#abstractfaces

ATLAS APPEL – The kitchen is my canvas!

• Model: ChatGPT 2 (Base)

• Size: 1728 X 2160 (3.73 MP)

• Used settings:

  • Prompt: A hilarious, energetic, expressive cartoon illustration of **Atlas, the world's most rebellious little chalk artist**, inspired by the wild creativity of Karel Appel, the rebellious spirit of Herman Brood, and the colorful chaos of the CoBrA art movement. Atlas has messy, fluffy, curly golden-blond hair, rosy cheeks, sparkling eyes and an enormous cheeky smile. He wears his signature bright red fleece jacket with dark navy trim, faded blue jeans and no shoes. Atlas is enthusiastically transforming the dark charcoal kitchen cabinet doors into his personal modern art museum. He is completely absorbed in his artistic frenzy, wildly scribbling with colorful chalk sticks, creating crazy abstract faces, funny monsters, crooked hearts, suns, stars and enormous expressive drawings in vivid yellow, electric blue, fiery red, pink and green. His hair flies in every direction, chalk dust explodes through the air, broken chalk sticks cover the kitchen floor. Atlas looks over his shoulder with an irresistibly naughty, triumphant grin, as though he has just created a million-dollar masterpiece. **Art style:** humorous European editorial cartoon, expressive painterly illustration, bold black ink outlines, exaggerated movement, dynamic composition, rough oil pastel and chalk textures, wild colorful brushstrokes, warm cinematic kitchen lighting, rich details, playful visual storytelling. **Atmosphere:** joyful artistic anarchy, cheeky rebellion, pure creative freedom, hilarious domestic chaos. Preserve Atlas's recognizable facial features, curly hairstyle, red jacket and the original kitchen setting from the reference images. Highly detailed, vibrant, funny, expressive, charming, masterpiece quality, vertical 4:5 composition.
  • Using base image: Yes

Vibrant Cubist Faces in Oil

• Model: Krea 2 Turbo

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: They live in hollow cracks. Vivid otherworldly dreamscape, surreal fusion inspired by Picasso, Rembrandt, Salvador Dali and Leonora Carrington, intricate dreamlike cubism with dramatic lighting, 8k resolution for rich details, abstract surrealism, oil on canvas, textured finish, euphoric dreamscape with vibrant metallic colors and dynamic shapes, bizarre cubism faces with over exaggerated features, faces blending into each other, varied textures, museum masterpiece with vivid symphony of colors and intriguing shapes.
  • Using base image: No
  • Aspect Ratio: square

Dreamlike Surrealist Vision

• Model: Krea 2 Turbo

• Size: 1472 X 832 (1.22 MP)

• Used settings:

  • Prompt: ((Masterpiece, A vibrant, psychedelic painting depicting a portrait)), ((Panoramic abstract surreal composition of interlocking geometric panels and biomorphic faces, a central oversized stylized human visage with three blue eyes and soft airbrushed skin, overlapping curved arches, spiral motifs and concentric circular eyes scattered across the frame; warm palette of deep oranges, magentas, muted golds, indigo blues and creamy neutrals, smooth gradient shading and velvety highlights. Layered cubist planes, rounded columns, checkerboard orb, floating spheres and rings, small pale humanoid figures ascending a narrow staircase and clustered in alcoves, elongated noses and lips, miniature profile faces embedded in tiles, subtle shadowed ear and mechanical floral spirals. Dreamlike, introspective, slightly uncanny mood, harmonious composition with rhythmic repetition, high detail, crisp edges, painterly soft lighting, cinematic contrast, textured grain and rich tonal depth for a surreal modernist mural)), ((The overall scene blends elements of fantasy, traditional architectural styles, and artistic movements. Inspired by Joan Miró, Catrin Welz-Stein, Gediminas Pranckevicius, Deborah Azzopardi, Laura Callaghan, Friedensreich Hundertwasser, James R. Eads)).
  • Using base image: No
  • Aspect Ratio: landscape_wide

Mosaic Woman and Abstract Faces

• Model: Krea 2 Turbo

• Size: 1280 X 960 (1.23 MP)

• Used settings:

  • Prompt: (Masterpiece, A highly detailed and colorful vibrant painting), ((Creatures in the Labyrinth of Hell. Female Portrait, By Friedensreich Hundertwasser)), As if created by Joan Miro, Edward Gorey and Van Gogh.
  • Using base image: No
  • Aspect Ratio: landscape

The Mask of Sorrow: Tears Over Kolyma

• Model: Krea 2 Turbo

• Size: 1472 X 832 (1.22 MP)

• Used settings:

  • Prompt: (((Masterpiece))) a dramatic and monumental ink and watercolor rendering on cold pressed rough paper, in a sketchy, expressive, impressionistic style. A large modern concrete monument representing a human face, intricately carved with multiple abstract faces emerging from the surface. The structure has a distinct geometric shape, towering above surrounding boulders and rocks. A staircase leads to the base, and the scene is set against a clear blue sky, highlighting the monument's monumental scale and unique artistic design. The environment is natural, with a hint of greenery in the background. Delicate but bold ink work defines the monument, the abstract faces, the staircase, boulders, and sky, while loose watercolor washes in soft grey, warm stone, pale blue, muted green, cream, and touches of soft white for light and cloud highlights flow organically, with splatter, blotting, scratching, and overspray, creating texture, depth, and a grainy, grungy, ephemeral, monumental landscape atmosphere. Masterpiece, gorgeous, beautiful, evocative, sumptuous, aesthetic, unique, HD, enchanting, fuzzy, ephemeral, spectacular, dreamy and ethereal. Ultra fine texture of fine lines. 16:9.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Surreal Digital Messiah

• Model: Z-Image Turbo

• Size: 1232 X 1744 (2.15 MP)

• Used settings:

  • Prompt: Use the uploaded pen-and-ink drawing as structural and rhythmic DNA. Preserve portrait orientation, essential composition, viewpoint, cropping, recognizable figures, dominant silhouettes, overlaps, spatial hierarchy, negative spaces and line directions. Keep the source immediately recognizable without copying it mechanically. The AI may enrich color, atmosphere, lighting, material transitions and connective forms when additions grow from the drawing and strengthen its motifs. Transform it into an intricate suspended filigree sculpture: 70% constructible craft, 30% elegant material paradox. Float shaped metal filaments at multiple depths within an edgeless infinite atmospheric field with no wall, floor, corner or horizon. Strong contours become continuous blackened-bronze, warm-copper and antique-brass wires; secondary contours use finer petrol-blue and turquoise-patinated filaments; faces, fingers and tiny details use hair-thin threads. Preserve stroke direction, curvature, rhythm and density. Translate parallel hatching into closely spaced wire membranes and cross-hatching into intersecting layers at different depths. Sparse light areas remain open; dense passages contain overlapping wires whose layers stay visually separable. Selected lines may extend as bridges or suspended arcs but never conceal recognizable figures. Add forms only to clarify movement, balance empty areas or connect existing elements. Place a few translucent membranes between wire groups: ultrathin ivory paper, milky porcelain, smoke-grey vellum and colored mineral film, all following the line flow. Some are tensioned realistically; others create controlled paradoxes: self-supporting paper fins, filaments passing through translucent sheets and delicate planes hovering without visible attachment. Keep impossible events rare, precise and coherent. Surround the sculpture with changing luminous mist: warm ivory and pale amber behind important faces, fading outward into petrol blue, smoke grey and restrained oxblood depth. The mist passes between the wires without obscuring them; a few filaments dissolve into vapor and re-emerge farther away, while selected membranes condense directly from the atmosphere. Separate depth layers with two coordinated lights: a warm upper-left key light creates narrow copper-gold highlights on front filaments, while a cool petrol-blue lower-right backlight outlines middle and rear layers. Vary brightness by depth: foreground wires are crisp and luminous, middle layers carry colored metallic reflections, distant filaments are softer but clearly edged. Reveal cylindrical wire surfaces through fine directional specular highlights. Let translucent membranes transmit pale aqua, amber and burgundy internal glows. Use atmospheric rim light and color diffusion without cast-shadow duplicates. Show varied wire gauges, hand-bent curves, discreet joints, controlled tension, oxidized patina, tool marks, translucent edges and fine depth occlusion. Present the vertical artwork nearly frontally from a slight lower-left angle with layered depth, sharp focus and convincing material detail.
  • Using base image: Yes

Abstract Faces and Music

• Model: Krea 2 Turbo

• Size: 1280 X 960 (1.23 MP)

• Used settings:

  • Prompt: Fractilization diaenoxe, a philosophical tableau of diaenoxe as an orientation of view that binds scattered elements, is depicted as a radiant holographic membrane where every detail contains the whole; a present rendered as a shimmering total hologram, each element—a face, a saxophone, a demonic skull, a star motif—is diffraction‑linked and simultaneously visible at multiple scales. The composition illustrates auto‑similarity as a law of being: facial features echo in filamentary tendrils, which echo in galactic spirals, which echo in the finest grain, each level rendered with identical structural fidelity. The scene is bathed in crepuscular light, the twilight zone where day and night interpenetrate, where figurative and abstract, personal and cosmic, demonic and luminous, one and many coexist without annihilation, forming a luminous‑shadowy gradient that preserves readable forms while hinting at more profound transformations. Repeated faces—your own, transformed, multiplied, deformed—appear as instances of a single informational node, each variation rendered in bold contour lines and stippled texture, emphasizing identity as resonance rather than substance. The artwork is a digital vector illustration emulating screen‑print and linocut aesthetics, with flat color fields and halftone dot patterns. Hard-edge definition and bold contour lines carve strong silhouettes, while stippling adds subtle texture. Geometric abstraction and graphic‑design composition give the piece a poster‑art feel, drawing on Art Nouveau, Art Deco, Pop Art, mid‑century modern illustration, and stylized folk art influences. A high‑saturation palette of complementary teal and orange dominates, accented with warm golden ochre, flat unmodulated color planes, and vibrant primary and secondary hues. Value is driven by high‑contrast chiaroscuro, stark black outlines, and binary tonal distribution, creating graphic tonal separation and strong silhouette definition. The overall aesthetic is stylized, graphic, decorative, bold, flat, patterned, retro‑futuristic, and reminiscent of vintage poster art. No artist signature
  • Using base image: No
  • Aspect Ratio: landscape

Abstract Faces and Eyes Pattern

• Model: Krea 2 Turbo

• Size: 960 X 1280 (1.23 MP)

• Used settings:

  • Prompt: a kaleidoscopic tunnel of iridescent fractal spheres with rainbow chromatic aberration, floating in a swirling vortex of glittering particles and geometric shards, rendered in vibrant neon colors, high contrast, abstract 3d style, macro perspective, glowing textures, with a massive textured foreground wall filling the frame and partially obscuring the scene, revealing the tunnel only through gaps and silhouettes.
  • Using base image: No
  • Aspect Ratio: portrait

Cubist Tower of Faces

• Model: Ideogram v4 (Ultra)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: A modern building made of stylised cubist faces. Cool colours. Very arty and pleasing to the eye. A masterpiece of visual art.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Fire Sprite Boogie

• Model: ChatGPT 2 (Pro)

• Size: 2880 X 2880 (8.29 MP)

• Used settings:

  • Prompt: Two fire sprites dancing feverishly on the edge of an active volcano under an eerie sky in a tropical location. Sparks in their hair. Wow! They embody the energy of fire. How do we get from conflict to resolution?
  • Using base image: No
  • Aspect Ratio: square

Ich bin viel zu lange mit euch mitgegangen (Tocotronic, 1997)

• Model: ChatGPT 2 (Pro)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: Ich bin viel zu lange Mit euch mitgegangen Und ich glaub nicht daran Daß ich jetzt noch mal umkehren kann Ihr habt mir viel zu oft Auf die Schulter geklopft Und ich glaub nicht daran Daß ich ohne das Klopfen noch kann Ich bin viel zu lange Mit euch mitgegangen Und ich glaub nicht daran Daß ich jetzt noch mal umkehren kann Ihr habt mir viel zu oft Auf die Schulter geklopft Und ich glaub nicht daran Daß ich ohne das Klopfen noch kann (((no text in Image at all))
  • Using base image: No
  • Aspect Ratio: landscape_wide

I Really Loved Harold (Melanie, 1968)

• Model: ChatGPT 2 (Pro)

• Size: 2592 X 1456 (3.77 MP)

• Used settings:

  • Prompt: They told me when I was little I'd go to heaven, if I was good. Now I'm a long way from little 'Cause I tried to find heaven, 'cause I thought that I could I thought that I could. And I thought I loved Harold and I really loved John, I really loved Alphy and I almost loved Tom. I loved them so easy and I loved them so free, So I don't think that heaven will wanna love me. Hallo, song of the willow, The dreams under my pillow turned to tears that I cried. Beauty and love are our riddle, Never to answer but always to try, And boy, did I try? I tried with Harold and I tried with John, I tried with Alphy and almost with Tom. I left myself open for the whole world to see, Now the world is the heaven that won't accept me. I said goodbye to Harold and goodbye to John, Goodbye to Alphy and goodbye to Tom 'Cause I loved them so easy and I loved them so free, So I don't think that heaven will wanna love me. Oh say, can you see, by the dawn's early light No light will shine me? (((no text in Image at all))
  • Using base image: No
  • Aspect Ratio: landscape_wide