#opera

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Zoroastrianism
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A chapter house or chapterhouse is a building or room that is part of a cathedral, monastery or collegiate church in which meetings are held. When attached to a cathedral, the cathedral chapter meets there. In monasteries, the whole community often met there daily for readings and to hear the abbot or senior monks talk. When attached to a collegiate church, the dean, prebendaries and canons of the college meet there. The rooms may also be used for other meetings of various sorts; in medieval times monarchs on tour in their territory would often take them over for their meetings and audiences. Synods, ecclesiastical courts and similar meetings often took place in chapter houses.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The building’s iconic profile becomes visible when gliding down from the top of the ski slopes, as its shape resembles the dynamic movement of a soaring skier against the all-white background. Specially selected building materials have warm, mainly wood-like attributes, and are aimed at providing an atmosphere for visitors looking forward to a short break, or after enjoying a long day on the slopes.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Kikutake's Expo Tower was situated on the highest hill in the grounds and acted as a landmark for visitors. It was built of a vertical ball and joint space onto which was attached a series of cabins. The design was to have been a blueprint for flexible vertical living based upon a 360m3 standard construction cabin clad with a membrane of cast aluminium and glass that could be flexibly arranged anywhere on the tower. This was demonstrated with a variety of cabins that were observation platforms and VIP rooms and one cabin at ground level that became an information booth.[73]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: 330 North Wabash (formerly IBM Plaza also known as IBM Building and now renamed AMA Plaza) is a skyscraper in downtown Chicago, Illinois, United States, at 330 N. Wabash Avenue, designed by the architect Ludwig Mies van der Rohe (who died in 1969 before construction began). A small bust of the architect by sculptor Marino Marini is displayed in the lobby. The 52-story building is situated on a plaza overlooking the Chicago River. At 695 feet (212 meters), 330 North Wabash is the second-tallest building by Mies van der Rohe, the tallest being the Toronto-Dominion Bank Tower at Toronto-Dominion Centre. It was his last American building.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The archaeological area of Agrigento, the Valley of the Temples, is on the southern coast of Sicily and covers the vast territory of the ancient polis, from the Rupe Atenea to the acropolis of the original ancient city, as well as to the sacred hill on which stand the main Doric temples and up to the extramural necropolis. Founded as a Greek colony in the 6th century BCE, Agrigento became one of the leading cities in the Mediterranean region. Its supremacy and pride are demonstrated by the remains of the magnificent Doric temples that dominate the ancient town, much of which still lies intact under today's fields and orchards. Selected excavated areas reveal the late Hellenistic and Roman town and the burial practices of its early Christian inhabitants. Agrigento has a special place among classical sites in the history of the ancient world because of the way in which its original site, typical of Greek colonial settlements, has been preserved, as well as the substantial remains of a group of buildings from an early period that were not overlain by later structures or converted to suit later tastes and cults.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism architecture is a style that emphasizes dynamic, futuristic forms and innovative use of materials and technology. It often incorporates organic shapes and curves, as well as elements of industrial design. If we were to generate a fractal with a finite subdivision rule for an alternating link in this style, we might imagine a structure with a series of overlapping curves and angles, like a spiraling staircase or a twisted helix. The fractal could be generated by applying a recursive rule that alternates between dividing each segment into two parts and then rotating those parts in opposite directions. This would create a repeating pattern of intersecting curves that could be used to define the overall form of the building. The result could be a visually striking and complex structure that embodies the principles of Neo-futurism.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Some floors were designed with smaller footprints to attract prospective lessees, so the building's height was increased to meet Sears's floor-area requirements.[17] Architect Bruce Graham and structural engineer Fazlur Rahman Khan, both of whom were partners with SOM, proposed a tower with 55,000-square-foot (5,100 m2) floors in the lower part of the building, as well as a series of setbacks with gradually tapering floor plates, giving the tower its distinctive look.[18] During the design process, one of the architects reportedly pulled out nine cigars and staggered them vertically until the pair both agreed to the arrangement.[18][19] This allowed Sears to occupy the large lower stories, while providing more conventional office space that could be rented out on the upper stories.[20] The firm of Saphier, Lerner, Schindler was responsible for determining Sears's space requirements and designing furniture for the company.[14][21] It conducted a year-long study to determine how 16 of the company's departments should be laid out within the building.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The local communities have adapted themselves to this seemingly rough and inhospitable environment by living in compact settlements on the coast or in small hamlets on the hillsides (e.g. Volastra, Groppo, Drignana, San Bernardino or Campiglia), erected directly on the rock with winding streets. The general use of natural stone for roofing gives these settlements a characteristic appearance. They are generally grouped around religious buildings or medieval castles. The terraces are also dotted by innumerable tiny stone huts isolated or grouped together (e.g. at Fossola, Tramonti, Monestiroli or Schiara) used for temporary shelter during the harvest. The main five villages of Cinque Terre date back to the later Middle Ages. Starting from the north-west, the first is the fortified centre of Monterosso al Mare, that is a coastal town grown along two short valleys and facing one of the few beaches that exist in the area. Vernazza has developed along the Vernazzola water-stream on the slopes of the rocky spur protecting the village from the sea. Corniglia is the only village which has not been built on the coast itself but on a high promontory projecting to the sea.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The fresco cycles housed in eight complexes of buildings within the old city centre of Padua illustrate how, over the course of the 14th century, different artists, starting with Giotto, introduced important stylistic developments in the history of art. The eight building complexes are grouped into four component parts: Scrovegni and Eremitani (part 1); Palazzo della Ragione, Carraresi Palace, Baptistery and associated Piazzas (part 2); Complex of Buildings associated with the Basilica of St. Anthony (part 3); and San Michele (part 4). The artists who played a leading role in the creation of the fresco cycles were Giotto, Guariento di Arpo, Giusto de’ Menabuoi, Altichiero da Zevio, Jacopo Avanzi and Jacopo da Verona. Working for illustrious local families, the clergy, the city commune or the Carraresi family, they would – within buildings both public and private, religious and secular – produce fresco cycles that gave birth to a new image of the city.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theater

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  • Prompt: Neo-futurism architecture is a contemporary architectural style that emphasizes technology, innovation, and futurism. It often features bold geometric forms, clean lines, and a combination of materials such as glass, steel, and concrete. With regards to crater form in Neo-futurism architecture, it is a unique design element that adds a dramatic and futuristic touch to buildings. The crater form is inspired by the idea of creating a space that mimics the natural formation of a crater or volcanic area. This results in a building with a concave or bowl-like shape, with a depression in the center. The use of crater form in Neo-futurism architecture is often seen in buildings such as museums, cultural centers, and public spaces. The design creates an immersive experience for visitors, drawing them into the center of the space where they can interact with the environment in a unique and engaging way.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Fusegates are a mechanism designed to provide the controlled release of water in the event of exceptionally large floods. The design consists of free standing blocks (the fusegates) set side by side on a flattened spillway sill. The Fusegate blocks act as a fixed weir most of the time, but in excessive flood conditions they are designed to topple forward, allowing the controlled discharge of water. Multiple fusegates are generally set up side by side, with each fusegate designed to release under progressively extreme flooding, thus minimizing the impact of the floodwater on the river downstream.[1] The System was invented and patented by François Lempérière[2] for Hydroplus (Paris, France), subsidiary of GTM Entrepose. It has been installed on more than 50 dams around the world with sizes ranging from 1 m to more than 9 m in height. Fusegate are typically used to increase the storage capacity of existing dams or to maximize the discharge potential of undersized spillways.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The settlement of the Middle Neolithic (5000–4000 BCE), housed 500–1000 people in more substantial and presumably more family-private homes. Construction was the same, except the windows and doors were timbered, a fixed, raised hearth occupied the center of the main room, and pilasters and other raised features (cabinets, beds) occupied the perimeter. Under the palace was the Great House, a 100 m2 (1,100 sq ft) area stone house divided into five rooms with meter-thick walls suggesting a second story was present. The presence of the house, which is unlikely to have been a private residence like the others, suggests a communal or public use; i.e., it may have been the predecessor of a palace. In the Late or Final Neolithic (two different but overlapping classification systems, around 4000–3000 BCE), the population increased dramatically.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Here's a description of a Neo-futurism architecture Mars design: Imagine a building that looks like it could have been transported from another planet, with a design that evokes the stark and rugged landscapes of Mars. This Neo-futuristic building is designed to be both futuristic and organic, with a unique and unforgettable exterior that captures the imagination. The Mars design is evident in the building's angular lines and shapes, with a sense of ruggedness and rawness that seems to echo the barren landscape of the red planet. The use of red and orange color tones throughout the building create a sense of warmth and energy, evoking the colors of the Martian landscape. The building's interior is equally impressive, with the same Mars design carried throughout. The use of natural materials like stone and metal create a sense of organic texture, while the high-tech features like smart lighting and air filtration systems enhance the futuristic feel of the space. The layout of the building is designed to be both functional and inspiring, with open spaces that encourage collaboration and creativity. The use of natural light enhances the building's organic feel, with large windows.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The property is situated in the central Italian region Umbria, on the slopes of the hill of Asio at the foot of the Subasio mountain, and comprises a rather large territory in which most of the important Franciscan places are located. Assisi and its built territory represent an outstanding example of an Umbrian hill town and cultural landscape that has maintained its historical stratigraphy since antiquity. Assisi, developed in ancient Roman times achieving importance, in part, as a religious and spiritual centre. It continues that role into the present with its association with the birth and life of Saint Francis (1182-1226) and development of the Franciscan Order since the 13th century, which gives it an important influence in Italy and around the world. The medieval historic centre grew on the foundations of the terraced Roman town extends from the southeast to the northwest. It is flanked by the San Francesco Basilica at one end and the Basilica Santa Chiara at the other. At the summit of the hill town is the Rennaisance fort of Rocca Maggiore. Beyond the town’s walls, the site includes the Carceri Hermitage, in the valley.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This movement has conceptual and stylistic similarities with various variations of Art Nouveau that developed in Europe at the same time. However, it is distinguished by three aspects: its development in the continuity of the Catalan renaissance (1833-1880); the pressing need for evolution and political and social renewal claimed at its appearance, and, in a moment of growth of most of the cities of Catalonia at a frantic pace unknown since the Renaissance: Girona, Tarragona, Reus, Sabadell, Terrassa , Mataro and above all Barcelona with its Cerdà plan (launched in 1859), which offered 1,100 hectares of bare land to the imagination of architects19. In addition, and unlike other countries in Europe, Spanish Art Nouveau sought to create a national art where other countries sought to transcend their borders21. From 1886 Antoni Gaudí was the main representative of the new trends of this movement, with in particular the Güell Palace (1886-1890) decorated with wrought ironwork and pinnacles, which succeeded his orientalizing period initiated in 1883 (El Capricho, Casa Vicens) and preceded the Sainte-Thérèse College in Barcelona (1888-1889) with its already modern accents, then the f
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The expression Art Nouveau goes back to the illustrated cultural magazine Jugend founded by Georg Hirth in Munich at the end of 1895 and is to be understood as a counter-movement by young artists and artisans to backward-looking historicism, but also to industrialization, which is understood to be soulless. The focus is on new materials, such as concrete or iron, and new construction methods. It is only used in German-speaking countries, the Netherlands, Hungary, the Nordic countries and Latvia. Art Nouveau was first mentioned in 1897 at the Saxon-Thuringian Industrial and Trade Exhibition in Leipzig in 1897.[2] For this purpose, Paul Möbius designed the extraordinary exhibition pavilion Nietzschmann-Wommer; the pavilion was described as deviating greatly from the traditional with daringly humorous and fantastic motifs that develop a certain verve. Initially, the expressions Art Nouveau and Secession style in the relevant magazines (Dekorative Kunst, authors: Hermann Muthesius, Julius Meier-Graefe) were a critical label for the fashionable popularization of the new forms by industry, which, with its "cheap" mass-produced arts and crafts, sold individual works by Artists like H
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism and biomimetic architecture are two distinct architectural styles that can offer a fascinating combination when merged together. By integrating the best of both styles, we can create a harmonious blend of innovative technology and sustainable design inspired by nature. Below is a description of this combined architectural approach. Neo-Biomimetic architecture can be defined as a design philosophy that combines the technological advancements and aesthetic characteristics of Neo-futurism with the principles of biomimicry, which seeks to emulate the strategies and solutions found in nature. This approach creates structures that are not only visually striking and futuristic but also environmentally sustainable. The Coral Reef Tower: An underwater hotel and research facility designed to resemble a coral reef, offering a sustainable habitat for marine life. The building's porous structure promotes water circulation, while its surface is embedded with coral-seeding materials that encourage coral growth and regeneration. The structure would be powered by renewable energy sources, such as tidal energy and solar power, and incorporate advanced water recycling systems.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Pardubice Crematorium is a crematorium in Pardubice, Czech Republic. It was designed by the Czech architect Pavel Janák in the Czech Art Deco style and built between 1921 and 1923. The project came from a tender that was opened at the end of 1918 and took place in 1919. Janák's project was chosen from 81 architectonical designs. The design of the crematorium was influenced by old Slavic mythology and the concept of ancient Christian basilicas. Janák was inspired by Peter Behrens' conception of the crematorium in Hagen.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The decline of new art can be seen in particular by the estrangement of some of its creators, who turned to other styles (from 1905-1906) which themselves remained alive. Moreover, as the most influential representatives of this current are dispersed throughout Europe, they have not been able to develop a formal system, nor register within an official institution that would have legitimized and supported the movement42. However, this vision is the heiress of a historiography which, during a very important time, little studied the end of this movement. The vulgate of art history has long considered that later artistic movements broke radically with Art Nouveau. It should not be overlooked, however, that many artists who were fully members of the movement themselves and very gradually developed their practice, and that the new artists most of the time voluntarily fit into the continuity of the previous avant-gardes41.
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