#ajbackstory

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #4, Sunset

• Model: ImagineArt

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in The GOLDEN HOUR which is THE HOUR AFTER SUNRISE, painted in the style of Twentieth Century American painters of the Realism School, especially Edward Hopper and also including Winslow Homer, William Wendt, and Andrew Wyeth.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #4.5, The Magic Hour

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: A small picturesque village in Tolkien's Middle Earth depicted in the combined styles of ARTHUR RACKHAM and AUBREY BEARDSLEY and IVAN BILIBIN ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The MAGIC HOUR which is the hour AFTER THE SUN HAS COMPLETELY SET
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #5, Night

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: A small picturesque village in Tolkien's Middle Earth ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The MAGIC HOUR which is the hour AFTER THE SUN HAS COMPLETELY SET, painted in the style of Twentieth Century American painters of the Realism School, especially Edward Hopper and also including Winslow Homer, William Wendt, and Andrew Wyeth.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #1, Pre-Dawn

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: A small picturesque village in Tolkien's Middle Earth depicted in the style of AUBREY BEARDSLEY ; the village is set in an area with prairie and low hills all around and a distant mountain range on the horizon, depicted in The MAGIC HOUR which is the hour AFTER THE SUN HAS COMPLETELY SET
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #2.5, Mid-Morning

• Model: Z-Image Turbo

• Size: 2576 X 1456 (3.75 MP)

• Used settings:

  • Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON IN SPRINGTIME, depicted in the style of 20th century American comics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #2.0, Early Morning

• Model: SeeDream

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in The GOLDEN HOUR which is THE HOUR AFTER SUNRISE, painted in the style of Twentieth Century American painters of the Realism School, especially Edward Hopper and also including Winslow Homer, William Wendt, and Andrew Wyeth.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #3.0, Early Afternoon

• Model: Ideogram (Base)

• Size: 1312 X 736 (0.97 MP)

• Used settings:

  • Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON IN SPRINGTIME, depicted in the style of 20th century American comics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Villages On The Thirty Peaks Ridge, an RPG Module Illustration Series, Scene #3.7, Mid-Afternoon

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: A small picturesque MEDIEVAL VILLAGE in TOLKIEN'S MIDDLE EARTH ; the village is set in an area with PRAIRIE THAT GOES ALL THE WAY to a DISTANT MOUNTAIN RANGE ON THE HORIZON UNDER A COMPLETELY CLEAR AND CLOUDLESS SKY, depicted in EARLY AFTERNOON IN SPRINGTIME, depicted in the style of 20th century American comics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Reeds of the Camargue (1907) by Julian Stone, a fictional character of my own invention

• Model:

• Size: 1344 X 768 (1.03 MP)

• Used settings:

  • Prompt: A vibrant, painterly landscape depicting a marsh or wetlands scene at sunset, rendered in the style of Vincent van Gogh. The composition is dominated by a dramatic sky, with swirling, thick brushstrokes of deep blues and purples in the upper half, transitioning to a glowing band of peach, pink, and pale yellow hues along the horizon. Below the horizon, a distant line of dark green trees or dense foliage stretches across the mid-ground. The foreground and mid-ground feature a winding river or waterway with calm, reflective water rendered in shades of bright blue, teal, and lavender, showing horizontal brushstrokes that suggest ripples. The banks of the river and surrounding areas are filled with tall, golden-yellow and bright green marsh grasses, depicted with energetic, upward-sweeping brushstrokes that give them a sense of movement and texture. The overall lighting is that of a sunset, casting warm glow on the lower sky and reflecting in the water, while the upper sky retains a deep, twilight blue. The colors are highly saturated and contrasting, with bold blues, greens, yellows, and oranges. The style is distinctly Post-Impressionistic, characterized by visible, expressive brushwork, strong lines, and a heightened sense of color and emotion. The mood is serene yet dynamic, capturing the beauty of nature with an almost dreamlike intensity.
  • Using base image: No
  • Aspect Ratio: landscape_wide

An Apprentice Magician Visualizes The Blue Princess

• Model:

• Size: 912 X 1224 (1.12 MP)

• Used settings:

  • Prompt: Vibrant lunar landscape, expressive wet-on-wet gouache painting, thick textures with oil and charcoal, wet blue shades, close-up portrait of a beautiful young woman, Caucasian, long black cloak with radiant gold trim, black carriage with ultra-radiant gold motifs, royal crest, medieval village cobblestone street background, bright blue full moon, graffiti art, splash art, street art elements, high contrast, colorful polychromatic palette, ultra-detailed, CGSociety inspiration, ethereal fantasy mist, 8k resolution concept art, eldritch vibes, Illusion artistry.
  • Using base image: No
  • Aspect Ratio: portrait

Archaeological Dig Site #5, Second View (An Ad for Antiquities Tourism in Alternate Realities)

• Model: Z-Image Turbo

• Size: 2576 X 1449 (3.73 MP)

• Used settings:

  • Prompt: The ruins of an alien city with megalithic/monumental architecture DEPICTED IN THE STYLE OF EC COMICS IN 1951 and seen from a pedestrian point of view on a sunny Summer day with a cloudless bright blue sky ; the architecture has elements of Egyptian, Mayan, and Sumerian architecture and THE ARCHITECTURE IS PARTLY HIDDEN BY THE THICK PERVASIVE ENCROACHING JUNGLE with the brightly colored flowering shrubs and bushes and its brightly colored flowering vines ; all of this has been translated into comics illustration ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age who were in 1951 working for EC Comics, including AL FELDSTEIN, WALLY WOOD, JACK KAMEN, and HARVEY KURTZMAN
  • Using base image: No
  • Aspect Ratio: landscape_wide

A Beautiful and Mysterious Brunette with AugmenTech ( Street Scenes in an Alt-World Tokyo )

• Model: SeeDream

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: DARYL HANNAH in 1982 as Blade Runner's PRIS in a cyberpunk world : envision a dystopian future San Francisco adorned with augmented reality street art. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of Blade Runner with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetics and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with 80s and 90s Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
  • Using base image: No
  • Aspect Ratio: landscape_wide

A Replication Specialist Prowling Downtown ( Street Scenes in an Alt-World Tokyo )

• Model: Z-Image Turbo

• Size: 2576 X 1449 (3.73 MP)

• Used settings:

  • Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: No
  • Aspect Ratio: landscape_wide

A Replication Specialist / Secondary Character, San Francisco, Comics Version ( an Origami Master )

• Model: (Mode 20)

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: RUTGER HAUER CHARACTER ROY BATTY IN BLADE RUNNER Dystopian future San Francisco, augmented reality street art, neon brilliance in red, blue, yellow, green, purple, comic book panel, Blade Runner inspiration, watercolor & ink painting, neon light district, shadowy figures in extravagant fashion, futuristic hover cars, glowing city streets, cybernetics, cyberpunk, expressive brushstrokes, traditional and digital blend, high contrast colors, vintage sci-fi feel, 80s and 90s Japanese manga vibes, Ash Thorp's neon-lit grit, Zdzisław Beksiński's haunting cityscapes, dynamic lighting, dark and ominous, Dave McKean and Stephen Gammell style.
  • Using base image: No
  • Aspect Ratio: landscape_wide

A Replication Specialist / Primary Character, San Francisco, Comics Version

• Model: FluX 2 (Base)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: RUTGER HAUER CHARACTER ROY BATTY IN BLADE RUNNER Dystopian future San Francisco, augmented reality street art, neon brilliance in red, blue, yellow, green, purple, comic book panel, Blade Runner inspiration, watercolor & ink painting, neon light district, shadowy figures in extravagant fashion, futuristic hover cars, glowing city streets, cybernetics, cyberpunk, expressive brushstrokes, traditional and digital blend, high contrast colors, vintage sci-fi feel, 80s and 90s Japanese manga vibes, Ash Thorp's neon-lit grit, Zdzisław Beksiński's haunting cityscapes, dynamic lighting, dark and ominous, Dave McKean and Stephen Gammell style.
  • Using base image: No
  • Aspect Ratio: landscape_wide

A Replicant Leader / Primary Character, San Francisco, Comics Version

• Model: Z-Image Turbo

• Size: 2576 X 1449 (3.73 MP)

• Used settings:

  • Prompt: RUTGER HAUER CHARACTER ROY BATTY IN BLADE RUNNER Dystopian future San Francisco, augmented reality street art, neon brilliance in red, blue, yellow, green, purple, comic book panel, Blade Runner inspiration, watercolor & ink painting, neon light district, shadowy figures in extravagant fashion, futuristic hover cars, glowing city streets, cybernetics, cyberpunk, expressive brushstrokes, traditional and digital blend, high contrast colors, vintage sci-fi feel, 80s and 90s Japanese manga vibes, Ash Thorp's neon-lit grit, Zdzisław Beksiński's haunting cityscapes, dynamic lighting, dark and ominous, Dave McKean and Stephen Gammell style.
  • Using base image: No
  • Aspect Ratio: landscape_wide

A Beautiful Replicant in San Francisco Pre-Makeover, Comics Version

• Model: FluX 2 (Base)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: A portrait of DARYL HANNAH in 1982 as BLADE RUNNER's PRIS in a dystopian future San Francisco. Picture the scene saturated with neon brilliance in shades of red, blue, yellow, green, and purple, reminiscent of a vivid comic book panel. Capture the essence of BLADE RUNNER with a watercolor and ink painting technique, showcasing the inspiration drawn from the film. Explore the neon light district bustling with shadowy figures in extravagant fashion, alongside futuristic hover cars navigating the glowing city streets. Embrace the cybernetic and cyberpunk elements through expressive brushstrokes, blending traditional and digital art seamlessly. Enhance the visual impact with high contrast colors, evoking a vintage sci-fi feel intertwined with Japanese manga vibes. Infuse the artwork with Ash Thorp's neon-lit grit and Zdzisław Beksiński's haunting cityscapes, creating a dark and ominous atmosphere. Illuminate the scene with dynamic lighting, inspired by the styles of Dave McKean and Stephen Gammell, culminating in a mesmerizing fusion of artistry.
  • Using base image: No
  • Aspect Ratio: portrait

Extreme Close-Up Portrait of a Beautiful Woman with Soulful Eyes

• Model: DaVinci2

• Size: 864 X 1152 (1.00 MP)

• Used settings:

  • Prompt: Abstract portrait, minimalist style, emphasis on form, color, and lines, palette of reds and blues with purples in overlapping shapes, striking contours, bold geometric and rounded shapes, dynamic and emotional, inner movement and tranquility, illusion of depth and texture, contemplative masterpiece, profound emotion, digital art, high resolution, clean and sharp details.
  • Using base image: No
  • Aspect Ratio: portrait

Attila and Arachne ( Futuristic Alt-Earth Cityscape )

• Model: FluX 2 (Base)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: In the world of Fragile dystopia future Vision set in Tokyo Japan: Full neon brilliancy of red, green, blue, black. Artist Jean-Baptiste Monge style. Illustrated comic art panels of "Blade Runner" directed by Ridley Scott: Mixed media collage of Bill Sienkiewicz & Hayao Miyazaki: Soft Watercolor & ink on silk painting of Attila The Hun in a neon light district in Tokyo Japan, inhabited by shadowy figures wearing extravagant fashion wears, futuristic cars that hover and fly through the night among glowing city streets with futuristic buidings, cybernetics, cyberpunk, expressive brushstrokes and textures, blending traditional and digital media to create a unique, unsettling aesthetic. Distressed, grainy finish with high contrast colors, bold typography, and a vintage scifi feel. Distressed paper texture, torn edges, faded ink, and neon neo tokyo lighting evoke a sense of aged, futuristic terror. Incorporating the mixed media chaos and signature style of Bill Sienkiewicz, with bold colors and textures reminiscent of 80s and 90s japanese anime comics, Ash Thorp's neon-lit grit, and the haunting, city landscapes of Zdzisław Beksiński: (A diaphanous junji ito masterpiece of unparalleled excellence), Award winning photography, oil on canvas ,dynamic lighting. Feathering, bleeding from indian ink, sketches of graph & waves, impasto oil painting, dark, abstract, ominous, style of Dave McKean and Stephen Gammell.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Fire Team Bravo #1

• Model: DaVinci2

• Size: 1736 X 2064 (3.58 MP)

• Used settings:

  • Prompt: No changes to the Start Image
  • Using base image: Yes