Cozy Dimly Lit Living Room with Colorful Walls

37 rue des Olivettes

108

Artist
Max Lamena...
DDG Model
DaVinci2
Access
Public
Created
2mos ago
Similar Try (2)
Public
108

0

40
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- Info
  37 rue des Olivettes
  
  Model: DaVinci2
  
  Size: 1216 X 1560 (1.90 MP)
  
  Used settings:
  
  Prompt: impasto palette‑knife impressionist scene rendered in thick, dimensional impasto strokes on fine‑grain linen canvas, dominated by warm muted terracotta, mustard and russet reds with luminous complementary accents of pink, teal and magenta. the composition features a quiet lamplit room at night: a solitary lamppost casts rosy pink‑colored lamplight onto a wooden floor, the light pooling in soft, glowing patches. a window looks out onto a wet street, reflections of the lamplight shimmering on rain‑slick pavement and a standing puddle, each reflection rendered with broad, dense paint strokes that capture the specular highlights on metal and glass. thin dark knife lines carve the interior structures—walls, furniture, and a weathered wooden gate positioned near the window. the gate bears peeling pink and blue paint, a rustic iron latch and key, detailed grain texture, and small red wildflowers at its base, all set against a mystical enchanted forest background that glows with bokeh lights in vibrant teal and magenta, creating a dreamy, cinematic atmosphere with shallow depth of field. in the foreground, a glamorous woman in a flowing red satin dress, white gloves and high heels sits confidently on a vintage city bus interior that blends into the room: teal vinyl bus seats, golden handrails, and sunlit afternoon light leaking through the windows, while circus clowns and elephants occupy adjacent seats, smiling in whimsical surrealist detail. outside the bus‑room window, an urban street scene with brick buildings unfolds, echoing the wet street beyond. the entire image is unified by cohesive paint film: each stroke a fully loaded, solid opaque color patch, crisp ridged edges, and bold dense highlights marking the core of each light source and its reflections. graphic stylization simplifies figures while preserving correct anatomy, natural proportions and coherent poses; distant people and animals appear as simplified silhouettes with decisive strokes and a single color accent, while the close woman and elephants retain natural coloring and smoothly transitioning painterly texture. the overall effect is a luminous three‑dimensional tableau with cinematic lighting, vibrant colors, and a fantastical, dreamy quality. no artist signature.
  
  Using base image: Yes
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Prompt: impasto palette‑knife impressionist scene rendered in thick, dimensional impasto strokes on fine‑grain linen canvas, dominated by warm muted terracotta, mustard and russet reds with luminous complementary accents of pink, teal and magenta. the composition features a quiet lamplit room at night: a solitary lamppost casts rosy pink‑colored lamplight onto a wooden floor, the light pooling in soft, glowing patches. a window looks out onto a wet street, reflections of the lamplight shimmering on rain‑slick pavement and a standing puddle, each reflection rendered with broad, dense paint strokes that capture the specular highlights on metal and glass. thin dark knife lines carve the interior structures—walls, furniture, and a weathered wooden gate positioned near the window. the gate bears peeling pink and blue paint, a rustic iron latch and key, detailed grain texture, and small red wildflowers at its base, all set against a mystical enchanted forest background that glows with bokeh lights in vibrant teal and magenta, creating a dreamy, cinematic atmosphere with shallow depth of field. in the foreground, a glamorous woman in a flowing red satin dress, white gloves and high heels sits confidently on a vintage city bus interior that blends into the room: teal vinyl bus seats, golden handrails, and sunlit afternoon light leaking through the windows, while circus clowns and elephants occupy adjacent seats, smiling in whimsical surrealist detail. outside the bus‑room window, an urban street scene with brick buildings unfolds, echoing the wet street beyond. the entire image is unified by cohesive paint film: each stroke a fully loaded, solid opaque color patch, crisp ridged edges, and bold dense highlights marking the core of each light source and its reflections. graphic stylization simplifies figures while preserving correct anatomy, natural proportions and coherent poses; distant people and animals appear as simplified silhouettes with decisive strokes and a single color accent, while the close woman and elephants retain natural coloring and smoothly transitioning painterly texture. the overall effect is a luminous three‑dimensional tableau with cinematic lighting, vibrant colors, and a fantastical, dreamy quality. no artist signature.

Modifiers:

pencil sketch Otto Dix Moebius Robert Crumb Victor Moscoso aquarelle et encre Aquarelle diffuse et encre saturée

Started from image:

Prompt

impasto palette‑knife impressionist scene rendered in thick, dimensional impasto strokes on fine‑grain linen canvas, dominated by warm muted terracotta, mustard and russet reds with luminous complementary accents of pink, teal and magenta. the composition features a quiet lamplit room at night: a solitary lamppost casts rosy pink‑colored lamplight onto a wooden floor, the light pooling in soft, glowing patches. a window looks out onto a wet street, reflections of the lamplight shimmering on rain‑slick pavement and a standing puddle, each reflection rendered with broad, dense paint strokes that capture the specular highlights on metal and glass. thin dark knife lines carve the interior structures—walls, furniture, and a weathered wooden gate positioned near the window. the gate bears peeling pink and blue paint, a rustic iron latch and key, detailed grain texture, and small red wildflowers at its base, all set against a mystical enchanted forest background that glows with bokeh lights in vibrant teal and magenta, creating a dreamy, cinematic atmosphere with shallow depth of field. in the foreground, a glamorous woman in a flowing red satin dress, white gloves and high heels sits confidently on a vintage city bus interior that blends into the room: teal vinyl bus seats, golden handrails, and sunlit afternoon light leaking through the windows, while circus clowns and elephants occupy adjacent seats, smiling in whimsical surrealist detail. outside the bus‑room window, an urban street scene with brick buildings unfolds, echoing the wet street beyond. the entire image is unified by cohesive paint film: each stroke a fully loaded, solid opaque color patch, crisp ridged edges, and bold dense highlights marking the core of each light source and its reflections. graphic stylization simplifies figures while preserving correct anatomy, natural proportions and coherent poses; distant people and animals appear as simplified silhouettes with decisive strokes and a single color accent, while the close woman and elephants retain natural coloring and smoothly transitioning painterly texture. the overall effect is a luminous three‑dimensional tableau with cinematic lighting, vibrant colors, and a fantastical, dreamy quality. no artist signature.

More about 37 rue des Olivettes

37 rue des Olivettes: oil painting of a cozy living room at night. The room is softly lit with warm lighting, casting long shadows. On the left, a teal blue sofa is visible, partially cropped, with its back facing the viewer. In the center, a tall, black ornate street lamp with two glowing bulbs stands, illuminating the area around it. To the right of the lamp, a pale pink armchair is draped with a vibrant red and pink striped blanket. A magenta pillow rests on the armchair. A small wooden side table with delicate legs is positioned next to the armchair, holding a small vase of colorful flowers and a candle. In the background, behind the street lamp, another small wooden table holds a vase of red flowers. The walls are textured with thick, expressive brushstrokes in shades of gray, brown, pink, and hints of teal, creating an abstract brick-like pattern. Paintings with simple landscapes in yellow and blue hues hang on the far wall. The floor is composed of dark, wide planks with visible brushstrokes. Two table lamps with yellow shades are also present, one on the far left next to the blue sofa, and another further back behind the pink armchair. The overall mood is warm, inviting, and artistic.