A 'Crawler' : Semi-Autonomous Shock Troop, Rah'Yai-Krah Manufactured Species 8-K (w backstory)
Model:
FluX
(Base)
Size:
2224 X 1664
(3.70 MP)
Used settings:
Prompt: Create a watercolor and ink plate showing a SIX-LEGGED sentient warrior species loosely based on the PRAYING MANTIS with "PRAYING POSITION" ARMS, done in inks and watercolors by a naturalist in a xenobiology journal:
The Proportions: It would show a towering creature, easily eight feet tall. The main stance is vertical, but the lower body has a wide, heavy four-legged base.
The Chitin Plating: The naturalist would have sketched detailed cross-sections of the exoskeleton, drawing it not like a smooth insect shell, but like heavy, dull-grey overlapping plates resembling biological slate armor or a tactical vest.
The Upper Limbs: The top two limbs would be drawn with heavy muscle definition, terminating in a thick, calloused palm with two powerful thumbs anchoring a grip.
The Mid-Limbs: The middle pair of limbs would be sketched out to the side, showing heavy joint structures built to lock into place like hydraulic stabilizers when the creature stands firm.
The Head: The head would be drawn low and wide, tucked tightly between the armored shoulders to eliminate a weak neck joint, with small, slit-like compound eyes deeply shadowed by a heavy brow plate.
A 'Runner' : Hard-Wired Ultra-Light Infantry, Rah'Yai-Krah Manufactured Species 9-R (with backstory)
Model:
Flux Klein
Size:
1280 X 960
(1.23 MP)
Used settings:
Prompt: Create a watercolor and ink plate showing a sentient warrior species loosely based on the PRAYING MANTIS, done in inks and watercolors by a naturalist in a xenobiology journal:
The Proportions: It would show a towering creature, easily eight feet tall. The main stance is vertical, but the lower body has a wide, heavy four-legged base.
The Chitin Plating: The naturalist would have sketched detailed cross-sections of the exoskeleton, drawing it not like a smooth insect shell, but like heavy, dull-grey overlapping plates resembling biological slate armor or a tactical vest.
The Upper Limbs: The top two limbs would be drawn with heavy muscle definition, terminating in a thick, calloused palm with two powerful thumbs anchoring a grip.
The Mid-Limbs: The middle pair of limbs would be sketched out to the side, showing heavy joint structures built to lock into place like hydraulic stabilizers when the creature stands firm.
The Head: The head would be drawn low and wide, tucked tightly between the armored shoulders to eliminate a weak neck joint, with small, slit-like compound eyes deeply shadowed by a heavy brow plate.
Prompt: a view of the Chattahoochee River in Autumn as seen from the Chattahoochee River National Recreation Area and looking across the River to the far shore, painted in the style of Paul Gauguin during his Synthetism Period, using natural colors including autumn colors along with natural greens and blues and some earth tones as well as brightly colored flowers and plants, no framing, no borders of any kind, no signature, no watermark, no text anywhere in the image,
Prompt: The North Country National Scenic Trail in Vermont in the style of Paul Cezanne during his Post-Impressionism Period, using natural colors like natural greens and blues with some earth tones as well as brightly colored flowers and plants, no framing, no borders, no bodies of water, no text, no signature, no watermark,
Prompt: The North Country National Scenic Trail in New York in the style of Paul Cezanne during his Post-Impressionism Period, using natural colors like natural greens and blues with some earth tones as well as brightly colored flowers and plants, no framing, no borders, no bodies of water anywhere in the image, no text, no signature, no watermark,
Prompt: The North Country National Scenic Trail in Vermont in the style of Paul Cezanne during his Post-Impressionism Period, using natural colors like natural greens and blues with some earth tones as well as brightly colored flowers and plants, no framing, no borders, no bodies of water, no text, no signature, no watermark,
Prompt: The North Country National Scenic Trail in Vermont in the style of Paul Cezanne during his Post-Impressionism Period, using natural colors like natural greens and blues with some earth tones as well as brightly colored flowers and plants, no framing, no borders, no bodies of water, no text, no signature, no watermark,
Prompt: The first rays of the Sun light up the mists rising from the swamp in the Louisiana Bayou, in a panoramic landscape scene in the style of Claude Monet.
They Meet At Night, Beneath The Same Stars That We Do : Flowering Carpet, Golden Bough
Model:
FluX
(Base)
Size:
1603 X 1423
(2.28 MP)
Used settings:
Prompt: Colorful golden and Canary Blue wet inks of a dreamy landscape with beautiful willows with lots of lacy figures on black canvas by Lotte Reiniger depicted in the perfect fractal style of Mandelbrot, Julia, Wassily Kandinsky, Alphonse Mucha
Prompt: A breathtaking 16:9 panoramic landscape of a sun-dappled North American temperate forest glade, rendered in the iconic watercolor-and-ink fusion style of Arthur Rackham. Towering hardwoods dominate the scene, their leaves ablaze with bright autumn reds, oranges, and yellows, contrasting against the deep emerald greens of dense evergreen foliage. The composition is meticulously balanced, with intricate textures in the tree bark, lush undergrowth, and rich earth tones for the soil and forest floor. Ethereal sunlight filters through the canopy, casting dappled light and subtle color transitions across the glade. The artwork avoids ugly puddling in washes, emphasizing delicate washes and precise penwork. Vibrant yet natural lighting enhances the depth and atmosphere, while the high-resolution detail captures every leaf, branch, and shadow. The style blends ArtStation’s modern precision with Rackham’s whimsical, storybook charm—evoking a sense of untouched wilderness and magical realism.
Prompt: Tranquil beach sunset, vintage poster art style, muted warm color palette, painterly texture, watercolor-like, blue sky, diffused lighting, visible brushstrokes, light brown rocks on sandy beach, calm turquoise water, nostalgic, dreamy aesthetic, rough, unfinished quality, dark silhouette of land on horizon, fluid, expressive lines, smooth and rough texture areas.
Here They Come, and Not Just Any Lights (Fairy-Lights series) aka The Painting Of The Three
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Cinematic 16:9 nighttime forest clearing in the style of IVAN BILIBIN : soft smooth illumination, photoreal lighting. Subtle fairy lights in a few gentle strands (not glittery, not sparkly), warm yellow firefly glow creating a light haze (smooth, not speckled). Background: tall dark trees with clusters of bright red and blue flowers in the branches. Mid-distance: a small number of softly glowing purple/red/blue orbs, low intensity, smooth bokeh. Near ground: limited blue and yellow ambient glints, minimal texture. No grain, no speckle, minimal micro-contrast, clean gradients, volumetric light.
Lights All Through The Forest : A Celebration Dance For A Multitude Of The Fair Folk
Model:
Z-Image Turbo
Size:
1600 X 912
(1.46 MP)
Used settings:
Prompt: Cinematic 16:9 nighttime forest clearing in the style of IVAN BILIBIN : soft smooth illumination, photoreal lighting. Subtle fairy lights in a few gentle strands (not glittery, not sparkly), warm yellow firefly glow creating a light haze (smooth, not speckled). Background: tall dark trees with clusters of bright red and blue flowers in the branches. Mid-distance: a small number of softly glowing purple/red/blue orbs, low intensity, smooth bokeh. Near ground: limited blue and yellow ambient glints, minimal texture. No grain, no speckle, minimal micro-contrast, clean gradients, volumetric light.
The EarthMotherDaughter Lunaball Tournament (backstory fiction in the Description)
Model:
FluX
(Base)
Size:
2224 X 1664
(3.70 MP)
Used settings:
Prompt: HUMAN COLONISTS' SETTLEMENT ON AN ALIEN PLANET NEXT TO a colorful GREEN PRAIRIE full of exotic COLORFUL WILDFLOWERS on the alien colony exo-planet, depicted in the style of Ivan Bilibin and Darwyn Cooke using the precision rendering of Boris Kostygov and Daniel Gerhartz and Thomas Wells Schaller
An Alternate Earth's 'Globe Theater' (at the fictional 'Cropping Heights,' rather than Southwark)
Model:
Krea 2 Turbo
Size:
3824 X 2160
(8.26 MP)
Used settings:
Prompt: A fantastical alien city nestled into a rocky mountainside, with domed buildings and intricate spires and with everything sharply defined by the brilliant light under a BRIGHT ROYAL BLUE noontime sky. A winding path leads through a foreground bursting with tiny colorful wildflowers in shades of purple, orange, and yellow. The art style is reminiscent of a detailed, hand-painted animation still with bold outlines and a rich, saturated color palette, inspired by Moebius and classic science fiction art.
Botanical Propagation and Soil Reclamation Node, British Columbia, MAZ Community (post-Collapse)
Model:
Z-Image Turbo
Size:
1600 X 912
(1.46 MP)
Used settings:
Prompt: HUMAN COLONISTS’ FIRST SETTLEMENT ON AN ALIEN PLANET, set beside a sprawling, vibrant GREEN PRAIRIE carpeted with dense exotic wildflowers—an exuberant, lived-in frontier where civilization meets nature. Create a panoramic 16:9 scene: low domes and stilted habitats with delicate architectural linework, tether cables and walkways, small figures of colonists in the mid-ground (subtle scale, no clutter), and sweeping prairie foregrounds bursting with varied flower silhouettes and color blooms. Render the environment with crisp, intentional pen-and-ink precision, layered watercolor washes for atmospheric depth, and controlled highlights that make the flora glow against the planet’s cool alien sky. Add faint dust haze and soft wind movement through the grass heads; emphasize clarity of form, thoughtful composition, and ornamental detail. Final look: refined historical-illustration charm—pen & ink line clarity, watercolor gradients, and architectural draftsmanship, with exceptionally accurate botanical variety and clean graphic readability.
Style direction: Ivan Bilibin + Darwyn Cooke (illustrative fairy-tale frontier), architectural drawing and engraved pen-and-ink detailing; watercolor-and-ink hybrid; precision linework and balanced color harmonies (Boris Kostygov–Daniel Gerhartz–Thomas Wells Schaller level of detail). 16:9 cinematic composition, high clarity, rich texture, crisp edges, no text, no watermark.
On An Alternate Earth : Temple City, with a View of The Muddleton Road
Model:
FluX
(Base)
Size:
2560 X 1440
(3.69 MP)
Used settings:
Prompt: A fantastical alien city nestled into a rocky mountainside, with domed buildings and intricate spires and with everything sharply defined by the brilliant light under a bright blue noontime sky. A winding path leads through a foreground bursting with tiny colorful wildflowers in shades of purple, orange, and yellow. The art style is reminiscent of a detailed, hand-painted animation still with bold outlines and a rich, saturated color palette, inspired by Moebius and classic science fiction art.
Prompt: A city street with shops and cafes, a few bright signs and street-lights but most of the neon signs have been turned off ; the street is lighted only with the first pale glimmers of the first light of pre-dawn at 5AM and I am the last and only person still on the streets, straggling toward home.
Prompt: A city street with shops and cafes, a few bright signs and street-lights but most of the neon signs have been turned off ; the street is lighted only with the first pale glimmers of the first light of pre-dawn at 5AM and I am the last and only person still on the streets, straggling toward home.
Prompt: A city street with shops and cafes, a few bright signs and street-lights but most of the neon signs have been turned off ; the street is lighted only with the first pale glimmers of the first light of pre-dawn at 5AM and I am the last and only person still on the streets, straggling toward home.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
