Prompt: A cinematic oil painting in a dark, high-tech hangar where massive UFOs are suspended in midair under dramatic lighting. The setting is vast and secretive, filled with scaffolding, floodlights, military personnel, and scientists inspecting alien spacecraft. Three main ships are present: one oval-shaped and hovering midair with beams of light below it, the others resting on mechanical platforms—sleek, silver, and cigar-shaped with strange symbols faintly visible on their hulls.
In the foreground, two punk-styled young women investigate with urgency and defiance. One crouches with a vintage camcorder aimed at the ships, her sharp features partially lit, wearing ripped baggy jeans, worn Chucks, and a weathered suede bomber jacket with a fur collar. Tattoos cover her forearms, and piercings glint in the industrial light. She has short, spiked black dreadlocks, piercing green eyes, pale skin with a slight blush and a subtle scar on her cheek.
The second woman stands alert, holding a flashlight and a folder marked “TOP SECRET CASE FILES” filled with maps and alien reports. Her outfit: a long black leather coat with metal patches and studs, a short denim skirt, high black leather boots, and a black crop top with a spray-painted alien white face. She has brown eyes and wildly messy, tousled and tangled hair bleached light blonde with ombre effect with dark roots. Her hair is tied in a messy bun, bleached strands falling around her fierce expression.
Around them: crates of equipment, scattered documents, blinking control panels, and hazy spotlight beams cutting through the darkness. The atmosphere is intense, awe-inspiring, and loaded with secrecy and danger. Painted in glowing amber tones with painterly textures, soft brushwork, and cinematic depth.
Prompt: A cinematic film noir illustration of a rainy 1940s city street at night. High contrast chiaroscuro lighting. Two vintage red sedans parked on wet, reflective asphalt. Silhouetted figures in trench coats and fedoras walking into the shadows. Heavy rain textures, glowing street lamps, and dark brick buildings with fire escapes. Moody, melancholic atmosphere, deep blacks and vivid crimson highlights, ink-wash and digital painting style.
Prompt: A cinematic film noir illustration of a rainy 1940s city street at night. High contrast chiaroscuro lighting. Two vintage red sedans parked on wet, reflective asphalt. Silhouetted figures in trench coats and fedoras walking into the shadows. Heavy rain textures, glowing street lamps, and dark brick buildings with fire escapes. Moody, melancholic atmosphere, deep blacks and vivid crimson highlights, ink-wash and digital painting style.
Prompt: Un'immagine evocativa ritrae una donna in dolce attesa, con capelli rossi ornati da fiori bianchi e rosa. Indossa un elegante abito bordeaux, immersa in un'atmosfera da Film Noir, con toni morbidi e pittorici. action photography of a beefy Donna capelli rossi as a ((time-travel historian)) with ((blunt cut hair)) wearing (retro 90s clothes), dressed in blue dress, bodycon fit, sleeveless, zipper detail, V-neckline, subtle sheen, blurred indoors, muted colors, window visible, facing camera, head tilted, subtle smile, centered subject, eye-level angle, neutral perspective, in a hover-car chase through the cityscape, mood lighting, (bilaterally symmetrical:1.4), shot on Fujifilm X-S10 with Fujinon XF 10-24mm f-4 R OIS WR, photo by Nobuyoshi Araki
Prompt: create an image in black and white with a 1930's flavour, Philip Marlowe style detective dressin in a rough rumppled suit, scene with female dressed in blouse and pencil skirt holding a smoking cigarette,. Out at a speak easy in New York, pistol , whiskey bottle on the table. Well dressed female lounge sinnger in the background on stage with cigarette smoke hanging in the air she is wearing a fox stoll. cinematic lighting, amazing ultra depth, detailed
"Why must we stick our necks out & get into unnecessary troubles?!"
Model:
Nano Banana Pro
(Base)
Size:
1440 X 2560
(3.69 MP)
Used settings:
Prompt: Intense Chiaroscuro brilliant acrylic color contrast with strong light & shadow effect as art style of Rolf Armstrong, Gil Elvgren, H J Ward & Norman Saunders of pulp magazine cover art for A film noir painting of a woman with platinum blonde wearing a pink low cut shoulder revealing dress, sits in the passenger seat of the red automobile, looking at the rear mirror & screams, while the driver wearing light beige trenchcoat with brown hair, who is the hero, drives on in desperation, biting hard with his teeth, as he turns the stirring wheel sharply to maneuver over a sharp bend.
One mobster in light blue trenchcoat and hat, fired rounds from his firearm, from the opened window of his black automobile, targeting the red automobile infront.
Masterpiece!
Prompt: Intense Chiaroscuro brilliant acrylic color contrast with strong light & shadow effect as art style of Rolf Armstrong, Gil Elvgren, H J Ward & Norman Saunders of pulp magazine cover art for A film noir painting of a man in a trench coat and fedora lighting a cigarette for a sensual woman in a pink dress on a balcony overlooking a city street at night. The man has a chiseled jawline and is looking at the woman while lighting her cigarette. The woman has platinum blonde wearing a light pink low cut shoulder revealing dress, both standing at the dark alley of a pub with a black automobile in the background shone the headlights on them drawing their attention.
Prompt: Intense Chiaroscuro brilliant acrylic color contrast with strong light & shadow effect as art style of Rolf Armstrong & Gil Elvgren of pulp magazine cover art, set at night time outside a pub with neon lights, top down angled view of a blonde haired woman looking seductive with a cigarette in her mouth, wearing a light pink low cut shoulder revealing dress, while a man in his mid 30s wearing trench coat & hat offer her a light to lit her cigarette in an intimate manner, on a balcony overlooking the midnight street below with high traffic where automobiles on their headlights.
Noir Detective: Shedding a Little Light on the Case
Model:
Nano Banana Pro
(Base)
Size:
1431 X 2544
(3.64 MP)
Used settings:
Prompt: Intense Chiaroscuro brilliant acrylic color contrast with strong light & shadow effect as art style of Rolf Armstrong, Gil Elvgren, H J Ward & Norman Saunders of pulp magazine cover art, set at night time outside a pub with neon lights, top down angled view of a blonde haired woman looking seductive with a cigarette in her mouth, wearing a light pink low cut shoulder revealing dress, while a man in his mid 30s wearing trench coat & hat offer her a light to lit her cigarette in an intimate manner, on a balcony overlooking the midnight street below with high traffic where automobiles on their headlights.
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Prompt: 1952 A noir image of a beautiful fearful woman with thick lustrous blond hair, she is wearing a tight red dress with décolletage and is in the foreground of the image waiting leaning against a wall just around the corner from a dark alleyway, she is pointing a Luger pistol as a shadowy male figure in a Classic detective coat and a fedora walks in the shadowy alley determinedly towards her, a vibrant noir image by Robert McGinnis & Andrew Atroshenko, award winning vivid, vibrant rough canvas texture
Prompt: Time it was, and what a time it was, it was A time of innocence, A time of confidences Long ago, it must be, I have a photograph Preserve your memories; They're all that's left you
Prompt: A classic black and white scene from a vintage film set, featuring a man in a trench coat and fedora, standing closely with a woman in a stylish dress and hat. They are gazing into each other's eyes, conveying a sense of romance and intrigue. In the foreground, a vintage film camera captures the moment, while the background is slightly foggy, enhancing the dramatic atmosphere. The overall feel is nostalgic, evoking the golden age of Hollywood with a touch of film noir.
Prompt: Film Noir Mood: Black-and-white high contrast, Venetian blind shadows across skin, vintage lingerie, smoky atmosphere.
[stunningly beautiful woman, 30 years old red hair, light blue eyes, busty, slim body, generous hips]
photorealistic, 85mm lens, natural lighting, cinematic, shallow depth of field, professional photography
tasteful, artistic, sensual, elegant, fine art photography
Prompt: A striking film noir-inspired artwork featuring a dramatic composition with a large, intense close-up of a woman's eyeball dominating the left side, rendered in a bold red and black color palette with textured, gritty brushstrokes, the eye is highly detailed with a piercing gaze, dark eyeliner, and subtle wrinkles around the outer corner, set against a shadowy urban background with towering skyscrapers and dark alleyways. The foreground showcases a rainy city street with vintage cars, their headlights cutting through the mist, illuminated by a soft, diffused light source, reflecting off the wet pavement, the overall art style is a blend of graphic novel and traditional painting, with a high-contrast, monochromatic scheme accented by deep red hues, and a moody, atmospheric lighting that enhances the noir aesthetic, with heavy shadows and subtle smoke effects.
Prompt: A striking film noir-inspired artwork featuring a dramatic composition with a large, intense close-up of a woman's eyeball dominating the left side, rendered in a bold red and black color palette with textured, gritty brushstrokes, the eye is highly detailed with a piercing gaze, dark eyeliner, and subtle wrinkles around the outer corner, set against a shadowy urban background with towering skyscrapers and dark alleyways. The foreground showcases a rainy city street with vintage cars, their headlights cutting through the mist, illuminated by a soft, diffused light source, reflecting off the wet pavement, the overall art style is a blend of graphic novel and traditional painting, with a high-contrast, monochromatic scheme accented by deep red hues, and a moody, atmospheric lighting that enhances the noir aesthetic, with heavy shadows and subtle smoke effects.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
