#city

Nice city

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Urban city with buildings and skyscrapers at night
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Futuristic city in 5000

• Model: Fusion*

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Futuristic insanely realistic hyperdetailed painting of a cyberpunk city in the year 5000; appearance: towering skyscrapers made of neon-lit steel and glass, interconnected with massive highways and transportation systems, billboards and advertisements displaying cutting-edge technology; environment: polluted air, flickering neon lights, and a bustling crowd of technologically-advanced beings; Genres: Cyberpunk, Futuristic, Science Fiction; Styles: Hyperrealism, Realism; Techniques: Oil Painting, Digital Painting; Lights: Bright neon, flickering artificial lights; Colors: Vibrant pinks, blues, greens, purples; Descriptive terms: Futuristic, High-Tech, Dystopian, Crowded, Technologically-advanced; by Artists: Syd Mead, Masamune Shirow, Jean "Moebius" Giraud, Dave Gibbons, Neal Adams; 8K 3D, CGSociety, trending on Artstation, 8K resolution
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

alien city

• Model: Cyberspace (v2)*

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Insanely detailed hyperrealistic fantasical whimsical sci-fi beautiful painting of a futuristic eco-city, cybercity, alien city or robot city; appearance: A massive, towering metropolis with sleek, silver and chrome buildings stretching towards the sky. The city is dotted with lush green parks and gardens, and the air is filled with flying vehicles and robots. In the distance, one can see towering structures that resemble ancient ruins, glowing with a soft, warm light. The city is surrounded by a vast and sprawling desert, with towering sand dunes that reflect the light of the setting sun. The sky is filled with swirling clouds, and the atmosphere is thick with a sense of adventure and wonder; environment: Futuristic, advanced, eco-friendly and full of life; Genres: Sci-fi, Cyberpunk, Futuristic; Styles: Hyperrealism, Whimsy, Futuristic; Techniques: Matte Painting, 3D rendering, Photo-realism; Lights: Bright, warm, soft; Colors: Silver, Chrome, Gold, Green, Blue; Descriptive terms: Futuristic, Eco-friendly, Advanced, Glowing, Whimsy; by Artists: Feng Zhu, Alex Ruiz, Christophe Vacher, Mark English, Nathan Schroeder; 8K 3D, CGSociety, trending on Artstation, 8K resolution
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

dream a fantasy city

• Model: Fantasy

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: a man dreams that flying up of a big city
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

The simpsons, scream city

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: the simpsons, scream city
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Construction site on Mars

• Model: Stable (v2)*

• Size: 1088 X 832 (0.91 MP)

• Used settings:

  • Prompt: Construction sites of Moscow-city on Mars
  • Face enhance: Yes
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Frankfurt

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Frankfurt skyline at night, drawn by Rembrandt, high detail
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

creepy city

• Model: Cyberspace (v2)*

• Size: 576 X 1024 (0.59 MP)

• Used settings:

  • Prompt: A fantastical landscape painting of an ancient temple, depicting the ruins of a once grand and powerful structure, now overrun by nature and twisted by time. Colors: muted greens and browns, with pops of vibrant red and orange, representing the encroaching foliage and the setting sun. Genres: fantasy, horror. Styles: realistic, detailed. Techniques: use of texture, layering, and blending to create a sense of decay and neglect. Light settings: dim, eerie, with a hint of mysticism. Descriptive terms: decrepit, haunting, mystical, eerie, otherworldly. Artists: H.R Giger, Zdzislaw Beksinski, Salvador Dali, Zdzislaw Beksinski, and Brian Froud. 8K 3D, Unreal Engine 5, CGSociety, trending on Artstation, 8K resolution
  • Using base image: Yes (Effect strength - 90%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Tarsila's Dream City

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: cidade desenhada por Tarsila do Amaral
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Hero in fantasy city of freedom

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: city of freedom with a fantasy hero
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Walking in the rain

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Man and woman walking together holding a big umbrella, evening in the city
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

A woman in a Mediterranean city

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Art print by Tina Lavoie with a woman in Tel Aviv.
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. For the dwarves that can not afford and do not have access to any stone, that will make buildings of wood in styles similar to early, American 1700's style buildings (Revolutionary America). Due to this many small villages and towns are not truly recognized as settlements until a stone structure is completed, often the town hall and maybe some of the rich of the settlement. In larger surface cities, the lower floors are made of stone, with the upper levels often being stone bricks to reduce weight issues. A side effect is that most dwarven surface structures are not that tall, but often have 2-3 stories of depths (floors beneath ground). These basements vary in use house to house, but often have more use than their human surface dweller counterparts. In dwarven society one would refer to floors above ground the same as surface dweller, but basements would be referred to a depths to symbolize floor levels beneath the surface. Street layout would often follow a frid pattern when available, but more unaligned segments might exist depending on the settlements age.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Dental trait analysis of Badarian fossils conducted in a thesis study found that they were closely related to other Afroasiatic-speaking populations inhabiting Northeast Africa and the Maghreb. Among the ancient populations, the Badarians were nearest to other ancient Egyptians (Naqada, Hierakonpolis, Abydos and Kharga in Upper Egypt; Hawara in Lower Egypt), and C-Group and Pharaonic era skeletons excavated in Lower Nubia, followed by the A-Group culture bearers of Lower Nubia, the Kerma and Kush populations in Upper Nubia, the Meroitic, X-Group and Christian period inhabitants of Lower Nubia, and the Kellis population in the Dakhla Oasis.[17]: 219–20  Among the recent groups, the Badari markers were morphologically closest to the Shawia and Kabyle Berber populations of Algeria as well as Bedouin groups in Morocco, Libya and Tunisia, followed by other Afroasiatic-speaking populations in the Horn of Africa.[17]: 222–4  The Late Roman era Badarian skeletons from Kellis were also phenotypically distinct from those belonging to other populations in Sub-Saharan Africa.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Armenian architecture. Medieval Armenian architecture, and Armenian churches in particular, have several distinctive features, which some believe to be the first national style of a church building. Pointed domes, reminiscent of the volcanic cone of Greater Ararat. The conical or semiconical radially segmented dome or cupola is mounted above vaulted ceilings on a cylindrical drum (usually polygonal on the outside, most often octagonal). The vertical emphasis of the whole structure, with the height often exceeding the length of a church. Reinforcement of the verticality with tall, narrow windows. Stone vaulted ceilings. Composed almost entirely of stone, usually volcanic tuff or basalt. A composite roof composed of finely-cut tuff shingles Frescoes and carvings, if present, are usually ornate and include swirling intertwining grapevines and foliage. Heavy use of tall structural arches, both for supporting the cupola as part of the drum, the vaulted ceiling, and the vertical walls. Roofs intersecting to support the dome, both in basilicas and centrally-planned churches. Sculptural decoration of external.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. These structures would often be used in new settlements until a supply of stone could be adopted or used by the lower class. Dwarven Architecture has historically been completely stonework. Houses, halls, barracks, and temples were carved from solid stone. When solid stone could not be used, stone was often carved to fit these spaces (imagine incan walls at Macu picu) This method proved perfect for dwarven holds in the mountains, but outside these spaces, dwarves had little knowledge of how to work with wood to build larger buildings. Often lugging large stones long distances to then carves small houses initially. The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. These structures would often be used in new settlements until a supply of stone could be adopted or used by the lower class. Dwarves refuse to work with bricks as their false stone is seen as flimsy and unsustainable. Instead, they use stone bricks when possible when the solid stone is unavailable, leading to unique designs amongst their people.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: The temple of Hathor and Nefertari, also known as the Small Temple, was built about 100 m (330 ft) northeast of the temple of Ramesses II and was dedicated to the goddess Hathor and Ramesses II's chief consort, Nefertari. This was in fact the second time in ancient Egyptian history that a temple was dedicated to a queen. The first time, Akhenaten dedicated a temple to his great royal wife, Nefertiti.[10] The rock-cut facade is decorated with two groups of colossi that are separated by the large gateway. The statues, slightly more than 10 m (33 ft) high, are of the king and his queen. On either side of the portal are two statues of the king, wearing the white crown of Upper Egypt (south colossus) and the double crown (north colossus); these are flanked by statues of the queen. Remarkably, this is one of very few instances in Egyptian art where the statues of the king and his consort have equal size.[10] Traditionally, the statues of the queens stood next to those of the pharaoh, but were never taller than his knees. Ramesses went to Abu Simbel with his wife in the 24th year of his reign.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

City white andscape, stormy clouds, surreal

• Model: Artistic

• Size: 903 X 1161 (1.05 MP)

• Used settings:

  • Prompt: City white andscape, stormy clouds,surreal
  • Using base image: Yes (Effect strength - 70%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 1

Moon Colony

• Model: Cyberspace (v2)*

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: Incredibly detailed cyberpunk city built on the moon
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Venice 3177

• Model: Cyberspace (v2)*

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: futuristic underwater city. The city should look realistic and include elements such as buildings, sea life, humans, and vehicles. The city must be seen from an underwater perspective
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape