#collage

Time Smyghulf

• Model: Nano Banana Pro (Pro)

• Size: 2624 X 1440 (3.78 MP)

• Used settings:

  • Prompt: Fine art. High contrast splatter paint art. a simulacrum of Igor Morski work. Eyes. Sci fi surrealism, with eldritch details. Dave McKean mixed media. "broken colored mirrors. Demon beauty. Witch of the moon. Weird Gothic statue. . Paul Klee inspired, a mix of photorealistic Marc Chagall art collage and absurdism. metallic paint and newspaper clippings
  • Using base image: Yes

Band of Mercenaries

• Model: DaVinci2

• Size: 1416 X 1896 (2.68 MP)

• Used settings:

  • Prompt: Soft Watercolor & ink on silk painting of a Surrealistic Portrait by Beksinski of "Dungeons & Dragons" characters: a male ranger, wearing green robes hood on, holding a perflect flawless bow, Conan the barbarian wearing fur skin & a helmet with horns holding a broard sword, a female thief with red hair wearing a violet cloak of invisibility, a cavalier in golden armour holding a shield with an eagle emblem, an African acrobatic woman in light armour wear, holding a staff, all with dynamic posing reflecting action and aggressivity, with highly detailed faces, magical, apocalyptic and haunting atmosphere, hyperrealistic, sharp focus, Cameron Gray. The background showcases a smoky and overcast atmosphere, dark, mysterious & eerie. Predominantly cool colours with rose, black, rust, burgundy, and black. Soft watercolour, extra water in Art Deco by Annigoni, Egon Schiele, Milo Manara, Botticelli, Catrin Welz-Stein, Jean Metzinger, Klimt, perfect eyes, perfect handsface, highly detailed, complementary colours, hyper detailed. Watercolor and ink splatter, dynamic pose, dark blue background, unreal engine, greg Rutkowski, loish, rhads, beeple, makoto shinkai and lois van baarle, Ilya Kuvshinov, rossdraws, tom bagshaw, alphonse mucha, global illumination, detailed and intricate environment, chiaroscuro lit contrast.
  • Using base image: Yes

Walking My Cat Named Dog

• Model: MirageMaker

• Size: 720 X 1280 (0.92 MP)

• Used settings:

  • Prompt: Walking My Cat Named Dog
  • Using base image: No
  • Aspect Ratio: portrait_tall

Cubist Collage of a Fragmented Woman

• Model: FluX 2 (Pro)

• Size: 2224 X 1668 (3.71 MP)

• Used settings:

  • Prompt: An intricate Cubist collage portraying a seated woman dismantled into interlocking geometric shards—rectangles, fractured triangles, and angular planes—stacked and overlapping like architectural debris. Her identity remains barely intact through red hair accents, a blue fabric fold at the shoulder, and scattered green and yellow clothing fragments. The palette fuses fiery reds and ochres with cold blues and industrial greens. The surface feels tactile and raw, with torn-paper textures, fabric impressions, scraped paint, and rough black contour lines. A weathered concrete-gray background, scarred with black stains and white abrasions, reinforces a brutalist aesthetic, evoking structural collapse and fractured integrity.
  • Using base image: No
  • Aspect Ratio: landscape

Surreal Collage of Cultural Portraits

• Model: AIVision (Pro)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Vicente Romero Redondo, Konstantin Razumov "Grunge sketch by A. Cuella on a white background" 16th century girl and a red fantasy, a fusion of red and black, a red botany, an ancient city, a car, a turbulent river, a red whirlwind of clouds spiraling deep into a mountain system, a bridge, a close-up of a bird of prey wet watercolor
  • Using base image: No
  • Aspect Ratio: square

Superheroes Collage: Futuristic Visions

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Multiple panels: Alien apocalypse, Hans Ruedi Giger's Alien body snatchers on the loose, A Rescuer in a biosafety level 4 biohazard overall suit & a gas mask, Android helping human, introspective, fluorescent glowing nixie tubes, high contrast, light & shadow, watercolor of human anatomy models in dynamic artistic poses connected to organic cables; side glance; wet on wet, with spherical goo dripping slime resembling placenta with radiating tubular networks like those in a computer chip; minimalist; expressive; figure; form; impression; translucent; additive; influence of Gottfried Helnwein and Ali Cavanaugh; seeing the soul in a finite moment of infinity. vulnerable but steadfast; organic and loose; ghostly realism, add cubistic background. The pale ultra-pale hyper-pale half body portrait, a female japanese girl wearing white, holding a test tube containing radiactive yellow glowing solution, looking down at the test tube in horror, Several military personnel scrambling for cover, People running away in panic, while others collapse on the lab floor, Full brilliantly coloured red, green, blue, brown, against a backdrop of mist and fog in a lab setting with siren and alert lights on with , giving rise to a tense horrifying atmosphere. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Fashion Illustration Collage with Urban Flair

• Model: AIVision (Pro)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Mixed-media drawings: newspaper clippings, magazine excerpts, ink lines, graphite textures, rough brush marks.The drawing shows a modern blonde blonde woman in full height, dressed in a brown coat, black shoes, the background is slightly shaded: vague silhouettes of station columns, distant passengers, indicated by blurred ink strokes. The large station clock is an element of the collage, similar to a magazine clipping that was cut out and pasted onto the stage.
  • Using base image: No
  • Aspect Ratio: square

In the Days of Knowledge and Artistry

• Model: AIVision (Ultra)

• Size: 1920 X 1920 (3.69 MP)

• Used settings:

  • Prompt: A color portrait books and knowledge laid across torn vintage newspaper sheets collaged together; text fragments run through its face. Soft charcoal shading, faint ink bleed, uneven print alignment. Muted monochrome with slight yellowing. Rough edges kept visible.
  • Using base image: No
  • Aspect Ratio: square

The Bride of Frankenstein

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Multi panel illustration of Mary Shelley's novel Frankenstein: Mixed media collage of Bill Sienkiewicz: Soft Watercolor & ink on canvas painting of: Dr Victor Frankenstein in white lab coat with his hunch back assistant, in great excitement after channeling a bolt of lightning into & reviving a green, flat-headed, bolted being assembled from human parts (as envisioned by Boris Karloff), expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese scifi movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (Japanese soldiers, zero fighter planes, kamikaze attack on US naval vessels, mushroom cloud from nuclear explosion). Blue pyramid of Green road into the framework building. paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Angel eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

Containment Failure Imminent

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: War poster: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of: Minority Report: a high tech cute Japanese precognition psychic wired up in a high tech machine in a high security lab setting, forming dreamy visions of terrorist activities happening in Japan, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage horror feel. Distressed paper texture, torn edges, faded ink, and eerie lighting evoke a sense of aged, forgotten terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 70s and 80s japanese war movie posters, Ash Thorp's neon-lit grit, and the haunting, surreal landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), (Japanese soldiers, zero fighter planes, kamikaze attack on US naval vessels, mushroom cloud from nuclear explosion). Blue pyramid of Green road into the framework building. paved path with black blocks of evil with eyes. People from the deep. H r. Giger machines. Angel eyes. Roads on skin tracks. Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: Yes

PANDEMIC: SU984 Air Borne Respiratory Hemorrhaging Virus

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: Multiple panels: Zombie apocalypse, Zombies on the loose everywhere, A Rescuer in a biosafety level 4 biohazard overall suit & a gas mask, The pale ultra-pale hyper-pale half body portrait, a female japanese doctor holding an X-ray film, looking at it in horror, Ambulances and police cars Several military personnel scrambling for cover, People running away in panic, while others collapse on the lab floor, Full brilliantly coloured red, green, blue, brown, against a backdrop of mist and fog in a lab setting with siren and alert lights on with , giving rise to a tense horrifying atmosphere. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Haruki Murakami's 1Q84

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Artist Jean-Baptiste Monge style. The pale ultra-pale hyper-pale half body portrait, cute Kyoto girl wearing a circular rimmed yellow sunglasses, traditional short mini skirt, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Four Tomorrows: Tales of Near Future

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Artist Jean-Baptiste Monge style. The pale ultra-pale hyper-pale half body portrait, cute Kyoto girl wearing a circular rimmed yellow sunglasses, traditional short mini skirt, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Lovecraftian Lore: The Evil Eye of Shoggoths (Synopsis & Poem)

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Artist Jean-Baptiste Monge style. The pale ultra-pale hyper-pale half body portrait, cute Kyoto girl wearing a circular rimmed yellow sunglasses, traditional short mini skirt, in dynamic pose, a print of mathematical equations, astrological signs, glossy spheres of symbols, against a backdrop of drippy fungi mycelium slime mold, splash paint over robes, hieroglyphics symbols, alien calligraphy with Gestural Flourishes, ripples, Skips, Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Dystopian Cityscape in Sector #194

• Model: DaVinci2

• Size: 1088 X 1096 (1.19 MP)

• Used settings:

  • Prompt: minimalist graphic dystopian movie poster: chiaroscuro-lit, high contrast of light and shadow of Illustrated comic art panels of George Orwell's "1984": Mixed media collage of survelliance state: different panels illustrating the below: A bleak, authoritarian megacity under permanent twilight, dominated by towering concrete structures and decaying architecture. Gigantic government buildings loom over narrow streets, their facades scarred by neglect and propaganda. Massive telescreens are embedded into walls, street corners, and apartment blocks, broadcasting the ever-watchful face of Big Brother alongside stark slogans such as WAR IS PEACE, FREEDOM IS SLAVERY, and IGNORANCE IS STRENGTH. The cityscape is color-drained—muted greys, dirty browns, sickly greens—with harsh fluorescent lighting replacing natural sunlight. Surveillance drones and hidden cameras reinforce a constant sense of paranoia. Citizens move with downcast eyes and rigid posture, dressed in uniform, utilitarian clothing devoid of individuality. Expressions are subdued, fearful, and emotionally restrained. Posters peel from walls yet remain omnipresent, while loudspeakers issue monotonous announcements. The atmosphere is oppressive, claustrophobic, and psychologically suffocating—an environment where truth is mutable, history is rewritten, and silence is the only form of safety. The world feels cold, joyless, and eternal, as though resistance itself has been engineered out of existence, drawn in the style of solid colors, one line drawing, art deco and marimekko, final features, illustrative stylization, graphic emphasis, high accent textures, colored line patterns.
  • Using base image: Yes

Collage Portrait of a Glamorous Icon: Marylin Monroe

• Model: FluX 2 (Pro)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: Marylin Monroe reading
  • Using base image: No
  • Aspect Ratio: landscape

Neon Dreams: A Cyberpunk Journey

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: No
  • Aspect Ratio: landscape

Reopened Case File: The Harajuku Incident (Synopsis)

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of japanese Geisha as androids and human detective: different panels illustrating the below: a killer kyoto geisha with a ripped open face revealing a cybernetic circuitry beneath, a male CIA agent operating in secrecy to uncover the androids among humans a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Outbreak: Lock Down of Shinjuku (Synopsis)

• Model: DaVinci2

• Size: 944 X 1256 (1.19 MP)

• Used settings:

  • Prompt: In the world of Fragile dystopia futuristic Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Illustrated comic art panels of "Dark City": Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of japanese android geishas involved in military operations: different panels illustrating the below: a killer geisha with a ripped open face revealing a cybernetic circuitry beneath, military helicopter, car chase, CIA agents operating in secrecy to uncover the androids among humans a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant futuristic fashion wears, futuristic vehicles that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: Yes

Do Androids Dream of Electric Sheep?

• Model: Z-Image Turbo

• Size: 2219 X 1664 (3.69 MP)

• Used settings:

  • Prompt: Illustrated comic art panels of "Do Androids Dream of Electric Sheep?" by Philip K. Dick: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of androids and human detective: different panels illustrating the below: an Android Sheep a killer female android with a ripped open face revealing a cybernetic circuitry beneath, a human detective operating in secrecy to uncover the androids among humans a neon light district of smugglers, underworld society futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting, imperial colors ,quilling Marc Chagall Boris Vallejo Beksiński Stained Glass Horror themed By Dan Witz, Stephen Gammell, Rosina Wachtmeister ,Alfred Henry Maurer, Inspired by Hope Gangloff
  • Using base image: No
  • Aspect Ratio: landscape