#geometricpolygons

Serotinality

• Model: DaVinci2

• Size: 1152 X 1640 (1.89 MP)

• Used settings:

  • Prompt: Side view. Flat image. Sculpted angular upper body portrait with stylized features by Elenore Abbott. Geometrical art with Zentangle patterns, flattened plasticity & sculpted malleability, gamme, colored ink drawing akin to 1930's advertising art, close-up on color shapes, dof, debeh, bokeh, 128k, cel-shaded, attitude, patterns and geometrical linework, dynamic lighting and raytraced shadows, --ar 3:4 --style raw --chaos, color shapes & velvety shadows, sharp pigmentation, style of autumn-acamedia merged with dark-wave, dystopian, new-wave approach, sculpted, cel-shaded, Sketch art headshot on textured paper. improve an abstract painting in the style of William Holman Hunt, psychedelic Pop surrealism, whimsical color shapes, overexposed, painterly surface textures, minimalistic, balanced negative spaces by Israel Hoffmann, mixed media creation, dispersed lighting 1.8, street-art style made of faulty lines, volumetric light, intricately angled perspective, graspable lines for erosion patterns, maximalism, neat american gothic merged with postimpressionism, line-art features by Chris Foss, uhd, hdr, dof, debeh, bokeh, dispersive lighting from top, bleeding ink effect, warm coloring 1.9, texture, warm brightness, layered paint application, styled by Walter Molino and by Tomas Sanchez, stylized by Emshwiller, tessellated, sculpted, dispersive lighting to enhance the dreamy and dusky ambiance. <lora:Hand Drawn Bohemian:1.0>, <lora:MisanthropyRemix:1.0>, <lora:MJ Moodboard 7d:1.0>, precise hand-drawn linework. quilling fantasy, gradient inking colors, brightness 1.9, parallax occlusion 1.2, dispersive lighting, rim lighting, displacement mapping 1.3, raytraced shadows 1.8, divisionism, radiance, cottagegore 1.7, close-up, layers of fabric, crackles, frilly blouse, tessellated, brightness 1.3, displacement mapping 1.3, raytraced shadows 1.1, dynamic lighting 1.4 from top, dispersive lighting, cel-shaded, somber attitude, patterns and geometrical sensibilities and linework, --ar 3:4 --style raw --chaos, uncanny valley effect, mip-mapping 1.3, warm coloring 1.9, traumacore 1.9, plasticity 1.3, color glitches, charchoal effect, intricate disspated inking and hatching techniques for volumetric effect, design influenced by Camille Rose Garcia and Francis Picabia and Man Ray,inocut portrait, smeary, side view, upper body portrait, contoured, thinned watercolor, stylized, elongated sgraffitto, stencil remniscence, moody, color palette includes shades of brown, beige, and white, textured with a mix of dark and light tones. Bold brushstrokes are clearly visible, giving the painting a cultivated, modernist approach, posture is slightly tilted, concentration, empathy, introspection. Maximalism, rule of thirds. Plasticity 1.3, ambient occlusion 1.3, parallax occlusion 1.3, raytraced shadows 1.3, dynamic lighting 1.3, 3d effect, foampunk style lighting by Ed Paschke, dark fantasy meets surrealism, paper-cut technique, sculpted, flowing hair illusion, stylized portrait with intricate background, line-art, watercolor overspray, illustrative stylization, graphic emphasis, visible textures, raytraced shadows 1.3, colored line patterns, serenity, reminiscent of geometrical art, gothical composition, wispy filaments on skirt, flecks, smeary paint, overspray of thinned watercolor, trippy, warm tones, squiggly brushstrokes, visible textures, shabby chic water colour painting Pencil and pastel sketch
  • Using base image: Yes