Prompt: A vibrant watercolor painting depicts a rolling hilly landscape with a soft, ethereal quality. The hills are composed of organic, undulating shapes layered one behind another, in hues of light blues, deep teals, pinks, mauves, warm oranges, yellows, and browns, all blending seamlessly. Many of the hills are partially covered in white speckles, suggesting falling snow or a soft, powdery texture. Throughout the landscape, bare-branched trees with intricate silhouettes rise from the peaks and valleys, some appearing as clusters and others solitary. A few coniferous trees with darker green foliage are also scattered amongst the hills. The sky above is a pale, creamy white, with several large spheres of varying sizes and colors—red, light orange, golden brown, and teal—scattered across it, alongside numerous small, dark speckles resembling raindrops or distant stars. In the bottom left corner, nestled among the hills, sits a charming, rustic house with a warm-toned facade and a darker roof, adding a touch of human presence to the serene natural scene. The overall impression is one of a whimsical, dreamlike winter or early spring landscape.A mesmerizing patchwork, elements, glitter accents, intricate ink drawings, delicate wisps, alcohol ink painting technique, wet-on-wet method, pastel color palette, fine line pencil sketches, aquarelle style, Jean-Baptiste Monge, Kandinsky, surreal atmosphere, dreamy, scattered watercolor stains, visionary art, visual poetry narrative, Paul Klee, Dee Nickerson, enchanting, awe-striking, hazy style, breezy, watercolor painting, skilled techniques, graceful, impressive masterpiece.
Prompt: Create a hyper-realistic watercolor of a magical winter twilight at sunset. Soft graphite-grey skies gently melt into warm milky-burgundy and pale golden-pink hues near the horizon. The entire landscape is blanketed in thick, heavy, pillowy snow that clings densely to every branch and twig, forming surreal, fluffy, almost sculptural tree silhouettes. Delicate hoarfrost crystals sparkle subtly on the outermost twigs, catching the very last warm rays of the setting sun. The atmosphere is profoundly hushed, serene and dreamlike, wrapped in velvety deep shadows and plush layers of snow. Moody cinematic lighting with gentle rim light on snow-covered branches, soft volumetric haze in the air, shallow depth of field, natural color grading emphasizing graphite greys, creamy whites and deep wine tones. worthy composition with strong clarity and balanced framing
Prompt: dreamy hazy breezy wet on wet watercolor, using minimal paints and maximum loose water effects. Paint a red haired 1800 man with a walking stick giving the back to the viewer. He is contemplating a sea of fog and clouds where only some rocky peak can be seen. all the edges get softer as you recede into the distance, The landscape is based on the Elbe Sandstone Mountains in Saxony and Bohemia The sun is the primary light source. The silhouette of the foreground suggests it is overhead and out in front. The clouds and fog seem to be diffusing the light, meaning it is not a strong and direct light like the midday sun on a clear day. The colors are restrained, with mostly weak blues, pinks, and yellows. there is a sharp contrast between light and dark elements. This is because most of the colors are at the extremes of the value scale (the colors are either really light or really dark; there are hardly any mid-tones). The values in the painting also get gradually lighter as you recede into the distance, starting with the dark, imposing rocks in the foreground, and ending with the barely visible mountains in the background. The colors also get a touch cooler in temperature. This creates a sense of atmospheric perspective or depth. The stance of the man is an important feature of the painting in and of itself. He is leaning primarily on one leg and there is a slight shift in his body to counter this. This is known as contrapposto, which is Italian for “opposite” or “counter”. It is considered a natural and visually pleasing stance. In this painting, hard edges are used for the rocks in the foreground and the man. This gives a sense of clarity and closeness. Much softer edges are used for the transient fog, clouds, and sky. The atmosphere is calm and melancholic.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
