#circuitlines

Cosmic Whale of Light

• Model: ChatGPT 2 (Pro)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: A surreal digital abstraction in the image art style: a giant whale rises from swirling clouds into space, its mouth wide open — it is feeding. The whale is not realistic; it is assembled from digital layers: its body consists of translucent panels resembling screen fragments, with thin glowing outlines in neon turquoise and cyan; in some places, the texture mimics a pixel grid and a subtle glitch effect, but without chaos — with a rhythmic pattern. Thin lines run across the surface of the body, resembling data streams and constellations: they pulse with a soft light, emphasizing the anatomy (the curves of the back, the edges of the fins, the line of the tail) even in an abstract presentation. The mouth is a dynamic vortex: layers of translucent gradients (from dark purple to bright pink) create the sensation of an втягивающего flow; inside — spiral swirls of luminous particles. Clouds and space merge into fluid layers without clear boundaries: the fibrous textures of clouds transition into a digital haze and star dust. Stars are plankton: tiny luminous crystals gathered into streams that stretch into the whale’s mouth. Rainbow fish are not individual creatures, but color waves: strokes and spots of neon hues (emerald, magenta, lemon yellow, indigo) form spiral trajectories and the effect of a powerful wave that flows around the whale and emphasizes its scale. The fish look like digital particles and brushstrokes at the same time — with the effect of blending watercolor and oil brushstrokes. The color palette: deep indigo and violet of space, contrasting with the neon‑rainbow accents of the fish and the soft pastel‑blue layers of clouds; the contours and lines are cool cyan and turquoise, with warm golden‑white highlights on the glowing elements. Use digital abstraction techniques: semi‑transparent layer overlays, color swirls, light geometric frameworks (arcs, concentric circles, guide lines) to set the rhythm and movement. Add subtle digital artifacts (light grain, barely noticeable stripes, soft distortions) — to create a sense of technology, but without overloading the composition. Aspect ratio 16:9. High detail in digital textures: pixel grid, gradient transitions, semi‑transparent layers, glow around outlines. Lighting is diffused, with an internal glow of the objects; avoid harsh shadows, focus on the shimmer, transparency, and rhythm of the lines. The composition is epic, with a focus on the majestic, almost symbolic silhouette of the whale, assembled from digital elements; the dynamism of the wave made of iridescent fish emphasizes the movement and scale of the scene.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Codex Thomasianus 0012

• Model: Photonic

• Size: 3312 X 2480 (8.21 MP)

• Used settings:

  • Prompt: increase sharpness and clarity, keep style and details and colours exactly as in start image, ink drawing
  • Using base image: Yes

Technocrat

• Model: FluX

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: I studied Theory of Science, Logic, Theoretical Linguistics, Philosophy and Law at the Universities of Mainz, Munich, Florence and Lancaster. My main field of interest is the interaction between law, science and computer technology from doctrinal, comparative and legal-theoretical perspectives. This research encompasses both the problems that technology and technological change poses to the law – technology law – and the use of technology in the justice system and the legal services industry – legal informatics. Both perspectives, technology as a subject of regulation and a tool for regulation, are brought together through a theoretical perspective: How can law, understood as a system, communicate with systems external to it? “Computational legal theory”, in the understanding of my chair, tries to give answers to this question, by exploring the scope and also limits of computational representations of legal thought, and also by an analysis of how technology changes the way law thinks about such issues as responsibility, liability, harm and ultimately personhood and what it means to be human, and living life lawfully.
  • Using base image: No
  • Aspect Ratio: landscape