Alvaro

Grey May

• Model: DaVinci2

• Size: 1232 X 1536 (1.89 MP)

• Used settings:

  • Prompt: Create an abstract impressionism landscape of a lone northern beach, in a foggy and grey day of May, with some undertow and wind. Use impasto, brush strokes, underpainting, complex layers and textures.
  • Using base image: Yes

Ñam ñam (ie: yummy yummy)

• Model: DaVinci2

• Size: 1592 X 1192 (1.90 MP)

• Used settings:

  • Prompt: An abstract impressionism indoor picture of a culinary receit composed of fish salad. Fresh, light, and delicious dish that combines crabs, mussels, scallops, and chopped vegetables, all dressed with extra virgin olive oil and a touch of citrus. Impasto, brush strokes, underpainting, generous light reflections, warm ambience of May, bare-bones but delicate palette of silver tones, light greys, blacks, red, white, blue, green, yellow.
  • Using base image: Yes

Brünhilde explains herself

• Model: ChatGPT 2 (Base)

• Size: 2592 X 1456 (3.77 MP)

• Used settings:

  • Prompt: A deeply emotional figurative watercolor painting inspired by Richard Wagner’s Die Walküre, depicting Brünnhilde explaining herself before Wotan after disobeying his command to save Siegmund and Sieglinde. Wotan sits in silence, immense, weary, tragic, listening with a mixture of restrained authority, sorrow, and dawning recognition. Brünnhilde stands before him, not defiant but spiritually awakened — her expression trembling between shame, compassion, wonder, and newly discovered inner conviction. The emotional center of the image must be Brünnhilde’s transformation through her encounter with Siegmund: the birth of admiration, tenderness, and the first unconscious seed of transcendent love. Her face and posture should radiate sacred emotional revelation rather than romantic sentimentality: she has seen something divine in mortal love. Use luminous layered watercolor techniques with flowing wet-on-wet diffusion, pigment blooming, granulation, translucent glazing, soft bleeding edges, textured cold-press paper, delicate dry-brush accents, atmospheric washes, and subtle ink-like structural accents. The painting should feel alive with breathing color and emotional resonance. The palette must carry the psychology of the music itself: deep storm-blue, desaturated indigo, ash-violet, and solemn pine-green surrounding Wotan; against Brünnhilde’s emerging inner illumination in glowing red, amber, muted gold, rose-carmine, pale vermilion, and fragile silver-white highlights. The colors should seem to awaken from darkness exactly as the orchestral harmony blossoms during her confession. Avoid static operatic posing. The composition should feel intimate, psychologically charged, and spiritually suspended in time. Light should emerge organically from Brünnhilde herself, amplified by her reddish hair, softly reflecting into the surrounding darkness. The atmosphere should evoke tragic nobility, compassion, revelation, and the unbearable beauty of forbidden love becoming destiny. Emotionally immersive, painterly, atmospheric, highly expressive, no kitsch, no photorealism.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Painting the Painter

• Model: Z-Image Turbo

• Size: 1280 X 960 (1.23 MP)

• Used settings:

  • Prompt: Create an abstract impressionism indoor closeup portrait of a pretty woman, redhead, deep green eyes, soft features, who is painting a marina as seen from the window of her studyroom. Use impasto, brush strokes, underpainting, stippling, drybrushing, complex layers and textures, soft lightning and reflections.
  • Using base image: No
  • Aspect Ratio: landscape

Pluto square the Nodes

• Model: Z-Image Turbo

• Size: 1600 X 912 (1.46 MP)

• Used settings:

  • Prompt: A large bulldozer operated by a construction worker in protective gear pushes through a huge accumulation of old debris in broad daylight. The machine is actively clearing a wide path through rough overgrown terrain. In front of the bulldozer: tangled dead branches, dry weeds, rusted metal scraps, broken furniture, uprooted bushes, shattered statues, abandoned clocks, piles of old photographs, cracked wooden crates, discarded household objects - all being forced forward by the blade. Behind the bulldozer, the freshly cleared ground reveals deep raw earth and exposed subsoil, with visible layers cut into the terrain itself. Deep tire tracks press heavily into the soil. Uprooted tree stumps leave torn cavities in the ground, while fragments of buried foundations and old debris emerge from beneath the vegetation. The cleared path stretches far into the distance in a straight uninterrupted line. Bright natural daylight under a pale cobalt-blue sky with soft white clouds. Warm sunlight illuminates drifting dust and highlights the textures of the earth and debris. Rich earthy colors throughout the composition: burnt sienna soil, ochre dirt, dusty olive-green vegetation, faded beige wood, oxidized rust-red metal, weathered gray concrete, muted cream-colored debris, and deep charcoal shadows beneath the machinery. Small touches of pale gold sunlight catch exposed roots, metal edges, and broken surfaces. Impressionistic painting, impasto, brush strokes, layered underpainting, palette knife marks, and richly textured tactile paint surfaces.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Storm

• Model: DaVinci2

• Size: 1232 X 1536 (1.89 MP)

• Used settings:

  • Prompt: Create a cubism-suprematism abstract picture of a person trying to escape from a big storm in the middle of a plain. Use strict geometric figures, mix of vertical and horizontal arrangements and planes, palette of black, dark blue, muted red, white, muted yellow, muted grey, subtle gradients of dark green.
  • Using base image: Yes

Agatiño pitiño

• Model: DaVinci2

• Size: 1232 X 1536 (1.89 MP)

• Used settings:

  • Prompt: Create an abstract impressionism closeup portrait of a orange tabby cat's face, against a floral background. Use impasto, brush strokes, underpainting, careful selected tones of dark green, orange, white, blue.
  • Using base image: Yes

Guess it's too early to pickup the bread

• Model: DaVinci2

• Size: 1592 X 1192 (1.90 MP)

• Used settings:

  • Prompt: Abstract impressionism landscape picture of the Main Street of Southwest Harbor, Maine. Use impasto, brush strokes, underpainting, complex layers and textures, detailed, deep perspective, complementary colors, stippling, rich palette knife. It's November. Foggy, early hours of the morning, when only a few shops and grocery are opened.
  • Using base image: Yes

Across the Sea

• Model: Z-Image Turbo

• Size: 1600 X 912 (1.46 MP)

• Used settings:

  • Prompt: Impressionism nocturnal of a vast coastal landscape seen from a high cinematic perspective: two distant shorelines separated by several kilometers of dark, tranquil sea beneath a deep indigo sky. On one coast, steep cliffs with windswept grasses and scattered lantern lights; on the opposite shore, a quiet luminous peninsula with pale stone houses and faint glowing windows. Stretching across the sea between both lands is a single impossibly thin telegraph wire made of radiant gold, suspended delicately above the water, subtly vibrating with energy. The wire emits a breathtaking ethereal aura of soft blue and rose-colored light, casting shimmering reflections across the ocean surface like liquid starlight. The atmosphere is silent, mystical, melancholic yet beautiful, with faint sea mist, distant stars, and a dreamlike sense of invisible connection. Ultra-detailed painterly realism, impasto, brush strokes, luminous atmosphere, subtle fog diffusion, delicate color grading, highly poetic visual composition, inspired by symbolist painting and modern fantasy matte art.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Engulfed by Love

• Model: AI Upscaler

• Size: 1840 X 2032 (3.74 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

On the Threshold of the Madness

• Model: Z-Image Turbo

• Size: 1600 X 912 (1.46 MP)

• Used settings:

  • Prompt: A portrait of a drummer boy, crying but still playing his drum in a horrendous battlefield. Abstract impressionism, impasto, brush strokes, emotional palette of browns, reds, light blue, white, yellow, respect for the fallen in war.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Let's pick up the pace

• Model: DaVinci2

• Size: 1192 X 1592 (1.90 MP)

• Used settings:

  • Prompt: It's going to spark in the Main Street. So we better run for cover....use fine impasto, brush strokes, underpainting, harsh contrast between light and grey tones, dense clouds, empty street, complex layers and textures.
  • Using base image: Yes

Midnight in the Garden of Lamps and Shadows

• Model: DaVinci2

• Size: 1544 X 1224 (1.89 MP)

• Used settings:

  • Prompt: Abstract impressionism landscape of a lushy garden in the backyard of an old mansion in Savannah, Georgia. Midnight, zenithal soft lightning from lamps illuminate the flowers, misty, fog, evocative. Use impasto, brush strokes, underpainting, muted tones of red, yellow, light grey, dark grey, light blue, green, black, white, complex layers and textures, blending palette knife.
  • Using base image: Yes

Sleeping under red-shifted galaxies

• Model: AI Upscaler

• Size: 1920 X 1920 (3.69 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

A constellation of words of love

• Model: DaVinci2

• Size: 1592 X 1192 (1.90 MP)

• Used settings:

  • Prompt: A pretty woman holding in her hands a whole constellation of hundreds of words of love. Intuitive, words are floating between spheres, watercolor, soft palette.
  • Using base image: Yes

Reflections (XII)

• Model: DaVinci2

• Size: 1816 X 1040 (1.89 MP)

• Used settings:

  • Prompt: Abstract impressionism landscape painting of a rural plain, in October, with a small resilient cluster of wildflowers growing alone in the open wind: deep crimson poppies, pale blue cornflowers, white chamomile blossoms with golden centers, several dark violet irises, and a few soft pink wild roses slightly bent by the weather. Their stems lean unevenly under the persistent wind, yet none are broken. The surrounding field is broad, quiet, and sparsely textured with damp grasses and patches of exposed earth. The wind moves visibly through the landscape in long sweeping rhythms, carrying low clouds across the sky. In the far distance, barely visible through mist and atmospheric haze, lies a subdued town of grey rooftops and muted chimneys, softened almost into abstraction. Use impasto, brush strokes, underpainting, mix of styles of the German impressionism: Waldemar Rösler, Rudolf Höckner, and Hans von Hayek, with intelligent loose brushwork, moist luminous air, delicate tonal transitions, and a restrained palette of cool greys, muted greens, damp ochres, soft violets, and controlled warm highlights near the horizon. The light is diffused through moisture-heavy air, creating soft reflections on wet grass and stones. The overall feeling should be sober, reflective, wind-worn, but never hopeless — more like inner strength slowly hardening into calm clarity.
  • Using base image: Yes

Friday Projections

• Model: Z-Image Turbo

• Size: 3808 X 2176 (8.29 MP)

• Used settings:

  • Prompt: Create an abstract impressionism closeup portrait of a late afternoon café meeting: a pretty woman, redhead, deep green eyes, soft features, is talking animatedly with a young man with short brown hair, clean-shaven, and blue-green eyes, next to a big window in the café. Both are dressed casually. Use impasto, brush strokes, underpainting, stippling, drybrushing, complex layers and textures, soft lightning and reflections.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Friday Illusions

• Model: Z-Image Turbo

• Size: 3808 X 2176 (8.29 MP)

• Used settings:

  • Prompt: A luminous Atlantic afternoon in Vigo, Galicia — an impressionistic street garden scene viewed from the quiet perspective of someone seated near an open café window or beneath the shade of flowering trees. The oppressive haze has vanished; the air now feels freshly washed, soft, breathable, touched by ocean humidity and the gentle movement of a coastal breeze. The light is tender and nurturing rather than harsh: late-afternoon sunlight filtering through leaves, reflected in pale stone, flower petals, café glass, and damp pavement after distant watering. The setting is subtly alive with small signs of daily care and human warmth — flowering balconies, freshly watered plants, linen curtains moving softly, small neighborhood rituals, bicycles leaning quietly against walls, people speaking gently in the distance. The emotional atmosphere conveys restoration after heaviness: emotional shelter, quiet affection, domestic harmony within ordinary life, rediscovered softness inside routines and obligations. The scene should evoke the feeling that everyday existence itself has become more humane, intimate, fertile, and emotionally sustaining. Everything is expressed through color harmony, organic forms, and the emotional quality of light and space. Strongly painterly impressionistic rendering, visible impasto, broken brushwork, wet-on-wet oil texture, luminous scumbling, softened contours, color vibration, atmospheric brush diffusion, Renoir-like warmth, Monet-inspired floral light, Bonnard-style intimacy, subtle post-impressionist decorative rhythm. Impressionistic style, nostalgic palette of light coral-rose, seafoam green, creamy ivory, light peach-gold, pale hydrangea blue, muted sage, impasto, textured brushstrokes, shimmering reflected light, soft Atlantic luminosity, emotionally restorative, tender, quietly life-affirming.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Friday Realities

• Model: Z-Image Turbo

• Size: 3808 X 2176 (8.29 MP)

• Used settings:

  • Prompt: A humid summer afternoon in Vigo, Galicia — an impressionistic urban street seen from the perspective of a solitary observer standing just inside the shade of a café doorway or apartment window. The hour is 16:30, after lunch; the city feels suspended in a heavy, motionless heat. Pale Atlantic sunlight presses against old granite façades and overhead cables through a sticky coastal haze, creating a slightly oppressive shimmer in the air. The atmosphere suggests headache-inducing calima: dense warmth, exhausted brightness, slow shadows, air thick with moisture, salt, and distant harbor dust. A few distant pedestrians dissolve into the heat shimmer, rendered only as loose gestures of color and movement. The street conveys the emotional sensation of confronting the irreversible passage of time: repeating architectural rhythms, aging balconies, worn pavement, faded storefronts, restrained geometry, long vertical shadows, subtle signs of endurance and accumulated experience. The mood is reflective, sober, quietly transformative — the feeling of standing at a threshold where illusions have thinned and reality has acquired weight, structure, and permanence. No symbolism is explicit; everything is conveyed through atmosphere, light, composition, and spatial tension. Strongly painterly impressionistic rendering, visible impasto, broken brushwork, wet-on-wet oil texture, scumbled layers, dry-brush atmospheric haze, loose contour definition, color vibration, optical mixing, softened edges, shimmering reflected light, Monet-inspired luminosity, Pissarro-like urban atmosphere, Vuillard interior-exterior intimacy, subtle post-impressionist structural rhythm. Impressionistic style, nostalgic palette of light ochre, humid pearl-gray, faded slate blue, light smoke-gold, weathered granite silver, muted rust-brown, impasto, textured brushstrokes, soft atmospheric perspective, emotionally introspective, hazy, slightly melancholic Atlantic light.
  • Using base image: No
  • Aspect Ratio: landscape_wide

It always fits for you

• Model: DaVinci2

• Size: 3824 X 2160 (8.26 MP)

• Used settings:

  • Prompt: Paint a pretty woman close up portrait, abstract impressionism, soft features, subtle redhead makeup, varied and delicate tones, soft lightning
  • Using base image: Yes