A Replication Specialist, Teleporting ( Street Scenes in an Alt-World Tokyo )
Model:
Ideogram
(Base)
Size:
1312 X 736
(0.97 MP)
Used settings:
Prompt: The setting is a dystopian future vision set in SAN FRANCISCO where the street is decorated with AUGMENTED REALITY from advertising to performance art : Full neon brilliance of red, blue, yellow, green, and purple. Illustrated as a single comic-book art panel illustrating the original "Blade Runner" story directed by Ridley Scott: Watercolor & ink painting of a tall slender blade runner in a black trenchcoat and matching fedora, standing in a neon light district, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic, with high contrast colors and a vintage science fiction feel. The bold colors and textures are reminiscent of 80s and 90s japanese manga comics ; also present is Ash Thorp's neon-lit grit, as are the haunting city landscapes of Zdzisław Beksiński, illuminated by dynamic lighting. Dark and ominous, in the style of Dave McKean and Stephen Gammell.
Prompt: Oil painting, pencil sketch & ink on canvas of a Surrealistic Portrait by illustrator j c leyendecker depicting a scene from "Conan the Barbarian" where stands the black haired, well tanned powerful muscular Conan with highly detailed face, a broad, square-cut black mane of hair and a low, broad brow, & bracers are worn on the wrists, often with studded leather bands or fur trim. He wears animal hides and essential armor elements with RUGGED HEAVY KNEE-HIGH SOLDIERS' BOOTS.
Background: A desolate plain with patches of snow.
hyperrealistic, sharp focus.
A Replication Specialist, Shining ( Street Scenes in an Alt-World Tokyo )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Dystopian future San Francisco, augmented reality street art, neon brilliance in red, blue, yellow, green, purple, comic book panel, Blade Runner inspiration, watercolor & ink painting, tall slender blade runner in black trenchcoat and fedora, neon light district, shadowy figures in extravagant fashion, futuristic hover cars, glowing city streets, cybernetics, cyberpunk, expressive brushstrokes, traditional and digital blend, high contrast colors, vintage sci-fi feel, 80s and 90s Japanese manga vibes, Ash Thorp's neon-lit grit, Zdzisław Beksiński's haunting cityscapes, dynamic lighting, dark and ominous, Dave McKean and Stephen Gammell style.
Cromlech 61 - Feel the Mystical Energies ! ( An Ad for Antiquities Tourism in Alternate Realities )
Model:
Z-Image Turbo
Size:
2576 X 1456
(3.75 MP)
Used settings:
Prompt: Vast landscape at dawn, vibrant blooming flowers, megalithic construction as the image centerpiece, surreal and intricate style, bold color palettes, reminiscent of "Métal Hurlant" and "Heavy Metal" magazines, Moebius and Richard Corben inspiration, detailed linework, fantastical elements, otherworldly ambiance, digital art medium, high resolution, dramatic lighting casting long shadows, surreal skies, intense hues of reds, purples, blues, and yellows, dreamlike atmosphere.
Quest For The Blue Flame (An Ad for Antiquities Tourism in Alternate Realities)
Model:
ImagineArt
Size:
1920 X 1920
(3.69 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
The 30 Consorts of The Moon Goddess ( An Ad for Antiquities Tourism in Alternate Realities )
Model:
AIVision
(Ultra)
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #1 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
FluX 2
(Pro)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #2 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
SeeDream
Size:
3792 X 2133
(8.09 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #3 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
ImagineArt
Size:
3840 X 2160
(8.29 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #4 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #5 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
Z-Image Turbo
Size:
2576 X 1456
(3.75 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
The Crown Prince - Generational Wealth Wasted on The Unworthy ( Rule By Force series )
Model:
Z-Image Turbo
Size:
2576 X 1449
(3.73 MP)
Used settings:
Prompt: A SINGLE UNCROPPED HUMAN SILHOUETTE IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Prompt: A single human shape at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Prompt: A single human shape IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Old-Fashioned Romance in The Quasi-Labyrinthine ( Passions Trilogy series )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A single human shape at the image's center is surrounded by artfully arranged BLACK-AND-WHITE abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic monochrome composition with bold brushstrokes.
Arms Wide Open Dances the Libertine ( Passions Trilogy series )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A single human shape IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
The Porn Addict Calls The Number Provided ( Passions Trilogy series )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A single human shape IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
The Sun Rising Over Wildflowers, All in Ukrainian Blue and Yellow (Sunrise, Sunset series)
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A desert wilderness in early Springtime with scattered wildflowers in bloom and everything lighted with the first light of the pre-dawn, depicted in the style of Mikalojus Ciurlionis, style of Umberto Boccioni, style of Harry Clarke, 侘び寂び
No Room At The Inn, Just Sickness, Cold, and Hunger
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A close-up scene showing three tents in a homeless encampment, LINED UP SIDE BY SIDE under a bridge in Winter : a desolate urban scene of squalor.
No Room At The Inn, Not For These Three, Who Have No Star To Guide Them
Model:
SeeDream
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: A close-up scene showing three tents in a homeless encampment, LINED UP SIDE BY SIDE under a bridge in Winter : a desolate urban scene of squalor.
No Room At The Inn, And This Ain't No Candyland for the Children That Live Here
Model:
FluX 2
(Base)
Size:
1024 X 576
(0.59 MP)
Used settings:
Prompt: A close-up scene showing three tents in a homeless encampment, LINED UP SIDE BY SIDE under a bridge in Winter : a desolate urban scene of squalor.
Prompt: A close-up scene showing three tents in a homeless encampment, LINED UP SIDE BY SIDE under a bridge in Winter : a desolate urban scene of squalor.
Prompt: Winter homeless encampment, three tents lined up side by side, desolate urban setting, under a bridge, snow-covered ground, barren trees in the background, cold and grey color palette, gritty realism, detailed textures of makeshift tents, trash scattered around, dim natural light filtering through the bridge, stark shadows, raw emotional impact, capturing the harsh reality of homelessness, high-resolution, evoking empathy and awareness, no human figures present.
Prompt: A close-up scene showing three tents in a homeless encampment, LINED UP SIDE BY SIDE under a bridge in Winter : a desolate urban scene of squalor.
Neo-Tokyo #1 (thanks to Mel S for prompting Inspiration)
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
