#neobaroque

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Common characteristics of the International Style include: a radical simplification of form, a rejection of ornament, and adoption of glass, steel and concrete as preferred materials. Further, the transparency of buildings, construction (called the honest expression of structure), and acceptance of industrialized mass-production techniques contributed to the international style's design philosophy. Finally, the machine aesthetic, and logical design decisions leading to support building function were used by the International architect to create buildings reaching beyond historicism. The ideals of the style are commonly summed up in three slogans: ornament is a crime, truth to materials, form follows function; and Le Corbusier's description: "A house is a machine to live in".
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A typical türbe is located in the grounds of a mosque or complex, often endowed by the deceased. However, some are more closely integrated into surrounding buildings. Many are relatively small buildings, often domed and hexagonal or octagonal in shape, containing a single chamber. More minor türbes are usually kept closed although the interior can be sometimes be glimpsed through metal grilles over the windows or door. The exterior is typically masonry, perhaps with tiled decoration over the doorway, but the interior often contains large areas of painted tilework, which may be of the highest quality. Inside, the body or bodies repose in plain sarcophagi, perhaps with a simple inscription, which are, or were originally, covered by rich cloth drapes. Usually these sarcophagi are symbolic, and the actual body lies below the floor. At the head of the tomb a wooden pole was sometimes surmounted by a white cloth Ottoman turban (for men) or by a turban carved in stone.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Poundbury is an experimental urban extension on the western outskirts of Dorchester in the county of Dorset, England.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Paleolithic or Palaeolithic, also called the Old Stone Age , is a period in human prehistory that is distinguished by the original development of stone tools, and which represents almost the entire period of human prehistoric technology. It extends from the earliest known use of stone tools by hominins, c. 3.3 million years ago, to the end of the Pleistocene, c. 11,650 cal BP.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The most prominent graphic artist was Otto Eckmann, who produced numerous illustrations for the movement's journal Jugend, in a sinuous, floral style that was similar to the French style. He also created a type style based upon Japanese calligraphy. Joseph Sattler was another graphic artist who contributed to the style through another artistic journal called Pan. Sattler designed a type face often used in Jugendstil. Another important German graphic artist was Josef Rudolf Witzel (1867–1925), who produced many early covers for Jugend, with curving, floral forms which helped shape the style. The magazine Simplicissimus, published in Munich, was also noted for its Jugendstil graphics, as well as for the modern writers it presented, including Thomas Mann and Rainer Maria Rilke. Important illustrators for the magazine included Thomas Theodor Heine.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: In 1928 Behrens won an international competition for the construction of the New Synagogue, in Zilina, Slovakia, which was restored in 2012–17 as a cultural centre.[5] The same year he designed a renovation of the Feller-Stern department store in central Zagreb, Croatia, transforming it from Art Nouveau to a complex almost De Stijl Modernist composition. His 1931 hillside villa for the Clara Gans, daughter of Frankfurt industrialist Adolf Gans, was a similarly complex interplay of rectangular volumes, clad in stone, a fine example of New Objectivity.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The attributes of the property illustrate authenticity in material, design, in particular workmanship, setting and to a certain extent spirit and feeling in relation to the religious concepts they evoke. The authenticity is further expressed in the inseparable bond between the frescoes and the interior architectural spaces they are part of as well as the architectural construction of the historic buildings. All components retain authentic evidence of the fresco cycles, the material support on which the frescoes are painted, the plaster surfaces, the pigments and binding agents used in fresco work, and the paints themselves. Although fragments of these frescoes have in the past suffered localized detachments, for example in Scrovegni Chapel, the Cathedral Baptistery, or Carraresi Chapel, these fragments were all replaced in their original positions during past conservation treatments.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The architectural procession choreographs a conceptual narrative, one that transforms visitors into performers. Upon entering the grand lobby, visitors will see large transparent glass walls spanning the grand lobby, visually connecting the curvilinear interior with the swooping façade and exterior plaza. Soaring above, a crystalline glass curtain wall soars over the grand lobby space with the support of a lightweight diagrid structure. Comprised of glass pyramids, the surface alternates between smooth and faceted, referencing the billowing snow and ice of the frigid climate. Visitors are greeted with the simple opulence of natural light and material sensation—all before taking their seat.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: In the earthen architecture of the region, scholar Andrew Petersen distinguishes two general styles: a "western" style that may have its roots in Djenné (present-day Mali), and an "eastern" style associated with Hausa architecture that may have its roots in Kano (present-day Nigeria).[19] The eastern or Hausa style is generally more plain on the exterior of buildings, but is characterized by diverse interior decoration and the much greater use of wood.[19] Mosques often have prayer halls with pillars supporting flat or slightly domed roofs of wood and mud.[15][25] An exceptional example is the 19th-century Great Mosque of Zaria (present-day Nigeria), which has parabolic arches and a roof of shallow domes.[15][26] The western or "Sudan" style is characterized by more elaborate and decorated exterior façades whose compositions emphasize verticality. They have tapering buttresses with cone-shaped summits, mosques have a large tower over the mihrab, and wooden stakes (toron) are often embedded in the walls – used for scaffolding but possibly also for some symbolic purpose.[19]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Itchan Kala is the inner town (protected by brick walls some 10 m high) of the old Khiva oasis, which was the last resting-place of caravans before crossing the desert to Iran. Although few very old monuments still remain, it is a coherent and well-preserved example of the Muslim architecture of Central Asia. There are several outstanding structures such as the Djuma Mosque, the mausoleums and the madrasas and the two magnificent palaces built at the beginning of the 19th century by Alla-Kulli-Khan.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Egg decoration in Ukraine is widespread and practiced by many; in the premodern era, pysankarstvo was practiced universally outside of big cities (which often had non-Ukrainian populations). Several traditional forms of decoration are common (krashanky, lystovky, pysanky) while others (driapanky, maliovanky, nakleyanky) are practiced less often. Newer forms of egg decoration, like biserky (beadwork eggs), travlenky (etched eggs), and rizblenky (cutwork eggs) are more recent additions, but gaining in popularity, although they are generally practiced by professional artisans rather than the general public. In recent years, shrink wrap decals with traditional designs have become a favorite mode of decoration for many.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Movable partitions allow the 4,000-square-meter exhibition hall, with its 10-meter-high ceiling, to be divided into three separate areas. Clear glass doors allow the hall to be used jointly with the expansive outdoor exhibition space on the park’s west side. The fourth-floor conference room overlooks the south side rooftop greenery and the north side courtyard, allowing for a ubiquitous feel for the greenery. The south side conference-room floor is aligned at human eye level with Shinkansen (bullet train) passengers visible across the roof, creating a sense of connection with the passing trains.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Royal Saltworks of Arc-et-Senans, near Besançon, was built by Claude Nicolas Ledoux. Its construction, begun in 1775 during the reign of Louis XVI, was the first major achievement of industrial architecture, reflecting the ideal of progress of the Enlightenment. The vast, semicircular complex was designed to permit a rational and hierarchical organization of work and was to have been followed by the building of an ideal city, a project that was never realized. The Great Saltworks of Salins-les-Bains was active for at least 1200 years until stopping activity in 1962. From 1780 to 1895, its salt water travelled through 21 km of wood pipes to the Royal Saltworks of Arc-et-Senans. It was built near the immense Chaux Forest to ensure its supply of wood for fuel. The Saltworks of Salins shelters an underground gallery from the 13th century including a hydraulic pump from the 19th century that still functions. The boiler house demonstrates the difficulty of the saltworkers’ labour to collect the “White Gold”.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Nancy, the temporary residence of a king without a kingdom – Stanislas Leszczynski, later to become Duke of Lorraine – is paradoxically the oldest and most typical example of a modern capital where an enlightened monarch proved to be sensitive to the needs of the public. Built between 1752 and 1756 by a brilliant team led by the architect Héré, this was a carefully conceived project that succeeded in creating a capital that not only enhanced the sovereign's prestige but was also functional. Located in the Alsace-Lorraine-Champagne-Ardenne region, the Place Stanislas, Place Carrière and Place d’Alliance in Nancy comprise one of the most harmonious urban landscapes of the Enlightenment, illustrating in an exemplary and masterful way the idea of the royal square as an urban, monumental and central space. Stanislas Leszczynski, father-in-law of Louis XV, king of France, and unhappy pretender to the Polish throne, received in compensation for his abdication the dukedoms of Lorraine for life. He reigned from 1737 to 1766. The town planning works of Nancy are the most beautiful achievements of the patronage of this prince.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: These ceramic eggs were common in Kyivan Rus' and had a characteristic style. They were slightly smaller than life size (2.5 by 4 cm, or 1 by 1.6 inches) and were created from reddish pink clays by the spiral method. The majolica glazed eggs had a brown, green or yellow background and showed interwoven yellow and green stripes. The eggs were made in large cities like Kyiv and Chernihiv, which had workshops that produced clay tile and bricks; these tiles (and pysanky) were not only used locally but were exported to Poland and to several Scandinavian and Baltic countries.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The outstanding handling of new architectural techniques in the 13th century, and the harmonious marriage of sculptural decoration with architecture, has made Notre-Dame in Reims one of the masterpieces of Gothic art. The former abbey still has its beautiful 9th-century nave, in which lie the remains of Archbishop St Rémi (440–533), who instituted the Holy Anointing of the kings of France. The former archiepiscopal palace known as the Tau Palace, which played an important role in religious ceremonies, was almost entirely rebuilt in the 17th century. Located in the Grand Est region, in the Marne Department, the Cathedral, the Palace of Tau and the Abbey of Saint-Rémi of Reims are closely linked to the history of the French monarchy, and hence, more generally, to the history of France.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Sun is a G-type main-sequence star that constitutes about 99.86% of the mass of the Solar System. The Sun has an absolute magnitude of +4.83, estimated to be brighter than about 85% of the stars in the Milky Way, most of which are red dwarfs.[30][31] The Sun is a Population I, or heavy-element-rich,[b] star.[32] The formation of the Sun may have been triggered by shockwaves from one or more nearby supernovae.[33] This is suggested by a high abundance of heavy elements in the Solar System, such as gold and uranium, relative to the abundances of these elements in so-called Population II, heavy-element-poor, stars. The heavy elements could most plausibly have been produced by endothermic nuclear reactions during a supernova, or by transmutation through neutron absorption within a massive second-generation star.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Remarkable as a landscape shaped over three centuries of coal extraction from the 1700s to the 1900s, the site consists of 109 separate components over 120,000 ha. It features mining pits (the oldest of which dates from 1850) and lift infrastructure, slag heaps (some of which cover 90 ha and exceed 140 m in height), coal transport infrastructure, railway stations, workers’ estates and mining villages including social habitat, schools, religious buildings, health and community facilities, company premises, owners and managers’ houses, town halls and more. The site bears testimony to the quest to create model workers’ cities from the mid 19th century to the 1960s and further illustrates a significant period in the history of industrial Europe. It documents the living conditions of workers and the solidarity to which it gave rise.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The Neo-futurism architecture of the spherical building is characterized by its use of modern materials and its unusual and eye-catching shape. The building is designed to resemble a perfect sphere, with a curved exterior made up of a series of panels that create the spherical effect. The exterior panels are made of modern materials such as steel and glass, giving the building a contemporary and futuristic look. The spherical design is not only visually striking but also functional, as it allows for efficient use of space and maximizes natural light. Inside, the building is designed to be open and airy, with plenty of natural light and a minimalist aesthetic. The spherical design is carried through to the interior, with a central atrium that serves as the focal point of the building. The use of modern materials such as steel and glass gives the interior a clean, contemporary feel. The building's futuristic design is also reflected in its use of technology. Smart systems control everything from lighting to temperature, and the building is designed to be energy efficient and environmentally friendly.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Paris has always been rebuilt on itself. Because of a lack of political ambition and visions for the future, is it condemned now in 2014 to remain a museum city or to gentrification? This is the question asked by the « Mountain Towers » to the historic Paris and more precisely to the rue de Rivoli. With its severe elegance and its grandiose rigour of the neoclassicism, the rue de Rivoli, named as the « wall-street », crossed the heart of Paris and stretches from east to west on almost 3 km on the right bank of the Seine river. The urban constraints of the First Empire in the west, same as of the Haussmann period in the east about the alignment and the size of all the buildings of the street offer to Paris its monumental appearance with strict lines and surprising effect of perspective that suited Napoleon whowanted to build a prestigious street dedicated to luxury.
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