#odesa

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In terms of external appearances dwarven structures in mountains would often create beautiful flourishes and accents to buildings to add flavour and beauty to the existing stone to accentuate the designs and mirror the beautiful caverns. On the surface however such beauty could not be afforded to the lower and middle classes, with more basic and slimmed designs bein uncommon in surface settlements. however on important buildings, structures or wealth homes such classically designs still existed and were seen as a symbol of wealth and status. Often Stone pillars would a brought and support houses, with more beautifully designed symbols of wealth being important status symbols like the lawns of America, tulips of Holland and gardens of Japan. Some of the earlier dwarven designs for surface structures mirrored greek designs such as the parthenon with importance placed on stone pillars, roof and floors, with creative interpretations from town to town. This design became synonymous with early dwarven surface designs and became an important symbol for surface dwellings as a symbol of wealth and history in the settlement. upcoming settlements might seek to acquire.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. These structures would often be used in new settlements until a supply of stone could be adopted or used by the lower class. Dwarven Architecture has historically been completely stonework. Houses, halls, barracks, and temples were carved from solid stone. When solid stone could not be used, stone was often carved to fit these spaces (imagine incan walls at Macu picu) This method proved perfect for dwarven holds in the mountains, but outside these spaces, dwarves had little knowledge of how to work with wood to build larger buildings. Often lugging large stones long distances to then carves small houses initially. The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. These structures would often be used in new settlements until a supply of stone could be adopted or used by the lower class. Dwarves refuse to work with bricks as their false stone is seen as flimsy and unsustainable. Instead, they use stone bricks when possible when the solid stone is unavailable, leading to unique designs amongst their people.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Achaemenid architecture. The most impressive hall in the complex is the Apadana hall, occupying an area of about 109 square meters with 36 Persian columns, each more than 19 m tall. Each column is fluted, with a square base (except a few in the porticos), and an elaborate capital with two animals supporting the roof. The structure was originally closed off from the elements by mud-brick walls over 5 meters thick and over 20 meters tall.[20] The columns have a composite capital depicting addorsed bulls or creatures. The columns in the porticoes have circular bases and are capped by ornate capitals after the end of the fluting, themselves topped by detailed addorsed bulls, supporting the roof. Apadana's relief is also unique in that it delineates the presence and power of the king. Known as "Treasure reliefs" the depicted scenes on Apadana stress the continuity of the kingdom through Darius the Great, and stress his presence throughout the empire, as well as depict his army of Persian immortals. Perhaps this was Darius's attempt to create a symbol of the assured continuity of his line.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Patriarchal Cathedral Basilica of Saint Mark is the cathedral church of the Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city. As built, the Contarini church was a severe brick structure. Adornment inside was limited to the columns of the arcades, the balusters and parapets of the galleries, and the lattice altar screens. The wall surfaces were decorated with moulded arches that alternated with engaged brickwork columns as well as niches and a few cornices. With the exception of the outside of the apse and the western façade that faced Saint Mark's Square, the stark brick exterior was enlivened only by receding concentric arches in contrasting brick around the windows. The western façade, comparable to middle-Byzantine churches erected in the tenth and eleventh centuries, was characterized by a series of arches set between protruding pillars.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Inca architecture is the most significant pre-Columbian architecture in South America. The Incas inherited an architectural legacy from Tiwanaku, founded in the 2nd century B.C.E. in present-day Bolivia. Inca buildings were made out of fieldstones or semi-worked stone blocks and dirt set in mortar; adobe walls were also quite common, usually laid over stone foundations. The material used in the Inca buildings depended on the region, for instance, in the coast they used large rectangular adobe blocks while in the Andes they used local stones. The most common shape in Inca architecture was the rectangular building without any internal walls and roofed with wooden beams and thatch. There were several variations of this basic design, including gabled roofs, rooms with one or two of the long sides opened and rooms that shared a long wall. Rectangular buildings were used for quite different functions in almost all Inca buildings, from humble houses to palaces and temples. Even so, there are some examples of curved walls on Inca buildings, mostly in regions outside the central area of Peru.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Merovingian art and architecture. Plans often continued the Roman basilica tradition, but also took influences from as far away as Syria and Armenia. In the East, most structures were in timber, but stone was more common for significant buildings in the West and in the southern areas that later fell under Merovingian rule. Most major churches have been rebuilt, usually more than once, but many Merovingian plans have been reconstructed from archaeology. A feature of the basilica of Saint-Martin that became a hallmark of Frankish church architecture was the sarcophagus or reliquary of the saint raised to be visible and sited axially behind the altar, sometimes in the apse. There are no Roman precedents for this Frankish innovation.[2] The Saint Peter's church in Vienne is the only surviving one. A number of other buildings, now lost, including the Merovingian foundations of Saint-Denis, St. Gereon in Cologne, and the Abbey of Saint-Germain-des-Prés in Paris, are described as similarly ornate.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Architecture of Thailand. Mural Painting of Wat Pho. Paifang at Wat Pho. Thai-chinese temple, rebuilt in King Rama III period, located at Wat Ratchaorotsaram, Bangkok. Wehart Chamrun Residential Hall, built in King Rama V period, located at Bang Pa-In Royal Palace. A stone Chinese temple style incense burner between two stone elephants, located at Wat Suthat. Keng Chin located at Wat Suthat. The mondop is a building form in traditional Thai religious architecture featuring a square or cruciform building with a usually pointed roof. In the narrow sense, it refers to an enclosed square building with a roughly pyramidal, multi-tiered roof culminating in a tall pointed spire, with a roof structure very similar to the smaller busabok. In the wider sense, the term may refer to religious buildings following a wide range of architectural styles, including historical structures more closely reflecting the Indic mandapa, from which they are likely derived. Mondop may be used for various functions, including as scripture halls (ho trai) and for housing religious artefacts. Prominent examples include the library (Phra Mondop) at Wat Phra Kaew in Bangkok.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Nordic Classicism. A style of architecture that briefly blossomed in the Nordic countries (Sweden, Denmark, Norway and Finland) between 1910 and 1930. Denmark: Kay Fisker, Hack Kampmann, Kaj Gottlob, Ivar Bentsen, Povl Baumann, Poul Holsøe, Edvard Thomsen, Thomas Havning, Holger Jacobsen, Kaare Klint, Arne Jacobsen, Carl Petersen, Aage Rafn, Steen Eiler Rasmussen, Sven Risom, and Frits Schlegel. Finland: Gunnar Taucher, Uno Ullberg, Martti Välikangas, J.S. Sirén, Alvar Aalto, Pauli E. Blomstedt, Elsi Borg, Erik Bryggman, Hilding Ekelund, Heikki Siikonen, and Oiva Kallio. Norway: Lars Backer, Lorentz Ree, Sverre Pedersen, Nicolai Beer, Finn Berner, Harald Hals, Herman Munthe-Kaas, Gudolf Blakstad, Finn Bryn, Jens Dunker and Johan Ellefsen. Sweden: Ragnar Östberg, Gunnar Asplund, Carl Westman, Sigurd Lewerentz, Carl Bergsten, Sigfrid Ericson, Torben Grut, Ragnar Hjorth, Cyrillus Johansson, Erik Lallerstedt, Gunnar Leche, Sven Markelius, Gunnar Morssing, George Nilsson, Ture Ryberg, Albin Stark, Eskil Sundahl, Lars Israel Wahlman, Sven Wallander, Hakon Ahlberg and Ivar Tengbom.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Korean architecture. In Korean architecture, buildings are structured vertically and horizontally. A construction usually rises from a stone subfoundation to a curved roof covered with tiles, held by a console structure and supported on posts; walls are made of earth (adobe) or are sometimes totally composed of movable wooden doors. Architecture is built according to the kan unit, the distance between two posts (about 3.7 meters), and is designed so that there is always a transitional space between the "inside" and the "outside.". The construction of Buddhist temples was undertaken after Buddhism was introduced in Korean Goguryeo in 372 by way of northern China. A series of excavations in 1936-1938 unearthed the sites of several major temples near Pyongyang, including those in Cheongam-ri, Wono-ri and Sango-ri. The excavations disclosed that the temples were built in a Goguryeo style known as "three Halls-one Pagoda," with each hall in the east, west and north, and an entrance gate in the south. In most cases, the central pagodas had an octagonal plan. Palace buildings appear to have been arranged in this way as well. The earliest stone pagoda of the Mireuksa Temple in Iksan.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Hanging Gardens of Babylon. They were described as a remarkable feat of engineering with an ascending series of tiered gardens containing a wide variety of trees, shrubs, and vines, resembling a large green mountain constructed of mud bricks. It was said to have been built in the ancient city of Babylon, near present-day Hillah, Babil province, in Iraq. The Hanging Gardens' name is derived from the Greek word κρεμαστός (kremastós, lit. 'overhanging'), which has a broader meaning than the modern English word "hanging" and refers to trees being planted on a raised structure such as a terrace. In this palace he erected very high walls, supported by stone pillars; and by planting what was called a pensile paradise, and replenishing it with all sorts of trees, he rendered the prospect an exact resemblance of a mountainous country. This he did to gratify his queen, because she had been brought up in Media, and was fond of a mountainous situation.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Ancient Greek architecture. Ancient Greek architecture is best known from its temples, many of which are found throughout the region, with the Parthenon regarded, now as in ancient times, as the prime example. Most remains are very incomplete ruins, but a number survive substantially intact, mostly outside modern Greece. The second important type of building that survives all over the Hellenic world is the open-air theatre, with the earliest dating from around 525–480 BC. Other architectural forms that are still in evidence are the processional gateway (propylon), the public square (agora) surrounded by storied colonnade (stoa), the town council building (bouleuterion), the public monument, the monumental tomb (mausoleum) and the stadium. The House of Masks, Delos, 3rd century BC. The mosaic floor of a house at Delos. The Palaestra at Olympia, used for boxing and wrestling. The Theatre of Dionysus, Athens. The Parthenon, shows the common structural features of Ancient Greek architecture: crepidoma, columns, entablature, pediment. Temple of Hephaestos, fluted Doric columns.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The High-Elf Architecture. Elven Architecture Lord of the Rings. Rivendell Architecture. Elven Architecture Lord of the Rings. When we think about Elven architecture, we think of pure white rock, natural materials, flowing details and towering stores, pulling inspiration from the natural world around us, including fractal designs.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Medieval Scandinavian architecture. Borgund Stave Church. Borgund Stave Church in Lærdalen. Stavkirken, Borgund, Martinus Rørbye, Ny Carlsberg Glyptotek, København. Boathouses are the buildings used to hold Viking Ships during the winter and any time they could not sail. They were usually built slightly back from the waterline. They were dug into the ground as well as built up. They had to be extremely long because the Viking Ships could be 25 meters long or longer. The walls were made of wood with stones piled up at the base. Each held one ship only, but many boathouses could be built next to each other if multiple ships had to be housed.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Brick Gothic. Since the bricks used were made of clay, available in copious quantities in the Northern German Plain, they quickly became the normal replacement for building stone. The so-called monastic format became the standard for bricks used in representative buildings. The use of shaped bricks for tracery and friezes also can be found in some buildings of northwestern Gothic brick architecture. Masterly use of these elements is found in some of the Gothic buildings of northern Italy, where these highly sophisticated techniques had originally come from, having been developed in the Lombard Romanesque period. There, such brick decorations can even be found on buildings. St. Anne Church detail, Vilnius, Lithuania. Town Hall and St. Nicholas' church in Stralsund, Germany. Church of Workum in the province of Friesland is an example of Brick Gothic in the Netherlands. Malbork Castle in Poland is Europe's largest medieval Brick Gothic complex. Brick Gothic with some decoration of stone, Old St. John's Hospital in Bruges, Belgium. St. Mary's Church in Gdańsk, Poland. Frauenkirche in Munich, Bavaria, Germany. Frauenkirche in Munich, Bavaria, Germany.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Luxor Temple is a huge ancient Egyptian temple complex located on the east bank of the River Nile in the city today known as Luxor (ancient Thebes). Construction work on the temple began during the reign of Amenhotep III in the 14th century BC. Horemheb and Tutankhamun added columns, statues, and friezes – and Akhenaten had earlier obliterated his father's cartouches and installed a shrine to the Aten – but the only major expansion effort took place under Ramesses II some 100 years after the first stones were put in place. Luxor is thus unique among the main Egyptian temple complexes in having only two pharaohs leave their mark on its architectural structure. The temple proper begins with the 24 m (79 ft) high First Pylon, built by Ramesses II. The pylon was decorated with scenes of Ramesses's military triumphs (particularly the Battle of Qadesh); later pharaohs, particularly those of the Kushite dynasty, also recorded their victories there. This main entrance to the temple complex was originally flanked by six colossal statues of Ramesses – four seated, and two standing – but only two (both seated) have survived. Modern visitors can also see a 25 m (82 ft).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Ancient Egyptian architecture. Due to the scarcity of wood, the two predominant building materials used in ancient Egypt were sun-baked mud brick and stone, mainly limestone, but also sandstone and granite in considerable quantities. From the Old Kingdom onward, stone was generally reserved for tombs and temples, while bricks were used even for royal palaces, fortresses, the walls of temple precincts and towns, and for subsidiary buildings in temple complexes. The core of the pyramids consisted of locally quarried stone, mud bricks, sand or gravel. For the casing, stones were used that had to be transported from farther away, predominantly white limestone from Tura and red granite from upper Egypt. Ancient Egyptian houses were made out of mud collected from the damp banks of the Nile river. It was placed in moulds and left to dry in the hot sun to harden for use in construction. If the bricks were intended to be used in a royal tomb like a pyramid, the exterior bricks would also be finely chiselled and polished. As early as 2600 BC the architect Imhotep made use of stone columns whose surface was carved to reflect the organic form of bundled reeds, like papyrus, lotus and palm.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Dravidian architecture, or the South Indian temple style, is an architectural idiom in Hindu temple architecture that emerged from South India, reaching its final form by the sixteenth century. It is seen in Hindu temples, and the most distinctive difference from north Indian styles is the use of a shorter and more pyramidal tower over the garbhagriha or sanctuary called a vimana, where the north has taller towers, usually bending inwards as they rise, called shikharas. Mentioned as one of three styles of temple building in the ancient book Vastu shastra, the majority of the existing structures are located in the Southern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana, some parts of Maharashtra, Odisha and Sri Lanka. Various kingdoms and empires such as the Satavahanas, the Cholas, the Chera, the Kakatiyas, the Reddis, the Pandyas, the Pallavas, the Gangas, the Kadambas, the Rashtrakutas, the Chalukyas, the Hoysalas, and Vijayanagara Empire among others have made substantial contribution to the evolution of the Dravida architecture.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Hindu temple architecture as the main form of Hindu architecture has many varieties of style, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or the image of a deity is housed in a simple bare cell. This chamber often has an open area designed for movement in clockwise rotation for rituals and prayers. Hindu temple architecture reflects a synthesis of arts, the ideals of dharma, values and the way of life cherished under Hinduism. The temple is a place for Tirtha—pilgrimage. All the cosmic elements that create and celebrate life in Hindu pantheon, are present in a Hindu temple—from fire to water, from images of nature to deities, from the feminine to the masculine, from kama to artha, from the fleeting sounds and incense smells to Purusha—the eternal nothingness yet universality—is part of a Hindu temple architecture. The form and meanings of architectural elements in a Hindu temple are designed to function as the place where it is the link between man and the divine, to help his progress to spiritual knowledge and truth, his liberation it calls moksha.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Giyōfū architecture. The style of Japanese architecture which outwardly resembled Western-style construction but relied on traditional Japanese techniques. It flourished during the early Meiji period, and disappeared as knowledge of Western techniques became more widespread. Giyōfū style buildings were built by Japanese carpenters using traditional construction techniques, but with a layout and external ornamentation based on observation of Western-style buildings in person or in photographs, or based on design books such as the Shinsen Hinagata Taisho Daisen, which offered molding designs which could be reproduced. Many of these buildings were symmetric and made use of porticoes or verandahs with columns, classical pediments, sash windows, and ornamental gables. Giyōfū style buildings often contained Dutch, British, French, and/or Italian architectural elements, combined with a Japanese-style roof. The Japanese roofs on Western-faced Japanese timber frames became signifiers of giyōfū architecture. The clearest evidence for this is in the karahafu and mukuri roofs sometimes attached to these Western-influenced structures.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Weser Renaissance. The hallmark of aristocratic building activity in the 16th century was the transformation of a medieval castle, the Burg, into a royal residence or Schloss. Initially these were often built with two wings, but later the enclosed courtyard, with its wings joined in the corners by imposing towers with flights of stairs, became the preferred layout for the homes of the aristocracy in the Weser region during the course of the 16th century, a form of building that was soon also adopted by its lesser noblemen. The characteristic Zwerchhaus (Middle High German: twerh = quer i.e. across or lateral) with so-called welsch (i.e. Italian) gables was particularly well suited as a symbol of power, because on castles like those at Detmold, Celle or Bückeburg, which were surrounded by high ramparts, they could be seen from a long way off. In addition to four-sided castles, there were also castles with three wings, either geometrically fully enclosed, like the Wewelsburg, or opening onto the castle farmyard as at Schwöbber. Even double-winged and single-winged buildings were included in the repertoire of castle architecture along the Weser. Old Hanseatic Town of Lemgo.
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