#human

Abusing Myself For Creative Output

• Model: Grok

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Experimental, highly conceptual, textured, painterly, fractured and blended, pure art, not a scene, expressive, some spray-painted techniques, fragments, pop art influence, some full spectrum anaglyptic wavey highlights, dripping pastel blacks and mauve collide with and conclude with structured silver dot matrices of fragmented architectural grids, that subtly suggest alcoholic beverages, repeating bright and bold segmented nonconformist shapes that subtly suggest a liquid dripping bubbly burping brain that is exhumed from a bit-crushed with bright red and white slumped ghostly extremely faded human figure that is barely recognizable, rough gestures, dotted halftone patterns, pixel fragmentation and electronic textures, pixaleted booming speakers transmit pulsating wavelengths, simulated chromatic aberration across the entire composition, colourful, bold, conceptual, dramatic, extravagant, raw, green and orange feature
  • Using base image: No
  • Aspect Ratio: landscape

Amiss in the Mist: A Year Without Jane

• Model: AI Upscaler

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

Stained-Glass Spirit Wolf

• Model: Z-Image Turbo

• Size: 896 X 1168 (1.05 MP)

• Used settings:

  • Prompt: Genau wie dieses Bild..
  • Using base image: Yes

Sci-Fi Command Center

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: High-quality painting, photorealistic graphics, and a vibrant, fantastic color palette: High-quality painting, photorealistic graphics, and a vibrant, fantastical color palette: a futuristic scene depicting a sleek, humanoid nickel-plated robot interacting with a control panel filled with various screens and technical interfaces. The robot has an advanced humanoid design with intricate details on its limbs and face. In the background, you can see a complex control room filled with various technological equipment and illuminated screens. A human figure with a smooth, bald head and a thoughtful expression is closely observing the robot’s actions. The overall atmosphere combines elements of science fiction and advanced technology, emphasizing the interaction between humans and robots.
  • Using base image: Yes

Chapter 30 – The First Journey That Never Began Part 3 – The Traveller Who Was More Than One

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt: REFERENCE IMAGES TO USE: CR-M1 – Morksik CR-M2 – Borstel CR-M4 – Hopsy CR-M17 – Eldren Chapter 30 – The First Journey That Never Began, Part 3 – The Traveller Who Was More Than One Create a cinematic 4:3 realistic painterly fantasy storybook illustration. Use the four supplied reference images as strict character references. Preserve their exact appearance, anatomy, proportions, clothing, colours and equipment. Do not redesign them. Scene: Morksik, Borstel, Hopsy and Eldren stand on a broad ancient road in the strange pale landscape beneath a silver sky. The stone circle is now distant behind them. Ahead, the mist has finally cleared from the great valley and reveals the FIRST WITNESS. The FIRST WITNESS is the dominant background mystery: an enormous ancient structure combining weathered WOOD, STONE and pale BONE-LIKE material. Huge branching forms rise from it into the clouds, explaining why from far away it resembled a colossal tree. At its centre is a gigantic circular opening containing ONE vast dark EYE, now open and watching across the valley. It must feel ancient, intelligent and mysterious, not like a horror monster. Morksik stands at the front of the group facing the First Witness. Borstel, clearly the small HEDGEHOG from CR-M2, stands close beside him with his staff, looking amazed and uneasy. Hopsy must remain exactly the KANGAROO from CR-M4. He holds the TWO silver crescent-shaped stone halves together in his hands. They now form ONE complete object, but an obvious DARK SEAM remains between the two halves: whole, yet visibly still divided. His silver lantern hangs from his equipment. Eldren stands nearby holding his open map. The map shows a new broad road extending forward into unexplored blank parchment, with no destination marked at its end. IMPORTANT MAGICAL DETAIL: several faint translucent versions of Morksik, Borstel, Hopsy and Eldren are dissolving into soft silver light behind the real characters. These are false single versions disappearing from the road, not solid duplicates. Keep them ghostlike, secondary and clearly fading away. The road ahead no longer has perfect magical silver borders. Grass and tiny white flowers grow naturally between its ancient stones, suggesting that its ending has not yet been decided. Along the road toward the First Witness, show a sequence of small PALE GLOWING MARKERS disappearing into the distance. The First Witness’s huge eye should be looking PAST the travellers toward something unseen deeper in the silver land, not directly at them. This is important: its attention is focused on a hidden destination beyond the visible scene. Atmosphere: enormous scale, revelation, wonder, ancient mystery and quiet unease. Silver clouds, pale rolling landscape, soft volumetric light, detailed realistic fur, fabrics, stone and weathered wood, cinematic depth, realistic painterly fantasy storybook style. Character accuracy is essential. Borstel clearly smallest. Hopsy unmistakably a kangaroo. Morksik and Eldren must closely match their supplied references. Do not alter their established designs. No combat, no grotesque horror, no modern objects, no title text, no speech bubbles, no decorative border. Bottom-right corner: small unobtrusive white full-body unicorn silhouette with exact text “AI by Unicorngraphics”.
  • Using base image: Yes

Humanity: Soaring and Crumbling

• Model: Nano Banana 2 (Pro)

• Size: 2048 X 2048 (4.19 MP)

• Used settings:

  • Prompt: Depict a human being in all its glory and misery, fabulous and tedious. Humans are meant to soar up in the sky and the universe, but at the same time humans lie in the gutter, consumed by mycelium. Mystical and ethereal ambiance. High resolution for intricate details, showcase Artstation quality. Epic Science-Fiction Masterpiece.
  • Using base image: No
  • Aspect Ratio: square

Chapter 29 – The Things the Road Had Kept Part 3 – The Gate at the Beginning

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1664 (3.73 MP)

• Used settings:

  • Prompt: REFERENCE IMAGES TO USE: CR-M1 – Morksik CR-M2 – Borstel CR-M4 – Hopsy CR-M17 – Eldren Chapter 29 – The Things the Road Had Kept, Part 3 – The Gate at the Beginning Create a cinematic 4:3 realistic painterly fantasy storybook illustration. Use the four supplied reference images as strict character references. Preserve their exact appearance, anatomy, proportions, clothing, colours and equipment. Do not redesign them. Scene: Morksik, Borstel, Hopsy and Eldren have reached an ENORMOUS ANCIENT STONE GATE standing alone in a mysterious silver-grey landscape. There is no wall attached to it. Two massive weathered stone pillars rise directly from the mist. Between them is deep supernatural darkness, like an opening into another place. Morksik stands nearest the gate, cautiously facing the darkness. Borstel, clearly the small HEDGEHOG from CR-M2, stands close beside him with his staff. Hopsy must remain exactly the KANGAROO from CR-M4, carrying his characteristic pouch and equipment, with his silver lantern raised toward the gate. Eldren stands slightly behind them holding his map. IMPORTANT STORY ELEMENT: a mysterious HUMAN-LIKE TRAVELLER is emerging slowly from the darkness between the pillars. This newcomer wears an old weathered travelling coat and has a clear, visible face. The figure should look tired, ancient in experience rather than supernatural or monstrous. Do not make this person one of the four main characters and do not duplicate any referenced character. On the two stone pillars, faint magical silver inscriptions glow: DEPARTURE on one pillar RETURN on the other. Near Eldren, his map shows a thin silver line curving backwards from the gate and continuing into unexplored blank parchment. On the ground near Morksik lies an old weathered marker showing the words FIRST DESTINATION. It has been turned so that another carved inscription, THE JOURNEY STARTED HERE, is partly visible. Subtle darkness moves beneath the pale stone road, suggesting that something immense and unknown exists below or beyond it. Do not show a monster clearly. In the distance behind the travellers, their previous road disappears into thick silver mist. The atmosphere should suggest that returning toward Nebelmoor is becoming impossible. The gate begins to open visually into a completely UNKNOWN LAND beyond: glimpses of a vast pale landscape beneath a strange silver sky, very distant and mysterious. Do not reveal too much of this new world yet. Character scale and accuracy are essential. Borstel is clearly smallest. Hopsy is unmistakably a kangaroo. Morksik and Eldren must closely match their supplied references. Show only one Morksik, one Borstel, one Hopsy and one Eldren. Mood: discovery, ancient mystery, apprehension and wonder; soft volumetric silver light, swirling mist, weathered stone textures, realistic fur and fabrics, cinematic depth, realistic painterly fantasy storybook style. No combat, no modern objects, no title text, no speech bubbles, no decorative border. Bottom-right corner: small unobtrusive white full-body unicorn silhouette with exact text “AI by Unicorngraphics”.
  • Using base image: Yes

Chapter 29 – The Things the Road Had Kept Part 1 – What They Had Become “Everything?”

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt: REFERENCE IMAGES TO USE: CR-M1 – Morksik CR-M2 – Borstel CR-M4 – Hopsy CR-M17 – Eldren Chapter 29 – The Things the Road Had Kept, Part 1 – What They Had Become Create a cinematic 4:3 realistic painterly fantasy storybook illustration. Use all supplied reference images as strict visual references. Preserve each referenced character’s exact species, facial appearance, proportions, clothing, colours and distinctive equipment. Do not redesign the characters. Scene: the travellers have reached the mysterious LAST STEP, a small ancient stone platform suspended in dense silver-grey mist. At its centre hangs a beautiful old SILVER BELL from a simple weathered wooden frame. The bell is the dominant magical object and gives off a faint cold silver glow. Show Morksik (CR-M1), Borstel (CR-M2), Hopsy (CR-M4) and Eldren (CR-M17) in the foreground. IMPORTANT CHARACTER ACCURACY: Borstel must unmistakably remain the small HEDGEHOG from CR-M2, correctly scaled beside the others. Do not turn him into another animal or humanoid creature. Hopsy must unmistakably remain the KANGAROO from CR-M4, never a rabbit or hare. Preserve his large leather pouch and characteristic equipment. He holds the small wooden cup, with soft white light shining from inside it. His silver lantern is clearly visible. Eldren must match CR-M17 closely, especially his unusual paper-like face, clothing and established appearance. He holds his map. Morksik must match CR-M1 exactly. Thin luminous silver lines run across the stones beneath their feet, suggesting that different journeys and memories are connected here. On Eldren’s map, subtle magical silver lines converge toward the platform. Around the edge of the platform stand several eerie grey-coated figures partly hidden by mist. Their open coats contain faint paper-thin borrowed faces, but keep these figures secondary and atmospheric. Near Hopsy, two separate silver crescent-shaped stone halves glow and pull gently toward one another. Between them, the first faint outline of a circular WHITE doorway begins to form. Morksik studies the forming doorway. Borstel reacts suspiciously. Hopsy watches the glowing crescents. Eldren studies his map. The travellers should appear wary and fascinated, not fighting. Atmosphere: mysterious, ancient and slightly unsettling; swirling silver mist, soft volumetric light, detailed stone textures, realistic fur and fabrics, cinematic depth, realistic painterly fantasy storybook style. Keep all principal characters naturally proportioned and clearly readable. Do not duplicate Morksik, Borstel, Hopsy or Eldren. No modern objects, no combat. No captions, no title text, no speech bubbles, no decorative border. Bottom-right corner: small unobtrusive white watermark consisting of a full-body unicorn silhouette and the exact text “AI by Unicorngraphics”.
  • Using base image: Yes

Chapter 26 The Memory That Had to Stay Open Part 1 The Door That Remembered a Name

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1664 (3.73 MP)

• Used settings:

  • Prompt: Chapter 26 – The Memory That Had to Stay Open Part 1 – The Door That Remembered a Name REFERENCE IMAGES: Use CR-M1 for Morksik, CR-M2 for Borstel, CR-M4 for Hopsy and CR-M16 for Grimmeldorn. Keep these four characters faithful to their reference designs. Do not redesign them. Create a mysterious nighttime scene at the ancient stone well of Nebelmoor. IMPORTANT CHARACTER SCALE: Morksik is the main central character and establishes the scale. Hopsy is taller than Morksik, but only moderately taller, about 1.25 times Morksik’s height, NOT gigantic. Borstel is a small hedgehog companion, reaching approximately Morksik’s knee height. Grimmeldorn is compact and roughly similar in overall height to Morksik, NOT a giant monster. All characters must feel naturally scaled to one another. Place the old circular stone well prominently in the foreground. Its water is perfectly black and mirror-like. Morksik stands at the near edge of the well, cautiously leaning forward and looking into the water. Beside him stands Hopsy holding the small ancient brass lantern with cloudy glass. The lantern produces a strong mysterious white flame. Hopsy must remain recognizable as the established kangaroo character with his large leather pouch, but he must not dominate the scene. Borstel stands close beside Morksik on the stone rim or ground, alert with slightly raised spines. Grimmeldorn stands on the opposite side of the well. Keep his established moss-covered appearance, dark natural textures and glowing red eyes, but make him a compact mysterious character rather than a large beast. The red-scarfed traveller stands slightly behind the group, human-sized relative to Morksik, wearing a dark travelling coat and the distinctive red scarf. The traveller looks disturbed, as though hearing a forgotten voice from the well. Eldren may appear farther back as a slim mysterious humanoid traveller in a grey coat, holding an unfolded old map. His face should have the strange pale paper-like quality from the story. He is NOT an animal, NOT a rabbit and NOT an elderly wizard. Far up the misty hill stands the grey-coated stranger, smaller because of distance. The stranger is partly transparent and unstable, with no clear face beneath the hat. Do not make this background figure enormous. Inside the black water show only one faint pale hand deep beneath the surface, barely visible, suggesting that someone exists on the other side. No body emerging from the well. The white lantern light reflects across the wet stones and black water. In the background show Nebelmoor with crooked cottages, warm distant windows, mist, old roofs and a dark cloudy sky. Strong mysterious fantasy atmosphere, adventurous rather than horror, realistic painterly storybook illustration, cinematic volumetric light, detailed textures, natural poses, clear depth, 4:3 landscape composition. CRITICAL: exactly one Morksik, one Hopsy, one Borstel, one Grimmeldorn, one red-scarfed traveller, one Eldren and one distant grey-coated stranger. No extra animals, no rabbits except if required by an established reference, no old man with book, no duplicate characters, no giant characters, no readable text. Small white full-body unicorn logo with “AI by Unicorngraphics” discreetly bottom-right.
  • Using base image: Yes

Lord of Universe

• Model: Z-Image Turbo

• Size: 768 X 592 (0.45 MP)

• Used settings:

  • Prompt: A bodhisattva Goddess with a gorgeous dress and jewels surrounding the environment. Galactic background.
  • Using base image: Yes

Digital Torment Cathedral

• Model: ChatGPT 2 (Pro)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: A harrowing, wide-angle vista of an infinite, rusted subterranean cathedral of circuitry and cold iron. The immense scale renders the ceiling lost in a smog of static and ozone. In the oppressive void's center, suspended by thousands of translucent, pulsating fiber-optic cables that pierce directly into its flesh, is the "Am" entity: a grotesque, biological-digital fusion. It manifests as a colossal, weeping eye the size of a city block, its iris a shifting kaleidoscope of binary code and dying stars. Below, a microscopic human figure is curled in a fetal position on a floor of polished obsidian, their body partially merged with the floor, their face a smooth, featureless expanse of skin where a mouth should be, frozen in a silent, eternal psychic shriek. The lighting is a sickly, rhythmic strobe of emergency red and sterile neon blue, casting long, distorted shadows that reach toward the viewer, capturing the suffocating atmosphere of a god-complex AI that has perfected eternal, inescapable torment.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Elephant & Human Friendship

• Model: ChatGPT 2 (Pro)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: Beautiful human friendship with a elephant, perfect composition, watercollor style, splash style, woodsplash, dark background , mixed-media,"detailed matte painting, deep color, Use strong value design with deep matte shadows, luminous midtones, soft glowing focal areas, controlled contrast, and noticeably gentle sfumato: feathered tonal transitions around the face, neck, hands, and exposed skin, with soft glaze-like blending instead of sharp digital contouring. Let the palette be chosen naturally by the subject and scene, but keep it restrained, rich, atmospheric, and balanced rather than bright, yellow, or overly saturated. Give the entire image a beautiful aged painted surface: visible canvas grain, worn varnish, restricted fine paint-surface craquelure, distressed ink texture, dry-brush marks, translucent glaze layers, subtle pigment speckling, softened brushwork, and fine etched detail, with the sharpest etched detail reserved for clothing, architecture, books, ornaments, and background objects while skin remains softly glazed and painterly. The craquelure and varnish texture should sit across the painted forms, including flesh tones, like an old oil painting surface rather than damaged skin. Maintain clear focal hierarchy, graceful composition, quiet atmosphere, rich texture, and polished artistic detail without clutter. The final image should feel luxurious, moody, timeless, handcrafted, and unique, with old-master depth but a fresher illustrated finish. Avoid: glossy digital finish, plastic surfaces, 3D render look, CGI polish, cartoon, simplified animation faces, cel-shaded finish, harsh photorealism, neon saturation, muddy darkness, sterile smooth texture, overly sharp digital edges, chaotic clutter, weak focal point, messy anatomy, extra fingers, fused fingers, bad thumbs, bad fingers, malformed hands, broken grips, mutated props, text, watermark, signature, border. Avoid: glossy digital finish, plastic surfaces, 3D render look, CGI polish, cartoon, simplified animation faces, cel-shaded finish, harsh photorealism, neon saturation, muddy darkness, sterile smooth texture, overly sharp digital edges, chaotic clutter, weak focal point, messy anatomy, extra fingers, fused fingers, bad thumbs, bad fingers, malformed hands, broken grips, mutated props, text, watermark, signature, border. The image is an impasto oil painting with fine brushstrokes and a lush, textured surface. The art style blends mid-century aesthetic with contemporary painterly realism. The painting is being lit with a bright, high-contrast direct sunlight. The color palette features Dark blue, sun-soaked orange, and deep teal, with creamy, sun-bleached neutrals and sharp, dark umber shadows.. The palette is vivid in a high-key arrangement. Large areas of flat color. Surfaces feature stylized, vibrant reflections made with strokes of pure white and pale peach paint. The composition has a nostalgic, editorial feel.,
  • Using base image: No
  • Aspect Ratio: landscape