the church. Together, the traditional Palócz use of architectural forms and materials form a harmonious unit with the surrounding landscape and natural environment, characterized by strip-field farming, orchards, vineyards, meadows and woods. The property also includes the medieval castle ruins situated on the hill perched above the village, which is mentioned as early as 1310. This castle played a decisive part in the feudal wars of the Palóc and the Hussite and served as protection for the village whose ruins have been found a little way from its walls.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This stretch of the Danube has been the location of human settlement since the Palaeolithic. It was the site of the Roman city of Aquincum, situated to the north of the inscribed property which comprises parts of two originally quite separate cities: Buda on the spur on the right bank and Pest on the plain on the left bank. Pest was the first medieval urban centre, devastated in 1241-2. A few years later the castle of Buda was built on a rocky spur on the right bank by King Bela IV. Thereafter, the city reflected the history of the Hungarian monarchy. After the end of the Turkish occupation, recovery did not really begin until the 18th century. In the 19th century, the city’s role as a capital was enhanced by the foundation of the Hungarian Academy, housed from 1862 in a neo-renaissance palace, and by the construction of the imposing neo-gothic Parliament building (1884–1904). W.T. Clark’s suspension bridge, finalised in 1849, symbolised the reunification of Buda and Pest, which did not actually come about until 1873. The symbol of the development of the city as a modern metropolis was the radial Andrássy Avenue, which was included in the property in 2002. From 1872.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Modern development pressure and increased tourism in the area have required more protection for the historic area and certain initiatives, at both the community and legislative levels, have been undertaken. These include recently developed tools for promoting local awareness, the participation by the community association Salvemos Antigua (Save Antigua), as well as a public education campaign (with a newsletter, schoolchildren programs etc.) supported by the Japanese government. The revision of Antigua’s Protection Law, which requires approval of Congress, has also been promoted to adequately respond to existing factors and threats. Sustaining the Outstanding Universal Value of the property will require not only the updating and enforcement of legislative and regulatory measures, but also the definition and efficient protection of a the buffer zone and the sustained implementation of a master plan. The latter will need to include provisions for risk preparedness and disaster risk management, particularly in light of the vulnerability of the property. Comprehensive visitor management and clear conservation guidance and policies, will also be crucial for the property.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Darmstadt Artists’ Colony on Mathildenhöhe, the highest elevation above the city of Darmstadt in west-central Germany, was established in 1897 by Ernst Ludwig, Grand Duke of Hesse, as a centre for emerging reform movements in architecture, arts and crafts. The buildings of the colony were created by its artist members as experimental early modernist living and working environments. The colony was expanded during successive international exhibitions in 1901, 1904, 1908 and 1914. Today, it offers a testimony to early modern architecture, urban planning and landscape design, all of which were influenced by the Arts and Crafts movement and the Vienna Secession. The serial property consists of two component parts including 23 elements, such as the Wedding Tower (1908), the Exhibition Hall (1908), the Plane Tree Grove (1833, 1904-14), the Russian Chapel of St. Maria Magdalena (1897-99), the Lily Basin, the Gottfried Schwab Memorial (1905), the Pergola and Garden (1914), the “Swan Temple” Garden Pavilion (1914), the Ernst Ludwig Fountain, and the 13 houses and artists’ studios that were built for the Darmstadt Artists’ Colony and for the international exhibitions.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The relict structure and pattern of the Erzgebirge/Krušnohoří Mining Region remains highly legible and is characterized by specific and formative contributions made by the exploitation of different metals, at different times, in unevenly distributed locations defined by an exceptional concentration of mineral deposits. Separate mining landscapes emerged on both sides of the Ore Mountains, characterized by exchange of technical know-how, miners and metallurgists between Saxony and Bohemia. These deposits became key economic resources that were exploited during crucial periods in world history, events that were dictated by evolving empirical knowledge and exemplary practice and technologies devised or improved in the Ore Mountains; the vagaries of global markets impacted by new mineral discoveries, politics and wars, and the successive discovery of ‘new’ metals and their uses. The Ore Mountains was the most important source of silver in Europe, particularly in the century from 1460 to 1560; silver was also the trigger for new organization and technology. Tin was produced in a steady manner throughout the long history of the Ore Mountains and rare cobalt ore.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Descending a long hill dominated by a giant statue of Hercules, the monumental water displays of Wilhelmshöhe were begun by Landgrave Carl of Hesse-Kassel in 1689 around an east-west axis and were developed further into the 19th century. Reservoirs and channels behind the Hercules Monument supply water to a complex system of hydro-pneumatic devices that supply the site’s large Baroque water theatre, grotto, fountains and 350-metre long Grand Cascade. Beyond this, channels and waterways wind across the axis, feeding a series of dramatic waterfalls and wild rapids, the geyser-like Grand Fountain which leaps 50m high, the lake and secluded ponds that enliven the Romantic garden created in the 18th century by Carl’s great-grandson, Elector Wilhelm I. The great size of the park and its waterworks along with the towering Hercules statue constitute an expression of the ideals of absolutist Monarchy while the ensemble is a remarkable testimony to the aesthetics of the Baroque and Romantic periods.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The 18th century Margravial Opera House in Bayreuth is a masterwork of Baroque theatre architecture, commissioned by Margravine Wilhelmine of Brandenburg as a venue for opera seria over which the princely couple ceremonially presided. The bell-shaped auditorium of tiered loges built of wood and lined with decoratively painted canvas was designed by the then leading European theatre architect Giuseppe Galli Bibiena. The sandstone façade designed by court architect Joseph Saint Pierre provides a focal point within the urban public space that was particularly planned for the building. As an independent court opera house rather than part of a palace complex, it marks a key point in opera house design, foreshadowing the large public theatres of the 19th century. Today it survives as the only entirely preserved example of court opera house architecture where Baroque court opera culture and acoustics can be authentically experienced. The attributes carrying Outstanding Universal Value are its location in the original 18th century public urban space; the 18th century Baroque façade; the original 18th century roof structure spanning 25 metres.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A masterpiece of Baroque theatre architecture, built between 1745 and 1750, the Opera House is the only entirely preserved example of its type where an audience of 500 can experience Baroque court opera culture and acoustics authentically, as its auditorium retains its original materials, i.e. wood and canvas. Commissioned by Margravine Wilhelmine, wife of Frederick, Margrave of Brandenburg–Bayreuth, it was designed by the renowned theatre architect Giuseppe Galli Bibiena. As a court opera house in a public space, it foreshadowed the large public theatres of the 19th century. The highly decorated theatre’s tiered loge structure of wood with illusionistic painted canvas represents the ephemeral ceremonial architectural tradition that was employed in pageants and celebrations for princely self-representation.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The series of 111 out of the 937 known archaeological pile-dwelling sites in six countries around the Alpine and sub-alpine regions of Europe is composed of the remains of prehistoric settlements dating from 5,000 to 500 BC which are situated under water, on lake shores, along rivers or in wetlands. The exceptional conservation conditions for organic materials provided by the waterlogged sites, combined with extensive under-water archaeological investigations and research in many fields of natural science, such as archaeobotany and archaeozoology, over the past decades, has combined to present an outstanding detailed perception of the world of early agrarian societies in Europe. The precise information on their agriculture, animal husbandry, development of metallurgy, over a period of more than four millennia, coincides with one of the most important phases of recent human history: the dawn of modern societies.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This serial property of 111 small individual sites encompasses the remains of prehistoric pile-dwelling (or stilt house) settlements in and around the Alps built from around 5000 to 500 B.C. on the edges of lakes, rivers or wetlands. Excavations, only conducted in some of the sites, have yielded evidence that provides insight into life in prehistoric times during the Neolithic and Bronze Age in Alpine Europe and the way communities interacted with their environment. Fifty-six of the sites are located in Switzerland. The settlements are a unique group of exceptionally well-preserved and culturally rich archaeological sites, which constitute one of the most important sources for the study of early agrarian societies in the region.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Ravenna was the seat of the Roman Empire in the 5th century and then of Byzantine Italy until the 8th century. It has a unique collection of early Christian mosaics and monuments. All eight buildings – the Mausoleum of Galla Placidia, the Neonian Baptistery, the Basilica of Sant'Apollinare Nuovo, the Arian Baptistery, the Archiepiscopal Chapel, the Mausoleum of Theodoric, the Church of San Vitale and the Basilica of Sant'Apollinare in Classe – were constructed in the 5th and 6th centuries. They show great artistic skill, including a wonderful blend of Graeco-Roman tradition, Christian iconography and oriental and Western styles. The serial property Early Christian Monuments of Ravenna in north-east Italy consists of eight monuments, namely the Mausoleum of Galla Placidia, the Neonian Baptistery, the Basilica of Sant'Apollinare Nuovo, the Arian Baptistery, the Archiepiscopal Chapel, the Mausoleum of Theodoric, the Church of San Vitale and the Basilica of Sant'Apollinare in Classe, built between the 5th and 6th centuries AD. These religious monuments, decorated with precious marble, stuccos and mosaics, reflect the major historical.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Siena is the embodiment of a medieval city. Its inhabitants pursued their rivalry with Florence right into the area of urban planning. Throughout the centuries, they preserved their city's Gothic appearance, acquired between the 12th and 15th centuries. During this period the work of Duccio, the Lorenzetti brothers and Simone Martini was to influence the course of Italian and, more broadly, European art. The whole city of Siena, built around the Piazza del Campo, was devised as a work of art that blends into the surrounding landscape. Siena is an outstanding medieval city that has preserved its character and quality to a remarkable degree. The city had substantial influence on art, architecture and town planning during the Middle Ages, both in Italy and elsewhere in Europe. The city is a masterwork of dedication and inventiveness in which the buildings have been designed to fit into the overall planned urban fabric and also to form a whole with the surrounding cultural landscape.
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