Prompt: Pleased to meet you, Satan's my name
I can make you sin, I can make you feel pain
I can twist, I can make you seduce me
Wanna do the Watusi?
You can call me Luci
Prompt: Theme: "Halloween in Summer." Whimsical acrylic painting featuring bold, thick, and hatched palette-knife strokes. In the foreground, a mid-sized group of skeletons and highly ethereal ghosts prepares to enjoy sausages and cuts of meat at a barbecue. The background depicts a sunny summer beach blending a Halloween atmosphere with ghostly bat silhouettes in the sky, orange-and-black pumpkins, and spiderwebs scattered across the sands of a tropical paradise. Dark palm tree silhouettes frame the sides of the image, adorned with Halloween elements. A fantastically ghostly and festive mood.
Prompt: Dark surreal Japanese noir scene, cinematic and atmospheric. A weathered, vintage collage of koi fish, shattered katanas, broken pagodas, floating ramen bowls, and aged sake bottles. Ghostly Japanese spirits (Yūrei) with flowing white funerary kimonos and long black hair rise eerily from the steam of ramen and spill like mist from open sake bottles. Volumetric fog and sinister shadows swirl around them. Faintly glowing runes, cryptic symbols, and ancient formulas pulse in the background. Ethereal lighting cuts through a moody, textured environment, with painterly, distressed poster aesthetics. Strong influence from Zdzisław Beksiński, H.R. Giger, and Ash Thorp. No anime or manga style. High-contrast color palette of black, aqua, deep purple, and blood red. Oil painting meets cinematic horror.
Prompt: bric-à-brac into a coded visual system using pen, ink, watercolour by I Gusti Nyoman Lempad, Johan Rudolf Bonnet: A vertically oriented balinese woodblock print in strict late 19th-century print aesthetics, in a mostly dark, blue, black, red colour palette.
Transform the source image into an expressive contemporary figurative oil painting while preserving its main subject, pose, composition, angle, recognizable features, and essential objects. Reinterpret all forms through loose, confident brushwork, thick impasto texture, visible palette-knife marks, broken edges, layered paint, and simplified semi-abstract shapes.
Render faces and fine details suggestively rather than photographically, using broad planes of light and shadow, softened features, partially obscured edges, and emotionally expressive marks. Give human figures slightly elongated, elegant proportions while maintaining believable anatomy.
Use the bold, contrasting bright colour palette and occasional pale highlights. Replace sharp background details with large painterly blocks, scraped textures, vertical strokes, hazy architectural suggestions, and softly blended tonal fields.
Create soft, diffused directional lighting with gentle chiaroscuro, warm skin highlights, deep muted shadows, and subtle colour transitions. Let some areas remain unfinished or dissolve into the background, producing a quiet, melancholic, contemplative mood.
The final result should resemble a hand-painted canvas: tactile paint buildup, irregular brush pressure, dry-brush passages, imperfect contours, expressive colour mixing, subdued elegance, and museum-quality contemporary fine-art presentation. Avoid digital smoothness, excessive realism, crisp outlines, glossy rendering, photographic skin, sharp background objects, text, borders, interface elements, logos, and watermarks.
Prompt: The Ghosts of the Summer of 1976 and 1776, still decked out in patriotic colors, look on in sadness at what the Summer of 2026 has become...cage matches on the White House Lawn, ICE agents arresting people, lying politicians, the nation on fire...
Prompt: A vibrant and festive digital painting (sinister Victorian style) mixed with very wet artistic oil with thick glitter textures. Close-up on a group of Victorian musician ghosted zombies (ghostly white outfit) wearing sinister masks over their eyes and dressed in Victorian gothic clothes, mouths patched with stitches and skeletal jaws, joyfully playing the violin under a large gothic clock at midnight. In the background, a sinister gothic landscape at midnight where zombie silhouettes sway to the rhythm of the music. Special effects and a joyful, vaporous, ghostly atmosphere of Gothic Halloween style, dark smokey evil sinister elegance into darkness dimly lit environment, illuminated by rays of sunlight, casting a surreal and ethereal glow on the characters and the otherworldly landscape Vintage Victorian ghost photography vignette, tintype, 1800s photograph
Prompt: Mirrors on the ceiling
The pink champagne on ice
And she said, "We are all just prisoners here
Of our own device"
And in the master's chambers
They gathered for the feast
They stab it with their steely knives
But they just can't kill the beast
Last thing I remember
I was running for the door
I had to find the passage back
To the place I was before
"Relax, " said the night man
"We are programmed to receive
You can check out any time you like
But you can never leave"
Prompt: Her mind is Tiffany-twisted
She got the Mercedes-Benz, uh
She got a lot of pretty, pretty boys
That she calls friends
How they danced in the courtyard
Sweet summer sweat
Some dance to remember
Some dance to forget
So I called up the captain
"Please bring me my wine"
He said, "We haven't had that spirit here since 1969"
And still those voices are calling from far away
Wake you up in the middle of the night
Just to hear them say
Welcome to the Hotel California
Such a lovely place (such a lovely place)
Such a lovely face
They're livin' it up at the Hotel California
What a nice surprise (what a nice surprise)
Bring your alibis
Prompt: On a dark desert highway
Cool wind in my hair
Warm smell of colitas
Rising up through the air
Up ahead in the distance
I saw a shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night
There she stood in the doorway
I heard the mission bell
And I was thinking to myself
This could be heaven or this could be hell
Then she lit up a candle
And she showed me the way
There were voices down the corridor
I thought I heard them say
Welcome to the Hotel California
Such a lovely place (such a lovely place)
Such a lovely face
Plenty of room at the Hotel California
Any time of year (any time of year)
You can find it here
Prompt: When I die and they lay me to rest
Gonna go to the place that's the best
When I lay me down to die
Goin' up to the spirit in the sky
Goin' up to the spirit in the sky (spirit in the sky)
That's where I'm gonna go when I die (when I die)
When I die and they lay me to rest
I'm gonna go to the place that's the best
Prepare yourself you know it's a must
Gotta have a friend in Jesus
So you know that when you die
He's gonna recommend you
To the spirit in the sky (spirit in the sky)
Oh he'll recommend you to the spirit in the sky
That's where you're gonna go when you die (when you die)
When you die and they lay you to rest
You're gonna go to the place that's the best
Never been a sinner, I never sinned
I got a friend in Jesus
So you know that when I die
He's gonna set me up
with the spirit in the sky
Oh set me up with the spirit in the sky (spirit in the sky)
That's where I'm gonna go when I die (when I die)
When I die and they lay me to rest
I'm gonna go to the place that's the best
Go to the place that's the best
Prompt: a witch is hanging up some ghosts on a clothesline while her black cat watches from a copper wash boiler. It's a bright summer day and a perfect day to dry some ghosts . In a style that resembles a classic oil painting.
Dreams When You Have ADHD, PTSD, TDR, and Bipolar Disorder
Model:
Flux Klein
Size:
2880 X 2880
(8.29 MP)
Used settings:
Prompt: Side View. A surreal nightmare depicting a sleeping man falling backwards, pillow and blanket included, into a dark abyss, surrounded by translucent, sinister astral entities made of steam with elongated limbs and empty eyes. These ghostly figures shimmer like smoke, reaching out to touch him as he descends. The abyss glows faintly with bioluminescent indigo hues, creating an eerie, disorienting atmosphere. Dramatic lighting, volumetric fog and hyperrealistic details bring the scene to life. Inspired by H.R. Giger and Zdzisław Beksiński.
Сolor palette instruction: This image must be built exclusively around two polar Pantone colors and their tonal spectrum. Primary base colors: Pantone 19-2410 TCX "Amaranth Purple" (deep, rich magenta-purple, HEX #6F2C3F) and Pantone 375 C "Bright Green" (vibrant, electric lime-green, HEX #63FC01). No other color families — only purple-green dichotomy.
Tonal construction: Build the purple spectrum from passive dark tones (deep plum, nearly black-violet at 10-20% brightness) through mid-tones (muted aubergine, lavender shadow) to dynamic bright tones (neon magenta, amaranth peak at 80-100% saturation). Build the green spectrum from passive dark tones (deep forest emerald, shadow moss at 10-20% brightness) through mid-tones (sage, olive, chartreuse) to dynamic bright tones (electric lime, toxic green, neon grass at 80-100% saturation).
Application method: Use large color blocks and flat washes for background and secondary elements. Use smooth gradients for transitions between dark passive zones and bright dynamic focal points — especially where purple meets green. Place dynamic bright tones on the main foreground subject (face, hands, fish scales, tattoo ink, spirit eyes). Place dark passive tones in shadows, backgrounds, and negative space. Allow colors to clash at their boundary for visual tension. No neutral grays, no white, no black — only purple-green spectrum from darkest plum to brightest lime.
Prompt: Eerie forest shrouded in mist, twisted trees, ominous shadows, glowing eyes peering from darkness, eerie fog, twisted branches, haunting atmosphere, surreal dreamlike quality, mysterious figures lurking, ethereal light in the distance, contrasting dark and light, surreal digital painting, dark and muted color palette, dramatic lighting, by Zdzisław Beksiński, Artstation.
Prompt: High-contrast black and white noir photograph at night. A single glowing globe streetlamp stands in the center, illuminating dense, dark tree branches. Hidden within the shadows of the foliage are three eerie, minimalist ghost silhouettes. The ghosts have glowing white circular eyes and straight line mouths. The atmosphere is spooky, surreal, and mysterious with deep shadows and sharp highlights.
Prompt: a brightly lit photo of 3 ethereal very young women ghosts having a drink standing at a spooky bar, the woman flowing clothing and are in various states
Prompt: a brightly lit photo of 3 ethereal very young women ghosts having a drink standing at a spooky bar, the woman flowing clothing and are in various states
Prompt: A vintage illustration of a haunted bedroom with ghost children sitting under the bed. The room has a vintage style with wooden furniture and a patterned rug. The bed has a white bedsheet draped over it. The ghost children have translucent bodies and are wearing old-fashioned clothing. There is a shadow of a person near the door. The background is dark.
Prompt: I am being ambushed by ghosts of my past that vanish upon contact. Distracting me. Agitating me. But not meaningfully changing anything. I feel I can clearly see what is, what was, what could have been, and what could be, but I simply do not care. The moment will pass, but for now I endure it.
Prompt: I am being ambushed by ghosts of my past that vanish upon contact. Distracting me. Agitating me. But not meaningfully changing anything. I feel I can clearly see what is, what was, what could have been, and what could be, but I simply do not care. The moment will pass, but for now I endure it.
Prompt: I am being ambushed by ghosts of my past that vanish upon contact. Distracting me. Agitating me. But not meaningfully changing anything. I feel I can clearly see what is, what was, what could have been, and what could be, but I simply do not care. The moment will pass, but for now I endure it.
Prompt: I am being ambushed by ghosts of my past that vanish upon contact. Distracting me. Agitating me. But not meaningfully changing anything. I feel I can clearly see what is, what was, what could have been, and what could be, but I simply do not care. The moment will pass, but for now I endure it.
Prompt: I am being ambushed by ghosts of my past that vanish upon contact. Distracting me. Agitating me. But not meaningfully changing anything. I feel I can clearly see what is, what was, what could have been, and what could be, but I simply do not care. The moment will pass, but for now I endure it.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
11d
