#odesa

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The dome is one of the largest of its type in the world. Externally, it appears as a large white marquee with twelve 100-metre-high yellow support towers, one for each month of the year, or each hour of the clock face, representing the role played by Greenwich Mean Time. In plan view it is circular, 365 metres in diameter. It has become one of the United Kingdom's most recognisable landmarks, and can be easily identified on satellite images of London. Its exterior is reminiscent of the Dome of Discovery built for the Festival of Britain in 1951. The canopy is 52 metres high in the middle – one metre for each week of the year[4] and is made of durable and weather-resistant PTFE-coated glass fibre fabric panels (original plans to use PVC-coated polyester fabric were dropped after protest led by Greenpeace[10]), with each of the 72 segments containing two panels. Its symmetry is interrupted by a hole through which a ventilation shaft from the Blackwall Tunnel rises. Six segments were destroyed during Storm Eunice on 18 February 2022.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: It was the first major example of an 'inside-out' building with its structural system, mechanical systems, and circulation exposed on the exterior of the building. Initially, all of the functional structural elements of the building were colour-coded: green pipes are plumbing, blue ducts are for climate control, electrical wires are encased in yellow, and circulation elements and devices for safety (e.g., fire extinguishers) are red. According to Piano, the design was meant to be “not a building but a town where you find everything – lunch, great art, a library, great music”. National Geographic described the reaction to the design as "love at second sight." An article in Le Figaro declared: "Paris has its own monster, just like the one in Loch Ness." But two decades later, while reporting on Rogers' winning the Pritzker Prize in 2007, The New York Times noted that the design of the Centre "turned the architecture world upside down" and that "Mr. Rogers earned a reputation as a high-tech iconoclast with the completion of the 1977 Pompidou Centre, with its exposed skeleton of brightly coloured tubes for mechanical systems". The Pritzker jury said the Pompidou "revolution
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Bowellism is a modern architectural style heavily associated with Richard Rogers. It is described as a transient architectural and flippant style that was influenced by Le Corbusier and Antoni Gaudi. The style consists of services for the building, such as ducts, sewage pipes, and lifts, being located on the exterior to maximise space in the interior.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The style originated with Michael Webb's 1957 student project for a Furniture Manufacturers Association building in High Wycombe. Webb coined the term in response to a comment on his design by Sir Nikolaus Pevsner in a 1961 lecture, in which he recalled hearing the words: "within the schools there are some disturbing trends; I saw the other day a design for a building that looked like a series of stomachs sitting on a plate. Or bowels, connected by bits of gristle". Thus this inside-out style was termed 'Bowellism' because of how it recalled the way the human body works. One of Webb's proposed structures based on bowellism was the Sin Centre for Leicester Square. The concept was a geodesic structure that supports a glass skin. Some scholars cite Reyner Banham as the first to use bowellism for the new architectural fascination with visible circulation, one that focuses on a building's skeletal services as well as its "bloodstream" or the moving cars and crowd, cascading down from the top to the main foyers - all visible through the structure's geodesic skin. Banham is also credited for introducing the term "topological" to refer to an aspect of brutalism.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: High-tech architecture was originally developed in Britain (British High Tech architecture), with many of its most famous early proponents being British. However, the movement has roots in a number of earlier styles and draws inspiration from a number of architects from earlier periods. Many of the ideals communicated through high-tech architecture were derived from the early modernists of the 1920s. The concepts of transparency, honesty in materials, and a fascination with the aesthetics of industry can all be traced to modern architects. High-tech architecture, much like modernism, shares a belief in a "spirit of the age" that should be incorporated and applied throughout each building. The influence of Le Corbusier, Walter Gropius, and Mies van de Rohe is extensive throughout many of the principles and designs of high-tech architecture.[4]
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: High-tech architecture focuses on creating adaptable buildings through choice of materials, internal structural elements, and programmatic design. It seeks to avoid links to the past, and as such eschews building materials commonly used in older styles of architecture. Common elements include hanging or overhanging floors, a lack of internal load-bearing walls, and reconfigurable spaces. Some buildings incorporate prominent, bright colors in an attempt to evoke the sense of a drawing or diagram.[3] High-tech utilizes a focus on factory aesthetics and a large central space serviced by many smaller maintenance areas to evoke a feeling of openness, honesty, and transparency.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: High-tech architecture, also known as structural expressionism, is a type of late modernist architecture that emerged in the 1970s, incorporating elements of high tech industry and technology into building design. High-tech architecture grew from the modernist style, utilizing new advances in technology and building materials. It emphasizes transparency in design and construction, seeking to communicate the underlying structure and function of a building throughout its interior and exterior. High-tech architecture makes extensive use of aluminium, steel, glass, and to a lesser extent concrete (the technology for which had developed earlier), as these materials were becoming more advanced and available in a wider variety of forms at the time the style was developing[1] - generally, advancements in a trend towards lightness of weight.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A gemstone (also called a fine gem, jewel, precious stone, semiprecious stone, or simply gem) is a piece of mineral crystal which, in cut and polished form, is used to make jewelry or other adornments.[1][2][3] However, certain rocks (such as lapis lazuli, opal, and obsidian) and occasionally organic materials that are not minerals (such as amber, jet, and pearl) are also used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some soft minerals are used in jewelry because of their luster or other physical properties that have aesthetic value. Rarity and notoriety are other characteristics that lend value to gemstones.Apart from jewelry, from earliest antiquity engraved gems and hardstone carvings, such as cups, were major luxury art forms. A gem expert is a gemologist, a gem maker is called a lapidarist or gemcutter; a diamond cutter is called a diamantaire.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The building consists of three main towers and three service towers around a central, rectangular space. Its core is the large Underwriting Room on the ground floor, which houses the Lutine Bell within the Rostrum. Also on the first floor is the loss book which for 300 years has had entries of significant losses entered by quill.[8] The Underwriting Room (often simply called "the Room") is overlooked by galleries, forming a 60 metres (197 ft) high atrium lit naturally through a huge barrel-vaulted glass roof. The first four galleries open onto the atrium space, and are connected by escalators through the middle of the structure. The higher floors are glassed in and can only be reached via the exterior lifts.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Lloyd's building (sometimes known as the Inside-Out Building)[3] is the home of the insurance institution Lloyd's of London. It is located on the former site of East India House in Lime Street, in London's main financial district, the City of London. The building is a leading example of radical Bowellism architecture in which the services for the building, such as ducts and elevators, are located on the exterior to maximise space in the interior.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The structure's walls consist of three components: an outer layer (tilted inwards and made of many layers of stones whose size diminishes with increasing height: mostly, lower layers consist of rubble masonry, while upper layers tend to be of ashlar masonry); an inner layer, made of smaller stones (to form a corbelled dome of the bullet-shaped tholos type, and where ashlar masonry is used more frequently); and an intermediate layer of very small pieces and dirt, which makes the whole construction very sturdy: it stands only by virtue of the weight of its stones, which may each amount to several tons. Some nuraghes are about 20 meters (60 ft) in height, the tallest one known, Nuraghe Arrubiu, reached a height of 25–30 meters.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The structure's walls consist of three components: an outer layer (tilted inwards and made of many layers of stones whose size diminishes with increasing height: mostly, lower layers consist of rubble masonry, while upper layers tend to be of ashlar masonry); an inner layer, made of smaller stones (to form a corbelled dome of the bullet-shaped tholos type, and where ashlar masonry is used more frequently); and an intermediate layer of very small pieces and dirt, which makes the whole construction very sturdy: it stands only by virtue of the weight of its stones, which may each amount to several tons. Some nuraghes are about 20 meters (60 ft) in height, the tallest one known, Nuraghe Arrubiu, reached a height of 25–30 meters.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The place of the architectural heritage of Itchan Kala in the history of Central Asian architecture is determined not only by the abundance of surviving architectural monuments, but also by the unique contribution of Khorezmian master builders to Central Asian architecture and preservation of its classical traditions. The domestic architecture of Khiva, with its enclosed houses with their courtyard, reception room with portico or avian supported by delicately sculptured wooden posts, and private apartments, is also an important attribute of the property that can be studied in its 18th- and 20th-century morphological variants. However, the outstanding qualities of Itchan Kala derive not so much from the individual monuments but also from the incomparable urban composition of the city, and from the harmony with which the major constructions of the 19thand 20th centuries were integrated into a traditional structure.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Itchan Kala, the inner fortress of Khiva, is located to the South of the Amu Darya River (known as the Oxus in ancient times) in the Khorezm region of Uzbekistan and it was the last resting-place of caravans before crossing the desert to Persia. Itchan Kala has a history that spans over two millennia. The inner town has 26 hectares and was built according to the ancient traditions of Central Asian town building, as a regular rectangle (650 by 400 meters) elongated from south to north and closed by brick fortification walls that are up to ten meters high. The property is the site of 51 ancient monumental structures and 250 dwellings and displays remarkable types of architectural ensembles such as Djuma Mosque, Oq Mosque, madrasahs of Alla-Kulli-Khan, Muhammad Aminkhon, Muhammad Rakhimkhon, Mausoleums of Pahlavon Mahmoud, Sayid Allavuddin, Shergozikhon as well as caravanserais and markets. The attributes are outstanding examples of Islamic architecture of Central Asia. Djuma Mosque, a mosque with a covered courtyard designed for the rugged climate of Central Asia, is unique in its proportions and the structure of its inner dimensions (55m x 46m), faintly lit by two octagonal lanter
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Itchan Kala is the inner town (protected by brick walls some 10 m high) of the old Khiva oasis, which was the last resting-place of caravans before crossing the desert to Iran. Although few very old monuments still remain, it is a coherent and well-preserved example of the Muslim architecture of Central Asia. There are several outstanding structures such as the Djuma Mosque, the mausoleums and the madrasas and the two magnificent palaces built at the beginning of the 19th century by Alla-Kulli-Khan.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Maloti-Drakensberg Park is a transnational property composed of the uKhahlamba Drakensberg National Park in South Africa and the Sehlathebe National Park in Lesotho. The site has exceptional natural beauty in its soaring basaltic buttresses, incisive dramatic cutbacks, and golden sandstone ramparts as well as visually spectacular sculptured arches, caves, cliffs, pillars and rock pools. The site's diversity of habitats protects a high level of endemic and globally important plants. The site harbors endangered species such as the Cape vulture (Gyps coprotheres) and the bearded vulture (Gypaetus barbatus). Lesotho’s Sehlabathebe National Park also harbors the Maloti minnow (Pseudobarbus quathlambae), a critically endangered fish species only found in this park. This spectacular natural site contains many caves and rock-shelters with the largest and most concentrated group of paintings in Africa south of the Sahara. They represent the spiritual life of the San people, who lived in this area over a period of 4,000 years.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The layout and almost all buildings of the Rachid Karami International Fair-Tripoli have been preserved according to Niemeyer’s design. In most of the buildings of the complex, the structure defines their form and volume and is proudly exhibited to the audience. The main original structures of the International Fair complex, most of which are made of authentic materials, credibly reflect their period of construction and the quality of their execution. Despite the loss of interior finishes, fixtures and equipment, the transformation of the collective housing prototype into a hotel, and the interventions to the southern part of the Grand Canopy, the surviving attributes credibly convey the Outstanding Universal Value through the overall layout, the design of the structures, their sculptural conception, and the construction materials. The reflective pools and the hard landscape elements around the buildings are preserved according to Niemeyer’s design, the tropical gardens are still present and retain their “Brazilian spirit”. The International Fair complex in Tripoli still bears witness to an era of modernisation and social liberalisation in Lebanon and the Arab Near East.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Rachid Karami International Fair-Tripoli covers an elliptical area corresponding to the limits of the fairground as it was built and contains all buildings designed by Niemeyer. Almost all buildings and structures were preserved according to Niemeyer’s original design but lie in a state of abandonment, while outdoor and landscaped areas are maintained. Despite the loss of interior finishes, fixtures, glazing, doors and equipment due to the war, the attributes of Outstanding Universal Value have retained sufficient integrity. Some interventions on the Grand Canopy dictated by modern uses are reversible; the transformation of Niemeyer’s Collective Housing Prototype has seriously affected its architectural quality and erased the traces of the original design, but attempts have been made to restore the structure to its original conditions. However, the integrity of the property is extremely vulnerable, with the main threat coming from the precarious state of conservation of most buildings, which face serious stability problems due to the severe steel corrosion and the ageing of concrete.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Ouadi Qadisha is one of the most important settlement sites of the first Christian monasteries in the world, and its monasteries, many of which of great age, are set in an extraordinarily rugged landscape. Nearby are the vestiges of the great cedar forest of Lebanon, highly prized in ancient times for the construction of great religious buildings. The Qadisha Valley site and the Forest of the Cedars of God (Horsh Arz el-Rab) are located in northern Lebanon. The Qadisha Valley is located North of Mount-Lebanon chain, at the foot of Mount al-Makmel and West of the Forest of the Cedars of God. The Holy River Qadisha, celebrated in the Scriptures, runs through the Valley. The Forest of the Cedars of God is located on Mount Makmel, between 1900 and 2050 m altitude and to the East of the village of Bcharré. The rocky cliffs of the Qadisha Valley have served over centuries as a place for meditation and refuge. The Valley comprises the largest number of monasteries and hermitages dating back to the very first spread of Christianism. The main monasteries are those of St Anthony of Quzhayya, Our Lady of Hauqqa, Qannubin and Mar Lichaa. This Valley bears unique witness to the very centre.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: In the modern town of Soûr, the property consists of two distinct sites: the one of the town, on the headland, and the one of the Necropolis of El Bass, on the continent. The site of the town comprises important archaeological vestiges, a great part of which is submerged. The most noteworthy structures are the vestiges of the Roman baths, the two palaestrae, the arena, the Roman colonnaded road, the residential quarter, as well as the remains of the cathedral built in 1127 by the Venetians and some of the walls of the ancient Crusader castle. The sector of Tyre El Bass, constituting the principal entrance of the town in antique times, comprises the remains of the necropolis, on either side of a wide monumental causeway dominated by a Roman triumphal arch dating from the 2nd century AD. Among the other vestiges are an aqueduct and the hippodrome of the 2nd century, one of the largest of the Roman world.
  • Using base image: Yes