Prompt: whimsical scruffy beautiful young toddler girl wearing an orange sweater and brown pants, long brown messy hair with orange bandana headband, standing in an Autumn scene with Autumn leaves in wispy trees, in the colors of brown and orange. she is sitting on the ground with a sheltie besite her. airbrushed, wet watercolor painting, hyper-detailed, hyper-vibrant.RSD
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Silence at Blue Dawn”
Foreground (Impasto + Fine Palette Knife Detailing): The girl sits cross-legged on a large stone by the lake shore, wrapped in a long lavender knit sweater. Her ginger hair falls softly down her back as she gently holds a cup of steaming tea — the rising steam captured in delicate vertical impasto strokes, echoing the chill of morning air. Beside her, her Red Collie sits upright, eyes fixed on the still water. His gaze, painted with precise palette knife detailing, glows with golden warmth in the first light of day.
Middle ground (Glazing + Sfumato Layering): The quiet, blue lake reflects the misty sky above — achieved through layered glazing, blending cool tones of indigo, milky white, and silver. Three white feathers float gently on the surface — subtle symbols of transience and innocence. Near the shore, a closed book wrapped in a scarf lies forgotten — a sign that the night of reading has passed, and the silence has taken over.
Background (Dry Brush + Transparent Glazing): In the distance, low hills are wrapped in early morning mist, rendered with soft dry brush strokes. Behind them, golden beams of sunlight sneak quietly into the sky — not directly, but diffused and shy. A pair of birds arcs gracefully above the lake, while a single circular cloud adds a subtle, spiritual touch to the sky.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Trail of Light”
Foreground: A ginger-haired girl kneels in tall, dew-kissed grass that shimmers like semi-precious stones in the early morning sun. She wears a light white linen dress fluttering in the wind, her arms gently outstretched as if embracing the world. Her eyes are closed, and her fiery hair floats like flame, caught in golden rays. In the shade before her, a red collie lies calmly, watchful, with eyes full of devotion.
Middle ground: A field of lavender and wildflowers spreads around them in soft purples and pastel pinks, painted with broad palette knife strokes, almost pulsating in rhythm with breath. Her presence blends into nature — as though she is the bridge between earth and sky. Small butterflies fly low, and a light breeze carries petals and light alike.
Background: On the horizon, the sun is just beginning to break through layered clouds, casting a sense of revelation over the scene. The sky is a mix of aquamarine blue and gold, achieved with glazing techniques that let the light softly yet powerfully shine through. Wisps of morning mist rise from the fields, adding depth and quiet mysticism.
Technical notes: Impasto: used for the grass and her hair — thick textured strokes give the illusion of motion.
Mixing Palette Knife: for lavender and clouds — layers of color clash and dance with rhythm.
Glazing: for the play of light on skin and sky — soft, translucent light hinting at the spiritual layer of the scene.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Running Through Gold”
Foreground: Across a field glowing in the color of ripe grain, the Red Collie runs at full speed, near the lower edge of the canvas. His coat, alive with thick impasto strokes, ripples like fire in motion — orange, honey, and blood-red layers catching the sunlight. His eyes are joyful, his paws melt into the textured earth. Dust rises behind him in energetic palette knife swirls — like light exploding in motion.
But he’s not running alone.
Middle ground: Just a few strides behind, the ginger girl is running barefoot, caught mid-laugh. She wears a loose sunflower-yellow skirt and a white linen top, slightly clinging to her from sweat and wind. Her copper hair is flying wildly behind her — painted with sweeping palette knife strokes, like a flame let loose. One arm is raised to push hair from her face, the other lowers as she leans into her stride, weightless in joy. Her form flickers between fluid glazing and bold texture, like sunlight skipping over water.
Background: The golden field stretches endlessly — not quite wheat, not quite grass — a sea of dry shimmer in beiges, ochres, and muted gold, laid down with rich palette knife movement. In the far distance, a forgotten wooden fence leans toward collapse, with a few overgrown beehives nestled in the brush. The sky is open and vast, breathing with space — built through soft glazing, it glows pale blue streaked with quiet sun. Nothing here is still — the entire painting runs with them.
Atmosphere: This moment is freedom made visible. A burst of laughter and dust. A girl and her dog, running not toward anything, but with everything — wind, earth, sun. No destination. No purpose. Just joy, alive and golden
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Silence Among the Sunflowers”
Foreground: A gently flattened dirt path cuts across the canvas in warm terracotta tones, sprinkled with soft shadows. Walking along it is the Red Collie – graceful and focused, each step steady. His coat is ablaze in the setting sun: copper, honey, blood red. Painted in heavy impasto, the layers of color are so thick you feel like you could run your fingers through them. The wind lives in his fur — you can almost hear it. His tongue lolls out, eyes bright and faithful. Beneath him, faint paw prints trail behind like verses of a quiet song.
Middle ground: To the right of the path, immersed in a sea of sunflowers, stands the ginger girl. Her face tilts slightly toward the sinking sun — her eyes half-closed, as if listening to some hidden melody deep in the earth. Her hair, pure liquid fire, floats around her face, moving like flame without heat. Rendered with palette knife, every strand pulses against the stillness of the landscape. She wears a white linen jumpsuit, the color of raw canvas. A straw hat hangs from one hand; the other holds a bundle of wildflowers. Her gaze and the dog’s meet — no words, no commands. Just connection.
Background: The sunflower field stretches into eternity. Giant flower heads, layered with glazing, fade from vivid yellow to deep ochre under the evening sky. The sky itself — violet-blue streaked with orange — looks like silk brushed with fire. In the far distance: hills, soft and nearly forgotten, melting into the horizon. There is no sound in the scene — only light. Everything stands still, as if something sacred has just happened… or is about to.
Atmosphere: The painting breathes silence, but not emptiness. The kind of silence that arrives when you’re truly in the present moment — no past, no future. Only her, the dog, the sun, the field.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “First Snow”
Foreground: On a snow-covered path tumbling down a hillside, the Red Collie is racing toward the viewer — snow flies beneath his paws, and his fur whips like fire in motion. His coat is rendered in thick impasto strokes of warm reds and caramel, contrasting sharply with the frozen white surroundings. His tongue is out, eyes gleaming — pure joy in every brushstroke. The flurry of snow is painted with bold palette knife cuts, textured and restless.
Middle ground: At the hilltop stands the ginger girl, wrapped in a deep burgundy scarf and a fur-trimmed winter hat. Her copper curls spill out from beneath, bouncing around her cheeks. She's wearing a long beige coat with a thermos strapped to one shoulder. She holds a sled in one hand and laughs at her dog. Her cheeks are flushed, eyes glistening with cold and happiness — the whole figure vibrant and alive in the winter chill.
Background: Behind her — rolling hills blanketed in fresh snow, layered in soft glazing tones of blue, lilac, and steel gray. Bare trees stretch thin arms across the sky, each branch touched with shimmering frost. The sky is wintry, clouded, but one bold ray of light breaks through — spotlighting the girl in a quiet moment of magic.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Morning on the Bridge”. Foreground: At the edge of a weathered wooden bridge, near the bottom of the canvas, stands a Red Collie — its reddish fur thickly built up in rich impasto strokes. Its paws touch the damp wood, surrounded by fallen leaves clinging with morning dew. Its ears are perked, eyes fixed on the horizon. Golden sunlight glimmers across its coat — every tuft of fur textured, dimensional, almost breathing.
Middle ground: Next to the dog stands the ginger girl, gently leaning over the bridge railing. Her hair catches the light — vibrant flames of orange, red, and gold, painted with palette knife in thick, expressive strokes. She wears a soft gray woolen sweater fluttering slightly in the breeze. A canvas backpack is tied on her back with rope. Her posture is quiet, contemplative — eyes on the river, lost in thought. Soft morning light from the left side casts gentle shadows across her face. Background: The river lies calm and glassy, reflecting soft lavender and rose-colored clouds of early dawn. The banks are lined with low reeds and golden grass. Everything is covered in glazing — diffused light, gentle transitions, no harsh edges. In the distance, vague silhouettes of mountains and forest melt into the pale sky, like a memory fading.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “The Silence Between Steps”
In the foreground, a ginger-haired woman in her early thirties kneels on the pavement, next to a graffiti-covered wall. She wears a loose gray sweater and worn-out jeans. Her red collie sits quietly by her side, head slightly tilted, eyes full of awareness. Its fur, painted using impasto technique, glows with layered strokes that catch the reflection of a nearby shop window.
The woman draws with chalk on the ground — imaginary lines that resemble a map, or perhaps thoughts, or a path. Her hand movements are captured using mixing palette knife, giving texture and emotional tension, as if each line wrestles with time. Her gaze is soft but distant, fixed on what’s yet to be drawn.
In the midground, the street unfolds in a bluish evening hue, created with glazing technique — layered light over wet pavement, reflections from street lamps, and blurred outlines of passersby in motion. The city’s sound is silent yet present, as though the entire scene breathes softly through its colors.
In the background, buildings fade into shadow, but one window glows — warm yellow tones brushed delicately, evoking a sense of home that feels distant but possible. The dog and the woman remain in their own quiet world, while the city moves around them, and the silence between their motions speaks louder than words.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “The Days Without Hurry”
Foreground: Bathed in warm morning light, a thirty-something woman with loose copper-red hair sits on an old wooden dock that stretches into a quiet lake. She wears a light linen shirt and denim shorts. A paintbrush rests in her hand, and beside her, a wooden box of paints lies open. Her red collie dog lays at her feet, gazing calmly at the water — alert, yet serene. The dock planks beneath them are flecked with stray marks of paint — she’s painting the scene in front of her. Midground: On the easel in front of her, thick impasto textures build a sky and water in golden and blue hues, capturing the motion of passing clouds. Next to them sits a thermos of coffee, two ceramic mugs — one empty, one just uncovered. The dog occasionally lifts its ears at the sound of distant birds, but never leaves her side. That closeness is its comfort. Background: The lake is still, reflecting the delicate shape of the sky. Across the water, a forest fades into the morning mist — greens and blues bleeding into one another. The sky above is layered with soft glazing — ethereal and silent, as if time itself has paused. A pair of ducks cuts across the horizon, leaving a visible silence behind them.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "Afternoon Companions".
Foreground: On a sun-drenched carpet of golden sand, in an afternoon scented with lavender and summer stillness, sits a ginger-haired woman in her early 30s. Her hair, loose and rich like a moving flame, catches the direct sunlight—each strand rendered in bold impasto strokes, thick with pigment, almost tangible. In her hand she holds a vintage analog camera, and on her face, a smile reserved for only one — her dog.
Pressed warmly against her knee, like a loyal shadow, lies a red collie, his intelligent eyes glinting under a glossy coat of deep russet, copper, and gold. His fur is painted in layered strokes of a palette knife, capturing both the wind and the quiet life within him. He stares straight into the lens, as if knowing he’s about to be framed forever.
Midground: The worn planks of an old veranda stretch out behind them — light and dark, softened by time and memory. Shadows spill over scattered petals on the floor — a bouquet she had picked earlier and forgotten. The Mixing Palette Knife brings out the textures of the wood and the softness of filtered light, as the sun enters from the left, scattered and warm. On a small table beside them: a coffee cup, a notebook filled with uneven lines of thought, and a hand resting still, holding a pencil still warm from imagination.
Background: In the distance opens the field they both know by heart. A narrow path leads into tall grasses and flickering trees, their shadows stretching long into the earth. The sky moves with weightless clouds, painted with gentle glazing techniques — layer by layer, until they become a hushed backdrop to someone’s peace. The entire scene feels like film paused mid-breath, where no sound is missing, because nothing is out of place.
This is not just a scene — it’s a moment between two beings who understand each other without a word. The woman and t
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Ginger woman and her Red Collie.
A ginger-haired woman in her early 30s sits barefoot on a sun-warmed wooden terrace, painting quietly in the last breath of golden hour. Her red collie rests beside her feet, watchful and calm. The foreground is scattered with open paint tubes, a worn sketchbook, and a ceramic coffee cup catching the light—rendered in impasto and palette knife, with textures thick and tactile. In the middle ground, her linen shirt catches the amber glow, her brush held with quiet purpose, the dog’s fur rich with layered strokes. Glazing gives her hair a luminous shimmer, as if kissed by fading sun. Behind them, hills blur into a soft lavender haze, the sky melting into copper and rose, painted in broad, emotional palette knife sweeps. One moment, stilled in ritual—where presence becomes poetry, and the bond between woman and dog, unspoken and sacred, holds the whole world steady.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Between Silence and Sky”.
Foreground: A young woman with flowing ginger hair kneels barefoot in tall golden grass, gently holding the face of her red rough collie – a female dog with wise, soulful eyes. The woman wears a loose linen dress that catches the breeze. Their foreheads nearly touch. It’s a moment of quiet, soul-to-soul.
Midground: Fields stretch in gentle waves around them, brushed by the wind. Wildflowers bloom in soft clusters — lavender, poppies, and white yarrow. Dust and pollen float in golden light. The grass bends with motion, alive and whispering.
Background: A distant hill catches the low sunlight. Above it, a wide open sky painted in soft warm pastels — orange, peach, lilac. Thin clouds stretch like silk across the horizon. Everything glows with a quiet, sacred stillness.
Art style: Masterpiece oil painting, using mixing palette knife, impasto texture for thick floral strokes, and glazing for luminous lighting. Soft yet textured brushwork. Rich natural palette. Timeless, emotional atmosphere.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “The Rooftop Flame”.
Foreground: A barefoot young woman with wild ginger hair, standing on cracked concrete, arms spread wide like wings. Her hair flows like fire in the wind. Beside her, a majestic red rough collie sits silently, alert and proud.
Midground: Broken window frames surround the rooftop edges, catching rays of the golden hour. Light spills across the scene, painting her skin and the dog’s fur in glowing amber tones. Loose leaves and feathers float mid-air, swirling.
Background: A fading city skyline stretches into the distance, slightly blurred by the sunlight haze. Faint silhouettes of cranes and rooftops under a dramatic sky. The horizon glows in warm oranges and purples, as if the world is catching fire.
Art style: Masterpiece oil painting style, using mixing palette knife, impasto texture, and glazing techniques. High contrast lighting with cinematic shadows. Emotional and powerful composition.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "In Step with the Rhythm".
A young girl with long ginger hair and large headphones walks peacefully through a small park, while her cheerful red collie trots beside her, occasionally glancing up with a happy, loyal gaze. The sunlight is soft, shadows playfully dance across the ground — the rhythm of the day blends with the silent beat of her music. Foreground – Impasto + Mixing Palette Knife: The dog, a lively red collie, is lit by gentle sunbeams. His fur is rendered using palette knife strokes — thick, rich, and dynamic, giving the sense that he's moving as you look. His eyes meet the girl’s — full of trust and joy.
Around him, grass blades are sculpted in thick impasto, catching light and shadow in vibrant textures.
Middle Ground – Glazing + Dry Brush: The girl, tall and gentle, walks slowly, immersed in her world. Her hair flows like flame, and her headphones rest over her ears, cocooning her in sound. Her pastel blue sweater is created with layered glazing to achieve softness and warmth, while dry brushwork highlights the folds of her clothing and strands of hair. Her expression is serene, unaware of being observed — this is not a pose, but a captured breath of real life. Background – Soft Focus + Atmospheric Perspective: Behind them, a quiet park: scattered trees, a curved walking path, and an elderly couple feeding birds in the distance. The entire scene is bathed in golden light, with a soft haze and delicate depth created using gentle glazes and warm green-gold tones. The background fades into a dreamy stillness — tranquil, timeless.
Prompt: Girl caresses a Rough Collie puppy, an impressionist painting by Berthe Morisot, by Louis Royo, by Pino Daeni, by Michael Garmash, textured brushstrokes
Prompt: Portrait of splashes and blots of paint and ink of the long haired shepherd in the base image laying upon a rocky ledge, intricate openwork background, amber olive silver white, 3D, Shabby, Surreal fantasy, 3D Zentangle Style, Watercolor patchwork quilt, Arthur Rackham Style, Paul Kidby, Gediminas Prankevicius, Jacek Jerka, watercolor pen and ink by Yoshitaka Amano, extremely detailed, aesthetic, concept art, ultrafine detail, breathtaking, 8k resolution, vray tracing
Prompt: Masterpiece. Promt by valestok. Impressionism, Expressionism, Minimalism. Charcoal painting on textured acid-free, grainy rough paper. Charcoal pencils, charcoal sticks, overlapping and blending soft lines, tonal effects, ghost lines, smudging, stroke blending, sfumato technique, charcoal dust, tonal transitions, natural and pressed charcoal, gradient, eraser and blurring sponge, brushes, blurred shapes. Heavy rain, puddles, fog. The background is blurred, foggy. In the rain, a woman in a long, fluttering hooded mackintosh walks with her back to the horizon, a black and white border collie dog runs cheerfully next to her, turning its head towards the lady. We draw the figures of the woman and the dog with charcoal sticks, blurry, quick, rough strokes in the sfumato technique. Create atmospherics, deep and contrasting shadows, reflections, splashes of water, good rendering of light and shadows, smooth transitions and soft tonal gradients, interesting effects and textures in the drawing, depth, expressiveness, contrasting tonal transitions. No text, no frames, no copyright
Prompt: An autumnal watercolor painting with ink details of a clearing through the Swiss mountain, forest with larch trees in autumnal yellow. There is a lake where a beautiful black-tri Australian Shepherd is walking. The setting sunset colors the entire area including the snow-capped mountains. Background in natural soft autumnal colors, Reality 3D CGI
Prompt: Full-length Oil paint splatter Whimsical painterly fantasy artistic painting of a young girl, messy windwept flowing hair & a knitted hat, pink coat, colourful scarf and gloves, embracing a sheltie dog in her arms as she stands hugging it. soft and ethereal, whimsical & dreamy atmosphere. magical, intuitive muted colors, soft brush strokes, adorable artwork, oil paint texture, glowing effects, fantasy elements. glittery feel. snowy. whole view of girl & dog.
Prompt: A watercolor painting of a whimsical fawn and white bearded collie with long scruffy windswept hair, standing in a pumkin field, with little yellow flowers, looking towards a small bird on old broken tree trunk. Early morning ethereal and foggy, sun coming up, warm feel, The painting has a rustic and serene feel, with visible brush strokes and muted tones. Muted background. Textured impressionist oil painting.
Prompt: An oil painting, thick rised impasto, palette knife, different size brush strokes of Close-up, night. In an elegant bedroom, a blonde is on the bed with a tablet, soft light from a lamp and a fluffy blanket nearby. Antique box on the bedside table from Fabergé and antique coffee table from Duncan Phyfe. A collie sleeps on a rug nearby. neo-impressionism, smooth post-impressionism, acrylic, hard plastic strokes, neo-impressionism, smooth post-impressionism, acrylic, hard plastic strokes whimsical, swirl pattern, with thick impasto, expansive view
Prompt: close-up, Hans Hartung, Meghan Duncanson, Mark Rothko, Victor Brauner, Didier Lourenço. Young delightful lady in an elegant dress sits on the terrace in the evening, exquisite interior. A collie lies next to her. This image comes to life, conveying the sounds of an evening garden, visually rich and sensory-filled. Textiles and patchwork fashion add a tactile feel: you can almost feel the texture of the colorful scraps of fabric that make up the clothing. The painting is painted in colorful oil on canvas, creating a rich and saturated palette that comes to life like music on a rainy night. Oil paints add depth by reflecting light and creating the effect of wet surfaces in the rain. The dynamics of the scene are emphasized by maximalism in architecture: the buildings in the background are made in the Art Nouveau style, which creates a feeling of visual richness. The color palette is based on associations with flowers and natural elements in pastel colors: violet, periwinkle, fresh mint leaves, cobalt blue sky, pink rose petals, twilight sunset.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
