Prompt: A 16th century style oil painting of a ghastly pale, bearded, JD Vance. Vance is depicted as a the fourth horseman of death, wearing black robes, and riding atop a pale skeletal black horse. Vance is surrounded everywhere by barren, pestilence afflicted land. There is no vegetation in sight. The sky is darkened and the land is afflicted with a blight.
Prompt: painting from the 16th century, an old peasant kneels at a cross of Jesus Christ beside the road and prays. in the background people are gathering grass because a storm is approaching.
Prompt: Peasant wedding (painting by Brueghel, 1568)
The wedding takes place on the threshing floor of the peasant's yard. In the XVI century, there were no large tables even in rich houses, they were made of planks during the holiday. The man on the far right, dressed in black, is sitting on an upside—down vat, the rest are on benches made of rough planks. An old man is sitting on the only chair with a back, perhaps a notary invited to conclude a marriage contract.
In the foreground, two people serve bowls of porridge, and a door that has been removed from its hinges serves as a tray. The one on the left is the largest figure on the canvas. Brueghel also highlighted it in the color scheme. Probably, the artist wanted to stabilize the complex composition of the canvas in this way. On the food carrier, the semi-diagonals of those sitting in the front rows converge, and the edges of his apron mark the axis of symmetry of the canvas. On his hat, as well as on the instruments of the bagpipe players, a bunch of ribbons is tied. Such ribbons were usually used in those days to tie trousers, and their presence on hats and instruments indicated belonging to a certain group. At that time, young people joined
Prompt: Peasant wedding (painting by Brueghel, 1568)
The wedding takes place on the threshing floor of the peasant's yard. In the XVI century, there were no large tables even in rich houses, they were made of planks during the holiday. The man on the far right, dressed in black, is sitting on an upside—down vat, the rest are on benches made of rough planks. An old man is sitting on the only chair with a back, perhaps a notary invited to conclude a marriage contract.
In the foreground, two people serve bowls of porridge, and a door that has been removed from its hinges serves as a tray. The one on the left is the largest figure on the canvas. Brueghel also highlighted it in the color scheme. Probably, the artist wanted to stabilize the complex composition of the canvas in this way. On the food carrier, the semi-diagonals of those sitting in the front rows converge, and the edges of his apron mark the axis of symmetry of the canvas. On his hat, as well as on the instruments of the bagpipe players, a bunch of ribbons is tied. Such ribbons were usually used in those days to tie trousers, and their presence on hats and instruments indicated belonging to a certain group. At that time, young people joined
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
122w
