#architecture

Hive

• Model: Artistic

• Size: 864 X 640 (0.55 MP)

• Used settings:

  • Prompt: Make an art space and put leaves on the tree and windows on the beehive
  • Using base image: Yes (Effect strength - 20%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Therein lies the biggest pitfall of Solarpunk. The movement risks being whittled down to an aesthetic dimension, which in turn will undermine its own ecological philosophy. Solarpunk risks becoming a style without principles; a “green” architecture without green policies. Worse still, the movement could easily be co-opted by developers eager on giving the impression that their projects are environmentally sustainable while they continue to rely to carbon-emitting materials and energy-intensive design principles.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: It’s difficult to evaluate an architectural movement that exists almost entirely in conceptual terms. At present, the closest thing stylistically to Solarpunk architecture might be Singapore’s Garden City: a political initiative introduced by Lee Kuan Yew in 1967 to transform the dense city into an urban environment brimming with greenery. In recent years, Singaporean architecture has produced dozens of stunning projects evoking the Solarpunk ethos: the Supertree Groves, the Cloud Fountain, the Jewel Changi Airport and the Marina Bay Sands are but a few prominent examples. Such projects regularly make waves on the Solarpunk Reddit to varying degrees of approval, and some Redditors have offered mitigated praise for the city with the slogan: “Singapore minus cars = Solarpunk”.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Scenes for sci-fi classics are juxtaposed with drawings of actual and proposed buildings that proved influential on the fictional representations. These include the utopian visions of Italian futurists Mario Chiattone and Antonio Sant’Elia, Bauhaus, Le Corbusier and mid-century modern Californian architecture such as that of John Lautner. Another important influence was Frank Lloyd Wright, who collaborated with set designers on The Day The Earth Stood Still and whose architecture influenced a host of sci-fi films including Blade Runner and Gattaca.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Beautiful decay

• Model: Artistic

• Size: 1056 X 544 (0.57 MP)

• Used settings:

  • Prompt: Ancient public transport station overgrown with plant life with pink flamingos flying over the train, diffused light, soft colours, cracked walls, light by William Turner
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ultra modern 3D breeding box for agriculture

• Model: Artistic

• Size: 1161 X 903 (1.05 MP)

• Used settings:

  • Prompt: Ultra modern 3D breeding box for agriculture,solar, filled with fruits and vegetables in green and red, standing on the grass, fantastical surrealist otherworldly, vivid colours, ornate, intricate, elegant, surreal, beautiful clouds, beautiful high definition acrylic art intricate details, Artist Jacek Yerka, Richard Dennis, ''Beautiful clouds!!!'' Artwork by Salvador Dali, Joe Fenton, Andree Wallin, Ismail Inceoglu, Wassily Kandinsky, Katsushika Hokusai, artstation, 8K octane render
  • Using base image: Yes (Effect strength - 22%)
  • Base image resolution: Default
  • Upscale & Enhance: 1

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: On the fringe of the logic of creation of new residential areas dedicated to the bourgeois class, the Casa Ferrario was built from 1902 according to the project of Ernesto Pirovano in Via Spadari, one of the most central and oldest streets of Milan. The notoriety of this building, still substantially traditional in design and relatively sober in the other elements, is due to the wrought iron decorations of the overlapping balconies with spiral motifs and floral decoration with corbels shaped like griffin also made by Mazzucotelli, considered by Sacerdoti one of the greatest wrought iron artists in Italy.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Milanese stage of the liberty style was inaugurated with the construction of the Palazzo Castiglioni, completed in 1903 according to the project of Giuseppe Sommaruga, who would become, according to Sacerdoti, the most prominent interpreter of Milanese art nouveau. The building, decorated with cement sculptures of floral theme and wrought iron compositions typical of the new style, distances itself from art nouveau by its monumental forms and the use of classical elements such as the putti, taken from the nearby noble palaces, where the neoclassical style dominates. The palace, considered by Lopez, Susani and Roiter one of the best examples of Italian art nouveau and built in one of the most elegant streets of Milan, remarked even more clearly the status of the new bourgeois class and introduced with force in the city the use of cement as a sculptural element. The "breaking signal" thrown to the old ruling class was even more intense due to the presence on both sides of the entrance of two statues representing two naked women in very daring poses, which caused a great scandal, to the point that the palace was colloquially renamed by the Milanese la ca' di ciapp
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: According to Sacerdoti, another leading interpreter of Milanese art nouveau was Giovanni Battista Bossi, who has in the Casa Galimberti his most famous work.[9] The facade of this building presents a complex decoration with ceramic tiles painted with human forms and plant elements that show elaborate chromatic contrasts. Also noteworthy are the decorated balconies made of cement and the wrought iron a baldaquino balconies. [21] A few meters away is the Casa Guazzoni, also by Bossi, which despite retaining the typically floral style of the facade presents a decoration completely centered on sculpture with elaborate putti devices, female figures and plant forms also in cement and wrought iron with overlapping balconies.[22] Bossi lastly designed the Casa Alessio, more akin to the Viennese Secession style with its rigid geometries and the vertical strip in correspondence with the entrance.[23]
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Alexandra, Birmingham, 1938 Barber Institute of Fine Arts, Birmingham, West Midlands, 1939 former Burton's, Erdington, Birmingham, West Midlands Clifton Bingo (former Odeon Cinema Perry Barr), Birmingham, 1938 Elmdon Building, Birmingham International Airport, Birmingham Empire Cinemas (former Oden Cinema), Sutton Coldfield, 1936 former Mothers Club, Erdington, Birmingham, General Electric Company, Aston, Birmingham, 1920 Golden Eagle, Birmingham, 1930s (demolished) Harborne Baths, Birmingham, 1923 Kent House (formerly Kent Street Baths), Birmingham, 1933 Medical School, University of Birmingham, 1938 Oak Cinema, Selly Oak, Birmingham, 1923 (demolished) Odeon Cinema, Kingstanding, Birmingham, 1962
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The term, especially in popular parlance, has come to be associated quite widely with odd-looking buildings including Frank Gehry's Guggenheim Museum Bilbao (1997) and the Experience Music Project (2000).[11] These, in the narrower sense, are not blob buildings, even though they were designed by advanced computer-aided design tools, CATIA in particular.[12] The reason for this is that they were designed from physical models rather than from computer manipulations. The first full blob building, however, was built in the Netherlands by Lars Spuybroek (NOX) and Kas Oosterhuis. Called the Water Pavilion (1993–1997), it has a fully computer-based shape manufactured with computer-aided tools and an electronic interactive interior where sound and light can be transformed by the visitor.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The lighthouse is a hexagonal concrete tower, with lantern and gallery, designed in the Art Deco style. It is 38.96 metres (127.8 ft) tall, and is white; the lantern is painted red. The light shows three white flashes in a two-one pattern every fifteen seconds. It was automated at the time of its construction, and is controlled from Les Sables-d'Olonne; it is government property, and may not be visited. It is a listed monument since 2012.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The stadium's spectator capacity was at its maximum during the 1952 Summer Olympics with over 70,000 spectator places. Nowadays the stadium has 36,251 spectator places. During concerts, depending on the size of the stage, the capacity is 45,000–50,000. The tower of the stadium, a distinct landmark with a height of 72.71 metres (238.5 ft), a measurement of the length of the gold-medal win by Matti Järvinen in javelin throw of 1932 Summer Olympics. A youth hostel is located within the Stadium complex.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The use of reinforced concrete, a new material at that time, allowed an original construction in a style influenced by Art Deco. Eight ellipsoidal domes support three larger ovoid domes. In the interior, these three large domes are only supported by four pillars, which allows an astonishing interior volume with 25 metres (82 ft) high vaults. The angular form of the 64 metres (210 ft) steeple is in opposition with the strong curves of the domes.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Le Corbusier, as always, was rhapsodic about his project; "It will be a city of trees," he wrote, "of flowers and water, of houses as simple as those at the time of Homer, and of a few splendid edifices of the highest level of modernism, where the rules of mathematics will reign." His plan called for residential, commercial and industrial areas, along with parks and transportation infrastructure. In the middle was the capitol, a complex of four major government buildings; the Palace of the National Assembly, the High Court of Justice; the Palace of Secretariat of Ministers, and the Palace of the Governor. For financial and political reasons, the Palace of the Governor was dropped well into the construction of the city, throwing the final project somewhat off-balance. From the beginning, Le Corbusier worked, as he reported, "Like a forced labourer." He dismissed the earlier American plan as "Faux-Moderne" and overly filled with parking spaces and roads. He intended to present what he had learned in forty years of urban study, and also to show the French government the opportunities they had missed in not choosing him to rebuild French cities after the War.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

The Raven by Poe, Part 2

• Model: Artistic

• Size: 1643 X 1278 (2.10 MP)

• Used settings:

  • Prompt: Ah, distinctly I remember it was in the bleak December; and each separate dying ember wrought its ghost upon the floor. moody, atmospheric, fantasy, highly detailed, photorealistic, elegant, intricate, in the style of Boris Vallejo and Leonardo da vinci.
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 2

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The first public thermae of 19 BC had a rotunda 25 metres across, circled by small rooms, set in a park with an artificial river and pool. By AD 300 the Baths of Diocletian would cover 140,000 square metres (1,500,000 sq ft), its soaring granite and porphyry sheltering 3,000 bathers a day. Most Roman homes, except for those of the most elite, did not have any sort of bathing area, so people from various classes of Roman society would convene at the public baths. Roman baths became "something like a cross between an aqua centre and a theme park", with pools, exercise spaces, game rooms, gardens, even libraries, and theatres. One of the most famous public bath sites is Aquae Sulis in Bath, England.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Public baths originated when most people in population centers did not have access to private bathing facilities. Though termed "public", they have often been restricted according to gender, religious affiliation, personal membership, and other criteria. In addition to their hygienic function, public baths have also been social meeting places. They have included saunas, massages, and other relaxation therapies, as are found in contemporary day spas. As the percentage of dwellings containing private bathrooms has increased in some societies, the need for public baths has diminished, and they are now almost exclusively used recreationally.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Yrjönkatu Swimming Hall's first floor contains a 25 × 10 metre pool, two saunas and dressing closets at the edges of the pool. The second floor contains resting cabins, saunas and a café. The hall sells two kinds of tickets, providing access either to the first floor only or to both floors. Traditionally, people swam naked in the pool, but since 2001, the wearing of a swimsuit has been permitted. Men and women have separate days for swimming. In March 2012, the hall reported it was switching its original 1928 wooden sauna stove to a new one to cut down on the smoke damages to the Forum building. The new wooden sauna stove became operational in August 2013. It is 2.8 metres high and is thought to be one of the largest wooden sauna stoves in Finland.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Stærekassen , also known as Ny Scene is a theatre building annexed to the Royal Danish Theatre on Kongens Nytorv in Copenhagen, Denmark. It opened in 1931 to serve a dual purpose as an additional stage for the Royal Theatre and the first home of the new Danish Broadcasting Corporation. The colloquial name, which has now obtained official status, refers to the design of the stage tower in the shape of a box suspended above the street, and in the initial design proposals with a large round window high up as the dominating ornamental feature of the facade. The facade reliefs on both sides of the stage tower are executed in Bronze and designed by Einar Utzon-Frank. The reliefs on the front towards Kongens Nytorv depict Apollo, God of musicians, flanked by the Muse of Tragedy, on his right hand side, and the Muse of comedy on his left hand side. On the opposite side of the tower, Mozart with violin, representing music, is seen flanked by Eros on the swan representing dance, and Shakespeare drama.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Upscale & Enhance: 0