#city

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Andrew Melville Hall is a student hall of residence of the University of St Andrews located in St Andrews, Fife, Scotland. It was built in 1967 in the brutalist style, and it accommodates approximately 275 students. During the academic year students live in Melville, with the vast majority of these in single rooms. Every room looks out over surrounding parkland, inhabited by a large number of wild rabbits. The hall is divided into five blocks, designated A, B, C, D and E. Generally A, C and E blocks are mixed, with B block being all male and D block all female although in recent years A block has been all male in addition to B block. Each block is divided up into a number of floors accessed through a central stairwell from the ground floor concourse. Typically each floor consists of sixteen study-bedrooms arranged in two groups of eight on either side of the stairwell, a number of showers/bathrooms and a pantry. The buildings' striking geometry is reflected in the irregular octagonal shape of the bedrooms. Blocks A, D and E have glass enclosures similar in shape to a garden greenhouse atop them to provide natural light to their stairwells;
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Regaleira Palace (Portuguese: Palácio da Regaleira) bears the same name as the entire estate. The structure's façade is characterised by exuberantly Gothic pinnacles, gargoyles, capitals, and an impressive octagonal tower. The palace contains five floors (a ground floor, three upper floors, and a basement). The ground floor consists of a series of hallways that all connect the living room, dining room, billiards room, balcony, some smaller rooms, and several stairways. In turn, the first upper floor contains bedrooms and a dressing room. The second upper floor contains Carvalho Monteiro's office, and the bedrooms of female servants. The third upper floor contains the ironing room and a smaller room with access to a terrace. Finally, the basement contains the male servants' bedrooms, the kitchen (which featured an elevator for lifting food to the ground floor), and storage rooms.
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imagen city

• Model: Artistic

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  • Prompt: Una vista aérea de alguien navegando por un mapa 3D interactivo, creado a partir de múltiples capas de datos QGIS. La imagen debe componerse en un ángulo isométrico para ofrecer a los espectadores una perspectiva interesante de las capacidades de la tecnología cartográfica QGIS.
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Warrior of mystic city

• Model: Fantasy

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  • Prompt: Lord ram
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  • Aspect Ratio: landscape

Quiet walk

• Model: PhotoReal

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  • Prompt: Realistic robot toy dancing with a balerina
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  • Aspect Ratio: landscape

BULMA & PAN

• Model: Artistic

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  • Prompt: BULMA && PAM
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GRASS PATH

• Model: Stable

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  • Prompt: Solarpunk city modern house perspective, futuristic architecture, jungle landscape amazing clouds, downhill upside down city domination by craig mullins, view from below giant planet
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  • Aspect Ratio: landscape

Chat GPT's description of an apocalyptic city

• Model: Artistic

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  • Prompt: Collapsed buildings, overgrown vegetation, broken windows, graffiti-covered walls, abandoned vehicles, cracked roads, debris scattered everywhere, dusty rooftops, rusted metal structures, shattered glass, charred remains, faded signs, collapsed bridges, eroded facades, weathered murals, shattered concrete, piles of rubble, fallen street signs, broken statues, weed-covered sidewalks, empty storefronts, crumbling stairs, rusted fences, broken pipes, deserted parks, signs of neglect and decay.
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Futuristic old building

• Model: PhotoReal

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  • Prompt: Tall building beautiful architecture, futuristic, utopian
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  • Aspect Ratio: portrait

ai, future neon party city, surreal

• Model: Artistic

• Size: 1161 X 903 (1.05 MP)

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  • Prompt: Colored pencil architectural drawing of a party city. It's party time. Fireworks. Steamers. Flying cars. Lots of people. at night time
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hawk-pigeon hybrids attack city

• Model: Fusion*

• Size: 896 X 704 (0.63 MP)

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  • Prompt: hawk-pigeon hybrids attacking people in a busy city street
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: he Church of St. Lawrence is a church in Lohja, Finland. It is the third largest medieval parish church in Finland. The murals from early 16th century make it one of the most valuable medieval buildings in Finland. The rustic and naive murals depicted biblical stories for the illiterate population.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Science fiction comedy (sci-fi comedy) or comic science fiction is a subgenre of science fiction or science fantasy that exploits the science fiction genre's conventions for comedic effect.[1] Comic science fiction often mocks or satirizes standard science fiction conventions – such as alien invasion of Earth, interstellar travel, or futuristic technology. It can also satirize and criticize present-day society. An early example was the Pete Manx series by Henry Kuttner and Arthur K. Barnes (sometimes writing together and sometimes separately, under the house pen-name of Kelvin Kent). Published in Thrilling Wonder Stories in the late 1930s and early 1940s, the series featured a time-traveling carnival barker who uses his con-man abilities to get out of trouble. Two later series cemented Kuttner's reputation as one of the most popular early writers of comic science fiction: the Gallegher series (about a drunken inventor and his narcissistic robot) and the Hogben series (about a family of mutant hillbillies). The former appeared in Astounding Science Fiction in 1943 and 1948 and was collected in hardcover as Robots Have No Tails (Gnome, 1952), and the latter appeared in Thrilling
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Bernard, as "custodian" of the "savage" John who is now treated as a celebrity, is fawned on by the highest members of society and revels in attention he once scorned. Bernard's popularity is fleeting, though, and he becomes envious that John only really bonds with the literary-minded Helmholtz. Considered hideous and friendless, Linda spends all her time using soma, while John refuses to attend social events organised by Bernard, appalled by what he perceives to be an empty society. Lenina and John are physically attracted to each other, but John's view of courtship and romance, based on Shakespeare's writings, is utterly incompatible with Lenina's freewheeling attitude to sex. She tries to seduce him, but he attacks her, before suddenly being informed that his mother is on her deathbed. He rushes to Linda's bedside, causing a scandal, as this is not the "correct" attitude to death. Some children who enter the ward for "death-conditioning" come across as disrespectful to John, and he attacks one physically. He then tries to break up a distribution of soma to a lower-caste group, telling them that he is freeing them. Helmholtz and Bernard rush in to stop the ensuing riot, which the
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The novel opens in the World State city of London in AF (After Ford) 632 (AD 2540 in the Gregorian calendar), where citizens are engineered through artificial wombs and childhood indoctrination programmes into predetermined classes (or castes) based on intelligence and labour. Lenina Crowne, a hatchery worker, is popular and sexually desirable, but Bernard Marx, a psychologist, is not. He is shorter in stature than the average member of his high caste, which gives him an inferiority complex. His work with sleep-learning allows him to understand, and disapprove of, his society's methods of keeping its citizens peaceful, which includes their constant consumption of a soothing, happiness-producing drug called "soma". Courting disaster, Bernard is vocal and arrogant about his criticisms, and his boss contemplates exiling him to Iceland because of his nonconformity. His only friend is Helmholtz Watson, a gifted writer who finds it difficult to use his talents creatively in their pain-free society.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Australia, unlike Europe, does not have a long history in the genre of science fiction. Nevil Shute's On the Beach, published in 1957, and filmed in 1959, was perhaps the first notable international success. Though not born in Australia, Shute spent his latter years there, and the book was set in Australia. It might have been worse had the imports of American pulp magazines not been restricted during World War II, forcing local writers into the field. Various compilation magazines began appearing in the 1960s and the field has continued to expand into some significance. Today Australia has a thriving SF/Fantasy genre with names recognised around the world. In 2013 a trilogy by Sydney-born Ben Peek was sold at auction to a UK publisher for a six-figure deal .[1]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Respected authors have written science fiction. Mary Shelley wrote a number of science fiction novels including Frankenstein; or, The Modern Prometheus (1818), and is considered a major writer of the Romantic Age.[221] Aldous Huxley's Brave New World (1932) is often listed as one of England's most important novels, both for its criticism of modern culture and its prediction of future trends including reproductive technology and social engineering.[222][223][224][225] Kurt Vonnegut was a highly respected American author whose works contain science fiction premises or themes.[226][227][228] Other science fiction authors whose works are widely considered to be "serious" literature include Ray Bradbury (including, especially, Fahrenheit 451 (1953) and The Martian Chronicles (1951)),[229] Arthur C. Clarke (especially for Childhood's End),[230][231] and Paul Myron Anthony Linebarger, writing under the name Cordwainer Smith.[232] In his book "The Western Canon", literary critic Harold Bloom includes Brave New World, Solaris, Cat's Cradle (1963) by Vonnegut, and The Left Hand of Darkness as culturally and aesthetically significant works of western literature.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries.[citation needed] Weird fiction either eschews or radically reinterprets ghosts, vampires, werewolves, and other traditional antagonists of supernatural horror fiction.[1][2][3] Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European folklore and gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, Clark Ashton Smith, and H. P. Lovecraft.[1][3] Weird fiction often attempts to inspire awe as well as fear in response to its fictional creations, causing commentators like Miéville to paraphrase Goethe in saying that weird fiction evokes a sense of the numinous.[1] Although "weird fiction" has been chiefly used as a historical description for works through the 1930s, it experienced a resurgence in the 1980s and 1990s, under the labels of New Weird and Slipstream, which continues into the 21st century.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Non-conformity to strict genre definitions is a commonly recognized facet of new weird fiction. In The 3rd Alternative forum debate, Miéville emphasized this fluidity in his post stating that "New Weird – like most literary categories – is a moment, a suggestion, a tease, an intervention, an attitude, above all an argument. You cannot read off a checklist and say 'x is in, y is out' and think you've understand what's at stake or what's being argued."[10] According to Gardner Dozois, the VanderMeers' anthology "ultimately left me just as confused as to what exactly The New Weird consisted of when I went out as I'd been when I went in."[11] Robin Anne Reid notes that while the definition of the new weird is disputed, "a general consensus uses the term" to describe fictions that "subvert cliches of the fantastic in order to put them to discomfiting, rather than consoling ends".[2] Reid also notes the genre tends to break down the barriers between fantasy, science fiction and supernatural horror.[2] In comparing the new weird to bizarro fiction, Rose O'Keefe of Eraserhead Press claims that "People buy New Weird because they want cutting edge speculative fiction with a literary sla
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: "Childe Roland to the Dark Tower Came" is a narrative poem by English author Robert Browning, written on January 2, 1852,[1] and first published in 1855 in the collection titled Men and Women.[2] The poem is often noted for its dark and atmospheric imagery, inversion of classical tropes, and use of unreliable narration. Childe Roland, the only speaker in the poem, describes his journey towards "the Dark Tower", and his horror at what he sees on his quest. The poem ends when Roland finally reaches the tower, leaving his ultimate fate ambiguous.[3]
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