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(Pls. create masterpiece without texts inside it,) [use Eclecticism + sped down _surrealism for very compulsorily_peacefully ongoing eclectic Postappeal and also very nicely wild youthful post-positivism within brut-urban setting: {[ The blonde smiles. I've never had a worse beer in my life, it cost three dollars, they say it's cheaper in the steppe, a guy from Kazakhstan said. I'm dead from it, and everything is clear to me; on Red Square, I was once looking for some weed, sir. I missed(a bit) the train of Comrades('vlak Družby'), so I gave me a spliff, &wrapped it up right away, I've already realized that no train driver, probably won't be omniscient. I've already realized how futile all the changes are, nothing nothing can be done, even the tragic roles, they must be filled. ]} Eclectic combination of art by Josef Pleskot(+with touches of Eyvind Earle), by Max Švabinský and Michaela Žemličková(+with touches of Yossi Kotler) into dynamic~partly not-blurred(=in freezed motion) style of unknown artist influenced by Milada Lenfeldová style and early art of František Kupka and Aubrey Beardsley, all within 4K πD (oil~impasto) qualities, within tied up setting of abstract roadless cityscape at starless night. Minimalist compositions, no text, no road, no highway, no text, no another unmentioned artifacts.
~still from lyrics:
https://youtu.be/v-JvetixI4E
A highly detailed and colorful artwork depicts a blonde woman with glowing hair, wearing a vibrant, intricately patterned robe, with her arms outstretched as if dancing or gracefully moving forward, emanating bright, colorful streaks that flow behind her. The woman is positioned centrally, her face turned slightly towards the viewer with a warm, gentle smile. Her robe features a rich tapestry of colors and patterns, including paisleys, geometric shapes, and abstract designs, with red, yellow, blue, and green prominently featured.
The background is an urban landscape of concrete buildings under a dark, starry night sky. The architecture is Brutalist or Modernist, characterized by blocky, angular structures with flat roofs and stark facades. Many windows and storefronts within these buildings are filled with colorful abstract art, creating a contrast between the drab concrete and the vibrant artistic displays. These artworks include geometric patterns, fluid shapes, and bold color blocking in shades of red, blue, green, and yellow.
The ground she moves over is a light-colored paved area, possibly a plaza or street, reflecting some of the colorful light emanating from her and the surrounding storefronts. There are shadowy figures and colorful blurs on the ground, suggesting motion and light reflections. On the far left,
