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Artist
I have spent forty years thinking about the relationship between literature, consciousness, and self-knowledge. Part of that journey took me to India to study Sanskrit rhetoric and poetics, where I encountered a tradition that treats language as something far more than communication. Every verse may possess a phala—a fruit. Properly composed and properly received, words transform consciousness.
This helps explain why I have always preferred stories of redemption. I dislike narratives where despair is the final truth, where the hero dies meaninglessly, or where suffering simply consumes the characters. I prefer stories like A Christmas Carol, where grace transforms a person almost instantaneously. I do not see this merely as a matter of taste. I believe different forms of storytelling cultivate different states of mind.
The Sanskrit epics illustrate this principle. The Mahābhārata and the Rāmāyaṇa are not simply long stories; they are designed to shape the reader. The Rāmāyaṇa, in particular, seems to awaken a spontaneous sense of righteousness. People begin to value honesty, compassion, courage, and the protection of those who cannot defend themselves. The story itself becomes part of one’s moral formation.
A similar pattern appears elsewhere. The Sacred Magic of Abramelin the Mage uses biblical verses as operative elements within ritual practice. Whether or not one accepts its theology, it demonstrates a view of sacred language as something performative rather than merely descriptive. I think many Christians unconsciously approach the Bible in much the same way. Scripture is not only read to acquire information; verses are spoken for comfort, healing, protection, repentance, blessing, and transformation. In that sense, the Bible often functions less as a book of propositions than as a living grimoire whose words are expected to accomplish something.
This leads to my broader philosophical point. Self-knowledge depends upon how language is folded and unfolded. Stories can reveal reality, or they can obscure it. If narrative treats reality as infinitely malleable, consciousness itself begins to appear plastic. I believe this is a mistake. Consciousness is not something to be molded. It is the unchanging ground that makes every experience possible.
Liberation does not come from endlessly rewriting reality. It comes from recognizing that consciousness itself exists outside the flow of time. Stories achieve their highest purpose when they guide us toward that recognition—not by imprisoning us within imagination, but by leading us beyond it.