#fantasy

celestial the Milky Way the shape of elegant seah

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: celestial the Milky Way the shape of elegant seahorses across the universe, digital painting, expressionistic, breathtaking, ultra detailed, Blake Neubert, HQ, 8k, award winning, a masterpiece, Artstation, crisp quality, dof, hdr, fantasy
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

deep sea fish

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Moments before a deep sea diver gets eaten by a giant tentacle monster. Frightening. Steam punk. Thalassophobia. Deep, dark. Big yellow eyes.
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Steampunk Space Pirate

• Model: Fantasy

• Size: 1278 X 1643 (2.10 MP)

• Used settings:

  • Prompt: steampunk female space pirate sexy floating outside spaceship
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: Yes
  • Upscale & Enhance: 2
  • Aspect Ratio: portrait

View into infinity...

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: an impressive look into the infinite void at the end of the universe
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The feed antenna at the reflector's focus is typically a low-gain type, such as a half-wave dipole or (more often) a small horn antenna called a feed horn. In more complex designs, such as the Cassegrain and Gregorian, a secondary reflector is used to direct the energy into the parabolic reflector from a feed antenna located away from the primary focal point. The feed antenna is connected to the associated radio-frequency (RF) transmitting or receiving equipment by means of a coaxial cable transmission line or waveguide.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: 30 St Mary Axe. The primary methods for controlling wind-excited sways are to increase the stiffness, or increase damping with tuned/active mass dampers. To a design by Arup, its fully triangulated perimeter structure makes the building rigid enough without any extra reinforcements. Despite its overall curved glass shape, there is only one piece of curved glass on the building, the lens-shaped cap at the apex. On the building's top level (the 40th floor), there is a bar for tenants and their guests, with a panoramic view of London. A restaurant operates on the 39th floor, and private dining rooms on the 38th. Most buildings have extensive lift equipment on the roof of the building, but this was not possible for the Gherkin, since a bar had been planned for the 40th floor. The architects dealt with this by having the main lift only reach the 34th floor, with a separate push-from-below lift to the 39th floor. There is a marble stairwell and a disabled persons' lift, which leads the visitor up to the bar in the dome.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: According to Egyptologists, the word means “the temple at the entrance of the lake.” According to Herodotus, the entire building, surrounded by a single wall, contained 12 courts and 3,000 chambers, 1,500 above and 1,500 below ground. The roofs were wholly of stone, and the walls were covered with sculpture. On one side stood a pyramid about 243 feet (74 m) high. Herodotus himself went through the upper chambers but was not permitted to visit those underground, which he was told contained the tombs of the kings who had built the labyrinth and the tombs of the sacred crocodiles. Other ancient authorities considered that it was built as a place of meeting for the Egyptian nomes, or political divisions; but it is more likely that it was intended for sepulchral purposes. It was the work of Amenemhet III, of the 12th dynasty, who reigned from 1818 to 1770 bc. It was first located by the Egyptologist Karl R. Lepsius to the north of Hawara in the Fayum, and in 1888 Flinders Petrie discovered its foundation, the extent of which is about 1,000 feet long by 800 feet wide (300 by 250 m).
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Brooke remarks that where Rohan had a long low hall, Gondor has a tall tower, suggesting defence as well as signalling architectural skill, while "its whiteness reflects the enlightened Gondorian society".[1] As for the interiors, the nature-loving Hobbit Pippin sees the palace's "tall pillars" as being like "monoliths ...[rising] to great capitals carved in many strange figures of beasts and leaves".[1] Brooke comments that the Hobbit recognises the carved foliage, but finds its expression in stone incongruous. As for the walls, they have no "hangings nor storied webs, nor anything of woven stuff or of wood", but only "tall images graven in cold stone".[1] Once again, this contrasts with Meduseld's comfortable warmth, with its "many woven cloths ... hung upon the walls" telling the stories of "figures of ancient legend".
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Biomorphic architectural symbiogenesis of a mushroom and a rococo chapel, by yacek yerka, gediminas pranckevicius, stefan morrell, hyper-detailed, insanely intricate, high definition, award winning, photorealistic acrylic art
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Magnificent stallion, centered, symmetry, painted, intricate, volumetric lighting, beautiful, rich deep colors masterpiece, sharp focus, ultra detailed, in the style of dan mumford and marc simonetti, astrophotography, trending on artstation, sharp focus, studio photo, intricate details, highly detailed, by greg rutkowski
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: NASA Orbit Pavilion, pictured here in NYC, designed by Studio KCA. This shell-shaped chamber has a futuristic skin of aluminium panels that are cut with a pattern that illustrates the orbital paths of the satellites through space. The decision to use the water jet cutting technique for the structure was made because of ‘the precision and quality needed in making so many cuts across 3,500 sf of material’. The captivating pavilion, a symbol for the collaboration between the STEM industries, has been inspiring younger generations of astronomers and architects alike.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Salerno Maritime Terminal, by Zaha Hadid Architects. The programme inside is straightforward, containing administration offices for national border controls and shipping lines; a terminal for international ferries and cruise ships; and a separate terminal for local and regional ferries. Internal ramps criss-cross the building, enhancing connections between areas. The terminal’s striking form is illuminated at night, acting as a beacon or lighthouse for the coastal town. ’The new terminal operates, both functionally and visually, as a smooth transition between land and sea,’ explain the architects, ’a coastal land formation that mediates between solid and liquid.’
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Paxton's modular, hierarchical design reflected his practical brilliance as a designer and problem-solver. It incorporated many breakthroughs, offered practical advantages that no conventional building could match and, above all, embodied the spirit of British innovation and industrial might that the Great Exhibition was intended to celebrate. The geometry of the Crystal Palace was a classic example of the concept of form following manufacturer's limitations: the shape and size of the whole building was directly based around the size of the panes of glass made by the supplier, Chance Brothers of Smethwick. These were the largest available at the time, measuring 10 inches (25 cm) wide by 49 inches (120 cm) long. Because the entire building was scaled around those dimensions, it meant that nearly the whole outer surface could be glazed using millions of identical panes, thereby drastically reducing both their production cost and the time needed to install them. The original Hyde Park building was essentially a vast, flat-roofed rectangular hall. A huge open gallery ran along the main axis, with wings extending down either side.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: savanna, huge acacia trees, sun, massive storm clouds, Ivan Shishkin,Victo Ngai,Gregorio Catarino,Cyril Rolando,Michal Karcz,Anato Finnstark,Flavio Greco Paglia, hyperdetailed defined oil painting, vibrant colors, 8K resolution, polished divine photorealistic intricate complex HDR, amber glow, dreamy
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Iarena y hielo

• Model: Artistic

• Size: 928 X 640 (0.59 MP)

• Used settings:

  • Prompt: ice dragon
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Angel of the Stars

• Model: Artistic

• Size: 1155 X 908 (1.05 MP)

• Used settings:

  • Prompt: Ethereal Angel flying with the stars.
  • Face enhance: No
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The two versions were very similar, 80 percent of their components being the same. The Centaur G-Prime stage had two RL10-3-3A engines, each with 73,400 newtons (16,500 lbf) thrust, and a specific impulse of 446.4 seconds, with a 5:1 fuel ratio. The Centaur G stage had two RL10-3-3B engines, each with 66,700 newtons (15,000 lbf) thrust, and specific impulse of 440.4 seconds, with a 6:1 fuel ratio. The engines were capable of multiple restarts after long periods of coasting in space and had a hydraulic gimbal actuation system powered by the turbopump. The Centaur G and G-Prime avionics were the same as that of the standard Centaur and were still mounted in the forward equipment module. They used a 24-bit Teledyne Digital Computer Unit with 16 kilobytes of RAM to control guidance and navigation. They still used the same pressurized steel tank, but with more insulation including a two-layer foam blanket over the forward bulkhead and a three-layer radiation shield. Other changes included new forward and aft adapters; a new propellant fill, drain and dump system; and an S band transmitter and RF system compatible with the TDRS system.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The type known as a thermionic tube or thermionic valve utilizes thermionic emission of electrons from a hot cathode for fundamental electronic functions such as signal amplification and current rectification. Non-thermionic types such as a vacuum phototube, however, achieve electron emission through the photoelectric effect, and are used for such purposes as the detection of light intensities. In both types, the electrons are accelerated from the cathode to the anode by the electric field in the tube.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The thermionic triode, a vacuum tube invented in 1907, enabled amplified radio technology and long-distance telephony. The triode, however, was a fragile device that consumed a substantial amount of power. In 1909, physicist William Eccles discovered the crystal diode oscillator. Physicist Julius Edgar Lilienfeld filed a patent for a field-effect transistor (FET) in Canada in 1925, which was intended to be a solid-state replacement for the triode. Lilienfeld also filed identical patents in the United States in 1926 and 1928. However, Lilienfeld did not publish any research articles about his devices nor did his patents cite any specific examples of a working prototype. Because the production of high-quality semiconductor materials was still decades away, Lilienfeld's solid-state amplifier ideas would not have found practical use in the 1920s and 1930s, even if such a device had been built. In 1934, inventor Oskar Heil patented a similar device in Europe.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Crew Dragon has eight side-mounted SuperDraco engines, clustered in redundant pairs in four engine pods, with each engine able to produce 71 kN (16,000 lbf) of thrust to be used for launch aborts. Each pod also contains four Draco thrusters that can be used for attitude control and orbital maneuvers. The SuperDraco engine combustion chamber is printed of Inconel, an alloy of nickel and iron, using a process of direct metal laser sintering. Engines are contained in a protective nacelle to prevent fault propagation if an engine fails. Once in orbit, Dragon 2 is able to autonomously dock to the ISS. Dragon 1 was berthed using the Canadarm2 robotic arm, requiring substantially more involvement from ISS crew. Pilots of Crew Dragon retain the ability to dock the spacecraft using manual controls interfaced with a static tablet-like computer. The spacecraft can be operated in full vacuum, and "the crew will wear SpaceX-designed space suits to protect them from a rapid cabin depressurization emergency event". Also, the spacecraft will be able to return safely if a leak occurs "of up to an equivalent orifice of 6.35 mm [0.25 in] in diameter".
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape