#baroque

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: Weser Renaissance. Eicke's House. Brake Castle in Lemgo-Brake. The Hochzeitshaus in Hamelin. Ratcatcher's House in Hamelin. Town centre of Lemgo. Varenholz Castle in Kalletal. Bremen City Hall. Juleum Novum. Wolfsburg Castle. Bevern Castle. Neuhaus Castle. Hämelschenburg. Wewelsburg. Bückeburg Castle. Bückeburg Parish Church. Stadthagen Castle. Mausoleum in Stadthagen. Schwöbber Castle. Erbhof Thedinghausen.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: Ancient Egyptians believed that the soul resided in the heart, and that each individual would therefore undergo a "Weighing of the Heart" in the afterlife; each human heart is weighed on a giant scale against an ostrich feather, which represents the concept of the goddess Maat. All souls that successfully balance the scales will be allowed to start a long and perilous journey to Aaru, where they will exist in peace and pleasure for eternity. Conversely, hearts that weigh heavy with evil will tip and fall into the crocodilian jaws of the goddess Ammit. Any souls that are subject to Ammit's "second death" are doomed to restlessness in the Duat. Aaru (or the Field of Reeds (sḫt-jꜣrw), is the name for heavenly paradise in Egyptian mythology. Ruled over by Osiris, an Egyptian god, the location has been described as the ka of the Nile Delta. It has been represented in hieroglyphs as three reeds:
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: Ukrainian architecture. has initial roots in the Eastern Slavic state of Kyivan Rus. After the 12th century, the distinct architectural history continued in the principalities of Galicia-Volhynia and later in Grand Duchy of Lithuania, Ruthenia and Žemaitia. During the epoch of the Zaporozhian Cossacks, a style unique to Ukraine developed under the influences of the Polish–Lithuanian Commonwealth. The great church architecture, built after the adoption of Christianity in 988, were the first examples of monumental architecture in the East Slavic lands. The architectural style of the Kyivan state, which quickly established itself, was strongly influenced by the Byzantine. Early Eastern Orthodox churches were mainly made of wood, with the simplest form of church becoming known as a cell church. Major cathedrals often featured scores of small domes, which led some art historians to take this as an indication of the appearance of pre-Christian pagan Slavic temples. Several examples of these churches survive to this day. However, in the course of the 16th–18th centuries, many were externally rebuilt in the Ukrainian Baroque style. Examples include the grand St. Sophia of Kyiv.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: The Basílica i Temple Expiatori de la Sagrada Família,[a] shortened as the Sagrada Família, is an unfinished church in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by the Catalan architect Antoni Gaudí. La Sagrada Familia utilizes three-dimensional forms comprised of ruled surfaces, including hyperboloids, parabolas, helicoids, and conoids. These complex shapes allow for a thinner, finer structure, and are intended to enhance the temple's acoustics and quality of light. The style of the Sagrada Família is variously likened to Spanish Late Gothic, Catalan Modernism or Art Nouveau.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. For the dwarves that can not afford and do not have access to any stone, that will make buildings of wood in styles similar to early, American 1700's style buildings (Revolutionary America). Due to this many small villages and towns are not truly recognized as settlements until a stone structure is completed, often the town hall and maybe some of the rich of the settlement. In larger surface cities, the lower floors are made of stone, with the upper levels often being stone bricks to reduce weight issues. A side effect is that most dwarven surface structures are not that tall, but often have 2-3 stories of depths (floors beneath ground). These basements vary in use house to house, but often have more use than their human surface dweller counterparts. In dwarven society one would refer to floors above ground the same as surface dweller, but basements would be referred to a depths to symbolize floor levels beneath the surface. Street layout would often follow a frid pattern when available, but more unaligned segments might exist depending on the settlements age.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: In terms of external appearances dwarven structures in mountains would often create beautiful flourishes and accents to buildings to add flavour and beauty to the existing stone to accentuate the designs and mirror the beautiful caverns. On the surface however such beauty could not be afforded to the lower and middle classes, with more basic and slimmed designs bein uncommon in surface settlements. however on important buildings, structures or wealth homes such classically designs still existed and were seen as a symbol of wealth and status. Often Stone pillars would a brought and support houses, with more beautifully designed symbols of wealth being important status symbols like the lawns of America, tulips of Holland and gardens of Japan. Some of the earlier dwarven designs for surface structures mirrored greek designs such as the parthenon with importance placed on stone pillars, roof and floors, with creative interpretations from town to town. This design became synonymous with early dwarven surface designs and became an important symbol for surface dwellings as a symbol of wealth and history in the settlement. upcoming settlements might seek to acquire.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Ishtar Gate. The bricks of the Ishtar gate were made from finely textured clay pressed into wooden forms. Each of the animal reliefs was also made from bricks formed by pressing clay into reusable molds. Seams between the bricks were carefully planned not to occur on the eyes of the animals or any other aesthetically unacceptable places. The bricks were sun-dried and then fired once before glazing. The clay was brownish red in this bisque-fired state. The background glazes are mainly a vivid blue, which imitates the color of the highly prized lapis lazuli. Gold and brown glazes are used for animal images. The borders and rosettes are glazed in black, white, and gold. It is believed that the glaze recipe used plant ash, sandstone conglomerates, and pebbles for silicates. This combination was repeatedly melted, cooled, and then pulverized. This mixture of silica and fluxes is called a frit. Color-producing minerals, such as cobalt, were added in the final glaze formulations. This was then painted onto the bisque-fired bricks and fired to a higher temperature in a glaze firing.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: The clay tablet was thus being used by scribes to record events happening during their time. Tools that these scribes used were styluses with sharp triangular tips, making it easy to leave markings on the clay; the clay tablets themselves came in a variety of colors such as bone white, chocolate, and charcoal. Pictographs then began to appear on clay tablets around 4000 BCE, and after the later development of Sumerian cuneiform writing, a more sophisticated partial syllabic script evolved that by around 2500 BCE was capable of recording the vernacular, the everyday speech of the common people. Sumerians used what is known as pictograms. Pictograms are symbols that express a pictorial concept, a logogram, as the meaning of the word. Early writing also began in Ancient Egypt using hieroglyphs. Early hieroglyphs and some of the modern Chinese characters are other examples of pictographs. The Sumerians later shifted their writing to Cuneiform, defined as "Wedge writing" in Latin, which added phonetic symbols, syllabograms. Text on clay tablets took the forms of myths, fables, essays, hymns, proverbs, epic poetry, business records, laws, plants, and animals.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Dental trait analysis of Badarian fossils conducted in a thesis study found that they were closely related to other Afroasiatic-speaking populations inhabiting Northeast Africa and the Maghreb. Among the ancient populations, the Badarians were nearest to other ancient Egyptians (Naqada, Hierakonpolis, Abydos and Kharga in Upper Egypt; Hawara in Lower Egypt), and C-Group and Pharaonic era skeletons excavated in Lower Nubia, followed by the A-Group culture bearers of Lower Nubia, the Kerma and Kush populations in Upper Nubia, the Meroitic, X-Group and Christian period inhabitants of Lower Nubia, and the Kellis population in the Dakhla Oasis.[17]: 219–20  Among the recent groups, the Badari markers were morphologically closest to the Shawia and Kabyle Berber populations of Algeria as well as Bedouin groups in Morocco, Libya and Tunisia, followed by other Afroasiatic-speaking populations in the Horn of Africa.[17]: 222–4  The Late Roman era Badarian skeletons from Kellis were also phenotypically distinct from those belonging to other populations in Sub-Saharan Africa.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Architecture of Tibet. Traditional Kham architecture is seen in most dwellings in Garzê Tibetan Autonomous Prefecture. Although the region has been previously heavily logged, wood is still harvested locally from remaining stands of forest and used for housing. Throughout the region, horizontal timber beams support the roof and are in turn supported by wooden columns. In some areas such as Dêgê County, Baiyü County, and Dawu County, Sichuan, wood is also used to make log-cabin style exterior walls. Home interiors are sometimes paneled with wood and cabinetry is ornately decorated. Ganzi is known for its beautiful wooden houses built in a range of styles and lavishly decorated with wooden ornamentation. Although various materials are used in the well-built houses, it is the skillful carpentry that is most striking. Farm houses in Kham are often very spacious although the first (ground) floor is usually used to house farm implements and animals, not for human habitation. Floors, ceilings, and room dividers are made of wood. Carpentry skills are passed down from master to apprentice.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Etchmiadzin Cathedral is the mother church of the Armenian Apostolic Church, located in the city dually known as Etchmiadzin (Ejmiatsin) or Vagharshapat, Armenia. It is usually considered the first cathedral built in ancient Armenia, and is often considered the oldest cathedral in the world. The original church was built in the early fourth century—between 301 and 303 according to tradition—by Armenia's patron saint Gregory the Illuminator, following the adoption of Christianity as a state religion by King Tiridates III. It was built over a pagan temple, symbolizing the conversion from paganism to Christianity. The core of the current building was built in 483/4 by Vahan Mamikonian after the cathedral was severely damaged in a Persian invasion. From its foundation until the second half of the fifth century, Etchmiadzin was the seat of the Catholicos, the supreme head of the Armenian Church.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: St. Hripsime Church is a domed tetraconch enclosed in a rectangle, with two angular niches on the northern and southern side. German art historian Wilhelm Lübke wrote that the church is built on "a most complicated variation of the cruciform ground-plan." The monumental exterior of the church is "considered one of the great achievements of medieval Armenian architecture." It has been described as a "gem of Armenian architecture" and "one of the most complex compositions in Armenian architecture." Along with Saint Gayane Church, it stands as a "model of the austere beauty of early Armenian ecclesiastical architecture." The church is not the earliest example of this architectural form, however, the form is widely known in architectural history as the "Hripsime-type" since the church is the best-known example of the form. It has also been variously named "Jvari-type" or "Jvari-Hripsime-type" for Jvari in Georgia. Notable churches with similar plans include the Surb Hovhannes (Saint John) Church of Avan (6th century), Surb Gevorg (Saint George) Church of Garnahovit (6th century), Church of the Holy Cross at Soradir (6th century), Targmanchats monastery of Aygeshat (7th century).
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Armenian architecture. Medieval Armenian architecture, and Armenian churches in particular, have several distinctive features, which some believe to be the first national style of a church building. Pointed domes, reminiscent of the volcanic cone of Greater Ararat. The conical or semiconical radially segmented dome or cupola is mounted above vaulted ceilings on a cylindrical drum (usually polygonal on the outside, most often octagonal). The vertical emphasis of the whole structure, with the height often exceeding the length of a church. Reinforcement of the verticality with tall, narrow windows. Stone vaulted ceilings. Composed almost entirely of stone, usually volcanic tuff or basalt. A composite roof composed of finely-cut tuff shingles Frescoes and carvings, if present, are usually ornate and include swirling intertwining grapevines and foliage. Heavy use of tall structural arches, both for supporting the cupola as part of the drum, the vaulted ceiling, and the vertical walls. Roofs intersecting to support the dome, both in basilicas and centrally-planned churches. Sculptural decoration of external.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: When the Roman Empire became Christian (after having extended eastwards) with its new capital at Constantinople, its architecture became more sensuous and ambitious. This new style with exotic domes and richer mosaics would come to be known as "Byzantine" before it traveled west to Ravenna and Venice and as far north as Moscow. Most of the churches and basilicas have high-riding domes, which created vast open spaces at the centers of churches, thereby heightening the light. The round arch is a fundamental of Byzantine style. Magnificent golden mosaics with their graphic simplicity brought light and warmth into the heart of churches. Byzantine capitals break away from the Classical conventions of ancient Greece and Rome with sinuous lines and naturalistic forms, which are precursors to the Gothic style.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations. New architectural elements like minarets, muqarnas, and multifoil arches were invented. Common or important types of buildings in Islamic architecture include mosques, madrasas, tombs, palaces, hammams (public baths), Sufi hospices (e.g. khanqahs or zawiyas), fountains and sabils, commercial buildings (e.g. caravanserais and bazaars), and military fortifications.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: Weser Renaissance. Eicke's House. Brake Castle in Lemgo-Brake. The Hochzeitshaus in Hamelin. Ratcatcher's House in Hamelin. Town centre of Lemgo. Varenholz Castle in Kalletal. Bremen City Hall. Juleum Novum. Wolfsburg Castle. Bevern Castle. Neuhaus Castle. Hämelschenburg. Wewelsburg. Bückeburg Castle. Bückeburg Parish Church. Stadthagen Castle. Mausoleum in Stadthagen. Schwöbber Castle. Erbhof Thedinghausen.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

• Used settings:

  • Prompt: The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. These structures would often be used in new settlements until a supply of stone could be adopted or used by the lower class. Dwarven Architecture has historically been completely stonework. Houses, halls, barracks, and temples were carved from solid stone. When solid stone could not be used, stone was often carved to fit these spaces (imagine incan walls at Macu picu) This method proved perfect for dwarven holds in the mountains, but outside these spaces, dwarves had little knowledge of how to work with wood to build larger buildings. Often lugging large stones long distances to then carves small houses initially. The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. These structures would often be used in new settlements until a supply of stone could be adopted or used by the lower class. Dwarves refuse to work with bricks as their false stone is seen as flimsy and unsustainable. Instead, they use stone bricks when possible when the solid stone is unavailable, leading to unique designs amongst their people.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Biomimetic architecture. Though a contemporary concept in a technological age, biomimicry does not entail the incorporation of complex technology in architecture. In response to prior architectural movements biomimetic architecture strives to move towards radical increases in resource efficiency, work in a closed loop model rather than linear (work in a closed cycle that does not need a constant intake of resources to function), and rely on solar energy instead of fossil fuels. The design approach can either work from design to nature or from nature to design. Design to nature means identifying a design problem and finding a parallel problem in nature for a solution. An example of this is the DaimlerChrysler bionic car that looked to the boxfish to build an aerodynamic body. The nature to design method is a solution-driven biologically inspired design. Designers start with a specific biological solution in mind and apply it to design. An example of this is Sto's Lotusan paint, which is self-cleaning, an idea presented by the lotus flower, which emerges clean from swampy waters.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Juxtaposing City and Nature is unproductive. Allowing for their mutually-reinforcing coexistence makes better sense. Trailblazers across the world are testing new concepts of integrating nature in the urban fabric so that natural and man-made systems could merge and cooperate. Just a few ongoing projects: XTU architects with scientists and manufacturers develop a facade system that incorporates the production of one of the most valuable raw materials, microalgae, while enabling passive climate control inside the building. New types of concrete support the growth of plants, transforming buildings into air purifiers. Breathe.austria deploys a 560m2 'augmented forest' to lower interior temperature by 5-7°C and produce as much oxygen as some 3 ha of a regular forest. Architect Ferdinand Ludwig is testing the use of living trees as structural supports. Let’s look into the new architecture that results from this approach, and see how nature/architecture hybrids can reshape our cities.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Neo-futurism. Geisel Library. Pereira originally conceived of a mushroom-shaped, steel-framed building, but the projected construction and maintenance costs forced him to switch to a reinforced concrete structure. This change of material presented an opportunity for a more sculptural design, as well as opening up interior spaces that would have been bisected by steel trusses. Prior to construction, a 1/2-scale model of one of the outer columns was built and subjected to various tests. It was envisioned that future additions to the original building would form terraced levels around the tower base descending into the canyon. In keeping with the original master plan, these are "deliberately designed to be subordinated to the strong, geometrical form of the existing library." Within its two subterranean levels are the other library sections as well as study spaces and computer labs. The building has been described by Architecture Daily as occupying "a fascinating nexus between brutalism and futurism". Its tower rises 8 stories to a height of 110 ft (33.5 m). The five upper stories of the tower house collections, individual study space, and group study rooms.
  • Using base image: Yes