Comments
Loading Dream Comments...
You must be logged in to write a comment - Log In
A large street with drab grey 1950s-style buildings on both sides. The view is from the very lowest point at asphalt level, looking at a walking marionette doll dressed in a colorless unkempt long robe. The doll has messy, stiff shoulder-length hair, a ridiculous expression with a silly smile on its porcelain face with xs instead of eyes. The doll's arms, with bendable joints, are asymmetrically spread out to the sides. The doll’s arms, hands, legs, and head are attached with taut thin strings to a quadcopter with a cross-shaped frame with four propellers suspended at some height above it. Exactly the same dolls, аn absolutely identical appearance to the foreground doll and wearing the same clothes, each attached by strings to its own quadcopter above them, follow alongside the central doll and behind it, forming a mass procession of a silly and pompous appearance. It looks like a disorderly march in one direction of marionettes driven by quadcopters strings. Each puppet doll definitely has its own quadcopter above them. A tense, frightening atmosphere of a crazy puppet march with elements of artistic absurdity and dark humor of hopelessness. The predominant colors of the image are shades of gray, brown, and sepia. The avant-garde style of the 1930s with elements of kitsch and harsh parody. Andre Carrilho 1984 image style.
A highly detailed, vertically oriented, full body shot of a grotesque doll puppet, centrally positioned, walking on a narrow, dark, gritty urban street, facing the viewer with a neutral posture and a chilling smile. The doll is wearing a long, tattered, muted brown apron, dark shoes, and has short, messy dark hair. Its face is flat and white, with large black "X" marks over its closed eyes and a small, upturned, smiling mouth, creating an eerie effect. Its arms, with exposed joint mechanics, are at its sides, and its hands are open. The doll is attached to a large, sophisticated quadcopter drone by multiple strings that extend from the drone’s underside to the doll’s head, hands, and feet, suggesting remote control. In the background, rows of identical doll puppets, also controlled by drones, extend down the street in a uniform, unsettling procession. The street is flanked by old, weathered buildings with multiple stories, windows, and balconies, contributing to a muted, eerie, and somewhat desolate atmosphere. The sky is overcast and gray, with a hazy appearance, enhancing the eerie mood. The overall color palette is dark and washed out, with browns, grays, and subtle pur
