#building

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Doge's Palace (Italian: Palazzo Ducale; Venetian: Pałaso Dogal) is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Over the centuries, the Doge's Palace has been restructured and restored countless times. Due to fires, structural failures, and infiltrations, and new organizational requirements and modifications or complete overhaulings of the ornamental trappings there was hardly a moment in which some kind of works have not been underway at the building. From the Middle Ages, the activities of maintenance and conservation were in the hands of a "technical office", which was in charge of all such operations and oversaw the workers and their sites: the Opera, or fabbriceria or procuratoria. After the mid-19th century, the palace seemed to be in such a state of decay that its very survival was in question; thus, in 1876 a major restoration plan was launched. The work involved the two facades and the capitals belonging to the ground-floor arcade and the upper loggia: 42 of these, which appeared to be in an especially dilapidated state, were removed and replaced by copies. The originals, some of which were masterpieces of Venetian sculpture of the 14th and 15th centuries, were placed, together with other sculptures from the facades, in an area specifically set aside for this purpose.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Wedgwood Institute is a large red-brick building that stands in Queen Street, in the town of Burslem, Stoke-on-Trent, Staffordshire, England. It is sometimes called the Wedgwood Memorial Institute, but it is not to be confused with the former Wedgwood Memorial College in Barlaston. It achieved listed building status (Grade II*) in 1972. The style of architecture chosen was Venetian Gothic, which had been popularised by John Ruskin. The basic design is by an architect called Nichols, but the elaborate decorations which form an integral part of the facade were designed by Robert Edgar and John Lockwood Kipling. Kipling, the father of the famous writer Rudyard Kipling, emigrated to India in 1865 while the building was still under construction, and the façade was not completed until 1871.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Venetian Gothic is the particular form of Italian Gothic architecture typical of Venice, originating in local building requirements, with some influence from Byzantine architecture, and some from Islamic architecture, reflecting Venice's trading network. Very unusually for medieval architecture, the style is both at its most characteristic in secular buildings, and the great majority of survivals are secular. The best-known examples are the Doge's Palace and the Ca' d'Oro. Both feature loggias of closely spaced small columns, with heavy tracery with quatrefoil openings above, decoration along the roofline, and some coloured patterning to plain wall surfaces. Together with the ogee arch, capped with a relief ornament, and ropework reliefs, these are the most iconic characteristics of the style. Ecclesiastical Gothic architecture tended to be less distinctively Venetian, and closer to that in the rest of Italy.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Anderson's design was influenced by a number of other Gothic and Gothic Revival architectural works, in particular the rectangular Gothic Doge's Palace in Venice and the works of George Gilbert Scott, and similarities have also been drawn between the Portrait Gallery and Anderson's Mount Stuart House on the Isle of Bute, which he designed for the 3rd Marquess of Bute in the late 1870s. Around the exterior are sculpted figures of noted Scots set in niches, designed by William Birnie Rhind. These were added in the 1890s to compensate for the lack of contemporary portraits of medieval Scots in the gallery's collection at the time, as was the large processional frieze inside the main entrance hall, painted by William Hole. This mural, added in 1898, depicts an array of notable Scots from history, ranging from Saint Ninian to Robert Burns. Figures were added to the frieze over the years after the gallery opened, and Hole added further large mural narrative scenes on the 1st floor later.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Scottish National Portrait Gallery building is a large edifice at the east end of Queen Street, built in red sandstone from Corsehill in Dumfriesshire. It was designed by Robert Rowand Anderson in the Gothic Revival style with a combination of Arts and Crafts and 13th-century Gothic influences, and is a Category A listed building. Built between 1885 and 1890, the building is noted for its ornate Spanish Gothic style, an unusual addition to Edinburgh's mostly Georgian Neoclassical New Town. The windows are in carved pointed arches and the main entrance on the Queen Street front, surrounded a large gabled arch, leads to the main entrance hall, arcaded with pointed arches, which originally served both the Portrait Gallery to its east, and the National Museum of Antiquities of Scotland to its west. A distinctive feature of the gallery is its four octagonal corner towers topped with crocketed Gothic pinnacles; originally, Anderson had intended to flank the facade with a pair of large Franco-Scottish tourelles, but these were replaced at the request of the benefactor by the pointed turrets seen today.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Templeton On The Green, converted from the Templeton Carpet Factory, is a distinctive building near the People's Palace, in Glasgow, Scotland, opened in 1892. In 1984 it was converted into the Templeton Business Centre, then in 2005 a major regeneration project made it into a mixed use 'lifestyle village' incorporating apartments, office space, and the WEST brewery, bar and restaurant.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The oldest part of the palace is the wing overlooking the lagoon, the corners of which are decorated with 14th-century sculptures, thought to be by Filippo Calendario and various Lombard artists such as Matteo Raverti and Antonio Bregno. The ground floor arcade and the loggia above are decorated with 14th- and 15th-century capitals, some of which were replaced with copies during the 19th century. In 1438–1442, Giovanni Bon and Bartolomeo Bon built and adorned the Porta della Carta, which served as the ceremonial entrance to the building. The name of the gateway probably derives either from the fact that this was the area where public scribes set up their desks, or from the nearby location of the cartabum, the archives of state documents. Flanked by Gothic pinnacles, with two figures of the Cardinal Virtues per side, the gateway is crowned by a bust of Mark the Evangelist over which rises a statue of Justice with her traditional symbols of sword and scales. In the space above the cornice, there is a sculptural portrait of the Doge Francesco Foscari kneeling before the Lion of Saint Mark.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: In 810, Doge Agnello Participazio moved the seat of government from the island of Malamocco to the area of the present-day Rialto, when it was decided a palatium duci (Latin for "ducal palace") should be built. However, no trace remains of that 9th-century building as the palace was partially destroyed in the 10th century by a fire. The following reconstruction works were undertaken at the behest of Doge Sebastiano Ziani (1172–1178). A great reformer, he would drastically change the entire layout of the St. Mark's Square. The new palace was built out of fortresses, one façade to the Piazzetta, the other overlooking the St. Mark's Basin. Although only few traces remain of that palace, some Byzantine-Venetian architecture characteristics can still be seen at the ground floor, with the wall base in Istrian stone and some herring-bone pattern brick paving. Political changes in the mid-13th century led to the need to re-think the palace's structure due to the considerable increase in the number of the Great Council's members. The new Gothic palace's constructions started around 1340, focusing mostly on the side of the building facing the lagoon.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Bradford City Hall is a 19th-century town hall in Centenary Square, Bradford, West Yorkshire, England. It is a Grade I listed building which has a distinctive clock tower.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: But the potential of Ellis's design was not lost on all of his contemporaries. John Wellborn Root studied in Liverpool as a teenaged boy, being sent there by his father to be safe from the American Civil War following the Atlanta Campaign (1864). In all likelihood, he studied the then brand new Oriel Chambers and put the lessons learnt to good use when he developed into an important architect of the Chicago School of Architecture, exporting Ellis' ideas across the Atlantic.[5] Long rows of bay windows (of which oriels are a special type) characterise some of Burnham and Root's 1880s American skyscrapers. More importantly, Oriel Chambers, and Ellis's building at 16 Cook Street, Liverpool, are amongst the precursors of modernist architecture for another reason. In addition to the extensive use of glass on their facades, both boast metal framed glass curtain walls towards the courtyards which makes them two of the world's first buildings to include this feature. Both buildings rely on H-section iron columns at the perimeter, which support the floors and cladding. Ellis's method for cladding was not adopted by Burnham and Root though: their Monadnock Building of 1891.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: An oriel window is a form of bay window which protrudes from the main wall of a building but does not reach to the ground. Supported by corbels, brackets, or similar cantilevers, an oriel window is most commonly found projecting from an upper floor but is also sometimes used on the ground floor. Oriel windows are seen in Arab architecture in the form of mashrabiya and in Turkish are known as şahnişin or cumba. In Islamic culture, these windows and balconies project from the street-front of a house, providing an area in which women could peer out and see the activities below while remaining invisible.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: This issue of definition, apparently so simple, has proven to be one of the most serious problems for advocates of vernacular architecture and landscapes research. A straightforward, convincing, authoritative definition has not yet been offered. Vernacular architecture is a phenomenon that many understand intuitively but that few are able to define. The literature on the subject is thus filled with what might be called non-definitions. Vernacular architecture is non-high style building, it is those structures not designed by professionals; it is not monumental; it is un-sophisticated; it is mere building; it is, according to the distinguished historian Nikolaus Pevsner, not architecture. Those who take a more positive approach rely on adjectives like ordinary, everyday, and commonplace. While these terms are not as pejorative as other descriptive phrases that are sometimes applied to the vernacular, neither are they very precise. For example, the skyscrapers of Manhattan are works of high style architecture, but they are also commonplace in Manhattan. Are they not logically New York City vernacular buildings?
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Japanese city

• Model: PhotoReal

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: japanese city, winter, skyscrapers with screens, neon posters, night, with people.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Apocalyptic Siberia 3

• Model: PhotoReal

• Size: 928 X 608 (0.56 MP)

• Used settings:

  • Prompt: apocalyptic, rusty, decaying, tentacles, spiral patterns, in the style of Zdzisław Beksiński and H.R. Giger
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Apocalyptic Siberia 2

• Model: PhotoReal

• Size: 864 X 640 (0.55 MP)

• Used settings:

  • Prompt: apocalyptic, rusty, decaying, orange tint, in the style of Zdzisław Beksiński and H.R. Giger
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Apocalyptic Siberia

• Model: PhotoReal

• Size: 928 X 608 (0.56 MP)

• Used settings:

  • Prompt: apocalyptic, rusty, decaying, orange tint, in the style of Zdzisław Beksiński and H.R. Giger
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Spring

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: the quaint and charming architecture of the village is set against a backdrop of lush greenery and vibrant blooms. The air is filled with the sweet fragrance of freshly blooming flowers, and the sounds of chirping birds can be heard in the distance. The cobblestone streets are lined with blooming cherry blossom trees, their petals drifting lazily in the gentle breeze. Old wooden windows, painted in bright colors, are thrown open, allowing the sunshine to stream in and brighten the homes within. Children play in the village square, laughing and chasing each other, while their parents sit on benches, enjoying the warm sunshine and the lively atmosphere. The rolling hills in the background are dotted with sheep, grazing peacefully in the fields, adding a rustic touch to the idyllic scene. Overall, a good view of spring in an old village is one of timeless beauty and a sense of peace and tranquility. illustration by George callaghan.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The International Towers is a commercial skyscraper complex in central Sydney, in the Barangaroo area. The complex comprises three main office towers; Tower 1 at 217 metres (712 feet), Tower 2 at 178 metres (584 feet), and Tower 3 at 168 metres (551 feet). Construction on the towers began in 2013 before completion in mid 2016. The complex was built as part of a major urban redevelopment of Barangaroo, forming part of the core commercial, residential, retail and leisure development at Barangaroo South. More than 50 per cent of the Barangaroo South precinct (7.6 hectares) is accessible to the public. The ITS development delivers 283,900 m2 of commercial office space.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Riparian Plaza is a 53-storey skyscraper located in the central business district of Brisbane, Queensland, Australia. The building stands at 250 m (820 ft) in height to its communications spire and 200 m (660 ft) to its roof. It was Brisbane's tallest building until it was surpassed by Aurora in 2006 and is a particularly iconic building on the Brisbane skyline. It is a mixed use building, with 11 car park levels from the ground up, 25 commercial levels, and 12 residential levels originally housing 50 penthouse apartments.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0