#city

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: A typical türbe is located in the grounds of a mosque or complex, often endowed by the deceased. However, some are more closely integrated into surrounding buildings. Many are relatively small buildings, often domed and hexagonal or octagonal in shape, containing a single chamber. More minor türbes are usually kept closed although the interior can be sometimes be glimpsed through metal grilles over the windows or door. The exterior is typically masonry, perhaps with tiled decoration over the doorway, but the interior often contains large areas of painted tilework, which may be of the highest quality. Inside, the body or bodies repose in plain sarcophagi, perhaps with a simple inscription, which are, or were originally, covered by rich cloth drapes. Usually these sarcophagi are symbolic, and the actual body lies below the floor. At the head of the tomb a wooden pole was sometimes surmounted by a white cloth Ottoman turban (for men) or by a turban carved in stone.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The influences of peasant houses were manifested through ornaments and elements used under various interpretations, but which retain their origin. Among the elements are the loggia, the trilobed arch, wooden pillars, a treatment of the cornice as an ordinary eaves of a peasant house, the inclusion of the roof in the image of the facade as an element of ornament, carved wooden awnings, and tiled roofs. Commonly used ornaments are knots and ropes (aka interlace), peacocks drinking symmetrically from a cup, and complex vegetable spirals (aka rinceaux). Some of the ornaments of some Neo-Romanian buildings from the Belle Époque are made of polychrome glazed ceramic, as is the case of the Școala Centrală National College in Bucharest.[9] Considering the fact that most Romanians were and are Orthodox, the architects sometimes added Byzantine-inspired elements (like the two peacocks drinking from a cup) or with Christian significance. A characteristic of the style is the use of elements grouped in threes (for example a row of three windows), which refers to a Christian concept, representing the Holy Trinity (Father, Son and Holy Spirit).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Romanian Revival architecture is a revival of the Brâncovenesc [brɨŋkovenesk], a style in medieval Romanian art and architecture, more specifically in Wallachia during the reign of Constantin Brâncoveanu (1688–1714). This is because it was seen as the style specific to Romania, which is true. Brâncovenesc buildings are characterised by the use of porticos (mainly the entrances of churches), trilobate or kokoshnik arches, columns (usually Corinthian), sometimes with twisted flutings, and metallic or ceramic tile roof. The main ornaments used for decoration are the interlace and the complex vegetal spiral (aka rinceau). Some of the features of Brâncovenesc architecture derive from Byzantine and Ottoman architecture, and a some can also be found in medieval Russian architecture. Brâncovenesc churches usually have façades decorated with reliefs, most churches being white, while some have elaborate paintings on the façades (like the Stavropoleos Monastery from Bucharest). The walls of their interiors are filled with Byzantine style frescos. Above their main door there is a pisanie, which is an inscribed stone plaque.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Romanian Revival architecture is an architectural style that has appeared in late 19th century in Romanian Art Nouveau, initially being the result of the attempts of finding a specific Romanian architectural style. The attempts are mainly due to the architects Ion Mincu (1852–1912), and Ion N. Socolescu (1856–1924). The peak of the style was the interwar period. The style was a national reaction after the domination of French-inspired Classicist Eclecticism. Apart from foreign influences, the contribution of Romanian architects, who reinvented the tradition, creating, at the same time, an original style, is manifesting more and more strongly. Ion Mincu and his successors, Grigore Cerchez [ro], Cristofi Cerchez, Petre Antonescu, or Nicolae Ghica-Budești declared themselves for a modern architecture, with Romanian specific, based on theses such as those formulated by Alexandru Odobescu around 1870.
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Night work

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

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  • Prompt: Shadowrun czech hacker decker young woman crouches above fulgent cyberdeck terminal on the roof of skycraper, slim tiny body with moderate breast, night, dark, shade, cyberpunk
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Land_180T2D01 (mirages)

• Model: Artistic

• Size: 881 X 1190 (1.05 MP)

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  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Cornelis Springer, by Harry Clarke, Walter Crane, intricate detailed, colored, multicolor
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Land_175T2D01 (mirages)

• Model: Artistic

• Size: 1405 X 746 (1.05 MP)

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  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Cornelis Springer, by Harry Clarke, Walter Crane, intricate detailed, colored, multicolor
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Land_167T2D01 (mirages)

• Model: Artistic

• Size: 1212 X 865 (1.05 MP)

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  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Cornelis Springer, by Harry Clarke, Walter Crane, intricate detailed, colored, multicolor
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Land_174T2D01 (mirages)

• Model: Artistic

• Size: 1190 X 881 (1.05 MP)

• Used settings:

  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Cornelis Springer, by Harry Clarke, Walter Crane, intricate detailed, colored, multicolor
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape

Land_173T2D01 (mirages)

• Model: Artistic

• Size: 1212 X 865 (1.05 MP)

• Used settings:

  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Cornelis Springer, by Harry Clarke, Walter Crane, intricate detailed, colored, multicolor
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Future osdnfoknds45366

• Model: Artistic

• Size: 1088 X 544 (0.59 MP)

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  • Prompt: People who are living in the future and in there fantastic detailed homes.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The settlement of the Middle Neolithic (5000–4000 BCE), housed 500–1000 people in more substantial and presumably more family-private homes. Construction was the same, except the windows and doors were timbered, a fixed, raised hearth occupied the center of the main room, and pilasters and other raised features (cabinets, beds) occupied the perimeter. Under the palace was the Great House, a 100 m2 (1,100 sq ft) area stone house divided into five rooms with meter-thick walls suggesting a second story was present. The presence of the house, which is unlikely to have been a private residence like the others, suggests a communal or public use; i.e., it may have been the predecessor of a palace. In the Late or Final Neolithic (two different but overlapping classification systems, around 4000–3000 BCE), the population increased dramatically.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Arthur Evans, who unearthed the palace of Knossos in modern times, estimated that c. 8000 BCE a Neolithic people arrived at the hill, probably from overseas by boat, and placed the first of a succession of wattle and daub villages (modern radiocarbon dates have raised the estimate to c. 7000–6500 BCE). Large numbers of clay and stone incised spools and whorls attest to local cloth-making. There are fine ground axe and mace heads of colored stone: greenstone, serpentine, diorite and jadeite, as well as obsidian knives and arrowheads along with the cores from which they were flaked. Most significant among the other small items were a large number of animal and human figurines, including nude sitting or standing females. Evans attributed them to the worship of the Neolithic mother goddess and figurines in general to religion.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The typical nuraghe is situated in areas where previous prehistoric Sardinian cultures had been distributed, that is not far from alluvial plains (though few nuraghes appear in plains currently as they were destroyed by human activities such as agriculture, dams, road building etc.) and has the outer shape of a truncated conical tower, thus resembling a medieval tower, with a tholos-like vault inside. The structure's walls consist of three components: an outer layer (tilted inwards and made of many layers of stones whose size diminishes with increasing height: mostly, lower layers consist of rubble masonry, while upper layers tend to be of ashlar masonry); an inner layer, made of smaller stones (to form a corbelled dome of the bullet-shaped tholos type, and where ashlar masonry is used more frequently); and an intermediate layer of very small pieces and dirt, which makes the whole construction very sturdy: it stands only by virtue of the weight of its stones, which may each amount to several tons. Some nuraghes are about 20 meters in height, the tallest one known, Nuraghe Arrubiu, reached a height of 25–30 meters.
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Futuristic city

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

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  • Prompt: Futuristic city
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
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Beauty is the ultimate weapon

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: wide picture of czech woman holds binoculars in hand on the roof of skyscraper, wears opened fashionable black leather jacket and red latex bra, pale skin, firm moderate sporty body with great breast, sunset, focused watching face, tension, cyberpunk
  • Upscale & Enhance: 0
  • Aspect Ratio: square

City dive

• Model: Fusion*

• Size: 896 X 704 (0.63 MP)

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  • Prompt: Big majestic fluffy dragon in the city centre.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Navigation had an important role: historian Pierluigi Montalbano mentions the finding of nuragic anchors along the coast, some weighing 100 kg (220 lb).[79] This has suggested that the Nuragic people used efficient ships, which could perhaps reach lengths up to 15 meters (49 ft). These allowed them to travel the whole Mediterranean, establishing commercial links with the Mycenaean civilization (attested by the common tholos tomb shape, and the adoration of bulls), Spain, Italy, Cyprus, Lebanon. Items such as Cyprus-type copper ingots have been found in Sardinia, while bronze and early Iron Age Nuragic ceramics have been found in the Aegean region, Cyprus,[82] in Spain (Huelva, Tarragona, Málaga, Teruel and Cádiz)[83] up to the Gibraltar strait, and in Etruscan centers of the Italian peninsula such as Vetulonia, Vulci and Populonia (known in the 9th to 6th centuries from Nuragic statues found in their tombs).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: In the ceramics, the skill and taste of the Sardinian artisans are manifested mainly in decorating the surfaces of vessels, certainly used for ritual purposes in the course of complex ceremonies, perhaps in some cases even to be crushed at the end of the rite, as the jugs found in the bottom of the sacred wells. Ceramics also display geometric patterns on lamps, pear-shaped vessels (exclusive of Sardinia) and the askos. Imported (e.g. Mycenaeans) and local forms were found in several sites all over the island. Also found in the Italian peninsula, Sicily, in Spain and in Crete everything points to Sardinia being very well integrated in the ancient trade of the Mediterranean Sea.
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Nice by Edward Hopper

• Model: Artistic

• Size: 1775 X 1183 (2.10 MP)

• Used settings:

  • Prompt: Nice city corner by Edward Hopper.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 2