#mosaicpatternsoilpainting

Kaleidoscope

• Model: DaVinci2

• Size: 1280 X 1472 (1.88 MP)

• Used settings:

  • Prompt: enchantress, wet on wet painting, psychedelic postimpressionism by Stan Lee & Nadya Rusheva, covered with a variety of fluid oil paint, panicle patterns, pointilism technique with ink bleeding effects styled like corymbs on textured paper, inspired by Paul Klee, vibrant red, amber, green, indigo, aquamarine, orange gradients, warm palette, mixed media creation, intricate fine line work, polished composition, artistically precise execution. darkened colorings in orphism style, collage art reminiscence, pulp art, reflective mapping by Rebecca Saray, slightly warped, psychedelic and trippy coloring by Paul Kidby & Edward Gorey, large amount of reflections by Jamie Heiden, ethereal fantasy realm, textured paper adding depth and authenticity, masterful blending of Chinese watercolor and Japanese painting techniques, Luis Royo-inspired detailing and artistically washed-out and deconstructed composition, repetitive pointilistic motifs, UHD, HDR, negative lucas numbers, exaggerated features, action painting merged with baroque art, intricate detailing, vibrant lighting effects. volumetric light, colorful ambient occlusion, colorful ray tracing, coloring by Georgia O'Keeffe, intricate portrait features, balanced coloring, very smooth american gothic & precise Gelsculpt 64K, embodiment by James Wilson Morrice, dyed, liminal, outlines by Walter Molino, malleability 1.3, outlined hues by Gerald Brom, creamy traumacore style by Horace Pippin and Earl Moran, rule of thirds. Plasticity 1.3, ambient occlusion 1.3, mip-mapping, displacement mapping 1.8, parallax occlusion 1.3, shadow mapping 1.3, slim brushstrokes for intricate linework, dark academia merged with juminocore style, creamy coloring. Feminine, tetradic color scheme light-yellow baby-blue dark-white teal. Poster art, stylized orphism, outlined, trippy yellowish gradients, American Folk Art style, quaint essence, mip-mapping, intricate texture mapping 1.7, pulp art reminiscence, volumetric lighting, polished surfaces, dyed, rounded edges, only curvaceous linework,subsurface scattering, ambient occlusion, colorful ray tracing, coloring by Coby Whitmore and Stan Lee, intricate portrait features, slightly angled side view, very smooth american gothic & precise Gelsculpt 64K, rich metallic colors. Harmonious blend of light-black, moonwashed aqua, celadon mist, Glacier Mint, Old Turquoise Rain, dark-beige and chalky ivory, tarnished glimmers, abstract fluid art, flowing textures, ethereal, fractured and deconstructed composition, repetitive vibrant lighting effects. volumetric light, colorful ambient occlusion, colorful ray tracing, coloring by Georgia O'Keeffe, very smooth american gothic & precise Gelsculpt 64K, divisionism, sculpted, cel-shaded optical illusion with paint drops. Illusion of depth. Gravitational 3D effects in style of Maggie Vandewalle and Katie Acheson Wolford, lighting by Takehiko Inoue, embodiment by Ester Emmy Maria Helenius, with a texture similar to pointillism or stippling, composed of numerous small petals and mussel-shaped shells, fluid wet-on-wet oil technique, dark collage art reminiscence, pulp art, reflective mapping by Rebecca Saray & Paolo Roversi, reflections by Jamie Heiden, embodiment by James Wilson Morrice, dyed, liminal, plasticity akin to Ed Binkley, groovy, circular dots of varying sizes and tones that create depth and shading for layered textures, reminiscent of a 1970s comic book cover by Stan Lee. line-art by Ilya Zomb, phong shading 1.3,
  • Using base image: Yes