A Beautiful and Mysterious Brunette with AugmenTech ( Street Scenes in an Alt-World Tokyo )
Model:
SeeDream
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: DARYL HANNAH in 1982 as Blade Runner's PRIS in a cyberpunk world : envision a dystopian future San Francisco adorned with augmented reality street art. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of Blade Runner with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetics and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with 80s and 90s Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
A Replication Specialist Prowling Downtown ( Street Scenes in an Alt-World Tokyo )
Model:
Z-Image Turbo
Size:
2576 X 1449
(3.73 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
A Replication Specialist / Secondary Character, San Francisco, Comics Version ( an Origami Master )
Model:
(Mode 20)
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: RUTGER HAUER CHARACTER ROY BATTY IN BLADE RUNNER Dystopian future San Francisco, augmented reality street art, neon brilliance in red, blue, yellow, green, purple, comic book panel, Blade Runner inspiration, watercolor & ink painting, neon light district, shadowy figures in extravagant fashion, futuristic hover cars, glowing city streets, cybernetics, cyberpunk, expressive brushstrokes, traditional and digital blend, high contrast colors, vintage sci-fi feel, 80s and 90s Japanese manga vibes, Ash Thorp's neon-lit grit, Zdzisław Beksiński's haunting cityscapes, dynamic lighting, dark and ominous, Dave McKean and Stephen Gammell style.
A Replication Specialist / Primary Character, San Francisco, Comics Version
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: RUTGER HAUER CHARACTER ROY BATTY IN BLADE RUNNER Dystopian future San Francisco, augmented reality street art, neon brilliance in red, blue, yellow, green, purple, comic book panel, Blade Runner inspiration, watercolor & ink painting, neon light district, shadowy figures in extravagant fashion, futuristic hover cars, glowing city streets, cybernetics, cyberpunk, expressive brushstrokes, traditional and digital blend, high contrast colors, vintage sci-fi feel, 80s and 90s Japanese manga vibes, Ash Thorp's neon-lit grit, Zdzisław Beksiński's haunting cityscapes, dynamic lighting, dark and ominous, Dave McKean and Stephen Gammell style.
A Replicant Leader / Primary Character, San Francisco, Comics Version
Model:
Z-Image Turbo
Size:
2576 X 1449
(3.73 MP)
Used settings:
Prompt: RUTGER HAUER CHARACTER ROY BATTY IN BLADE RUNNER Dystopian future San Francisco, augmented reality street art, neon brilliance in red, blue, yellow, green, purple, comic book panel, Blade Runner inspiration, watercolor & ink painting, neon light district, shadowy figures in extravagant fashion, futuristic hover cars, glowing city streets, cybernetics, cyberpunk, expressive brushstrokes, traditional and digital blend, high contrast colors, vintage sci-fi feel, 80s and 90s Japanese manga vibes, Ash Thorp's neon-lit grit, Zdzisław Beksiński's haunting cityscapes, dynamic lighting, dark and ominous, Dave McKean and Stephen Gammell style.
A Beautiful Replicant in San Francisco Pre-Makeover, Comics Version
Model:
FluX 2
(Base)
Size:
2496 X 3312
(8.27 MP)
Used settings:
Prompt: A portrait of DARYL HANNAH in 1982 as BLADE RUNNER's PRIS in a dystopian future San Francisco. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of BLADE RUNNER with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetic and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
Prompt: A surreal, dreamlike artwork in style of Scott Bergey, Richard Burlet and Igor Morski: "A VERY SMALL NUMBER OF PEOPLE FORMING A SMALL CROWD in a street scene set in an abstract version of WALL STREET in New York City." Their faces are covered with a variety of minimalistic horned masks, and they wear stylish clothing.
A Beautiful Replicant in San Francisco Pre-Makeover #1
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A portrait of DARYL HANNAH in 1982 as BLADE RUNNER's PRIS in a dystopian future San Francisco. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of BLADE RUNNER with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetic and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
A Beautiful Replicant in San Francisco Pre-Makeover #2
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: DARYL HANNAH in 1982 as Blade Runner's PRIS in a cyberpunk world : envision a dystopian future San Francisco adorned with augmented reality street art. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of Blade Runner with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetics and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with 80s and 90s Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
A Replication Specialist Meets DARK CITY ( Street Scenes in an Alt-World Tokyo )
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan where the street is decorated with AUGMENTED REALITY from advertising to performance art and virtual costumery : Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of a tall slender blade runner in a black trenchcoat and matching fedora, standing in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Prompt: RUTGER HAUER in 1982 as Blade Runner's ROY BATTY in a cyberpunk world : envision a dystopian future San Francisco adorned with augmented reality street art. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of Blade Runner with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetics and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with 80s and 90s Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
Prompt: DARYL HANNAH in 1982 as Blade Runner's PRIS in a cyberpunk world : envision a dystopian future San Francisco adorned with augmented reality street art. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of Blade Runner with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetics and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with 80s and 90s Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
Prompt: Blade Runner's Roy Batty in a cyberpunk world : envision a dystopian future San Francisco adorned with augmented reality street art. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of Blade Runner with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetics and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with 80s and 90s Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
A Cyborg Replication Specialist ( Street Scenes in an Alt-World Tokyo )
Model:
ImagineArt
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan where the street is decorated with AUGMENTED REALITY from advertising to performance art and virtual costumery : Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of a tall slender blade runner in a black trenchcoat and matching fedora, standing in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
A Replication Specialist, Teleporting ( Street Scenes in an Alt-World Tokyo )
Model:
Ideogram
(Base)
Size:
1312 X 736
(0.97 MP)
Used settings:
Prompt: The setting is a dystopian future vision set in SAN FRANCISCO where the street is decorated with AUGMENTED REALITY from advertising to performance art : Full neon brilliance of red, blue, yellow, green, and purple. Illustrated as a single comic-book art panel illustrating the original "Blade Runner" story directed by Ridley Scott: Watercolor & ink painting of a tall slender blade runner in a black trenchcoat and matching fedora, standing in a neon light district, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic, with high contrast colors and a vintage science fiction feel. The bold colors and textures are reminiscent of 80s and 90s japanese manga comics ; also present is Ash Thorp's neon-lit grit, as are the haunting city landscapes of Zdzisław Beksiński, illuminated by dynamic lighting. Dark and ominous, in the style of Dave McKean and Stephen Gammell.
A Replication Specialist, Shining ( Street Scenes in an Alt-World Tokyo )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Dystopian future San Francisco, augmented reality street art, neon brilliance in red, blue, yellow, green, purple, comic book panel, Blade Runner inspiration, watercolor & ink painting, tall slender blade runner in black trenchcoat and fedora, neon light district, shadowy figures in extravagant fashion, futuristic hover cars, glowing city streets, cybernetics, cyberpunk, expressive brushstrokes, traditional and digital blend, high contrast colors, vintage sci-fi feel, 80s and 90s Japanese manga vibes, Ash Thorp's neon-lit grit, Zdzisław Beksiński's haunting cityscapes, dynamic lighting, dark and ominous, Dave McKean and Stephen Gammell style.
Blue To Purple, Blue To Green : Variation #1, Seen in a 2560 x 1440 Size ( Experience series )
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: A SINGLE UNCROPPED HUMAN SILHOUETTE IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
That Knife-Wielding Maniac Was Later Caught - Red-Handed, Of Course !
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A SINGLE UNCROPPED HUMAN SILHOUETTE IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Tripping On My Surfboard - Or Was That The Motel's Coffee Table ?
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A SINGLE UNCROPPED HUMAN SILHOUETTE IN ITS ENTIRETY at the image's center : Vivid geometric shapes, abstract art ; Elizabeth Murray's expressive style, Keith Haring's pop art influence, Willem de Kooning's abstract expressionism touch, Camoes' unique artistic flair, dynamic colorful composition, bold brushstrokes, artfully arranged shapes, high-resolution digital art, vibrant color palette, intricate details, striking contrast, creative lighting effects.
Blue To Purple, Blue To Green : Variation #2, Seen in a 1920 x 1920 Square ( Experience series )
Model:
FluX 2
(Base)
Size:
1920 X 1920
(3.69 MP)
Used settings:
Prompt: A SINGLE UNCROPPED HUMAN SILHOUETTE IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Prompt: A single human shape at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Prompt: A single human shape at the image's center is surrounded by artfully arranged BLACK-AND-WHITE abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic monochrome composition with bold brushstrokes.
The Red Rage of The Righteous in a World Gone Wrong ( Experience series )
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: A single human shape IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Red Blue and Purple in a 1920 x 1920 Square ( Experience series )
Model:
FluX 2
(Base)
Size:
1920 X 1920
(3.69 MP)
Used settings:
Prompt: A single human SILHOUETTE IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Yellow to Orange, Yellow to Green ( Experience series )
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: A single human SILHOUETTE IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
The Crown Prince - Generational Wealth Wasted on The Unworthy ( Rule By Force series )
Model:
Z-Image Turbo
Size:
2576 X 1449
(3.73 MP)
Used settings:
Prompt: A SINGLE UNCROPPED HUMAN SILHOUETTE IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Blue and Yellow Are Green, With Some Red and a Little Blue-Black and Gray (Experience series)
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: A single human shape IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Prompt: A single human shape at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Prompt: A single human shape IN ITS ENTIRETY at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
A Painted Blue Silhouette on Yellow, 'Anti- Portrait' ID Picture 482x482 square (Experience series)
Model:
FluX 2
(Base)
Size:
385 X 385
(0.15 MP)
Used settings:
Prompt: A single human shape at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
A Painted Silhouette on Yellow, Anti- Portrait ID Picture 455 x 455 square ( Experience series )
Model:
FluX 2
(Base)
Size:
455 X 455
(0.21 MP)
Used settings:
Prompt: A single human shape at the image's center is surrounded by artfully arranged and brightly colored abstract geometric shapes, in Elizabeth Murray's expressive style, Keith Haring's pop art, Willem de Kooning's abstract expressionism, and Camoes' unique style, dynamic colorful composition with bold brushstrokes.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
