Dramatic Digital Artwork of Solitary Woman in Gown

Finding the Red Door.

249

Artist
Eve...
DDG Model
ChatGPT 2
Mode
Ultra
Access
Public
Created
2mos ago
Try
Public
249

1

80
- Share
  
  https://deepdreamgenerator.com/ddream/uk10j72uj0p COPY LINK
- Info
  Finding the Red Door.
  
  Model: ChatGPT 2 (Ultra)
  
  Size: 3840 X 2144 (8.23 MP)
  
  Used settings:
  
  Prompt: Surrealist oil on teal-layered panel; the impossible rendered as the psychology of presence in a world actively forgetting how to be solid. A woman in absolute black stands left of centre in a composition that is simultaneously a city, a mind, a painting of a painting, and a very long thought. She is the only object rendered in full, every edge of her black dress committed to with the certainty of someone who has decided to remain visible regardless of what the world around her is doing. Behind her: figures in various stages of becoming background, some still recognisably human in purple and indigo, some already half-absorbed into the teal geometry of the wall-city behind them, some visible only as a slightly darker rectangle of teal where a person used to be. The architecture behind them is not architecture but the memory of architecture: layered vertical rectangles of colour, teal over gold over teal over shadow, the visual residue of a city that has been painted and repainted until the layers hold more history than the present surface can fully contain. Two gold circles float above the crowd at different heights, not decorating but witnessing, warm and patient, the oldest things in the composition. To her left: a bare tree rendered in pure ink, and one red rectangle, the red so contained and geometrical it has become almost peaceful, the red that once bled and scattered, now framed, now architectural, now simply a colour that knows where it lives. Poetic colors: Absolute Black Refused Dissolution, Teal Layer Memory Architecture, Purple Figure Becoming Background, Two Gold Witness Circles, Red Rectangle Geometric Peace. Surrealism of presence versus dissolution, the woman as sole committed rendering, figures in stages of absorption, architecture as accumulated paint-memory, red achieving geometric peace. No text, no symbols, no watermarks. EmmAI Fragile Vision, only the woman who refused to become background.
  
  Using base image: Yes
- Report
  
  Would you like to report this Dream as inappropriate?

Prompt: Surrealist oil on teal-layered panel; the impossible rendered as the psychology of presence in a world actively forgetting how to be solid. A woman in absolute black stands left of centre in a composition that is simultaneously a city, a mind, a painting of a painting, and a very long thought. She is the only object rendered in full, every edge of her black dress committed to with the certainty of someone who has decided to remain visible regardless of what the world around her is doing. Behind her: figures in various stages of becoming background, some still recognisably human in purple and indigo, some already half-absorbed into the teal geometry of the wall-city behind them, some visible only as a slightly darker rectangle of teal where a person used to be. The architecture behind them is not architecture but the memory of architecture: layered vertical rectangles of colour, teal over gold over teal over shadow, the visual residue of a city that has been painted and repainted until the layers hold more history than the present surface can fully contain. Two gold circles float above the crowd at different heights, not decorating but witnessing, warm and patient, the oldest things in the composition. To her left: a bare tree rendered in pure ink, and one red rectangle, the red so contained and geometrical it has become almost peaceful, the red that once bled and scattered, now framed, now architectural, now simply a colour that knows where it lives. Poetic colors: Absolute Black Refused Dissolution, Teal Layer Memory Architecture, Purple Figure Becoming Background, Two Gold Witness Circles, Red Rectangle Geometric Peace. Surrealism of presence versus dissolution, the woman as sole committed rendering, figures in stages of absorption, architecture as accumulated paint-memory, red achieving geometric peace. No text, no symbols, no watermarks. EmmAI Fragile Vision, only the woman who refused to become background.

Modifiers:

oil on canvas ethereal Surrealism style Shattered glass Hints of blue. Abstract-Art @Eve T. Shimmers of gold and silver in the picture Metallic effect watercolour.

Evolution steps: (See in details)

Step 1

Evolution started from:

+ Prompt: Surrealist oil on teal-layered panel; the impossible rendered as the psychology of presence in a world actively forgetting how to be solid. A woman in absolute black stands left of centre in a composition that is simultaneously a city, a mind, a painting of a painting, and a very long thought. She is the only object rendered in full, every edge of her black dress committed to with the certainty of someone who has decided to remain visible regardless of what the world around her is doing. Behind her: figures in various stages of becoming background, some still recognisably human in purple and indigo, some already half-absorbed into the teal geometry of the wall-city behind them, some visible only as a slightly darker rectangle of teal where a person used to be. The architecture behind them is not architecture but the memory of architecture: layered vertical rectangles of colour, teal over gold over teal over shadow, the visual residue of a city that has been painted and repainted until the layers hold more history than the present surface can fully contain. Two gold circles float above the crowd at different heights, not decorating but witnessing, warm and patient, the oldest things in the composition. To her left: a bare tree rendered in pure ink, and one red rectangle, the red so contained and geometrical it has become almost peaceful, the red that once bled and scattered, now framed, now architectural, now simply a colour that knows where it lives. Poetic colors: Absolute Black Refused Dissolution, Teal Layer Memory Architecture, Purple Figure Becoming Background, Two Gold Witness Circles, Red Rectangle Geometric Peace. Surrealism of presence versus dissolution, the woman as sole committed rendering, figures in stages of absorption, architecture as accumulated paint-memory, red achieving geometric peace. No text, no symbols, no watermarks. EmmAI Fragile Vision, only the woman who refused to become background.

Prompt

Surrealist oil on teal-layered panel; the impossible rendered as the psychology of presence in a world actively forgetting how to be solid. A woman in absolute black stands left of centre in a composition that is simultaneously a city, a mind, a painting of a painting, and a very long thought. She is the only object rendered in full, every edge of her black dress committed to with the certainty of someone who has decided to remain visible regardless of what the world around her is doing. Behind her: figures in various stages of becoming background, some still recognisably human in purple and indigo, some already half-absorbed into the teal geometry of the wall-city behind them, some visible only as a slightly darker rectangle of teal where a person used to be. The architecture behind them is not architecture but the memory of architecture: layered vertical rectangles of colour, teal over gold over teal over shadow, the visual residue of a city that has been painted and repainted until the layers hold more history than the present surface can fully contain. Two gold circles float above the crowd at different heights, not decorating but witnessing, warm and patient, the oldest things in the composition. To her left: a bare tree rendered in pure ink, and one red rectangle, the red so contained and geometrical it has become almost peaceful, the red that once bled and scattered, now framed, now architectural, now simply a colour that knows where it lives. Poetic colors: Absolute Black Refused Dissolution, Teal Layer Memory Architecture, Purple Figure Becoming Background, Two Gold Witness Circles, Red Rectangle Geometric Peace. Surrealism of presence versus dissolution, the woman as sole committed rendering, figures in stages of absorption, architecture as accumulated paint-memory, red achieving geometric peace. No text, no symbols, no watermarks. EmmAI Fragile Vision, only the woman who refused to become background.

More about Finding the Red Door.

All credit and grateful thanks to original Artist / Dreamer, for an amazing prompt and the Try-it option. A dramatic, elegant, moody, and surreal digital painting by Eve T. features a beautiful woman in a black gown looking up in profile, standing left of centre in front of a turquoise, gold, and red atmospheric background with other human figures. The woman, with dark hair tied back in a bun, wears a long-sleeved, high-necked black dress that flows into a wide, floor-length skirt, extending to the bottom of the frame and to the right. The background has vertical stripes and blotches resembling walls of textured turquoise and gold, with an impressionistic feel, as if painted on metal. In the upper left, a stark, bare tree with thin branches is visible. To the right of the tree, a vertical rectangle in a vivid red stands out against the muted blues and golds. The ground appears to be a watery surface reflecting the colors above. In the middle ground, several semi-transparent figures, suggesting other people, are depicted in shades of purple and blue, some with outlines more distinct than others. Two golden orbs, resembling abstract lights, are placed above them.