A Replication Specialist Meets DARK CITY ( Street Scenes in an Alt-World Tokyo )
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan where the street is decorated with AUGMENTED REALITY from advertising to performance art and virtual costumery : Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of a tall slender blade runner in a black trenchcoat and matching fedora, standing in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Prompt: RUTGER HAUER in 1982 as Blade Runner's ROY BATTY in a cyberpunk world : envision a dystopian future San Francisco adorned with augmented reality street art. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of Blade Runner with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetics and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with 80s and 90s Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
Prompt: DARYL HANNAH in 1982 as Blade Runner's PRIS in a cyberpunk world : envision a dystopian future San Francisco adorned with augmented reality street art. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of Blade Runner with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetics and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with 80s and 90s Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
Prompt: Blade Runner's Roy Batty in a cyberpunk world : envision a dystopian future San Francisco adorned with augmented reality street art. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of Blade Runner with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetics and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with 80s and 90s Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
A Cyborg Replication Specialist ( Street Scenes in an Alt-World Tokyo )
Model:
ImagineArt
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan where the street is decorated with AUGMENTED REALITY from advertising to performance art and virtual costumery : Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of a tall slender blade runner in a black trenchcoat and matching fedora, standing in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
The Secret Choir at Sainted Women's Chapel : A Congregation Heard In A Dream (Lawful Good)
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A surreal, dreamlike artwork in the style of Scott Bergey, Richard Burlet and Igor Morski: "A small group of seven beautiful women are standing on the stage area inside a rustic church." Smiling faces, they are wearing black robes.
The Screaming Choir ( Nightmare Congregations series )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A surreal, dreamlike artwork in the style of Scott Bergey, Richard Burlet and Igor Morski: "An assembled choir of 13 strange yet beautiful women are standing on the stage area inside a rustic church." Smiling faces with domino masks around the eyes, they are wearing white robes.
4 and 3, Secretly Profaning A Chapel by Raising Up The Dead God (Nightmare Congregations series)
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A surreal, dreamlike artwork in style of Scott Bergey, Richard Burlet and Igor Morski: "A group of people standing on the stage area inside a rustic church." Smiling faces, they are wearing black robes.
A Replication Specialist, Teleporting ( Street Scenes in an Alt-World Tokyo )
Model:
Ideogram
(Base)
Size:
1312 X 736
(0.97 MP)
Used settings:
Prompt: The setting is a dystopian future vision set in SAN FRANCISCO where the street is decorated with AUGMENTED REALITY from advertising to performance art : Full neon brilliance of red, blue, yellow, green, and purple. Illustrated as a single comic-book art panel illustrating the original "Blade Runner" story directed by Ridley Scott: Watercolor & ink painting of a tall slender blade runner in a black trenchcoat and matching fedora, standing in a neon light district, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic, with high contrast colors and a vintage science fiction feel. The bold colors and textures are reminiscent of 80s and 90s japanese manga comics ; also present is Ash Thorp's neon-lit grit, as are the haunting city landscapes of Zdzisław Beksiński, illuminated by dynamic lighting. Dark and ominous, in the style of Dave McKean and Stephen Gammell.
A Replication Specialist, Shining ( Street Scenes in an Alt-World Tokyo )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Dystopian future San Francisco, augmented reality street art, neon brilliance in red, blue, yellow, green, purple, comic book panel, Blade Runner inspiration, watercolor & ink painting, tall slender blade runner in black trenchcoat and fedora, neon light district, shadowy figures in extravagant fashion, futuristic hover cars, glowing city streets, cybernetics, cyberpunk, expressive brushstrokes, traditional and digital blend, high contrast colors, vintage sci-fi feel, 80s and 90s Japanese manga vibes, Ash Thorp's neon-lit grit, Zdzisław Beksiński's haunting cityscapes, dynamic lighting, dark and ominous, Dave McKean and Stephen Gammell style.
Cromlech 61 - Feel the Mystical Energies ! ( An Ad for Antiquities Tourism in Alternate Realities )
Model:
Z-Image Turbo
Size:
2576 X 1456
(3.75 MP)
Used settings:
Prompt: Vast landscape at dawn, vibrant blooming flowers, megalithic construction as the image centerpiece, surreal and intricate style, bold color palettes, reminiscent of "Métal Hurlant" and "Heavy Metal" magazines, Moebius and Richard Corben inspiration, detailed linework, fantastical elements, otherworldly ambiance, digital art medium, high resolution, dramatic lighting casting long shadows, surreal skies, intense hues of reds, purples, blues, and yellows, dreamlike atmosphere.
Quest For The Blue Flame (An Ad for Antiquities Tourism in Alternate Realities)
Model:
ImagineArt
Size:
1920 X 1920
(3.69 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
The 30 Consorts of The Moon Goddess ( An Ad for Antiquities Tourism in Alternate Realities )
Model:
AIVision
(Ultra)
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #1 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
FluX 2
(Pro)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #2 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
SeeDream
Size:
3792 X 2133
(8.09 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #3 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
ImagineArt
Size:
3840 X 2160
(8.29 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #4 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
FluX 2
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
Archaeological Dig Site #5 (An Ad for Antiquities Tourism in Alternate Realities)
Model:
Z-Image Turbo
Size:
2576 X 1456
(3.75 MP)
Used settings:
Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
The House That Metastasizes : a Landmark in My Dreamworlds' Topography ("Houses" series)
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: An abandoned castle, depicted in the characteristic style and bold palettes of the magazine "Métal Hurlant" and its American edition, "Heavy Metal," particularly in the work of Moebius and Richard Corben.
Prompt: A landscape scene in a desert wilderness with a mountain range on the horizon, done in the combined styles of Dali, Warhol, Picasso, Van Gogh, Matisse, Toulouse-Latrec, Klimt, Magritte, Dufy, and Gorky.
Prompt: Portrait of the gentle young Princess Jasmine. Arabian princess, in the style of 1001 nights fairy tales , Festive Christmas New Year style , New Year festive atmosphere , The style is Neo noir , sentimentalism ,elegant, Impressionism , Hans Holbein , Auguste Renoir , Franz Xaver Winterhalter , vintage, oil, masterpiece, high detail, art station
It Happened In Vienna - Decorative Modernist, Fantastic Realism ( Cityscapes 2025-12-15 series )
Model:
DaVinci2
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: Vivid and intricate patchwork landscape, inspired by Mandelbrot and Julia fractals, reminiscent of Wassily Kandinsky, Alphonse Mucha, Paul Klee, Gustav Klimt, Amanda Clark, Catrin Welz-Stein, and Aubrey Beardsley. The scene unfolds in a long, narrow stone corridor adorned with stylized symbols and designs, divided into rectangular sections. Two monumental figures dominate the space: one standing tall and powerful, the other chained and seated in distress within a maze. The figures exude a human-like yet dark and grayish hue. The atmosphere is somber and dimly lit, with a cool gray palette. Wooden planks line the floor, contrasting with the recessed area where the figures reside. The walls are adorned with intricate patterns and symbols, hinting at a ritualistic or ancient ambiance. Chains accentuate the theme of captivity, while the perspective offers a view from above the seated figure. The overall style is dark, symbolic, and surreal, evoking a dystopian narrative. Key elements include the maze, chains, and carved symbols, enhancing the mysterious and confined setting. Hand-drawn with meticulous attention to detail, bringing out the complexity and depth of the scene.
Neo-Tokyo #1 (thanks to Mel S for prompting Inspiration)
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Neo-Tokyo #2 (thanks to Mel S for prompting Inspiration)
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
Prompt: Oil painting of a HAIRY DEMONIC MONSTER STANDING AMONG THE SMOKE AND FLAMES OF HELL'S LAVA PITS wearing minimal clothing, in the style of Frank Frazetta and Boris Vallejo
A Wandering Wizard (note that his left hand hovers near his weapon case, probably containing a wand)
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A nondescript bearded medieval peasant wearing a tunic of rough gray wool and leather trousers and boots, painted in the style of Frank Frazetta and Boris Vallejo
A Vampire in New Orleans : Long-Time Local Resident #02, 3rd View
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A handsome distinguished looking African-American vampire depicted in COMIC BOOK style, wearing an expertly tailored black suit with a long black coat and black boots, walks down a street in New Orleans' French Quarter at night. Darkness pools around him. Roy Lichtenstein
A Vampire in New Orleans : LUGOSI'S COUNT DRACULA, View #01
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A handsome distinguished looking vampire BELA LUGOSI AS COUNT DRACULA depicted in COMIC BOOK style, wearing an expertly tailored black suit with a long black coat and black boots, he is facing forward and standing squarely on a street in New Orleans' French Quarter at night. Darkness pools around him. Roy Lichtenstein
A Vampire in New Orleans : COUNT ORLOK, the NOSFERATU, 1st VIEW
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: The Nosferatu vampire COUNT ORLOK depicted in COMIC BOOK style, wearing an expertly tailored black suit with a long black coat and black boots, stands squarely on a street in New Orleans' French Quarter at night. Darkness pools around him. Roy Lichtenstein
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
