#kotsiubiiv

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Sustainable design: The Museum of Tomorrow could incorporate sustainable design elements like solar panels, green roofs and walls, and advanced waste management systems to reduce its carbon footprint. Geometric shapes: Neo-futuristic architecture often incorporates geometric shapes, so incorporating them into the Museum of Tomorrow's design would create a futuristic, yet modern look. Futuristic materials: Advanced materials like carbon fiber, graphene, and other lightweight and durable materials could be used to create a structure that is both aesthetically pleasing and functional. Interactive exhibits: The Museum of Tomorrow could incorporate interactive exhibits that allow visitors to learn about the latest technological advancements and how they are impacting our world. Natural light: Natural light is a key element of Neo-futuristic architecture, and incorporating it into the Museum of Tomorrow's design would create a bright and open space that is both inviting and awe-inspiring. Digital and projection mapping: Incorporating digital technologies like projection mapping could create a unique immersive experience for visitors
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Neo-futurism is a style of architecture that is characterized by its emphasis on technology as well as the use of futuristic shapes and forms. One specific element that is often used in Neo-futuristic designs are dodecahedrons, which are twelve-sided shapes. In a Neo-futuristic design featuring dodecahedrons, the shapes could be incorporated into the building's structure, creating a unique and visually striking exterior. For example, the dodecahedrons could be used to create a series of interconnected modules, each with its own unique shape and function. Inside the building, these modules could be used to create a variety of different spaces, from offices and meeting rooms to public areas and recreational spaces. The use of dodecahedrons would also allow for natural light to filter into the building, creating a bright and airy atmosphere.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Cosmic pluralism, the assumption that there are many inhabited worlds beyond the human sphere predates modernity and the development of the heliocentric model and is common in mythologies worldwide. The 2nd century writer of satires, Lucian, in his True History claims to have visited the moon when his ship was sent up by a fountain, which was peopled and at war with the people of the Sun over colonisation of the Morning Star.[3] Other worlds are depicted in such early works as the 10th-century Japanese narrative, The Tale of the Bamboo Cutter, and the medieval Arabic The Adventures of Bulukiya (from the One Thousand and One Nights).[4] Dante in his Divine Comedy sets the third part, Paradise amongst the planets where he meets the saints.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Philip K. Dick. 1981. "I will define science fiction, first, by saying what SF is not. It cannot be defined as “a story (or novel or play) set in the future,” since there exists such a thing as space adventure, which is set in the future but is not SF: it is just that: adventures, fights and wars in the future in space involving super-advanced technology. Why, then, is it not science fiction? It would seem to be, and Doris Lessing (e.g.) supposes that it is. However, space adventure lacks the distinct new idea that is the essential ingredient. Also, there can be science fiction set in the present: the alternate world story or novel. So if we separate SF from the future and also from ultra-advanced technology, what then do we have that can be called SF? We have a fictitious world; that is the first step: it is a society that does not in fact exist, but is predicated on our known society; that is, our known society acts as a jumping-off point for it; the society advances out of our own in some way, perhaps orthogonally, as with the alternate world story or novel. It is our world dislocated by some kind of mental effort on the part of the author, our world transformed into that wh
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Neo-futurism is all about exploring new technologies and materials to create unique and innovative designs. Tents could certainly be a part of that vision, as they offer a lightweight, portable and versatile building material. With the ability to be set up and taken down easily, tent structures could be perfect for temporary installations, pop-up shops or outdoor events. In terms of aesthetics, they could be designed to incorporate futuristic elements such as LED lighting, smart materials and bold geometric shapes.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The architectural procession choreographs a conceptual narrative, one that transforms visitors into performers. Upon entering the grand lobby, visitors will see large transparent glass walls spanning the grand lobby, visually connecting the curvilinear interior with the swooping façade and exterior plaza. Soaring above, a crystalline glass curtain wall soars over the grand lobby space with the support of a lightweight diagrid structure. Comprised of glass pyramids, the surface alternates between smooth and faceted, referencing the billowing snow and ice of the frigid climate. Visitors are greeted with the simple opulence of natural light and material sensation—all before taking their seat.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The steel structure allows for an open and column-free interior space. The seating area was designed to look visually and spatially expansive by arranging the kitchen and WC in a compact fashion at the lower end of the mezzanine. The restaurant, bar, café and other seating areas are connected by a two-story atrium where the atmosphere and wide view can be shared. Overall, the interior design focuses on harmony of place, with varied ceiling heights, stairs, furniture and finishes adding subtle differentiation to its features.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The attributes of the property illustrate authenticity in material, design, in particular workmanship, setting and to a certain extent spirit and feeling in relation to the religious concepts they evoke. The authenticity is further expressed in the inseparable bond between the frescoes and the interior architectural spaces they are part of as well as the architectural construction of the historic buildings. All components retain authentic evidence of the fresco cycles, the material support on which the frescoes are painted, the plaster surfaces, the pigments and binding agents used in fresco work, and the paints themselves. Although fragments of these frescoes have in the past suffered localized detachments, for example in Scrovegni Chapel, the Cathedral Baptistery, or Carraresi Chapel, these fragments were all replaced in their original positions during past conservation treatments.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The serial property comprises twelve component parts consisting of ensembles of porticoes and their surrounding built areas, located within the Municipality of Bologna from the 12th century to the present. These portico ensembles are considered to be the most representative among city’s porticoes, which cover a total stretch of 62 km. Some of the porticoes are built of wood, others of stone or brick, as well as reinforced concrete, covering roads, squares, paths and walkways, either on one or both sides of a street. The property includes porticoed buildings that do not form a structural continuum with other buildings and therefore are not part of a comprehensive covered walkway or passage. The porticoes are appreciated as sheltered walkways and prime locations for merchant activities. In the 20th century, the use of concrete allowed the replacement of the traditional vaulted arcades with new building possibilities and a new architectural language for the porticoes emerged, as exemplified in the Barca district. Together, the selected porticoes reflect different typologies, urban and social functions and chronological phases. Defined as private property for public use.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A ship is a large watercraft that travels the world's oceans and other sufficiently deep waterways, carrying cargo or passengers, or in support of specialized missions, such as defense, research and fishing. Ships are generally distinguished from boats, based on size, shape, load capacity and purpose. Ships have supported exploration, trade, warfare, migration, colonization, and science. After the 15th century, new crops that had come from and to the Americas via the European seafarers significantly contributed to world population growth. Ship transport is responsible for the largest portion of world commerce. The word ship has meant, depending on the era and the context, either just a large vessel or specifically a ship-rigged sailing ship with three or more masts, each of which is square-rigged.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Fusion*

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Salvador dali style
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
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  • Aspect Ratio: landscape

The Monument in the Ukrainian city of Kotsiubiiv

• Model: Artistic 2

• Size: 1352 X 760 (1.03 MP)

• Used settings:

  • Prompt: futurism
  • Using base image: Yes (Effect strength - 50%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

The Monument in the Ukrainian city of Kotsiubiiv

• Model: Artistic 2

• Size: 1352 X 760 (1.03 MP)

• Used settings:

  • Prompt: futurism
  • Using base image: Yes (Effect strength - 50%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: These ceramic eggs were common in Kyivan Rus' and had a characteristic style. They were slightly smaller than life size (2.5 by 4 cm, or 1 by 1.6 inches) and were created from reddish pink clays by the spiral method. The majolica glazed eggs had a brown, green or yellow background and showed interwoven yellow and green stripes. The eggs were made in large cities like Kyiv and Chernihiv, which had workshops that produced clay tile and bricks; these tiles (and pysanky) were not only used locally but were exported to Poland and to several Scandinavian and Baltic countries.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theater

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Neo-futurism architecture is a contemporary architectural style that emphasizes technology, innovation, and futurism. It often features bold geometric forms, clean lines, and a combination of materials such as glass, steel, and concrete. With regards to crater form in Neo-futurism architecture, it is a unique design element that adds a dramatic and futuristic touch to buildings. The crater form is inspired by the idea of creating a space that mimics the natural formation of a crater or volcanic area. This results in a building with a concave or bowl-like shape, with a depression in the center. The use of crater form in Neo-futurism architecture is often seen in buildings such as museums, cultural centers, and public spaces. The design creates an immersive experience for visitors, drawing them into the center of the space where they can interact with the environment in a unique and engaging way.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Egg decoration in Ukraine is widespread and practiced by many; in the premodern era, pysankarstvo was practiced universally outside of big cities (which often had non-Ukrainian populations). Several traditional forms of decoration are common (krashanky, lystovky, pysanky) while others (driapanky, maliovanky, nakleyanky) are practiced less often. Newer forms of egg decoration, like biserky (beadwork eggs), travlenky (etched eggs), and rizblenky (cutwork eggs) are more recent additions, but gaining in popularity, although they are generally practiced by professional artisans rather than the general public. In recent years, shrink wrap decals with traditional designs have become a favorite mode of decoration for many.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

The Monument in the Ukrainian city of Kotsiubiiv

• Model: Artistic 2

• Size: 1352 X 760 (1.03 MP)

• Used settings:

  • Prompt: futurism
  • Using base image: Yes (Effect strength - 50%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

The Monument in the Ukrainian city of Kotsiubiiv

• Model: Artistic 2

• Size: 1352 X 760 (1.03 MP)

• Used settings:

  • Prompt: futurism
  • Using base image: Yes (Effect strength - 50%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape